The Cowboy and the Hot Air Balloon

 

BIG thanks to Mr. Brown for cluing me in on the fact that there's a new John Doe record out on the always delightful Fat Possum Records. You can order Fables in a Foreign Land HERE. 

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Watch:

Warning: This trailer may give some plot points away.

  

Michael Shannon in the die-hard tropey creepy neighbor role? SOLD.

 

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Read:

I gave up on the book I've been slogging through for the last few months, Helltown by Jeremy Bates. It's well written, it just did not connect with me. I've moved on to a novel I've been wanting to read for years, and which only recently came back into print via Drugstore Indian Press. 

So far, at only about 200 pages into its 608-page runtime, this is every bit as majestic as I'd expected. Klein needs more credit - he's a master of his craft and appears to be setting up a magnum opus that I'd wager influenced Clive Barker's Great and Secret Show, another of my favorite novels. I'd commented on this edition back when I bought it last year, specifically on my fears for its binding, which for this many pages, seems weak. That said, so far so good. 

Also, it's interesting to note that the first and for a long time only story by Klein I had read, Events At Poroth Farm, seems to have been a short born of the author excising and reworking a section of The Ceremonies, probably due to frustration with the novel in its original form, misgivings he has shared publically on more than one occasion.

Also, it should be noted that in checking out DIP's website, I realized they have also reprinted Klein's most heralded volume, the looooooong OOP Dark Gods, which I plan on ordering ASAP. 

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Playlist:

Yerusalem - The Sublime

The Bronx - II

Guns N' Roses - Appetite For Destruction

Black Sabbath - Technical Ecstasy

Deftones - White Pony

Deftones - Saturday Night Wrist

Blut Aus Nord - Hallucinogen

Bexley - Lost in the Moment EP

Bexley - Eponymous

John Doe - Fables in a Foreign Land

Cypress Hill - III: Temples of Boom

Emma Ruth Rundle and Thou - May Our Chambers Be Full

Def Leppard - Diamond Star Halos

Def Leppard - High 'N' Dry

Bauhaus - In the Flat Field

Allegaeon - Apoptosis

Revocations - Teratogenesis

Ozzy Osbourne - Diary of a Madman

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Card:

I always equate this particular card with emotional strength and support, so I'm reading this as it pertains to giving someone else the support they will soon need. 

RIP Ray Liotta

RIP Ray Liotta. This is probably my favorite "beating" scene in any mob-related movie.

Bauhaus 2022

 

My friend Eddie over at The Comic Bug attended the Cruel World fest a few weeks ago and it was on a video he shot that I first saw Peter Murphy's new look. Oh my god! These guys were already one of my favorite bands, but seeing Murphy here, I'm blown away. I mean, for a second I was like, "Why is Rob Halford singing for Bauhaus." Then I realized, no, I just hadn't seen a photo of Murphy since... well, probably some time around 2006 when Go Away White was released (an album I still defend vehemently). Anyway, in looking around on youtube, I found alleyc8Cat's channel with this full set. So cool they posted, and in looking at the other videos on the channel, I subscribed immediately. If you dig, give them a like and a follow HERE.

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NCBD:

I'd been wanting to see Jacob Gentry's Broadcast Signal Intrusion for some time now, so when it landed on Shudder recently, I moved it up the queue.     

 

The film takes place in Chicago in 1999, so major props for doing a great job taking me back to that particular time and place. Also, Gentry is very good at lovingly incorporating his cinematic loves in a way that is pleasurable to those who share the same feelings (Videodrome!), and overall, the story and concept are really cool. That said, this film has its share of problems, and despite liking it quite a bit, I have to admit that BSI feels like it ultimately falls flat on knocking down a lot of what it sets up. 

I’m not one who needs explanations - if you read these pages, you know that. However, there’s a certain pact a filmmaker enters with their audience when they introduce certain tropes/concepts into their film. By using certain known plot devices as red herrings, this film feels like it cheats a bit. Tone over substance, and while I’ll always err on the side of tone, elements of this film rub me a bit wrong. Ambiguity is fine unless it's substituted for story, and that's definitely the case here when it comes to anything other than the awesome setup:

"In the late 90s, a video archivist unearths a series of sinister pirate broadcasts and becomes obsessed with discovering the dark conspiracy behind them."

