Goddamn this woman is amazing. I've really enjoyed the evolution of Chelsea Wolfe's sound, and can only hope we get another album or at least an EP soon.
Plus, not to be overly male, but can this woman become any hotter? Doubtful.
I'm knee-deep in dead Arctic terrorists and mutant penguins and I LOVE IT! Robert Payne Cabeen's Cold Cuts might just go down as my favorite read in 2018.
I expected to dig it because Arctic horror was sewn into my blood long ago by a little movie called The Thing. However, the way in which Mr. Cabeen moves from horror to humor to heartbreaking empathy and genuine touching moments of real human emotion is at times jaw-dropping and has made this a marvelous read. And the best part? This book takes heavy influence from George A. Romero's original formula, in that the killer mutant penguins only show up to remind us - and the protagonists, two scientific researchers stuck in the remains of an arctic research station destroyed by terrorists - that they're there. The meat of the book is about two guys stuck in comfortable-enough living quarters, counting the days, watching their food deplete and their minds unravel. SO GOOD. Strongly recommended. Here's a nifty little video I found of the author reading a passage:
Playlist from 11/15:
Nick Cave & The Bad Seeds - B-Sides & Rarities Vol. III
Ghost Cop - One Weird Trick
Thought Gang - Eponymous
David Lynch & Dean Hurley - The Air is On Fire
Card of the day:
Sevens are always a mixed bag. You get the strength of Netzach (Victory), but the uneven energy of coming off the perfection of Six, Tiphareth. Futility fits the moment. Trapped in my home, still under the weather, I've been unable to make much progress writing because I always have trouble writing among all the distractions I've accumulated in my life. There's too many novels and comics and a wonderful cat who seems to know just when to vie for my attention. It's all my own personal bullshit - I'm distracted because some part of me recoils at the amount of work left even as close as I am to finishing this, but the usual way around that is the coffeeshop (so fuck all them squares that say those of us who write in coffeeshops do so for attention - believe me, the last thing I want in my coffeeshop is interaction with anyone else there, no offense to the staff, who totally get it, btw). But yeah, unable to do that, futility is exactly what I feel. Will today be better? Hopefully, now that I've aired all that "out loud."
This is pretty awesome if you're a David Lynch fan. Sacred Bones, who just put out the long-thought-lost Thought Gang record (mine should arrive tomorrow!!!), dropped this video a few hours ago. It's a video piece Mr. Lynch did for this year's Festival of Disruption. The music used here is from the Thought Gang record - overall a match made in Heaven, where of course, everything is fine. Oh, and that Thought Gang record is still available HERE.
I'm home from work sick today and spending the morning reading the Bernie Wrightson/Steve Niles/Kelley Jones Frankenstein Alive, Alive! Frank, a childhood monster I was obsessed with, has come back around again in my thoughts of late. First, it was K sitting me down to watch the original Universal Frankenstein last year that started it. After that, I narrowly avoided ordering but spent quite a bit of time lusting over this:
Now, a new acquaintance through the HWA, Robert Payne Cabeen, has just had a series of illustrations published as the visual component of new tome Birthing Monsters: Frankenstein's Cabinet of Curiosities and Cruelties, and viewing his work takes me right back to when I would sit and stare at my Remco Frankenstein for hours. What is it about this creature that captivates so many of us? Is it the idea of human ingenuity and intelligence conquering the mystery of death? Or the posit that man could steal his creator's fire by creating life on his own, in a laboratory instead of with the organs of regeneration said creator gifted us? Of course, there's also the joyous gothic attributes Universal bestowed upon the saga of Victor Frankenstein and his creature, laying a cinematic cowl over Mary Shelley's original work of horrific literature. That same gothic version is joyously recreated in the figure/environment above, and is just as joyously disavowed in both Bernie Wrightson's version and several of Mr. Cabeen's illustrations. Perhaps that is the force that binds us to this legend; in Shelley's original novel the creature is a composite, so there has always been room for so many variations that the imagination can continually find new avenues to explore using the creature as an avatar or guide. Either way, my morning belongs to the monster.
