2019: July 4th - The Soska Sisters Share Rabid Trailer!

RABID from FrightFest on Vimeo.

Big awesome surprise to wake up yesterday and see the Soska Sisters had released the trailer for their upcoming remake of David Cronenberg's Rabid. I'm a fan of the Cronenberg film, but definitely feel there's room to remake it. And who better than the body horror twins who gave us American Mary? Can NOT wait!

**

Wednesday night we saw Midsommar, Ari Aster's brilliant and crippling follow-up to last year's Hereditary. I loved it, probably consider it a modern masterpiece, a film in the ranks of an Apocalypse Now or The Shining. Aster is a visionary.

Before the show, the newest issue of Fangoria arrived on my doorstep. I took one look at the cover and knew I'd be waiting until after seeing Midsommar to crack this 40th Anniversary issue open.

When I did open the issue, I found a stunning article that consists of Jordan Peele interviewing Aster about Midsommar. Jesus, what the hell more could a horror fan ask for? Totally worth the price of subscribing, which you can do HERE.

Immediately after our Midsommar viewing, my co-host Anthony Guerra from The Horror Vision and I did a reaction episode. We split it into a non-spoiler and spoiler section, very clearly delineating it for anyone that wants to listen but hasn't seen the film yet. My advice is go in as blind as possible, then listen, but either way, here are those links:

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play


**

By now, hopefully everyone reading this who cares about the spoiler will have heard that Robert Kirkman and Charlie Adlard's The Walking Dead came to a surprise end with this week's issue #193. For the price of a regular issue, 193 delivered a triple-sized issue that was everything I could have wanted from the series finale for one of my all-time favorite comics, plus there's a long letter in the back of the book from Kirkman, talking about the reasons for ending the series here, the emotional tribulations of doing so, and a bit of a peek behind the curtain on his writing process over the years.

I can't even begin to describe the void losing this series creates in my life, but I will attempt to tonight at 9:00 PM Pacific Standard Time, when Mike Wellman and I do a surprise Drinking with Comics Memorial to The Walking Dead. We'll be streaming live on the Drinking with Comics Facebook Page, so stop by - you might just see me cry.

Funny thing, that this happened just after my existential crisis a few weeks back, the one about collecting comics and a life's worth of accumulated stuff. By my calculation, with all the books I read that are either definitively ending or are on indefinite hiatus, I'm going to be down to about six or seven monthlies by the fall, and that suits me just fine at the moment.

**

Playlist from the last two days:

Uniform and The Body - Mental Wounds Not Healing
The Body - No One Deserved Happiness
Black Polygons - Lobélia
Willie Nelson - My Way
The Go Gos - Beauty and the Beat
Calexico - The Black Light
The Beatles - Abbey Road

**

No card today.

2019: July 3rd Uniform and The Body - In My Skin

Yesterday's drop of a new Uniform and The Body track, a track that heralds a new collaborative album by the bands, sent me scurrying back to 2018's Mental Wounds Not Healing. It'd been a minute since I listened to this one, and in the course of several rotations in my headphones, I definitely gravitated toward track 5, In My Skin, as my favorite on the album. I spent the morning listening to this, and a sizable portion of my evening listening to that new track Penance, which I absolutely love.

**

BIG spoiler news in the world of comics hit me pretty hard yesterday. I won't go into it here, but suffice it to say this Friday night, Mike Wellman and I are planning, "A very special episode" of Drinking with Comics as a kind of memorial to something I love very much.

**

NCBD:

**
Playlist from 7/02:

Uniform and The Body - Mental Wounds Not Healing
The Body - I Have Fought Against It, But I Can't Any Longer
Bob Mould - Sunshine Rock
Black Polygons - Lobélia
Motorhead - Ace of Spades
Minsk - The Crash and the Draw
Uniform and The Body - Penance (Pre-release Single)
Uniform - Wake in Fright

**

No Card today.

