Showing posts with label Jeffrey A. Brown. Show all posts
Showing posts with label Jeffrey A. Brown. Show all posts

Monday, March 6, 2023

Nico Vega

 

My girlfriend's obsession with Nico Vega is really rubbing off on me. I don't know much about them other than they have since broken up, but both the albums K has introduced me to are outstanding! This track is from their self-titled 2009 album, the entirety of which is fantastic.
 


Watch:

This looks difficult to watch in the best possible way:

 

I have to say, I've been pretty impressed with Lachlan Watson's acting since being introduced to them via The Chilling Adventures of Sabrina, and this looks like an even more committed performance than we've seen previously. Also, Director Jeffery A. Brown impressed the hell out of me in 2019 with The Beach House, so I'm definitely game to follow him on a new journey.
 


Read:

I finished Iron Angel yesterday, the second book in Alan Campbell's Deepgate Codex. Since I'm going to be in LaLaLand for two weeks and don't feel the need to carry a hardcover book with me, I'm going to hold off on Book Three: God of Clocks until I return, opting instead to deep-dive a bunch of books on Elizabethian England for Shadow Play Book Two research. Waiting to read this one is going to be tough, as is waiting to crack into Jeremy Haun's Haunthology, which I received via my Kickstarter pledge a few days ago and did an unboxing video for over the weekend:

 

Seriously, this book is gorgeous; can't wait to read!
 


Playlist:

Perturbator - Lustful Sacraments
The Veils - ... And Out of the Void Came Love
The Jeff Healey Band - Full Circle: The Live Anthology
The Teardrop Explodes - Kilimanjaro
Mastodon - Once More 'Round the Sun
Metallica - Hardwired
Nico Vega - Eponymous
Nothing - Guilty of Everything
Dr. John - Ske Dat De Dat
Leviathan the Feeling Serpent - Corpse Eater: Satanic Misery Live for the Dead
Jammes Luckett - May OST
Dexys Midnight Runners - It Was Like This
 


Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


Traveling today. Clarity and Will lead to the completion of an "Earthly" matter, i.e. something to do with our house, I'm pretty sure. A tornado nearly missed us this past Friday, and I've discovered some things that need fixing - not sure if these issues existed before the winds felt like they were going to pull my office from off the top of the garage, but they have to be taken care of. This is not my strong suit, but I'm trying to become someone who can handle issues without hiring out simple 'handyman' work. The skill is definitely in my blood - my Father can fix anything. I just have to double-down when I return from LaLaLand and focus.

Friday, July 10, 2020

Isolation: Day 119 - Soul in Isolation



Over the last week or so, I've fallen back into The Chameleons UK pretty hard, and now Strange Times is a daily double listen (at least). I can't explain how much this album affects me; when I first found it in 2015 I was at a precipice, an unknown crossroads before me. It empowered the part of me that knew how everything would turn out, even if another, bigger part refused to go along with it.

I'd be remiss if I didn't add the caveat that, in my opinion, to really get the maximum effect of this song, it must be listened to in the context of the entire album, or at the very least, immediately followed by the next successive track on the record, Swamp Thing. Talk about an extremely powerful double-hitter.

**

I was SUPER excited to come home from work yesterday, smoke out, and watch Jeffrey A. Brown's debut feature The Beach House on Shudder. I knew nothing about this one going in except a blurb I saw that called it "Cosmic Body Horror."

I was not disappointed.

The Beach House takes an everyday situation, makes it awkward, so that a lot of the expectation is based on social mores. The film then balances on a precipice of possibilities, slowly turning up the tension, never quite doing what I expected it to. Which is almost always a great thing.

This one would make a great double-feature with Richard Stanley's The Color Out of Space, as the two films have similar themes and color palettes. Strong tone, great visuals and camera work - some nice juxtapositions of macro and micro with the lens - and eventually, squirm-inducing effects. Highly recommended, but wait for when you're open to a slow unraveling.



The Beach House was the first in a two-day, self-styled event viewing program that culminates tonight with the VOD premiere of Natalie Erika James' Relic. Without theatrical premieres and fests to look forward to, this is the way I stay sane and psyched for Horror Cinema!


**

Playlist:

Various Artists - Twin Peaks (Music from the Limited Series Event)
Ozzy Osbourne - The Ultimate Sin
The Chameleons UK - Strange Times
Lissie - My Wild West
Emma Ruth Rundle - On Dark Horses
Flying Lotus - You're Dead!
Exhalants - Bang (single)
The Obsessed - Lunar Womb
The Jesus Lizard - Head
Jenny Hval - Blood Bitch
Mannequin Pussy - Patience
Pygmy Shrews - The Egyptian
Perturbator - The Uncanny Valley (Expansion)
EPMD - Unfinished Business
Brainiac - Hissing Prigs in Static Couture
Holy Porter - Kistvaen

**

Card:


Personal or global? I think we know the answer to that one, although I don't really have any conflicts (that I know of) at the moment.