Even Paper Girls Need to Rock N Roll

 

I'll never forget the first time I heard Metal Church. My second concert ever was at the World Music Theatre in Tinley Park, Il. 1991, Operation: Rock n' Roll. Metal Church (The Human Factor Tour), Dangerous Toys (Hellacious Acres), Motorhead (1916 Tour), Judas Priest (Painkiller Tour), and Alice Cooper (Trash). As we exited the amphitheater, we were handed cassette compilations that featured a song from all the bands that played, plus Cycle Sluts From Hell, Alice in Chains, and I don't remember who else.

Unfortunately, I don't think I still have this tape, despite having a box filled with tapes that I've lugged with me across the country twice now. Regardless, the Metal Church song on this was "Date With Poverty," and thus, my constant revolutions of this tape burrowed it deep into my brain. 

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Watch:

We finished the regular season of Netflix's The Sandman, then were super happy to see the bonus episode drop with two stories culled from the third TPB collection Dream Country. Both Dream of a Thousand Cats and Calliope were every bit as faithful adaptations of the source material as the overall show was. I really hope they renew this one.

Incidentally, a new episode of The Horror Vision went out today. We do a spoiler-free reaction to The Sandman, and talk about a whole bunch of other things as well, from my first viewing of Alien Vs. Predator: Requiem, to seminal 80s flick Popcorn, to the unique and disturbing films of Andrey Iskanov. Check it out in that little widget just above and to the right, and if you dig, follow us on your favorite Podcast Platform. 

Next up, the first episode of Paper Girls. I am a HUGE fan of the comic, but this first episode felt like the show was cramming A LOT into one episode. Still, I'm in for the haul, so hoping it smooths out a bit. 

This is another one I really hope hits its stride; Brian K Vaughn fans already had one heartbreak in the last twelve months with Y The Last Man being tossed out after only one season, so hopefully, Paper Girls will hit its mark and find an audience:

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Read:

I finished T.E.D. Klein's The Ceremonies yesterday. Wow. What a book. It's always fantastic to find a literary Horror novel, and this is definitely that. The Ceremonies breathes for a large part of its 600-page length, and the story is all the better for it. This is the kind of prose I love most, where the author isn't concerned with hitting beats or creating a page-turning momentum. The story unfolds slowly, primarily with character development, and when things climax in the final 50 or so pages of the book, it feels well-earned.

Loved this. Can't wait to grab Dark Gods, also recently republished by PS Publishing. Also, a note in reference back to my original post about this edition of The Ceremonies when I first received it: despite my fears, the spine on this one actually held up beautifully. Way to go, PS! You guys rock, thank you for bringing Klein's work back into print, I was getting dangerously close to paying upwards of $50 on eBay for a beat-up old MM paperback copy of Dark Gods before you swept in and saved the day.

Unfortunately, I realize now I missed out on a gorgeous Hardcover with Slipcase edition, but that's okay. 

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Playlist:

Various - Every Day (Is Halloween) Small Cat, Big Yard Playlist

Various - Bret Easton Ellis' The Shards Playlist

Underworld - 1992-2002

Tangerine Dream - Phaedra

Metal Church - The Human Factor

Big Business - Here Come the Waterworks

Various - Return of the Living Dead Soundtrack

King Woman - Doubt EP

Sharon Jones and the Dap Tones - Give the People What They Want

The Devil's Blood - The Thousand Fold Epicentre

Anthrax - Worship Music

Forhist - Eponymous

David Lynch and Mark Zebrowski - Polish Night Music

Ozzy Osbourne - Diary of a Madman

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Revelation can Strengthen Will, however, Emotional persistence can hamper Will. I'm not entirely sure what this is speaking to at the moment, but I'll do some reading later today and see if I can't get a better read on this. 

Meg Myers - Children of Light II

 

New Meg Myers! Her stuff is getting weirder, but she still delivers those pulse-pounding hooks.

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Watch:

Oh shit, I forgot ALL about this:

 

No release date yet, but the announcement says "Soon."

