2018: February 1st, 6:31 AM

Last night I absolutely killed the penultimate scene in my current writing project. It felt great. Today - if I have a chance - I'll move into the climax. This is all still just first pass, rough draft but it's still major progress. Once I write the climax and finale, I'll go back and add in a few chapters that I've come up with to flesh certain characters or ideas out - stuff I didn't know we were going to need until construction of the ongoing continuity revealed their necessity to me. One is probably a scene with Truby's "Half-man", although we intend to turn that on its ear a bit. After that I'll run everything through Grammarly, then tidy up and send it to Keller, who will read and add concepts/scenes/edits accordingly. Our deadline is in April - Thursday the 12th to be exact. Which is serendipitous indeed...

Started my musical day with Track #3 on Swans' 2016 release The Glowing Man. This is the title track and it's just fantastic. There's a real sense that Michael Gira's sound lodge has been influenced by the doors on this one, and after all the spacey effulgence that comprises the roughly the first half of the track, listen for the sheer awesomeness that Gira and company pull out at around the 15 minute mark. Mmmm-mmm!



Playlist for yesterday looks like this:

Zen Guerilla - Positronic Raygun
Nevermen - Eponymous
Faith No More - Angel Dust
Glass Animals - How to be a Human Being
Tuneyards - I Can Feel You Creep into my Private Life
Zen Guerilla - Positron Raygun
The Horrors - Primary Colours
Deafheaven - Sunbather
ttt (Crosses) Eponymous

Card of the day is The Priestess:

"The Will (Womb) that takes the Magus' spark (seed) and gives it form."

Can denote change/fluctuation; governed by gracious or pure influences.

The active difference between this and the preceding card in the deck's Major Arcana, The Magus, is that the Magus generates their own power, the Priestess taps into the power of the Universe.

Note the grid - I liken the difference outlined in that last sentence as the difference between so-called High Magick and Chaos Magick, the school I have always identified the most with. Chaos Magick is hacking the operating system or grid of reality. And there's that grid...

Looking forward to Sonny's Joup Friday Album tomorrow. In the meantime, I'll be posting the second installment of my "Drinking, Fighting, F*&king, and Crying later today. This week's song topic? Fighting.

Swans - The World Looks Red/The World Looks Black

My morning, perfectly encapsulated.

Swans Live

Last Friday night I saw Swans live at the Fonda Theatre in Hollywood. This tour, supporting the group's newest record The Glowing Man, is the last in the current line-up Swans founder/mastermind Michael Gira has been utilizing to record a truly stellar run of albums that have completely re-invented/re-invigorated the group over the last few years. I'd not seen Swans live before - I've really only gotten fanatically into them since 2012's The Seer - and I wanted to be sure I did before this iteration ended. It was at amazing; in every sense both an ordeal and a learning experience.

You simply cannot understand the sonic experience of Swans live until you see them. You just can't. When you hear things like 'they play dangerously loud', even if you're not necessarily discounting the statement as hyperbolic, you still just cannot imagine HOW LOUD it is.

Pain. Yes, pain.

And while this is a bit of a bad thing, it is also awesome in the truest sense of that very over-used word. Awe-inspiring. 60% of the experience Friday night was observing the physiological reaction my body was having to the sound waves unleashed upon it. Then there was the psychological reaction, and the emotional. It was, in a very real sense, an altered state. A magickal one. At that volume the music has a palpable physical presence - you know what it's like when something alien invades your personal space? That begins to approach the presence I'm talking about. It was, incredible.

If you have the chance to see Swans before this tour is over and you want something unlike anything else, please go. Michael Gira is a true artist/shaman/catalyst and we need to support people like him, so they continue to do the things they do. But I would add, if you do go, bring ear plugs. You may choose to forgo using them, but at least give yourself the option.

The video is not from the show I saw, but I thought it a good example of what the band looks and sound like live. Without the volume I describe above, of course.