Showing posts with label Deathgasm. Show all posts
Showing posts with label Deathgasm. Show all posts

Tuesday, July 7, 2020

Isolation: Day 116 - Transmissions After Zero



Over the weekend, I finally got a chance to check out the Brainiac Doc that's now streaming on Prime. Transmissions After Zero is a fantastic slice of Midwest, indie rock history. I'll never forget the day Mr. Brown first played me Brainiac's Bonsai Superstar. The vocals reminded me of a cross between Marilyn Manson and Adam Sandler's Excited Southerner character (NOTE: This was before Sandler had become an affront to good taste). The music too, especially the guitars, hit the sweet spot between melodic and completely angular and dissonant.



I love all Brainiac's records, and the death of Mr. Taylor was one of the most tragic moments of 90s music history. This doc 100% does both Taylor and the band's legacy justice.

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Another flick I watched over this past weekend is Jason Lei Howden's Guns Akimbo. Howden has already earned a place in heaven for his 2015 Heavy Metal possession flick Deathgasm, and now this? Akimbo is freakin' nuts; the absolute heir to the Crank series' throne for meth-level madness. Samara Weaving can do no wrong in my eyes at the moment, and Radcliffe gives a great performance as Miles whose punishment for being a worthless internet troll is to have two guns bolted through his palms and made to play in an underground death match internet series. Sound insane? It is:



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Playlist:

Lustmord - Hobart
Battle Tapes - Sweatshop Boys EP
Soundgarden - Superunknown
Zombi - Shape Shift
Brainiac - Smack Bunny Baby
Van Halen - Eponymous
Brainiac - Bonsai Superstar
Brainiac - Hissing Prigs in Static Courture

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Card:


Everything needs time and consideration. This dovetails nicely with my early morning realization that the short story I've been wrestling with off and on for over a year now, isn't working out the way I want it to because I've been trying to shoehorn a 10K words at least into under 6K. Accepting this and re-approaching it from that perspective, things may turn out better.


Wednesday, April 15, 2020

Isolation: Day 34 Code Orange



Mr. Brown turned me on to Code Orange's new record Underneath a few days ago, and it's been quickly becoming a staple. The album is all over the place as far as textures; so many influences in these guys that, in a way, I feel like they're the bridge between reclaiming some of the cooler elements in late 90s/early 00s metal - most of which was ruined by near constant narcissism and ostentatious infusion of hip hop aesthetics - and bridging those elements with the groove-heavy pioneering of mid-period Sepultura, the speed of and precision of DEP, as well as the latter's occasional penchant for incorporating glitch-like electronic elements.

Underneath dropped on Roadrunner Records recently; if you're interested you can order it HERE.

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Speaking of metal, yesterday I re-watched the Joe Bob Briggs presentation of Jason Lei Howden's Deathgasm. Man, I love this movie.



Letterboxd

Also, I finally watched the John Carpenter/Tobe Hooper anthology Body Bags. Not sure why this one took me so long to get around to. Fantastic. The cast really surprised me, with a slew of B-Level actors whose chops were never more apparent than at the direction of two Masters of Horror.



Letterboxd

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Playlist:

Killing Joke - The Fall of Because
Killing Joke - Night Time
Code Orange - Underneath
White Lung - Paradise
The Rolling Stones - Goats Head Soup
The Babies - Our House On the Hill

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From the Grimoire: "Saving Money." Fitting. Stimulus landed today and all but a tiny bit of it went directly into Savings. I'll stimulate the economy when we buy a house. In the meantime, a portion of the remainder of the government pay-off for ineptitude will be spent on Kindle editions of William Gibson's The Peripheral and it's recently released follow-up, Agency.