Following up yesterday's Sunday Bandcamp feature of JK Flesh's 2012 Posthuman with his newest release. Depersonalization dropped at the beginning of the month on Hospital Productions, a label I am completely unfamiliar with. Buy on cassette HERE.
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After watching that video of Henry Rollins geeking out over Rhino's 50th Anniversary box set of The Stooges Funhouse, I knew there was no way I was going to spend $400 on it, so I did the next best thing. My copy of Raw Power on CD disappeared a few years back, so I decided to finally replace it with Vinyl. Huge bonus, too, because without even realizing it, the copy I picked up has four sides - the complete 1973 Bowie mix, and the complete 1997 Iggy mix, both remastered, both sound great.
Bowie Mix:
Iggy Mix:
There's some insane differences between the two mixes, and where I used to prefer the Iggy mix hands down - it's the first way I ever heard the album - after spending part of Friday night comparing the two side by side, I think I'm split perfectly down the middle. The one huge sticking point has always been Penetration, which I prefer with the chime. However, the remaster of Bowie's mix shows what older copies on disc don't - the chime is there, and slowly creeps into the mix, where in the Iggy mix, it's pretty much in your face from the jump. Both have merit, especially when you factor in some of the insane levels Bowie mixed Pop's vocals at. Having Iggy sit that far on top of the mix doesn't always work, but on a few tracks, it gives the music an even more intense feeling of chaos.
**
Playlist:
Iggy and the Stooges - Raw Power
My Bloody Valentine - MBV
Discharge - Never Again
Heads. - Push
Gösta Berlings Saga - Konkret Musik
Baroness - Gold and Grey
La Hell Gang - Thru Me Again
The Smiths - Louder Than Bombs
The Smiths - The Queen is Dead
Mannequin Pussy - Patience
Godflesh - Streetcleaner
JK Flesh - Depersonalization
**
Card:
Taming creative force with strategy. This is PERFECT, as Saturday I put myself in a bit of a tizzy in regards to what I'm doing with the new book. There's so many avenues out there for authors now, but it's hard to figure out exactly what to do. This leads to stalemate, a feeling of paralyzed frustration that comes from the paradox of choice. Weathering this will be no small feat, but it is possible.
On June 7th, Southern Lord is releasing the newest album from Chicago Post-Metal group Pelican, and from the two tracks we've heard so far, Nighttime Stories looks like it is a serious contender for my top ten this year. I love the texture of this track; thick, sludgy, but not without melody and a certain swing in its step. You can pre-order the album HERE.
**
Two more episodes of Ozark season one down last night, so that means two to go, then I can finally begin Season Two. This show really holds up on second viewing, and I'm pretty sure its dark, foreboding tone, exceptionally well-written characters, and left-of-center plot twists will continue to impress me; Ozark is the kind of show that already feels destined for greatness.
**
Final episode of The Last Drive-In with Joe Bob Briggs on Shudder tonight, but, in case you haven't heard, it will be back. In my excitement, I looked up some old clips:
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Playlist from 5/23:
The Cure - Disintegration
The Raveonettes - Lust Lust Lust
Faith No More - King for a Day
Faith No More - Angel Dust
Card of the day:
I've never been a fan of this card. Frankly, it has always visually been intertwined with a former lover, and I'm one who usually shuts the door on the past pretty hard, so I'm never really enthused to receive anything in the way of reminders. But last year at some point, this card came up a couple times in close proximity, and in discussing it with my good friend Missi, she put something to me I'd never stopped to consider; basically, why? Why did the Queen of Wands have to be what I had come to think of it as? And this morning, free from any pull of the past, I uncover this card and think, "That's not what this is at all."
So then, the question remains, what is the Queen of Thoth to me?
Let's start basic. From the Grimoire: "Emotional Intelligence." Well, that in and of itself is sometimes as difficult to find as the Dodo; the waters of emotion run rapid when they run best, and sluiced through the right tributary, we may find it very difficult to apply any guidance to the rush toward conclusion. So then, when I pull this, especially today, where my day-to-day gig at the biorepository feels a bit out of control (mother business expanding exponentially constantly), I feel as though the eyes of this fiery lady are telling me to watch my mouth, which runs often, loud, and considerably unchecked at work.
