Many thanks to Mr. Brown for alerting me to this new Mike Patton project, a collaboration with historic Serge Gainsbourg collaborator Jeanne Claude-Vannier. You can pre-order the album from Ipecac Records HERE; Corpse Flower is scheduled to drop September 13th.
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I finished Alan Campbell's The Art of Hunting this morning, and now I must HOWL at the fact that there is a third book completed and TOR baulked at publishing it! WTF! Mr. Campbell doesn't have very much of an internet presence to speak of - can't blame anyone on that philosophy - so, although two or three years ago there was an update on the possibility of him releasing the book digitally, there's been nothing since. Please! I need to read the third book NOW!
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Lacking a third volume of Campbell's Gravedigger Chronicles, I've moved into one of my two most anticipated books of the year: Nathan Ballingrud's Wounds: Six Stories From the Border of Hell. This is the collection that re-publishes Mr. Ballingrud's masterpiece of short, Weird fiction The Visible Filth that I have expounded on often in these pages since I discovered it in late 2015, and adds to it five other short stories that, if the first one is any indication - and I'm sure it is - are brilliant! Such a great time for lover's of dark fiction!
Wounds comes to us just slightly ahead of the first cinematic adaptation of Ballingrud's work, director Babak Anvari's take on The Visible Filth, also titled Wounds. I believe the arrival of this one-two punch will be the opening salvo on the establishment of Ballingrud as a major force in the modern Horror Lexicon. And that makes me incredibly happy.
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Playlist from 5/16:
The Cure - Disintegration
Blackwater Holylight - Eponymous
Black Sabbath - Sabbath Bloody Sabbath
Bauhaus - In the Flat Fields
Clint Mansell - Out of Blue OST
Blut Aus Nord - 777 Sect(s)
Melvins - Houdini
Helms Alee - Sleepwalking Sailors
Helms Alee - Noctiluca
Playlist from 5/17:
The Cure - Disintegration
Opeth - Blackwater Park
Beach House - 7
Lustmord - Songs of Gods and Demons
Melvins - Houdini
Melvins - (A) Senile Animal
Big Business - Here Come the Waterworks
Big Business - The Beast You Are
I've been waiting for this documentary for a while now. Can't wait.
Hopefully going to the theatre to see this later today. I'm posting the trailer, but I haven't watched it; I want to go in blind, as I'd not even heard of it until K mentioned it two days ago.
Happy Birthday to one of my extraordinary co-hosts on The Horror Vision, Ray Larragoitiy.
It started strong, but around page 100, Alan Campbell's Sea of Ghosts became magnetic and I ca no longer put it down. The world Campbell has built, this drowned, imperial ghetto, soaked in the fall-out poverty of endless war and a desperate population, is both beautiful and affecting. There are scenes here that I visualize perfectly, in a way that makes me suspect I am seeing exactly what the author saw when he penned them. It's that vivid. HIGHLY recommended.
It's a real shame these books, the two Gravedigger Chronicles volumes Mr. Campbell published earlier this decade, didn't find their audience. I just ordered the second volume, The Art of Hunting, from a bookseller on Ebay. I worked at Borders for five years from 2006 to 2011. We received and sold all three main volumes of Campbell's Deepgate Codex series, but I remember we never received Sea of Ghosts in 2011 when it was originally published. Honestly, I'm not even certain the Gravedigger books were available in America. Tor is the publisher, and in crawling around online, trying to catch up with Campbell's been doing these last few years, I've seen on his facebook that apparently there is a third volume ready for print but Tor wouldn't invest in it because the first two volumes didn't sell well. To that I say, Did you fucking market them at all? Because as a fan, I've had to scratch and claw for every bit of information I've garnered about these books since their inception, and even on Amazon they fetch an insane aftermarket price. So no, I'd say you did not. I hold out hope someone will give this book and any future projects Mr. Campbell has up his sleeve a home, because he is an exceptional writer. This is the kind of Fantasy we need, not more Knights and Dragons.
Playlist from 2/28:
The Cure - Pornography
The Cure - Faith/Carnage Visors (Side B)
Deafheaven - Black Brick
Deafheaven - Ordinary Corrupt Human Love
Firewater - The Ponzi Scheme
Deafheaven - New Bermuda
Playlist from 3/01:
Wasted Theory - Warlords of the New Electric
Baroness - Purple
Ritual Howls - Turkish Leather
Budapest Festival Orchestra - Igor Stravinsky: The Firebird Suite
Budapest Festival Orchestra - Igor Stravinsky: Petrushka
Cocksure - K.K.E.P.