I will say, there are three points in this film where it makes like it’s going to do something so tropey it knows the audience will roll their eyes, then it intentionally doesn’t do that. Those three instances helped BSI gain a lot of ground in my good book, but also made me wonder if the film is that self-aware, couldn’t it have been refined a bit more?

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NCBD:

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Playlist:

Cyndi Lauper - She's So Unusual

Joe Doe - Fables in a Foreign Land

Blut Aus Nord - Disharmonium

Peter Gabriel - Melt

Mastodon - Hushed & Grim

Zombi and Friends - Vol. 1

Zombi -Shape Shift

Ozzy Osbourne - Diary of a Madman

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Card:

Too tired to interpret this now, so just recording the Pull for posterity's sake.

Moonage Daydream

 

I mean it like it is. Like it sounds.

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Watch:

This. Looks. Incredible. 

I don't think I was even aware this Bowie doc was on the horizon. 

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Dollar Bin:

One of my prized possessions is a beat-up old copy of Marvel Age Annual #2. This pretty much monetarily worthless periodical celebrates the first 25 years of Marvel Comics, and as such, it looks back on many key moments from Marvel Comics, as well as offering little one and two-page spreads that tease upcoming storylines in Captain America and Uncanny X-Men, among other titles. Because I love this book so much as a document of an era in my life, I recently jumped on another Marvel Age when I found it in a Dollar Bin.

Okay, I didn't exactly find this one in a Dollar Bin,  as while I did purchase Marvel Age #44 for $1.00, it was not from a physical shop's bin, but from an eBay seller. Still, cost-wise it counts, and it's timely (see last week's Dollar Bin).

Inside there is pre-release news on the then-upcoming, original eight New Universe titles, as well as articles hyping the Mutant Massacre, G.I.Joe vs. Transformers, and a Spider-Man vs. Wolverine 64-page one-shot special. Pretty cool to go back and read this stuff. Also, the layout and design of all the 1986 Marvel Comics, with their key-character border around the cover image, has always been something I love very much, probably as they lined the shelves at the time I really fell in love with reading comics.

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Playlist:

Alustrium - A Monument to Silence

Yard Act - The Overload

Carpenter Brut - Leather Terror

Tones on Tail - Everything

Mastodon - Hushed and Grim

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Card:

The personification of a lot of issues I've had on my mind after a week-end of consciousness-raising viewing.

7 Days of Ozzy - Day 7: Therapy

 

And for day 7 of our 7 Days of Ozzy, I had to go with something a little bit different. Love the first Infectious Grooves album, and especially this track, which benefits enormously from Ozzy's vocals. I'd say this is similar to Sting's contribution to Dire Straits' "Money for Nothing" - you just can't imagine the chorus being sung by anyone else.

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Watch:

Saturday night Beyondfest & the American Cinematheque held a free advance screening of Chloe Okuno's new film Watcher at the Aero Theatre. Holy smokes - a fantastic psychological thriller with a gut-punch ending. LOVED it! 

The cinematography and direction in this one are fantastic, as are all the performances. The film really gives you a feel for the slow-motion paranoia that upturns Maika Monroe's Julia's life after she moves with her husband to Bucharest - a city she's never been to where most people speak Romanian - a language she doesn't speak. This isolation feeds directly into her paranoia, so you really don't have a sense of what's real and what's imagined in Julia's escalating panic, stoked by the fact that a serial killer stalks the city in the background of their lives.

Afterward, Maika Monroe and Karl Glusman did a Q&A moderated by Heidi Honeycutt. The two stars discussed filming in Romania during the Pandemic, the endless beauty of Bucharest, and how they prepared for the isolation and paranoia of the film. I can't recommend this one enough. 

Distributed by IFC Midnight, Watcher opens wide June 3rd on 500 screens - the company's largest theatrical opening to date.

Then, in keeping with the themes Watcher introduced, K and I took in a matinee of Alex Garland's new film Men.

Bold Horror Statement*: If The Witch and Midsommar kicked off the current zeitgeist resurgance of Folk Horror, Men is it's apex. Not to say it's better than them, but it seems to coelsce so many of the themes and images into an entirely new thing.

 

I'll be seeing this one on the big screen again.

..........

* Props to Shock Waves and Colours of the Dark!