Also, there's the related idea of the 'Consciousness in Spirit,' which I see pop up online when scouting around for other facets of this card. Consciousness in Spirit equates to Intensity of Purpose, which I have absolutely lacked for going on a week now, as work as been difficult and some passing bug has kept me feeling sick and run down for most of the week, even now when I'm through the worst of it. I read this as a need to get my ass back in gear; for the past two weeks, I've had a fantastic regiment of after-work writing and yoga going almost every day, then Sunday I woke up sick and ever since, I've haven't done either. The little bit of yoga I forced myself to do last night ended up making me feel amazing, and that's as good as any other reason to re-focus and re-acquire that Intensity of Purpose.
This showed up in my youtube feed last night and frankly, listening to it was so exciting I had a bit of trouble falling asleep afterward. This band continues to amaze me; while this track obviously bears more than a little passing resemblance to the standard 'Zeal & Ardor Sound,' there's more than enough that's 'new' here to show that Manuel and crew are continuing to stretch that signature sound in new directions, without eschewing the core ideas that made them so awesome in the first place. Not an easy thing to do, but they're doing it. So coupled with Baphoment, the new track K and I saw them play at the Roxy back in August, that's two new tracks. Let's hope we get another new album sooner than later. That said, don't rush it guys. Just keep doing what you're doing.
**
Tuesday night after work I drove up to Hollywood, and my friend Keller and I attended something of a dream event - Harmony Korine's 1997 film Gummo in 35mm at the Egyptian Theatre, with Korine present after the film, interviewed at the front of the room by a long-time friend.
It was magnificent. Gummo has, since shortly after I first saw the film back in, oh, probably '99, occupied a spot in my top-five favorite films of all time. And while the movie disgusts many folks, this screening cemented my observation that it is both one of the most ugly and simultaneously one of the most beautiful films I have ever seen. There is such life here! After the movie, Korine talked about casting, and how he wanted to put people in the movie that you normally would never see in a movie. You can argue that there's an element of exploitation here, but to that I'd counter that Korine documents and puts himself in the film, which to me dissolves the barrier between filmmaker and subjects. He's one of them, not above them, and I think he makes this very clear. I feel real love in Gummo, and while there's definitely some terrible stuff contained within, it's documented objectively, not celebrated or diminished.
**
Because I was out late Tuesday, I'd already secured yesterday off from work. The caveat to myself though, was if I stay home, I have to work. So, I spent the entire day, from about 10:00 AM to 6:00 PM working to finish Shadow Play, with only the distraction of the occasional break to read a comic and several loads of laundry between sessions. There was some major dialogue sculpting I had to do in some of the final chapters, and one serious flaw in a certain character's logic that caused a massive reassessment and overhaul of the last ten chapters. Nothing plot-wise, but all the tiny nuances that go into this disparate collection of characters' lives and machinations all coming to a head in a penultimate moment needed to be massaged something fierce. You know, you change something here, you have to follow the ripples through to the end and make sure they all gel. And although I was exhausted and in need of an ice cold Sierra Nevada by 6:15 PM, I am quite happy with the work. Four more chapters to record and I'm ready for that final go-through. Can't wait.
**
I worked with such focus yesterday, that I was able to ignore two major trailers that dropped and had everyone talking. I'll post them here now as I watch them for the first time.
Wow. Kudos on the use of Baba O'Riley. Also, that's quite the monster near the end, right? And this one, well, I just can't wait for this one:
Playlists from the past few days:
3/20:
John Carpenter and Alan Howarth - Prince of Darkness OST
3/19:
Talking Heads - Remain in Light
The Mars Volta - Deloused in the Comatorium
Finn Andrews - One Piece at a Time
Kevin Ayers - Bananamour
Canadian Rifle - Peaceful Death
John Carpenter and Alan Howarth - Prince of Darkness OST
Card of the day:
I keep seeing this one. There's definitely something more below the surface here, something I don't have the time to research at the moment. Deep dive later on.