After Monsters, I'll hopefully finish up editing the video version of last Friday's Drinking with Comics, with Special Guest Kristen Renee Gorlitz, whose Kickstarter is still going strong and which I implore you to investigate and, if so inclined, support. The Empties really has impressed the hell out of me, and as you know, I always pass along what I find that I like.
As this ailment came on suddenly yesterday while at work, I left early yesterday and watched two great horror flicks on Shudder. First:
Terrified is a ripping little ghost story from Argentina. It's creepy as hell, and although conceptually it's a bit unclear, I actually really liked that about it. I'm one who is perfectly okay with tales of the supernatural NOT following concrete rules since, you know, it's supernatural and thus, largely unexplained phenomena.
Second flick I watched was an older one, something I'd heard about in the 00s and had been meaning to find and get to eventually:
This obviously isn't the Creep that stars Mark Duplass, which I also liked, obviously for completely different reasons. This one plays to my obsession with stories that take place underground. Its use of tunnels, Earthen passages, and secret rooms underground made me unbelievably happy. Well-made British horror that feels of its time in the early 2000s but still works well today.
Playlist from 11/13:
Curtis Harding - Where We Are (single)
The Knife - Shaking the Habitual
Ghost Cop - One Weird Trick
Flying Lotus - Los Angeles
Nick Cave & The Bad Seeds - B-Sides & Rarities, Vol III
Card of the day:
Again? Well, let's dig deeper and see what old boy is trying to tell me. From the Grimoire, "Action, decisiveness, and high energy. Engage obstacles/enemies. Strength. The structure of civilization, social world - law and order; the establishment."
Two things - Civilization, well western civilization, requires linear thinking and rationality. These can also be a prison. I tend to adhere to a guise of linear, rational thinking when writing, but know it can foist frustration and dead ends upon me. Find a way to work in some non-rational writing time.
A little Siouxsie and the Banshees in honor of Susie Bannion and the fact that we have now entered the final stretch toward Halloween. I still have quite a few movies I want to watch, so I'm going to start working some into the daylight, in the background. This is something I purposely never do, as a way to maintain the sacred reverence I try to hold for movies. That said, I'll look at it as a recreation of discovering horror on television as a kid. I have the original Suspiria on while I'm writing this, just as a counter point to Luca Guadagnino's version we saw last night. How was the new Suspiria?
Not an easy question, as there's a lot to unpack.
Guadagnino's iteration of Dario Argento's classic is not so much a horror movie, as it is a Film that happens to center around horrific events and characters; it's a horror movie in the same way Stanley Kubrick's The Shining is a horror movie, that is to say not beholden to genre tropes and mores. I know some folks who would say my evening saying that is pretentious, but here's why I disagree.
Before Jaws, Star Wars, and Raiders of the Lost Ark, Hollywood didn't manufacture blockbusters. With the European influence that came in to take the place of the drift that set in after the studio paradigm died, Directors became revered as Auteurs. Films were made with artistic intentions, and this was not considered a bad or pretentious thing. It goes to show how corporatized we are as a society now, with the number of people who roll their eyes to my oft-preached delineation between what constitutes a Movie and what constitutes a Film.
During this Auteur period, the box office was topped by films that got people talking. Think Chinatown, a movie that would most likely never be made by a major studio today. This championing of the Director as Auteur ended after Michael Cimino's Heaven's Gate disaster bankrupted United Artists. From that point on, studios began to take control back from Directors, and simultaneously began looking for 'sure-things'.
Jaws, Star Wars, and Raiders provided the template for this.
I liken Guadagnino's Suspiria to the Auteur era; it's artistic yes, but not without purpose. One interesting note, without going into spoiler territory, is that Dario Argento's Suspiria takes place in 1977 Germany, and that makes the setting Divided Germany. This never factors into Argento's film, though. That's not a criticism, just an observation, and one that only ever occurred to me now because the new film hinges on this fact. As Susie Bannion's story plays out in the foreground, the background of the film is set against the climax of the Baader-Meinhoff kidnapping, and this too factors in, as does WWII, for Lutz Ebersdorf's character.
In the end? I thought Luca Guadagnino's Suspiria was an excellent film. Will it garner the fun, cult following the original has? No. Will it incite the same kind of celebratory, rewatch fervor Argento's film does? No. That doesn't mean you shouldn't see it, you definitely should. In a theatre if you can. But it does mean a lot of horror fans who hold the original Suspiria dear need to step around their expectations and keep an open mind.