 

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Playlist:

Black Sabbath - Eponymous

Joseph Bishara - Malignant OST

David Lynch - The Big Dream

Sparks - Lil' Beethoven

Mannequin Pussy - Patience

Canadian Rifle - Peaceful Death

Lana Del Rey - Norman Fucking Rockwell

Pale Dian - Narrow birth

Ghost - Impera

Revocation - The Outer Ones

Blut Aus Nord - Disharmonium (Undreamble Abysses)

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Card:

Confirmation on an inkling for investment.

7 Days of Ozzy - Day 6: Suicide Solution Live from the Randy Roads Tribute

 

Because I had to pull something off the Live Randy Roads Tribute Album. Classic.

I remember the first time I heard this - or one of the first times it made an impression beyond, "oh, Ozzy. Cool" - some friends and I were outside at my neighbor's house. This kid was two years younger, rich AF and a total latchkey whose parents' bought him all kinds of shit to make up for the fact that they were never home. They were the first people I knew who had an inground pool, and this thing was huge, with large gazebos on either side of it and a massive wooden deck that ran all the way around the pool and then snaked around the back of the house. This would have been circa Freshman or early Sophomore year. We were smoking cigarettes and drinking Keystone in those gross-ass tall cans it came in. I was buzzed and sitting in a gazebo, staring at the flames on the tiki torches that were staged around the pool at regular intervals. My Tribute dub was playing from a boom box further down the porch but we had it loud, and I remember thinking that I felt like I was there, at the show.

Good memory.

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Watch:

This show is nuts, and I'm happy to see it coming back for a third season.

  

 

All things considered, I'd rather David Fincher return to Mindhunter, but we all know that might not happen. In the words of William DeVaughn, be thankful for what you got. 

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Playlist:

The Mysterines - Reeling

La Hell Gang - Thru Me Again

Anthrax - Attach of the Killer B's

Anthrax - Spreading The Disease

The Jesus Lizard - Goat

Kate Bush - Hounds of Love

Ozzy Osbourne - Tribute (Live)

David Byrne and Brian Eno - Everything That Happens Will Happen Today

Windhand - Eternal Return

Dean Hurley - Analog Resource Vol. 1

Joseph Bishara - Malignant OST

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Card:

Lots of feminine energy, which is good. Ruthless determination can be a bad thing; sometimes passion needs to be tempered and Will focused. And sometimes you need to ask for help.

7 Days of Ozzy - Day 5: Little Dolls

 

While posting yesterday's track, I ended up inadvertently listening to the entire Diary of a Madman album for the first time in, well, in a very long time. And I really enjoyed it, the entire record. 

This is one that kinda got beat to death in my late teens. I dated a girl for three years in/after High School who had two older sisters and they were all HUGE Ozzy fans. So much so that the oldest sister had a boyfriend who kind of modeled his life after Ozzy. His Mustang even had vanity plates that read "Im Ozzy 1" if you can believe that. Anyway, Diary was a staple of our lives, and so I guess it just became associated with that version of me and that time in my life. Nearly thirty years later, I've apparently reclaimed it, free from any nostalgia associated with that particular version of me. Which is pretty cool, to kind of hear something again, for the first time when you knew it so well to begin with. And Little Dolls was a track I don't think ever really clicked with me as being all that great, but last night, hearing it again, listening to the words and that glorious chorus, well, it felt a bit like a small, unimportant (in the grand scheme) epiphany. Which was nice.

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Watch:

Another new flick hitting Shudder at the end of July. Really looking forward to this one:

 

As is my growing custom, I watched the first minute or so, got a feel for how good the cinematography and tone are and then clicked off. Trailers are increasingly frustrating pleasures that are better after you see the movie.

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NCBD Addendum:

A couple things I picked up that I forgot to list or didn't expect to buy:

I still love the entire physical presence of these TMNT "Best of" Books.

A new Shaolin Cowboy book! I read the second series (I think it was the second one), back circa 2015 (I think) and loved it, so when I saw this new number one, I couldn't resist. Will also fill the void left by Orphan and the Five Beasts returns at some undisclosed time in the future, as I just re-read the first arc again, and really loved that, as well. 

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Playlist:

Ozzy Osbourne - Diary of a Madman

The Mysterines - Reeling

Small Black - Moon Killer (pre-release single)

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Card:

Again? Okay, so seeing this, I went to my Thoth deck to pull a clarifier. Here's what I turned:

It's a little on the nose as an interpretation, however, I take this to mean whatever it is I'm supposed to be learning or picking up on is right in front of my face. 

