2018: December 7th - RIP Pete Shelley

Rest in Peace, Peter Shelley.

The first time I heard The Buzzcocks it was their single What Do I Get, circa 1998, and I was floored. After coming up in the early 90s and absolutely HATING the pop punk movement (do I hate green day more than I hate crappy 70s bands like Ace, Styxx, and Kansas? Yes. Yes I do), I was shocked to find there was pop punk that didn't turn everything I loved about the original 'punks' - a social movement more than a sound, per se - into a marketing ploy. Then, to find that as that as they evolved, the Buzzcocks melded more with the Post-Punk movement, I've often felt this band were way more important in the annals of rock history than they are generally given credit for. Even I haven't listened to the Buzzcocks as much as I feel I should, my familiarity starting and stopping with songs on an old mixtape back in the day, and an career-spanning anthology Mr. Brown gave me years ago.

I began working on my Top Ten Favorite Albums of 2018 list the other day. Did Beak>'s L.A. Playback make the cut? Honestly, I'm not even sure yet. It's always a favorite year-end activity of mine, to comb back through all the music that came out over the past year and boil down my ten favorites, but it's never easy. There's A LOT of good music out there. I also always look forward to reading other people's lists, chief among them the ones published by Heaven Is An Incubator and Joup's Daniel Fiorio. I'll definitely be posting links to those here when they drop.

In the meantime, here's some Live Beak> I found on youtube. Love KEXP! So many awesome bands - reminds me of the old Peel Sessions, or in a more contemporary, LA way, Part Time Punks.



Playlist from my travel day yesterday was primarily six sustained hours of Burial's Untrue, with a few other things thrown into the mix. That's how I travel: I put on an album, almost always electronic in nature, and drill it on repeat. This helps me reach a strange, liminal state, a kind of hypnogogic trance, and that helps me ride the day out in a strange but beautifully peaceful fugue, where none of the inconveniences or discomforts of traveling bother me, and I end up with a creative re-charge. Previous albums I've done this with are Boards of Canada's Geogaddi, Music Has the Right to Children, and Tomorrow's Harvest, and Moderat's II and III.

12/06:

Burial - Untrue
Burial - Kindred EP
Bohren & der Club of Gore - Gore Motel

Card of the day is super special today, because my good friend Missi surprised me with a present last night - a Mini Thoth deck. No disrespect to that Hansen Roberts deck I've been using as a back-up over the last year, but I have absolutely NO connection with it. Actually, while I can admire the beauty of many decks out there (chief among them that mind blowing Vertigo Comics deck), Lady Frieda Harris/Aleister Crowley's Thoth deck is the only Tarot deck I have a working connection with, so it's the only one I use. Maybe someday that will change, but I kind of doubt it.

I broke the deck in reading for Missi last night, and as usual, her understanding and interpretation of Tarot always inspires me, so the cards are charged and ready to go, and to celebrate I'm doing a spread today instead of just one card:

Full disclosure: I never factor in reversals. That said, while making this giff, I wanted to portray the cards exactly as they were drawn, so I kept that intact. Also, the fact that all three cards are reversed either totally negates the idea that a reversal in this case would matter, or testifies to it. Either way, I read them as the card, not their positioning.

This is interesting because it slightly mirrors the drawing I did for Missi last night, with two Cups divided by a Sword card. My overall reading is simple - I'm having trouble with the setting for the final scene in the book, because it's not enough of a 'set piece.' to change it, I must be cruel or kill one of my darlings - something about the scene that I've been adamant not to change. This will lead to a breakthrough.

2018: June 16th

I know I'm late to the game on this one, as I think Bad Witch came out over a month ago. I still dig NIN, but I haven't really been in a hurry to hear anything they've put out in a while. This is by far the most interesting track to me since Year Zero. I guess I'll finally be listening to the whole EP today.

Went into Hollywood and had a great creator meeting with Keller on T12 and our next project, which he's been outlining. I realized I've written an entire novel in just over six months. What's more, I actually did two passes on the first half. And this iteration is nearing completion. So in a week or two I had him the full T12 novel, he hands me the outline for HSL and we switch places for a while. I turn out half of HSL, he edits T12, then we swap again. T12 will definitely be finished by at least October if not earlier, and HSL will be halfway done by then. From that point he begins the third of our first batch, and we move into 2019, by the end of which we have three completed novels, the release schedule hopefully looking something like this:

October 2018 - T12 (these are all working titles, as I'd guess you would have assumed)
First quarter 2019 - HSL
Third quarter 2019 - #3

In between, I'm hoping to have a novel and another anthology. But this is all pretty ambitious, I'll admit. Still, if I get half of this done - which I will - I'll be happy.

Playlist from June 15th:

Chris Connelly - Phenobarb Bambalam
Andre Previn & London Symphony Orchestra - Samuel Barber: Adagio, Violin Concerto
David Bowie - Diamond Dogs
Run DMC - Raising Hell
Beastie Boys - Paul's Boutique (side 2)
Gang Starr - Code of the Streets (single)
The Atlas Moth - An Ache for the Distance
Dee-Lite- Sampladelic Relics & Dancefloor Oddities
Deafheaven - New Bermuda

Card for the day:

From the Grimoire: "Can indicate missing/failing to achieve a goal." - So, ah, should I take that as a direct comment on the diatribe up top?

2018: March 25th, 8:49 AM

Establishing a new routine for the new pad. It's good that the first thing I want to do when I wake up is write, and now I have a desk with all my stuff on it directly next to the bed.

Saw Annihilation yesterday, the 'second'* film directed by Alex Garland. It probably will not last in the theaters past this coming Friday so I'll just say, if you have the chance, go see it. Now, if you can. As in, right now. It is gorgeous, nightmarish and utterly breathtaking at times. That bear scene... wow.



Playlist from yesterday:

iPod on shuffle
Preoccupations - New Material
Nikka Costa - Everybody's Got Their Something
Tears for Fears - Songs from the Big Chair (first LP played on the turntable in the new home, seemed a good choice)

Card for the day:

From the Grimoire: "Financial/material/domestic trouble on the horizon." - for my money this is representing the fact that we just moved into a new place, so I have a bunch of financial 'plates' spinning right now, and they're all going to come down around the same time. I've got a large tax bill, my half of the move-in (which luckily gets us to May 1st, so that's not a huge deal), as well as all the little expenses that sneak up after a move like this. We're in a good place and all of this is doable, it's just until I'm over that tax line I'll be a little anxious, or worried. Now, what the Grimoire goes on to say here is a very good 'fix' for that anxiety, because:

"Worrying about encroaching threats only feed them. Emphasis in understanding and working with this card is it represents the anxiety of the threat, not the threat itself. Under the influence represented by this card, the worry becomes it's own threat."

It goes on to suggest a pattern interrupt; also says, "physically write down the object/cause of the anxiety," which I just did above, so that already feels as though I've transmuted some of the nervous energy.

There's an interesting site on this card here.

...............

*Second in quotes because it recently came out that Garland directed Dredd.