There Is A Light in the Bottomless Pit That Never Goes Out

In a Smiths mood this morning. Sometimes Morrissey's biting observations and poetic turns of phrase just hit the spot intellectually, to say nothing of Marr, Rourke and Joyce's music, which transports me to a very specific place in my head, more feeling than thought. That's why this group worked so well for the time it did - Morrissey anchors you while the music compels the soul to soar. 

Of course, to enjoy any of this, I've had to maintain my ignorance of what an unbelievable twat Morrissey has become over the years. 

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Watch:

Browsing the Just Added on Shudder, I followed a hunch - a hunch that all Irish Horror Films are fantastic - and clicked on Billy O'Brien's 2005 Isolation. 

I could not find a serviceable trailer, and also,  I think the less you know about this one going in, the better you are. Believe me, however, when I tell you that my hunch continues to prove correct because Isolation is fantastic. A taut little creature feature with notes of The Thing and Alien, only set on an Irish farm.

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Read:

Completely off the cuff, I began re-reading Alan Campbell's brilliant Deepgate Codex trilogy over the weekend. About a third of the way through the first book, Scar Night (2006), these have a special place in my heart, and I am ashamed to say I never finished the trilogy by reading that final book. 

Back when I first moved to LaLaLand in 2006, I was working at a Borders bookstore as an inventory supervisor. Myspace was the thing at the time, and through its messaging, author Alan Campbell - then relatively unknown, as Scar Night was his first novel coming off the success of having helped write the Grand Theft Auto game - messaged me. Seeing that I was a pretty vocal champion of China Mieville's work at the time (still am), Campbell reached out to tell me about his book, which is set in the city of Deepgate - a city that hangs from chains suspended above a bottomless pit.

No way I wasn't going to read that!

I bought the book when it came out in Hardcover, and continued to buy Campbell's books as they were released in that manner. By the time book three came out, though, I was probably in the middle of something with a completely different tone, and it wasn't the time to reread the first two and go into number three. 

And the years lapsed...

Back around 2019, I picked up and plowed through the first two books of Campbell's subsequent series, The Gravedigger Chronicles. These were immediately among my favorite Sci-Fi/Fantasy novels ever - we're still waiting on that third book though, and from time to time the thought that we may never see it (the Author, who is not active on social media, has stated that the third book in the series is finished, however, the publishing deal he had went south and the book remains, well, suspended by metaphorical chains above the abyss that was once the publishing industry). That particular sadness darkened my door this past week, and thus, I grabbed the Deepgate Codex with the intention of loving it so much again that the power of that love might somehow aetherically find Mr. Campbell and transmute into a resolution for that final book. 

And yes, Scar Night is just as good as I remember. Maybe better. And no, aetherically is not a word. Well, not until now.

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Playlist:

Lustmord - The Others

Fvunerals - Let The Earth Be Silent

Uncle Acid & The Deadbeats - Wasteland

Karl Casey - XX

Battle Tapes - Sweatshop Boys EP

Final Light - Eponymous

Ager Sonus - Book of the Black Earth

Allegaeon - Apoptosis

Special Interest - Endure

Motörhead - Ace of Spades

Anthrax - Attack of the Killers B's

Aerosmith - Pump

Type O Negative - Life is Killing Me

Perturbator - Lustful Sacraments

Talking Heads - Fear of Music

Iron Maiden - Fear of the Dark

Made Out of Babies - The Ruiner

The Jesus Lizard - Goat

Thou - Rhea Sylvia

David Bowie - Black Tie White Noise

Silent - Modern Hate

Melvins & Lustmord - Pigs of the Roman Empire

Metallica - Hardwired... 

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

A reminder that balance is what supports harmony, and balance is not achieved by the narratives about others we sometimes tell ourselves repeatedly. I've 100% done just this, and it's not without a breakthrough of Will that I will be able to smooth things over. 

2019: May 18th - New Mike Patton Project!

Many thanks to Mr. Brown for alerting me to this new Mike Patton project, a collaboration with historic Serge Gainsbourg collaborator Jeanne Claude-Vannier. You can pre-order the album from Ipecac Records HERE; Corpse Flower is scheduled to drop September 13th.