7 Days of Ozzy - Day 4: Rock'n'Roll Rebel

 

Years ago, my good friend Sonny observed that, on the cover of 1982's Bark at the Moon, Ozzy looked like someone shaved a poodle and then glued the shavings to him. That's a pretty funny - and still pretty freakin' accurate - description. But hey, metal album covers ran an interesting gamut back in the day. All things considered, you take the good with the bad. Which is kind of the case with Bark at the Moon, too. It's definitely not Ozzy's best solo record, and this is definitely not even the best song on the long player, but I dig the way the song moves and I dig the production. Ozzy does what he normally did back in the early 80s - Rock n Roll/you can't stop me/don't judge me. But the pre-chorus builds in a nice way and I swear I can hear how some of Jake E. Lee's guitar solos rubbed off on Kim Thayil ten years later. k >kl

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NCBD:

Despite the wait, I actually dig that Marvel held Immortal X-Men #2 back so it landed the same week as X-Men Red's second issue. 

Both these books are off to a great start, and I am still thinking about the closing page shocker of Immortal's first issue. 

Madelyne Pryor, aka the Goblin Queen, up against Illyana Rasputin, aka Magik for the reigns of Limbo? No way I'd miss this one. 

Speaking of Hulk, if the rest of Banner of War lives up to even half the promise of the Alpha issue, I will be super happy. Donny Cates continues to take huge swings and knock every issue out of the park. 

A Misfits-esque Taskmaster? This limited series has already paid for itself in just one issue. Can't wait to dig into #2.

The final chapter in a pretty great adaptation of Joe Hill's novella Rain. 

The first issue of Steve Niles and Szymon Kudranski's A Town Called Terror was mostly set-up, but that set-up brought the creep factor up to about an eight, so I'm in. I think the last Niles book I read monthly was Winnebago Graveyard, and that turned out to be a pretty wicked ride. Hoping for something in the same ballpark here, and pretty sure I won't be disappointed.

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Watch:

Thanks to Mr. Brown, without who, I probably wouldn't have seen this new trailer for She-Hulk for another day or so:

 

Despite giving Moon Knight two episodes before jumping off amidst a seething hatred nothing since the DCU live-action Swamp Thing from a few years ago provoked, I remain optimistic about everything Marvel is doing with their shows (Mr. Brown has even talked me into giving Moonie another chance. Eventually). 

The tone of this one is obviously going to be considerably less severe and more fun, but I am absolutely cool with that. Especially with appearances by "Professor Hulk."

Now, if we can just get Gray Hulk Joe Fixit. 
 

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Playlist:

Mr. Bungle - Disco Volante

Wesley Willis - Rock 'N' Roll Will Never Die

Calexico - El Mirador

The Bronx - The Bronx (II)

La Hell Gang - Thru Me Again

Various Artists - Nativity in Black: A Tribute to Black Sabbath

Joseph Bishara - Malignant OST

Ozzy Osbourne - The Ultimate Sin

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Card:

Taking stock, keeping a clear head and above all things, planning. That's how I read this one. There are variables coalescing soon, but for the moment, they are still en route, traveling at an undetermined speed. Get Ready.

7 Days of Ozzy - Day 3: Diary of a Madman

 

It's been a couple decades since I've listened to Diary of a Madman. This one was omnipotent in my life for a few years back around the end of High School/beginning of College. Not sure if the entire album will hold up, but I know the title track does.

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Cast:

The second episode of my new Southside 90s podcast went up today:

This is a project I'd wanted to do for so very long; all my life-long friends from High School and I gathering periodically to tell the tales that, well, when we tell them, people don't believe them. But they're all real. Seriously. This week's ep is largely focused on a house we hung out at first semester of Junior Year, a two-story in a rich subdivision where adults were almost never present, and when they were, they didn't stop us. 

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Watch:

Holy shite:

Have I mentioned how much more I like Amazon's version of The Boys than I do the comic? Nothing against Garth Ennis and Darick Robertson; this is totally a case of being able to improve a story with the hindsight that comes after a decade since its completion.