Firewater - The Ponzi Scheme
Deafheaven - Black Brick
Deafheaven - Ordinary Corrupt Human Love
Deafheaven - New Bermuda
Card of the day:
Epiphany. Good. I'm posting this, tearing Sea of Ghosts from my hands and digging in to work on my own book, which is coming along swimmingly.
New track from Perturbator, who had previously stated he was done with the synth wave thing. This is definitely something different, and I'm hoping only one facet of what will be a widely different adventure for the musician, who is perhaps just as equally ambitious as he is talented. A good thing, for sure.
As for pre-orders, there's nothing listed on either the Perturbator or Blood Music bandcamps yet, but when I find something, I'll be sure to post it here.
Back in 2006, Scottish write Alan Campbell messaged me on myspace - remember that? - and, having noticed I talked about the work of China Mieville a lot, asked if I'd heard of his debut novel, Scar Night. Set in a city that hangs on massive chains above a bottomless pit, I really didn't need to read any more than that to seek the book out. Thus, my love of Campbell's Deepgate Codex series was seeded. Four books and five years later, I saw an announcement for a new novel and series go up, Sea of Ghosts: the Gravedigger Chronicles, Book One. Only problem was, for years I could not seem to get the book in the U.S.
At some point Sea of Ghosts fell off my radar, and remained obscured to me for some time. Now, a few weeks ago, I finally ordered a copy and, having received it yesterday, began reading it. It's good to be swaddled in Campbell's lush, fantastical prose again.
There's not a lot of fantasy I like, primarily because, from my experience, most of the genre is made up of authors who love Tolkien and want only to write inside his tropes. Hence, no matter how many people I drive mad with my resolve, I will never read or watch Game of Thrones. I'm sure they are excellent, but Knights and Dragons are most assuredly not my thing. It's been done to death. Mieville's take on fantasy - where everything is his own creation - is more my taste, and I'd add Campbell and Peter V. Brett as similar contemporaries. Campbell's Deepgate Codex plays with the textures and aesthetics of Steampunk, for example, but never feels the need to limit itself by those aesthetics, preferring instead to incorporate them into the author's own unique world-building ideologies. And with his undermining explorations of the tenants of religion, political power, and military intelligence, Alan Campbell's aesthetics always engage and expand my own imagination, and quite often make me smile. I'm excited as pie to be back in one of his worlds again.
Playlist from 2/16:
David Bowie - Scary Monsters (and Super Creeps)
David Bowie - Station to Station
Beastmilk - Climax
Jozef Van Wissem & Jim Jarmusch - An Attempt to Draw Aside the Veil
Red Rider - As Far As Siam
Frankie Goes to Hollywood - Welcome to the Pleasuredome
Pink Floyd - Animals
Frankie Goes to Hollywood? You mean, like Relax? Yep. How did that happen? Well...
Two nights ago K and I watched Body Double for the first time. I LOVED this flick; possibly my favorite De Palma film, or at least right behind Carlito's Way. Body Double is early, macabre thriller De Palma, and its tone is compelling and unapologetic for turning the camera's eye on a protagonist that is as seedy as he is well-intentioned. In the film, there's a sequence that utilizes pretty much the entire track Relax, and seeing it I remembered encountering the LP Welcome to the Pleasuredome on the shelves of a thrift store back in the oughts. The album art and design was involved, and I remember thinking it looked as though this band I only knew the one track by - a track I liked very much - may have had ambitions on a level similar to groups like early Genesis, or Pink Floyd. I'm not sure why I didn't buy the record that day in the thrift, but I'd always meant to get around to listening to a full album by Frankie, partially just because I don't know that I've ever spoken to anyone else who had.
So, spurred on by Body Double - a film I really can't say enough good things about - I used the good ol' Apple Music to listen to Pleasuredome yesterday. Verdict? Hmmm... not sure. Ambitious? Yes. Nobly so? Maybe not. Bloated with its own regard? Probably.
I may get back around to re-engaging with Frankie Goes to Hollywood's Welcome to the Pleasuredome some day, but in the meantime I'll still crank Relax whenever I hear it. Like now:
Card of the day:
I'm hoping this points to being back to all cylinders, and not the fact that in order to finally extricate this damnable flu, I need the help of a trained professional. I'll know by the end of the day, I'm sure.
