Showing posts with label Sepultura. Show all posts
Showing posts with label Sepultura. Show all posts

Monday, September 21, 2020

Isolation: Day 192 - New Sepultura!

 

I had no idea we were getting a new Sepultura album this year! Of course, that's probably because for the most part, the band's been off my radar since, well, since 1993's MASTERPIECE Chaos A.D. While I never took a side in the schism between Max Cavalera and the rest of the band because I didn't follow it that closely, Sepultura lost me with Roots, which has some amazing tracks on it - even korn-boy couldn't sully that track with Patton it - but overall felt like a sinking ship. NOTE: Many people have told me to give Roots another chance, and I suppose now's as good a time as any, what with this new track completely blowing my mind. The new album, Quadra, is available now from Nuclear Blast Records.



Read:

Dipping back into The Hellbound Heart, and I'm completely smitten with it. My love of Barker is stronger this year than it's been in a while, and revisiting this one on the heel of rewatching the first three movies several times over the few years, I find myself very interested in his adaptation process.


Look at Barker's original cover art; this should have never been changed. I'm currently reading this one on Kindle, but I'll have to keep an eye out for a copy of the original. 



Playlist:

Angel Witch - '82 Revisited
Dance With the Dead - Near Dark
Type O Negative - Bloody Kisses (digipak)
Jello Biafra and the Guantanamo School of Medicine - White People and the Damage Done
Iggy and the Stooges - Raw Power
Isaac Hayes - The Isaac Hayes Movement
Japandroids - Celebration Rock
Low Cut Connie - Hi Honey
Alice in Chains - Dirt
Sepultura - Quadra
Gloom Balloon - All My Feelings for You (single)
John Carpenter - Skeleton/Unclean Spirit (single)
Blueneck - Repetitions
Frank Sinatra - In the Wee Small Hours
Uniform - Shame         


Card:


Different deck, same card as my last draw. I suppose this underlines my explanation from the nineteenth, however, today was a fairly productive day, as I clocked several hours of solid writing time on Shadow Play, Book Two. This is what I always have to remind myself when I start something this big - the Flow will only come if you wait through the off times. Day one might suck; day two might suck; day three might suck, but it won't suck as bad. Then, before you know it, the polarity reverses and the Work gets better and easier, more rewarding. But you have to hammer through the Strife. 

Monday, January 6, 2014

Old School Monday: Sepultura - Refuse/Resist



You know how there's all these TBT (throw back Thursday) and whatever other ones pop up as shorthand on facebook and twitter? Well, I don't know if Monday is already taken, but actually I don't care if it is (by what? Yankee Candle Monday?). Here on the blog and hopefully out into the world I christen this Old School Monday. To begin, some Sepultura. Sure, it's from their crossover album, but I really like this album and think they ended up being a better band squeezing some of the more rigid death metal elements out of their sound - but again nothing against those years cuz they're great - even if it did really only last for one or two records before it all imploded and then everybody concerned started making music I could care less about. Chaos A.D. was worth the price, whatever it was.

Monday, June 10, 2013

Video: Sepultura in the Studio



Found these on blabbermouth. Interesting thing, other than hearing Ross Robinson talk is in the first clip you'll see the camera walk over and look out onto the strand in Venice. I was just there! Think I even know exactly where that is (not that I'm gonna go back and try and see, but it's still pretty cool).

I'm not a huge fan of Venice Beach, mainly because it's overpopulated with tourists and... how can I say this delicately? Scum? The outdoor weightlifting station says says it all.



I'm by no means a rabid Sepultura fan - I haven't really followed since Chaos A.D. (though Roots is quite good as well, esp. the track with Patton). I lucked into a promo copy of 2009's A-Lex and it's pretty cool, but overall their just kind of the band I keep a nostalgic eye on in the updates and break out the old stuff when I'm in the mood (Chaos A.D. really is one of the best metal albums of the 90's).