2019: June 5th Stereophonics - Mr. Writer

Wow. It has been a minute since I dug into Stereophonics. So long, in fact, that I'd forgotten how great this band is. And this particular track comes from a great album, too, although one that can be difficult for me to engage with, since it mentally and emotionally ties my thoughts back into The Yellow House, a band I was in that I loved, but that ended abruptly. That's tough; bands breaking up are a lot like couples breaking up. There becomes an entire subset of people and music and corridors of thought that you end up having to put to the side to avoid those messy little nerve triggers. With Stereophonics - and more specifically the album Just Enough Education to Perform, which I'm listening to for the first time in at least ten years as I type this - those triggers kick in on the second track, Lying in the Sun. I remember hearing this song for the first time after The Yellow House was already really up and running, playing shows and getting our name out there. I remember hearing this track and thinking, "Hey, that's a lot like what we're doing. Cool." It meant a lot at the time, to have a band that was successful in a way that we wanted to be, that had a similar aesthetic. Stereophonics weren't really all that big in this country, but at the time almost nothing worth hearing was. They had a solid fan base probably everywhere else in the world, and they were cool. That's what was largely missing from the 00s. Not many people were cool anymore; that aesthetic - which granted can go sideways real fast and make you look like a douche - was replaced mainly in the 00s with people yelling and screaming about their prozac, how messed up they were, and the like. Bands like Stereophonics and BRMC were cool.

My introduction to Stereophonics also dovetailed with my first trip abroad: I remember walking into the first hostel in Dublin in January 2002, and this video was playing on the tele. The track has always had the particular ability to spin me back in time to that exact moment, the way the air tasted, the electricity of being somewhere new. Which is always something to be experienced sparingly, so as not to wear out the Magick.

Hearing these tracks this morning, I'm blown away; the songs and my responses to them are a reminder that I am a completely different person today than I was during The Yellow House. Which is precisely how it should be, but it's interesting to step back every now again and remember.

**

NCBD! Very excited for these, especially The Walking Dead. If you're reading it, you know why!

Found out recently this series ends with a double-sized issue #30 in July, so this is the penultimate chapter! Expect even more insanity than we've had, which is really going to be saying something when all is said and done:

Despite initial confusion, I ended up loving the Lapham's Lodger series for IDW's Black Crown. And now, I'm excited to be back with the old gang again in Stray Bullets:

The start of a new, and apparently longer, arc. This book is aces. Read it:

**

About the time I posted yesterday's blog I realized I was sick as fuck and not going to work, so I spent June 4th confined to bed, where I finished Gemma Files' Experimental Film. A powerhouse; such a great novel. Creepy, well-written, and almost clinical in its plotting. I wondered if the climax would go as large as the plot teased, and if so how that would work. There's that moment where, depending on how supernatural or numinous a novel's plot has teased, Speculative or Weird Fiction has to make a decision to either go full-bore, bringing the 'monster' on camera or not. Ms. Files goes all the way with it, and she does such a fantastic job with it. Nothing seems ridiculous. That's the trick. You have to give the reader something they've never seen before and make them believe in it. And Experimental Film does that very well indeed.

**

Watchlist yesterday was another episode and a half of Doom Patrol. SO fun watching Cliff Steele kick nazi ass while Dead Kennedy's blare on the soundtrack. I can't recommend this show enough.

**

Playlist from 6/04:

Cat Rapes Dog - Maximum Overdrive
Tears for Fears - Songs From the Big Chair

**

Card of the day:

Remain open to the influence of the Universe. Pretty sure unexpectedly digging into old Brit rock and staying home from work (and feeling guilty about it) for the second day in a row are the direct manifestation of this draw. I've been sick or not feeling well (read: exhausted) since the 19th of May, and the recurrences from what seems a tiny bug are due, I think, to a lack of rest. So yesterday I didn't leave bed, save for about an hour where I sat in the living room and listened to two records while reading. Also, I didn't allow myself to write at all. I put all the anxiety and expectations and frustrations of this final edit under the bed for a day and just did nothing but read Gemma Files. Today, while once again planning to stay in bed, perhaps I will work on reading the book.