31 Days of Horror
10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween
10/24) Halloween III: Season of the Witch
10/25) Ghost Stories
10/26) John Carpenter's The Fog
10/27) Suspiria (2018)
After the movie, K and I drove around Hollywood a bit, windows down, marine layer in the air. Closest thing I can remember to Autumn in Los Angeles in some time. The cool, moist air added a certain electricity to the evening that was only amplified when we arrived at the Horror Writer's Assoc. party. Robert Payne Cabeen and his wonderful wife Cecile put on a hell of a shindig - the entire front of the house was lavished with decorations that fit the season, music blared from the inside, and people in costumes strolled around the grounds. It was marvelous.
Incidentally, I finally procured a copy of Robert Cabeen's Stoker-aware winning novel Cold Cuts, so I'll be starting that shortly. I had been picking at short stories for the last week or so because despite beginning Neil Gaiman's much-lauded novel The Graveyard Book, I just cannot get into it at the moment. The plan is to move to Cold Cuts next and then go back to Gaiman.
Completely forgot to post here that the newest episode of The Horror Vision went up last Wednesday. Su nioj for Anthony, Chris, Ray, and my own picks for must-watch Halloween season movies. On Apple Podcasts and The Horror Vision.comnow.
Playlist from yesterday was literally only my Halloween Playlist, which you can find on Apple Music if you follow me there. Cities of Dust is on it, as are a lot of other awesome tracks hand-picked to accentuate the Autumn mood I have to manufacture most days here in LaLaLand.
Halloween Playlist:
1) Black No. 1 - Type O Negative
2) Bela Lugosi's Dead - Bauhaus
3) Cities in Dust - Siouxsie & The Banshees
4) Park Around the Corner - Ritual Howls
5) The Monk Song - Miranda Sex Garden
6) The Days of Swine & Roses - My Life with the Thrill Kill Kult
7) Dead Man's Party - Oingo Boingo
8) Graveyard Girl - M83
9) A Dance for the Saints - The Final Cut
10) Mask - Bauhaus
11) Tear You Apart - She Wants Revenge
12) Skin of the Night - M83
13) Zemmoa - Ritual Howls
14) Everyday is Halloween - Ministry
Card of the day:
From the Grimoire, "Balance. Nine = Collected; stable. Cups = Emotion"
I've been using a lot of instrumental music for my writing sessions of late. Most of the time lyrics don't bother me, because most of the time I write to metal and the lyrics can almost be seen as another instrument anyway, especially with the throatier stuff (hence why I listen to Deafheaven so much when I write). But I've noticed while working on this new short story, tentatively titled, "Please Believe Me," that lyrics have proven a distraction. So the other night I fell pretty hard for the Jim Jarmusch/Jozef Van Wissem stuff, and now today I'm finding Johnny Jewel's newly released Digital Rain and absolute aces album to craft by. Here's a sample:
Oh! Before I forget, happy birthday to my one of my best friends in the world, Sonny V. Despite our distance and life's continued efforts to occupy all our time and keep us apart, I love you sir, and one day we will jam together again. In the interim, I found myself thinking about some of our old comedy skits recently, so here's an oldie but a goodie:
I attended my first Horror Writer's Association meeting yesterday, thanks to the generosity of David Lucarelli. I loved it, the idea of a large group of people gathered to discuss the craft. I found inspiration from pretty much everyone present, and I absolutely cannot wait to officially join and begin attending the monthly meetings! Also, two of the gentlemen in attendance have books I am planning on reading in the very near future. Both are available on amazon, or if you're local, I believe at Dark Delicacies, a horror-shop in Burbank I wasn't really aware of until yesterday. Can't wait to check that out as well.
Zeal and Ardor - EP
Zeal and Ardor - Stranger Fruit
Beak - L.A. Playback
Beastmilk - Use Your Deluge E.P.
Best Coast - Crazy for You
Card of the day:
Working to develop a better understanding of the intricate Universe that surrounds us. This is Magick, the idea of tapping into something greater, and that the energies from doing so flow both ways.