 

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Dollar Bin:

You know what I find A LOT of in Dollar Bins? Issues from Marvel's failed late-80s New Universe line:

I'm not interested in all the books from that particular experiment, but anything pertaining to The Star Brand, The Pitt or the surrounding narrative that encompassed the four titles that survived after that first, failed year. These are pretty easy to come by these days, and that surprises me a little. I don't read Jason Aaron's Avengers book, but I know he's integrated The Star Brand into the modern 616 continuity over the last few years. I'm curious if anyone has updated Spitfire - basically the Iron Man of the New Universe, except with a woman in the armor (long before that was fashionable, to boot!), DP7 (mutants), or Justice, which I can't compare to a regular Marvel 616 book, as I don't think I ever read it or at least don't remember it.

These are total nostalgia bombs for me, but also, The New Universe's arrival dove-tailed with my blossoming interest in the non-G.I.Joe comics in general and Marvel Universe specifically, so there's something about it that is integral to my love of the medium.

And as I've said before, post-Pitt New Universe is dark AF.

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Playlist:

The Mysterines - Reeling

The Bronx - The Bronx (II)

Blut Aus Nord - Hallucinogen

Intronaut - Habitual Levitations (Instilling Words with Tones)

The Atlas Moth - Coma Noir

The Ruby Friedman Orchestra - Gem

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Card:

I'm pretty sure this either has to do with something I thought I was done with. Modern Life is Rubbish, indeed. 

7 Days of Ozzy - Day 2: Desire

 

One of my favorite songs on an album that is 75% favorite songs. The guitar on this album - and this song in particular - is, in my opinion, the heights calibre hard rock guitar can reach. It sounds so rich and fuzzy, yet retains fantastic definition. 

And, of course, great vocal lines, too. 

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Watch:

Bill Hader's Barry returned a few weeks ago and I only just found out. Over the weekend, K and I caught up and were pretty surprised by the tone of this third season:

One of this show's strengths is the way it balances its inherent darkness with some of the funniest shit I've ever seen. Part of that's the cast - Hader's fantastic, Anthony Carrigan (NoHo Hank) is brilliant pretty much every time he's on the screen, and Stephen Root is always gold. This season, the humor has, thus far, been seriously downplayed and we've been presented with a super dark take on the characters - especially Barry. Again, that comingling of tones has always been the strength of the show. Barry does not shy away from the reality of the concept: a hitman's a pretty dark protagonist. 

But it works.

Really not sure where this show is ultimately headed, which is always a good thing.

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Read:

I spent a large part of the weekend relaxing and catching up on my comics. Here's what I read:

So nice to finally sit and read this one all the way through, start to finish, in one tight sitting. The Last Ronin totally delivers that old school 80s Frank Miller dystopian aesthetic, while retaining and drawing from the original, B&W Mirage series. Gorgeous art - the design of everything we see in this dystopian world is gorgeous, and visually seems the natural evolution of the original book's Manhattan. 

I'd dropped off reading James Tynion IV's The Nice House On The Lake monthly, simply because I lost a lot after its hiatus. sitting down and reading 1-8 in a sitting really took some time, and that just goes to show what a meaty story Tynion's telling here. Very cool story that's essentially a zombie-less update on Romero's Dawn of the Dead (in a way it is! Think about it!)

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Playlist:

(Lone) Wolf & Cub - May You See Only Sky

Bexley - Lost in the Moment EP

Cypress Hill - III: Temples of Boom

Jerry Cantrell - Brighten

Calexico - The Black Light

Joseph Bishara - Malignant OST

Mike Doughty - Live at Ken's House

Calexico - Even My Sure Things Fall Through

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Card:

A Conservative approach to an infuriating problem will serve me better than, say, a hammer beating. Loud and Clear. 

Ozzy Osbourne Week - All My Life

No, you didn't miss a headline. Against all odds, Ozzy Osbourne is still alive. I know usually it's after someone has died that I do a "So-and-so week." But I'm always wanting to change that, and here's my chance. The motivation here is really simple: I'm finding that after not paying any attention to Ozzy's music since No More Tears - an album I'll stand by until my dying day - I've become somewhat enraptured by his 2020 record Ordinary Man. What's more, for the past few years I've kind of rediscovered albums like Bark at the Moon and The Ultimate Sin - the latter of which I used to hate every track on except Shot in the Dark, which will no doubt turn up over the next six days, even though I'm certain I've posted it here before.