2019: March 6th: New Music from Dylan Carlson's Earth

This was the state of my head earlier today:

It's 12:00 AM, and for the second time this week, I can't sleep. There's bravado in the clouds tonight, distant thunder echoing across the sky, holding the population of LA's South Bay hostage. Those of us still awake, anyway. I'm on the couch, watching Lucio Fulci's City of the Living Dead as I type this. I've had horror on the brain this evening - I feel both that I want to consume an unheard amount of it, and that there's some new story bubbling just beneath the surface of this rabid spike in fandom I'm experiencing. Maybe it's an escalating love for Shudder's historically minded programming, or a love for all the peripheral content the open-market of the internet has made possible. Or maybe it's just that the world we live in is a horror story, a very sad yet wonderful story whose outcome remains unproven. I watched Horror Noire a few days ago, and the first episode of Eli Roth's History of Horror earlier tonight. One quote from Edgar Wright rings out in my head; while discussing George A. Romero's Day of the Dead, Wright says something to the effect of, "It's an apocalypse you wouldn't mind living in. Or at least, I wouldn't." Very true, but the question is, does ours measure up? Would you rather have a never-ending parade of narcissistic cunts running things and two hyperbolically ludicrous political parties totally devoid of common sense, or a hell-on-Earth, zombie apocalypse?

I'd wager you can guess my answer.

**

I ended up unable to drop off until around 2:00 AM, so I called out from work. Will use the time to make major progress in finishing the book.

But first, let's look at what's happening this morning, now that I have slept.

Sargent House just dropped new music from Seminal Crawl band Earth. New album Full Upon Her Burning Lips drops on May 24th; you can pre-order physical HERE and digital HERE.



**

NCBD:

This is the MVP pick of the day for me. Hell, maybe of the year. I acquired the first two volumes of Warren Ellis and Jon Davis-Hunt's The Wildstorm at Amazing Fantasy in Chicago back in December. I read them in a day, and seriously think it might be Ellis' best comic work since Transmet. The relationship between Jon Davis-Hunt's art and Ellis' script make this the best example of 'wide screen comics' I've seen in years, maybe ever. It's so clean. A complex, fascinating story that just feels effortless in how it's told. And if you're worried about the superhero source material, don't: I had next to no experience with the Wildstorm Universe before this, aside from the occasional mini series by Ennis (not even sure if those are Wildstorm, now that I think of it; all those early Image "team" books run together for me because I never read any of them back in the day), and I think my read on this new reimagining from Ellis is better for it. And it's not a superhero book. At all.

I Can't recommend The Wildstorm enough:

Finally! Walk Through Hell returns! I think I was referring to this in previous posts as "A Walk Through Hell," and now that I see my mistake, I feel like the title is even creepier, because, in keeping with the story, it's a command.

More Warren Ellis! Cemetery Beach, with artist Jason Howard, comes to an end. I'm assuming this is the end of a first volume, and now that Ellis and Howard's Trees is set to rotate back in with a five-issue third volume, we'll have to wait until after that completes before we have more Cemetery Beach. Whatever the case, this book has been fantastic. If you read Ellis' newsletter, with its fascinating glimpses into the man's work methodology, you can see a window into how he has evolved into such an efficient storyteller. This is the end goal for me folks; it gives me something to shoot for. Not to write like Warren Ellis, but to have as crisp and clean a process.

A new issue of Deadly Class will pair nicely with my continued love of the Remender-run SYFY adaptation, and serves as a reminder that now that K has read the entire run of the comic to date, I need to initiate my own re-read. Look at that cover!

Jesus, this is looking like an expensive week! No complaints though, not when Paper Girls is returning. And again, look at that cover! I'm going to have to revisit the final issue of the previous arc, because I can't quite remember where we are in this totally batshit crazy book.

And I may have listed it here last, but this will be the first book I read today! The Walking Dead 189. This book has, as always, been a riveting descent into the chaos at the heart of humanity's designs on civilization. Why doesn't structure work? Because we are the walking dead, and all order is transient when compared to the chaotic nature of the Universe. Or is it just order on a scale we can't see?

Who knows? Part of the fun is wondering. But I digress...

Part of the beauty of TWD, is it maps out an allegorical timeline to our own history inside the world of the book. The seeming perfection of this new society our long-haul characters have found in this newest arc is turning out to be not so civilized, and as we inch toward the landmark 200th issue, I think things are going to get hairy. As usual though, Kirkman has no limit in his writing and imagination, and he never does what I think he's going to do; that's why I love this book.