I've posted about LA's Cold Showers here before, but I don't think I ever really gave the band the due they deserve, because as much as I dug their dark, Post Punk sound, I never fully fell into them until yesterday. 2015's Matter of Choice spun around and around on my iTunes yesterday while I plugged along at work, and I became more and more entranced by it with every turn. It's one of those albums where I have trouble taking one song out of the larger context of the full cycle. Which of course makes me like it even more, because I've always held albums in higher regard than songs.
With 2015 being four years ago now, I began to fret that just as I fell in love with Cold Showers, they might have winked out of existence. Not the case. On their facebook page I learned that the band has an album coming out on the always awesome Dais Records this year. Why so long between records? Well, back in July, guitarist, engineer, and founding member Chris King was in an auto accident with an uninsured motorist and has had a slow recovery due to medical costs. The band set up a GoFundMe page, and I'll link to it here; I'm going to throw something down come payday, and if you can, I'd ask you to consider doing the same.
The uninsured motorist is a legitimately terrifying boogeyman here in LaLaLand; I walk A LOT and I can't tell you how many times I've almost been hit by people rolling through or just straight-up blowing stop signs (if I was a serial killer, I would kill people who blow stop signs. No BS, that'd be my MO). I used to be pretty bold about this; you know, someone shows no signs of stopping and I just keep walking, figuring, "Fuck 'em, they hit me, they better kill me or I'll ruin their life."
What a bunch of shit.
My attitude changed when formerly great weekly paper LA Weekly ran an article about what they called the "epidemic" of uninsured motorists who land people in the hospital with no insurance to offset their recovery costs. That, and K's pleading for me to exhibit a little common sense have turned my formerly fourteen-year-old's attitude around. Still, this shit happens, and just so no one thinks my 'uninsured motorist' is some kind of an invisible barb about illegal aliens, IT'S NOT. There's just as many douche bags born in the US as not who are riding around without the proper insurance.
***
Sunday night into Monday I didn't sleep very well, so with Cold Showers on my headphones I bulldozed through my work yesterday by 12:30 PM and cashed in some PTO. Went home and watched the following three films, all of which I enjoyed:
An exclusive on Shudder at the moment, Noroi: The Curse was recommended to me by a co-worker. Previously I'd attempted to get into this one and failed; you have to adjust to a certain pacing, as well as a bit of over-acting at times (Mr. Hori does crazy a little too over the top in certain sequences), but this one is unlike any other film I've seen, and stands as a pretty important cultural artifact as far as Japanese Horror is concerned.
I've been meaning to watch Jodorowsky's 'Horror' movie for years, and it's included with Prime at the moment so I finally had a chance. Wow. I won't lie; there's something about Jodorowsky that leaves me a bit cold. My theory is that it's the cultural background he draws from that I do not have experience with, so his movies resonate less with me than, say, David Lynch, another 'Avant Garde' director, who's life experiences are closer to mine and so I really relate to. That's not to say I didn't dig this film; Santa Sangre is beautiful, and watching the composition of some of the scenes I was blown away. The term 'visionary director' might be overused these days, but not on Jodorowsky it's not.
Personal Shopper was a very pleasant surprise. I'd heard something about this film last year on the Bret Easton Ellis show; I can't remember what that something was, but it was enough to pique my curiosity, so that when I saw this pop up on Netflix recently, I ear-marked it. Really cool film, and it made me want to watch more from director Olivier Assayas.
Playlist from 3/04:
Joy Division - Still
Cocksure - T.V.M.A.L.S.V.
Cold Cave - Cherish the Lights Years
Cold Showers - Matter of Choice
Card of the day:
Lots of Swords lately. There's conflict on the horizon? To clarify, I pulled two more cards, so here's what the whole 3-card spread looks like:
This looks like a lot of confusion, or tiny skirmishes that ultimately play into the reverse side of my psychology. You know, the part of you that doesn't want you to finish those things you've worked so hard on? Chock this up to me not working at all on my book yesterday, but watching three movies instead. That wasn't easy; I positioned it as a 'day of rest' in my head, because I'd been craving new content, but really I should have made some time. It's hard for me to fit anything into a weekday that's not writing, so to knock out those films and 'fill the well' I went the other way completely. The understanding was - and here's where I think the Knight of Cups comes in - I work my ass off for the rest of the week and through the weekend. See that Chalice with the Crab he's reaching for? Almost in reach. That's the book. So very close now that I have to be careful not to sabotage it.