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I finished Alan Campbell's The Art of Hunting this morning, and now I must HOWL at the fact that there is a third book completed and TOR baulked at publishing it! WTF! Mr. Campbell doesn't have very much of an internet presence to speak of - can't blame anyone on that philosophy - so, although two or three years ago there was an update on the possibility of him releasing the book digitally, there's been nothing since. Please! I need to read the third book NOW!

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Lacking a third volume of Campbell's Gravedigger Chronicles, I've moved into one of my two most anticipated books of the year: Nathan Ballingrud's Wounds: Six Stories From the Border of Hell. This is the collection that re-publishes Mr. Ballingrud's masterpiece of short, Weird fiction The Visible Filth that I have expounded on often in these pages since I discovered it in late 2015, and adds to it five other short stories that, if the first one is any indication - and I'm sure it is - are brilliant! Such a great time for lover's of dark fiction!

Wounds comes to us just slightly ahead of the first cinematic adaptation of Ballingrud's work, director  Babak Anvari's take on The Visible Filth, also titled Wounds. I believe the arrival of this one-two punch will be the opening salvo on the establishment of Ballingrud as a major force in the modern Horror Lexicon. And that makes me incredibly happy.

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Playlist from 5/16:

The Cure - Disintegration
Blackwater Holylight - Eponymous
Black Sabbath - Sabbath Bloody Sabbath
Bauhaus - In the Flat Fields
Clint Mansell - Out of Blue OST
Blut Aus Nord - 777 Sect(s)
Melvins - Houdini
Helms Alee - Sleepwalking Sailors
Helms Alee - Noctiluca

Playlist from 5/17:

The Cure - Disintegration
Opeth - Blackwater Park
Beach House - 7
Lustmord - Songs of Gods and Demons
Melvins - Houdini
Melvins - (A) Senile Animal
Big Business - Here Come the Waterworks
Big Business - The Beast You Are

No card today.

2019: March 18th: First Track from Final Cranberries Album

Wow. I didn't even know this was coming. I've never been a very active Cranberries fan, despite the fact that I loved their sound. Zombie and Dreams were HUGE parts of the musical landscape of my youth, but I never really followed through on their albums. Then, maybe ten years ago, I picked up Everybody Else Is Doing It, So Why Can't We and experienced a brief fascination with the band again after the use of one of their songs in the movie, The Sound of My Voice. I had just fallen head over heels in love with The Smiths - another band I had previously only dabbled with -  and with their music floating through my head 24/7, I began to realize a lot of other bands were directly influenced by them, The Cranberries one of them.

When Dolores O'Riordan tragically passed away in 2018, an unexpected thing happened on Los Angeles radio - everybody began playing The Cranberries again. What's more, from what I gather in my little snippets of FM radio at work, they still play them. Often. This feels a bit like some sad triumph for a great band that kind of disappeared for years, only to resurface after tragedy. Fast forward to April 26th this year, and apparently we get the final album The Cranberries recorded with O'Riordan and then, that's it. This is the first single, and both the song and the video are emotional heavy weights in light of everything that's happened. A fitting tribute to the late O'Riordan, whose voice was really unlike anyone else's on Earth.



You can pre-order In The End HERE.

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I received and began reading The Art of Hunting, the second book in Alan Campbell's Gravedigger Chronicles, and I can already tell I'm going to freak out when it's over, knowing there's a third volume finished that Tor won't publish. I can't express how high a regard I hold Campbell's writing in; I did when I read the Deepgate Codex, and the Gravedigger series feels like a serious level up from that, so in my mind, this is a fantastic example of expertly rendered world-building fantasy that does not succumb to "Tolkienism."

Yeah, I made that term up.

Anyway, thirty pages in, and The Art of Hunting has me as strongly as Sea of Ghosts did.

Playlist from 3/17:
Talking Heads - Remain in Light
Uncle Acid and the Deadbeats - Wasteland
Uncle Acid and the Deadbeats - Mind Control
The Pogues - Rum, Sodomy, and the Lash
The Pogues - If I Should Fall From Grace With God

Card of the day:

A lot of ending this morning. I'm reading this one at face value: I'll finish the reading of Shadow Play today. I had an excellent session yesterday, and I really can't stress what a game changer reading out loud has been for me. I'm finding the book very much on track, and hearing it out loud is helping iron out little inconsistencies in tone, syntax, grammar, and detail.