 

Anyway, for the next 7 or so posts, I'll be celebrating the Ozman, so light a doob and frog leap off your front porch - we're biting heads (off bats)!

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Watch:

Holy Fuck!

 

Also, since I worked last Sunday, I had a half-day today. I drove home at a leisurely pace, made a turkey sandwich and fired up The Sadness on Shudder.

Holy. Fuck. X. Two.

Easily the most violent, gory and depraved movie I've seen in a long time. I'm not saying there aren't tougher flicks out there; I know there are. I just don't normally traffic in them. This, however, comes in right over the line in favor of my tastes. There were a few moments I thought we were going to dip into territory that I don't tread, but thankfully, that never happened. An unexpected result of this line-dancing is The Sadness clocks in as the first film I've seen since The Void that feels truly transgressive, or maybe even dangerous. 

 

Not for the faint of heart.

 

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NCBD Addendum:

I picked up my books for NCBD yesterday and had a few extra surprises. First, I'd forgotten Jeff Lemire and Andrea Sorrentino dropped a single-issue prequel to their new ongoing Horror Universe The Bone Orchard Mythos on FCBD. "Shadow Eater" arrives about a month before the first HC graphic novel, The Passageway.

This book is freakin' awesome, and if it's any indication - and I know it is - the Bone Orchard is going to be something I won't be able to shut up about for the next few years. Mapped out through 2023 "and beyond" according to Lemire, looks like we're in for some sleepless nights. Thanks guys! (really)

Next, and talk about couldn't be more different, I picked up the FCBD prequel for Judgement Day, the new X-Men/Avengers/Eternals crossover event.

Yeah, I hate crossover events, and I completely realize that I'm setting myself up to be pissed off, but I can't help it - I love this X-Men revamp, and my post-Hickman fears have been thus far trounced by Immortal X-Men, X-Men: Red, and now issue 11 of X-Men (holy cow Dr. Stasis!). 

Also, the final story in this Judgement Day lead-in has one of the most chilling moments ever in X-history (and Spider-Man history, to boot!).

Next on the "I didn't anticipate buying this in the comic shop today," I'd seen a little of the Professor Dario Bava books in a post on The Comic Bug's social media back a year or two ago for a signing, but ultimately forgot all about it. Luckily, there was a new book that dropped this week and I grabbed that and the previous. The new one is the first of an ongoing story (I think) that is actually a two-sided magazine-sized behemoth. 

The second is the first GN they kickstarted (again, I'm not 100% on the timeline here - this is very new to me).

Both are gorgeous, creepy and filled with Cult Cinema goodness. You can check the Dario Bava stuff out on their website HERE.

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Playlist:

Perturbator, Johannes Persson & Final Light - In the Void (pre-release single)

Calexico - El Mirador

Calexico - Even My Sure Things Fall Through

16 Horsepower - Low Estate

Atrium Carceri - Kapnobatai

Blood Red Shoes - Ghosts on Tape

(Lone) Wolf & Cub - May You Only See Sky

David Bowie - The Next Day

Journey - Escape

Stian Carstensen & Mike Patton - Hydrocephalus Epilogue (single)

Mr. Bungle - Disco Volante

Liz Phair - Exile in Guyville

Cypress Hill - III (Temples of Boom)

Bexley - Lost in the Moment EP

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Card:

Focused energy. What I need to regain.

Todd Rundgren - I Saw the Light

 

Last night we finished Ozark. Man, what a f**kin' ride! This show brings the anxiety meter to new heights. It obviously wouldn't exist without Breaking Bad, but that's not a knock. In fact, I'd say Jason Bateman and company managed to take the BB template and hone it into an even more impressive beast.

And what a beast this is. The ending didn't make me happy, but it had balls, and that in and of itself, makes me happy. As a viewer, I don't want to get what I want. I want you to tell your story. And they did. Oh boy, they did.

As for the song, if you've seen the latter half of the second season, you'll know why I'm posting this. I'd go on record as saying the "traffic incident" is possibly the best scene in the series.

Also, I loved the Killer Mike cameo in the first part of season four.

 

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NCBD:

Not much of a haul this week, although they're all big issues. Also, after buying the first issue of the Clea Strange-centered Strange series a few months ago, I think I'm going to pick up the second and third issues that I missed. 