Two full listens this morning on headphones and I'm hooked.
31 Days of Horror continued last night, but I'll tell you right now my definitions of horror are probably the most lenient. I drove up to Santa Monica's Aero Theatre after work and caught one of the satellite Cronenberg double headers Beyondfest has been offering this year. Last night was Crash and Spyder, neither of which I had seen before. I only stayed for Crash, primarily because I'd been up since 4:00 AM and was due to wake up at the same time today, so sticking for Spider would have killed me. Secondly though, Crash had such an immense impact on me, I didn't want to dilute the experience with a second movie, even if it was by the same man.
Crash blew me away. I remember it opened back in 1996 around the same time David Lynch's Lost Highway did. At the time I was completely unfamiliar with Cronenberg though, so despite the premise peaking my curiosity, I passed on seeing it. As the years have gone by and I've begun getting into Cronenberg, this film is always one that eludes my attention.
No more.
Shooting straight up to almost tie with Videodrome as my favorite film by DC, Crash's falls firmly into the Body Horror genre in my book, despite there not being a lot of grotesque imagery. The horror here lies in the mutations of sexuality the characters undergo, their willingness to embrace the strange and outre, and the philosophical ramifications that lie buried so deep beneath the surface of the film that they really only tickle their way out. The film feels very much like a virus once its been ingested, and I'm on a kick to further explore its concepts with more viewings and a go-through with JG Ballard's 1973 novel of the same name. I also absolutely loved Howard Shore's score on this one, in particular this opening track:
And where the hell did Elias Koteas and Deborah Kara Unger go after this film? Talk about fantastic performances.
10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) ???
Playlist from Thursday, October 4th:
Miranda Sex Garden - Fairytales of Slavery
The Misfits - Earth A.D.
The Misfits - Static Age
Type O Negative - Life is Killing Me
Cold Cave - Cherish the Light Years
Boy Harsher - Lesser Man EP
Boy Harsher - Country Girl EP
King Woman - Doubt EP
Jóhann Jóhannsson - Mandy OST
This song has seemed especially haunting to me lately. There's a cosmic reverie to the lead guitar that reminds me of Zeppelin at their most mysterious, and also sounds - if you'll pardon the purple - like an impossible gaze into the abyss.
Issue #1 of Batman: Damned blew my expectations out of the water. The story at this point, which is teaming Batman up with John Constantine, begins perfunctory enough. What really seals this one is the art and the format - it's the over-sized magazine size Brubaker and Phillips use for the Criminal Specials, and Lee Bermejo's renditions of everything, especially the design for Batman's suit and his dark depiction of Gotham, are absolutely gorgeous.
Playlist from 9/19:
M83 - Hurry Up, We're Dreaming
Type O Negative - Dead Again
Jóhann Jóhannsson - Mandy OST
Earth - Primitive and Deadly
Angelo Badalamenti - Twin Peaks Fire Walk With Me OST
Card of the day:
From the Grimoire: "Not knowing when to stop for the love of the "battle". Loud and clear.
Second Still is yet another awesome LA band KXLU turned me on to. SO good. You can hear more and buy their stuff on their Bandcamp HERE. I can't wait to see them live.
Playlist from 8/29:
The Flying Luttenbachers - Constructive Destruction
Alice in Chains - Rainier Fog
David Bowie - A Reality Tour [Live]
Cough - Athame
Windhand - Grey Garden
Lustmord - The Word As Power
John Carpenter - The Thing OST
Card of the day:
A lot of Court cards lately. Higher influence. This card is waaaay loaded for me, so I went to a few websites I like with tarot information and looked around. What I found morphed into this when reflected through my own lens: Self Discovery; Moving on and moving forward. Incorporating past pain into a healthy life view.