Playlist from 3/05:

Various Artists - Trainspotting OST
Cold Showers - Matter of Choice
Cold Cave - Cherish the Light Years
Prince - Sign O' The Times
Blut Aus Nord - Cosmosophy
Boy Harsher - Careful

Card of the day:

Perfectly grounded. Water of Earth; cares for her house. Perfect for the day for two reasons: A) The Earth track that dropped, and B) I'm home and going to attempt to finish this house I've built in Shadow Play, Book One. I finished the Grammarly editing last night, now I have to record myself reading the last half of act two and all of act three, and I can listen to it and suss out any final story edits that need to be made. Excited!

Dawn of the Dead 3D at Beyond Fest 2016

I will admit that while I have extremely low tolerance for the Zombie film as a genre there are several Zombie-related stories in popular culture that inspire an allegiance in me that little else receives. My Zombie list goes like this, not in any order of preference:

Night of the Living Dead

Dawn of the Dead

Day of the Dead

Children Shouldn't Play with Dead Things

The Walking Dead (comic)

That's it. I don't hate everything else Zombie-related by I dislike most of it*. Or rather, maybe it's just that I don't have time for most of the rest of it. All that said, if asked what I think is the absolute pinnacle of films on the subject I would answer without hesitation George A. Romero's Dawn of the Dead. I feel as though Dawn does everything a Zombie story should do, from chronicle the dismemberment of social/political and economic structures amidst the ensuing chaos to addressing the modern human psyche's reaction to not only the stresses resultant from those structures ending but to themes of isolation, agoraphobia and, ultimately, the Lord of the Flies survival mechanism that would no doubt cause other humans to become an even bigger threat than those shambling monstrosities waiting to eat your flesh.

Thanks to the labors of original Dawn of the Dead** Producer Richard P. Rubenstein Dawn of the Dead has now been converted to a BEAUTIFULLY rendered 3D experience and while I generally take 3D with a grain of salt, if you are a Dawn fan this is a MUST SEE.

Saturday, 10/08/16 I was fortunate enough to attend the premiere of this newly converted film thanks once again to the fine folks at Beyond Fest and The Egyptian Theatre. To say it was one of my favorite theatrical experiences from over my 40 years on this Earth is not hyperbolic. Mr. Rubenstein spoke before and after the film, going out of his way to not only explain the conversion impetus and process, but also to assure everyone that "This is 100% George's film - I did not alter it at all". Mr. Rubenstein also went on to talk about his plans to get this version of the film into Cinemas across the country and finally to assure everyone that the 2D version is not going anywhere.

Also, if you're a fan of The Walking Dead but have not seen this film before I can't recommend it enough, in either 3D or 2D. As the first Zombie film to address the above-mentioned themes of extinction, isolation and inter-species betrayal Dawn is quite literally where The Walking Dead comes from - its part of TWD's DNA. In fact, Robert Kirkman has stated in interviews that the original title for TWD was Night of the Living Dead and that it would continue the "Universe" that Mr. Romero began. Obviously that title did not happen, but the plot absolutely did; I've always read TWD with the idea firmly in place that this was the further evolution of Romero's world.

To further celebrate this historic piece of horror cinema I'm going to embed a making of I found on youtube while searching for a trailer to post. Enjoy.

..........................

*I should also clarify that I am most definitely a fan of 28 Days/Weeks later but do not consider those Zombie flicks

** Mr. Rubenstein also produced the remake, as well as most of Mr. Romero's classic canon of films

Indie Comic Descent of the Dead...

... is the topic on tap in this week's Thee Comic Column, over yonder on Joup.

The Walking Dead Season 4 Trailer

Fresh from Comic con (no I'm not there - I never go). It looks like the show may finally be coming into its own with this next season. I know that's hard to say from a trailer, especially one for an entire season of a tv show, so maybe its wishful thinking. Or maybe its just something different about the tone. All I know is for every episode of AMC's The Walking Dead I've liked so far there's been about a corresponding three I didn't like. The book is still my #1, so we'll see...

The Walking Dead - Michonne Kills a Bunch of Zombies

Thanks to Bloodydisgusting for posting this. Awesome. I've been VERY hot and cold with this show but I am looking forward to tonight's season finale.