Pretty psyched for a Hulk-Thor battle. I doubt it will be as awesome as the old Hulk-Thing battles in the 80s, but still, when Titans collide, and all that.

Loved the first issue, so let's see where this new Sandman spin-off is heading. The Corinthian has always been my favorite Nightmare, and although he received a lot of "screen time" in the old 90s The Dreaming series, I've always kind of felt like there was a lot more room for the right creators to explore with the Corinthian. I think we're finally seeing that.

The last all-women X-issue I read was back in the 80s: Uncanny X-Men #244, which introduced Jubliee. I'm hoping that, like that issue's follow-up in 245 with "Men," this current X-Book pays homage and does the same next issue. Either way, I love this book.

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Watch:

Eskil Vogt's The Innocents looks to be the very definition of unnerving:

 

You can read a nifty little article where Vogt talks about his new film over on Bloody Disgusting HERE. This one hits VOD on Friday, the 13th. I'd be doing a "Day-of" screening, if not for the fact that I've already got tickets to go see Friday the 13th Part 3 at the Aero. I mean, how could I pass that up?

 

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Playlist:

The Effigies - Remains Nonviewable

Zeal & Ardor - Wake of a Nation EP

The Mysterines - Reeling

Ozzy Osbourne - Ordinary Man

The Smiths - The Queen is Dead

Pink Mountaintops - Peacock Pools

Orville Peck - Bronco

Spotlights - Love & Decay

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Card:

It's been a minute since I've done a pull, so here goes:

I've been relying on my intuition when it comes to creative choices, and it's led me to a new strength. Now, I need to finish my current project and move into my next. 

Meg Myers - Children of Light II

 

New Meg Myers! Her stuff is getting weirder, but she still delivers those pulse-pounding hooks.

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Watch:

Oh shit, I forgot ALL about this:

 

No release date yet, but the announcement says "Soon."

 

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Dollar Bin:

I don't know much about Micronauts, other than it was a toy property from just before my era - before the era where cartoons and I always came across stray figures and playsets at garage sales in the early 80s and wondered what they were (same with Shogun Warriors). Last year though, when Chris Saunders and I interviewed comic artist legend Kelley Jones, he mentioned he started at marvel on the Micronauts book. 

I have developed a bit of a phantom nostalgia for toys and comics from just before my era, and finding these in the ol' dollar bin proved impossible to pass up. This falls in line with the weird, TSR, Hobby-Shop genre of SciFi and Horror that I feel existed as a kind of 'quiet zeitgeist' in the early 80s - a pop culture texture that has been mined and revitalized by Stranger Things perfectly. Anyway, I'm hoping to find more Micronauts, or maybe snag some on eBay. I'd like to read a solid run of a handful of consecutive issues, just to get a feel. 

Also, they're written by Bill Mantlo, and I've really come to see him as a kind of underappreciated genius in that Hobby Shop Sci-Fi thing. 

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Playlist:

Ozzy Osbourne - Ordinary Man

Jerry Cantrell - Brighten

Mike Doughty - Live At Ken's House

Prince - Sign O' The Times

Testament - The New Order

Sparks - Hello Young Lovers

Mr. Bungle - The Night They Came Home

Run the Jewels - RTJ4

The Raveonettes - Raven in the Grave

Goatsnake - Black Age Blues

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Card:

Once again, the ways of peace are strong in me, even in the midst of adversity.

New Music From Woven Hand

 

I will always miss Sixteen Horsepower, however, the work David Eugene Edwards has been doing as Woven Hand over the last decade-and-a-half (or so) is next-level stuff. It's interesting how the slightly toxic religious elements that informed/inspired Horsepower pushed this man into a considerably more Shamanic perspective with his music. 

Woven Hand's new record Silver Sash is out now on Glitterhouse Records and can be ordered from them or Woven Hand's Bandcamp HERE.