I'm very late to Alkaline Trio. My friend Chris introduced me to their music a few weeks back and I'm surprised at how much I like it. At the time Crimson was released, I would not have been able to overcome my prejudices against anything that carried an air of slickly produced 'punk rock'. Now, I recognize this for what it is - good, fast rock with no agenda, politics or accoutrements. I'm loving this record - it's been a great sonic tool for writing.
Playlist from 5/25:
Danzig - Circle of Snakes*
Barry Adamson - Stranger on the Sofa
Chromatics - Cherry
Huey Lewis and the News - Sports
Lebanon Hanover - Let Them Be Alien
David Bowie - Low
Deafheaven - Sunbather
Alkaline Trio - Crimson
Crystal Castles - Amnesty (I)
Cocksure - T.V.M.A.L.S.V.
I wrote just over 3K words yesterday, after a full day's work. Not too shabby. Today shooting for 4K.
I subscribed to Shudder recently, and have been digging the app's selection. Checking off a lot of longstanding,"I need to see that" boxes. Last night it was Adam Green's Digging Up the Marrow and Until the Light Takes Us. The night before was a new movie, Sequence Break. This is Grahamn Skipper's directorial debut; it premiered in LA last fall at BeyondFest and I had really wanted to go, but that didn't work out. Reminiscent of Beyond the Gates and eXistenZ, Sequence Break was a great watch, even if it was a little bit awkward at times (mainly just one character, the enigmatic man, was a bit off, a kind of contrived Deus Ex Machina that revealed the lines of the writing almost every time he appeared to catalyze events - there was a better way to do what he did). Still, I enjoyed Skipper's first film and look forward to his next. Definitely a fun watch with great visuals and some awesome Body-Horror elements, a la Cronenberg's mid-period stuff.
Card of the day:
The perfect Mother. Hmmm... perfectly fits what I'm writing, I'll leave it at that. Also, it ties directly into Mr. Danzig, doesn't it? Weird, since the bit below this with the asterisk is something I wrote yesterday in the morning, after listening to Circle of Snakes on the way to work.
* Other than albums 1-3 and 7, my relationship of Danzig's records runs the gamut from begrudging to tentative. I'd not listened to this one in some time, and as much as I still enjoy 1000 Devils Rain and Skull Forrest, the production on this one is so fucking bad it actually makes me angry. I'm pretty sure in the case of opening track Wotan's Procession, the subpar guitar sound is a nod to the Black Metal of Norway, which I remember from seeing Danzig live for this album, was heavily reflected by his "Blackest of the Black' Tour lineup. But the rest of the record? No excuse, can't even hear parts of the chorus vocals on several songs, including the aforementioned Skull Forrest. Yo Glenn, hire a fucking producer, eh? Also, is Forrest purposely misspelled?
So, a clarification I need to make from yesterday's post. I'm not intending to half-ass anything here, but there's no wifi connection in the office at work right now, it's crazy busy beside, and now even the personal hotspot connection when piggy-backing off my phone just doesn't hold up. I'm wondering if someone painted the office with lead over night?
I inadvertently listed the first item on yesterday's detailing of the 19th's playlist as "Introduction to Stereoscopic Sound". That's close, but it doesn't really tell you what the hell this is. This is what that is:
A record I picked up in a thrift probably 10 or 11 years ago, I had a bunch of these 'demo' vinyls until the recent purge. Now I just have two, and this is one of those that I kept. It's gorgeous, sonically and visually, simply because it is such a holdover from a different era. These were records labels like Columbia released to demonstrate the new art of Stereo - imagine! Something we take 100% for granted! Very cool, and sounds a little something like this, with a track listing that includes Tchaikovsky, Bartok,Gershwin and Duke Ellington!
Playlist from 3/20:
Led Zeppelin - Presence
Screaming Females - All At Once
Led Zeppelin - Led Zeppelin I
The Veils - Total Depravity
Alice Donut - Three Sisters
Blur - Eponymous
The Fixx - Reach the Beach
Black Sabbath - Sabotage
Card for the day:
From the grimoire, "Can be a dirt, focused woman or period of female-inspired energy. Confident in what she wants and forthright in acquiring it. Unceasing energy and determination, but this can lead to not knowing when to stop for the love of the battle."
