Showing posts with label Trent Reznor. Show all posts
Showing posts with label Trent Reznor. Show all posts

Saturday, August 14, 2021

Danny Elfman and Trent Reznor

Not sure if this collaboration is stand-alone or will be part of an album, but either way, it's cool as all hell to hear these two icons make music together. 




Watch:

I finally had a chance to watch Andrew Thomas Hunt's Spare Parts last night. Really solid, old-school exploitation flick with a big ol' heart of Girl Power gold.   


Gory,  Guttural and glib, this one made a perfect second feature after my first viewing of George Miller's Mad Max: Fury Road, which I'd not seen since its theatrical run.

 

There is no love lost between me and the original Mad Max franchise. I'm actually planning to give it another try, or at least skip forward to The Road Warrior and try to judge that separate from the first film, which I watched for the first time since childhood ten years ago and found to be a complete disappointment and waste of time. Fury Road takes the admiral path of foregoing trotting out that racist cunt who played the titular hero in the original films and instead subs in the always fantastic Tom Hary, then basically makes him take a backseat to Charlize Theron's Furiosa. Overall, I can't say this fourth entry in the series has anything but the most basic plot, but it really doesn't matter. This one is so frenetic from start to finish there are times when I think I'm watching it at 2x the speed.
 


Playlist:

The Veils - Total Depravity
Orange Goblin - Frequencies from Planet Ten
Grinderman - Eponymous
Windhand - Grief's Infernal Flower
The Atlas Moth - Coma Noir
Nothing - The Great Dismal
The Neverly Brothers - The Dark Side of Everything
Realize - Machine Violence
MadLove - White with Foam




Card:


I'm hoping this is an indication that the work I'm doing on this short story will pay off. Right now, finishing it - no, not just finishing it, but nailing it - seems a continent away. I've worked on it every day but one this past week, so I'm putting the effort in and I can definitely see it shaping up. That said, there are still some wonky elements. It's not smooth yet.

Saturday, April 20, 2013

TV on The Radio Perform Dreams w/ Peter Murphy & Trent Reznor



Wow. Mr. Brown sent this to me a week or so ago and I've just gotten around to seeing it.

Wow.

Murphy's voice @ 1:51.

Tuesday, March 5, 2013

How To Destroy Angels The Loop Closes




Pitchfork posted a link to HTDA doing a Reddit Q&A earlier today. I don't normally go in for Reddit - the site always feels too crowded with text for me to discern what exactly I'm reading. However this one's worth the effort, as especially Reznor and Ross are fascinating as usual.

http://www.reddit.com/r/IAmA/comments/19q0r9/we_are_how_to_destroy_angels_mariqueen_maandig/

Thursday, February 7, 2013

Barry Adamson - If You Love Her



If you're not familiar with Barry Adamson, former bass player for Nick Cave and the Bad Seeds, Nick Cave and the Cave Men, Magazine and for a short time the Buzzcockss, and you dig any measure of the stuff I toss out on this page, go get 1996's Oedipus Schmoedipus. An anthological record that features Adamson's jazz/noir musicality and style plus a number of great guests (Carla Bozulich, Nick Cave, Jarvis Cocker to name a few). If you're a David Lynch fan you'll recognize track number two on the record, it had a pretty memorable moment in Lost Highway. Mr. Adamson's soundtrack to Carol Morley's 'Dreams of a Life" which will be aired in the UK tonight, Feb 7th. Said ST can be purchased here on iTunes.



All of the man's albums are fantastic, especially my favorite, 1998's As Above So Below. Atticus Ross assisted with some of the programming and produced it and Flood's on hand for a couple of tracks as well. It's fantastic; a dark, jazzy descent into a noisy, ionic hell where the kiss of an angel waits mockingly just out of reach. Overdoing it? I don't think so. You don't know Barry.



Adamson's earliest records (Moss Side Tory, Soul Murder) are fascinating because they are soundtracks - complete with dialogue snippets - to movies that never existed outside Mr. Adamson's mind. The genius displayed therein put him on Trent Reznor's map back in the early 90's. Reznor used a few of Adamson's tracks and the influence of his MO to put together the Natural Born Killer's ST and then a few years later of course the aforementioned Lost Highway. Two years ago Adamson - a "Cinematic Soul" by his own admission, wrote, directed and released his first film - a 'novella' entitled The Therapist. The film is a heavily-influenced first film but it is good, strong in tone, and it points to even better things to come from this man whose work I love so much. A friend and I saw him live last year in an intimate show at LA's Hotel Bar. Just Barry, minimal accompaniment. It was awesome.

Sunday, February 3, 2013

How To Destroy Angels - How Long?



I'm liking this new record more and more. The surging, glitchy rhythm section we've come to recognize as Reznor's recent muse but with a - dare I say it - almost Justin Timberlake-esque pop approach to vox. Interesting