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Watch:

This is going to be one of those posts where I post the newest trailer for David Cronenberg's upcoming Crimes of the Future, but don't watch it:

 

Right now, this is my most eagerly awaited film of the year - thus far- and I say that on the cusp of seeing Sam Raimi's Dr. Strange In the Multiverse of Madness tonight, a film I have been CHOMPING at the bit for since... well, since I realized Patrick Stewart's voice is in the trailer. NOTE: I should say something here. Marvel, I'm talking to you now; if it turns out that Patrick Stewart is playing a man named Jim Bohner or some such, I will not be happy. Just saying. And as long as I'm posting trailers I have no intention of viewing, here's that 'Final' Dr. Strange trailer:

I have insanely high expectations for this one, even though I still have been unable to sit through the first Stephen Strange flick. I've always maintained I'm more interested in Marvel's big picture than I am the individual films, and this is the one that - I think - will firmly shape the post-Avengers landscape for the MCU into something more cohesive than it's been (not that I've minded the chaotic and disparate elements of the last few years, which have been very final-years-of-Claremont's-Uncanny-X-men at times).

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Playlist:

Bexley - Eponymous

Blut Aus Nord - Memoria Vetusta II: Dialogue with the Stars

Michael Jackson - Greatest Hits

Kate Bush - Hounds of Love

The Mysterines - Reeling

Sparks - Tryouts for the Human Race (single)

Helmet - Meantime

Motorhead - Ace of Spades

Anthrax - Persistence of Time

Jerry Cantrell - Brighten (Thanks to Mr. Brown for the beautiful vinyl!)

Prince and the Revolution - Purple Rain

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Card:

It's been a minute since I've pulled from Missi's Raven Deck, so here goes:

Expecting knowledge to come my way today that might turn things around a bit. Or maybe that was yesterday when we spoke to a new realtor in TN and received a lot of really good, inspiring information. I suppose there's a part of me that demonizes that, simply because the longer we've stayed in LaLaLand, the allure of the routine and easy (not really, but kinda) life we've made here pulls at my ideas of burning it all down and starting over. 

Don't trust comfort. That's the real Devil. 

Bexley - Sick

 

Last night marked my first live show since hitting 2 of the 3 Mr. Bungle shows in LaLaLand back in February 2020, mere days before COVID struck. I've reacquired my comfort level with seeing movies in the theatre, largely because you can very much curate how many people you'll be exposed to. Not in every case, but with Matinees and seating charts online, it's pretty easy to limit exposure. A live show is a more, "All bets are off" situation, though, so it's taken me a while to prepare. That changed recently, though.

When my good friend Jacob introduced me to The Mysterines' music, without even thinking I googled them to see if they were on tour - a practice I've maintained for years when I find a new band I love. When I saw they were playing on May 4th at the Peppermint Club, I didn't think twice about buying tickets. 

I'm glad I did.

Not only were The Mysterines awesome, but in preparation for the show, I looked up opener Bexley and was pretty blown away by her 2021 self-titled album. Above, I've posted my favorite song from said album, and since Bexley is local, I'll definitely be keeping an eye out for more shows, as she and her band were also great.

You can check out Bexley's Bandcamp HERE or her official site HERE.

 

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Watch:

Oh my. I probably wasn't supposed to laugh out loud, but I did. And then I winced enough to almost fall out of my seat.

 

The Sadness is written and directed by Rob Jabbaz, and as far as I can tell, this is his first full-length film. IT LOOKS F&*KING AWESOME, so I'll be watching this the day it drops on Shudder, next Thursday, 5/12/22.

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Playlist:

Sepultura - Chaos A.D.

David Byrne & Brian Eno - Everything That Happens Will Happen Today

David Lynch - Crazy Clown Time

Soundgarden - Superunknown

Bexley - Eponymous

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Card:

Water of Water, pure emotions. This can trip me up, so I'll be attempting to keep a cool on any over-the-top moments I might have; there's a lot of ridiculousness at work of late, and I've grown a bit cantankerous when certain people are involved. Play it cool.

New Afghan Whigs!

 

New Afghan Whigs! 'Nuff said. Pre-order How Do You Burn, out September 9th, HERE.

What a gorgeous video.

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NCBD:

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Playlist:

 Jim James - Eternally Even

Rammstein - Zeit

Def Leppard - High 'N' Dry

Ozzy Osbourne - Ordinary Man'

Blut Aus Nord - Memoria Vetusta I: Fathers of the Icy Age

Ozzy Osbourne - No More Tears

Testament - The New Order

Sepultura - Chaos A.D.

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Card:

Remember last Friday when I drew the Four of Swords: Truce?

 

This was the result. It pays to temper your outrage and anger with time and distance. And it also pays to have a good amount of humility and admit when you've kinda been a dick.