 

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Dollar Bin:

I don't know much about Micronauts, other than it was a toy property from just before my era - before the era where cartoons and I always came across stray figures and playsets at garage sales in the early 80s and wondered what they were (same with Shogun Warriors). Last year though, when Chris Saunders and I interviewed comic artist legend Kelley Jones, he mentioned he started at marvel on the Micronauts book. 

I have developed a bit of a phantom nostalgia for toys and comics from just before my era, and finding these in the ol' dollar bin proved impossible to pass up. This falls in line with the weird, TSR, Hobby-Shop genre of SciFi and Horror that I feel existed as a kind of 'quiet zeitgeist' in the early 80s - a pop culture texture that has been mined and revitalized by Stranger Things perfectly. Anyway, I'm hoping to find more Micronauts, or maybe snag some on eBay. I'd like to read a solid run of a handful of consecutive issues, just to get a feel. 

Also, they're written by Bill Mantlo, and I've really come to see him as a kind of underappreciated genius in that Hobby Shop Sci-Fi thing. 

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Playlist:

Ozzy Osbourne - Ordinary Man

Jerry Cantrell - Brighten

Mike Doughty - Live At Ken's House

Prince - Sign O' The Times

Testament - The New Order

Sparks - Hello Young Lovers

Mr. Bungle - The Night They Came Home

Run the Jewels - RTJ4

The Raveonettes - Raven in the Grave

Goatsnake - Black Age Blues

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Card:

Once again, the ways of peace are strong in me, even in the midst of adversity.

2019: June 5th Stereophonics - Mr. Writer

Wow. It has been a minute since I dug into Stereophonics. So long, in fact, that I'd forgotten how great this band is. And this particular track comes from a great album, too, although one that can be difficult for me to engage with, since it mentally and emotionally ties my thoughts back into The Yellow House, a band I was in that I loved, but that ended abruptly. That's tough; bands breaking up are a lot like couples breaking up. There becomes an entire subset of people and music and corridors of thought that you end up having to put to the side to avoid those messy little nerve triggers. With Stereophonics - and more specifically the album Just Enough Education to Perform, which I'm listening to for the first time in at least ten years as I type this - those triggers kick in on the second track, Lying in the Sun. I remember hearing this song for the first time after The Yellow House was already really up and running, playing shows and getting our name out there. I remember hearing this track and thinking, "Hey, that's a lot like what we're doing. Cool." It meant a lot at the time, to have a band that was successful in a way that we wanted to be, that had a similar aesthetic. Stereophonics weren't really all that big in this country, but at the time almost nothing worth hearing was. They had a solid fan base probably everywhere else in the world, and they were cool. That's what was largely missing from the 00s. Not many people were cool anymore; that aesthetic - which granted can go sideways real fast and make you look like a douche - was replaced mainly in the 00s with people yelling and screaming about their prozac, how messed up they were, and the like. Bands like Stereophonics and BRMC were cool.

My introduction to Stereophonics also dovetailed with my first trip abroad: I remember walking into the first hostel in Dublin in January 2002, and this video was playing on the tele. The track has always had the particular ability to spin me back in time to that exact moment, the way the air tasted, the electricity of being somewhere new. Which is always something to be experienced sparingly, so as not to wear out the Magick.

Hearing these tracks this morning, I'm blown away; the songs and my responses to them are a reminder that I am a completely different person today than I was during The Yellow House. Which is precisely how it should be, but it's interesting to step back every now again and remember.

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NCBD! Very excited for these, especially The Walking Dead. If you're reading it, you know why!

Found out recently this series ends with a double-sized issue #30 in July, so this is the penultimate chapter! Expect even more insanity than we've had, which is really going to be saying something when all is said and done:

Despite initial confusion, I ended up loving the Lapham's Lodger series for IDW's Black Crown. And now, I'm excited to be back with the old gang again in Stray Bullets:

The start of a new, and apparently longer, arc. This book is aces. Read it:

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About the time I posted yesterday's blog I realized I was sick as fuck and not going to work, so I spent June 4th confined to bed, where I finished Gemma Files' Experimental Film. A powerhouse; such a great novel. Creepy, well-written, and almost clinical in its plotting. I wondered if the climax would go as large as the plot teased, and if so how that would work. There's that moment where, depending on how supernatural or numinous a novel's plot has teased, Speculative or Weird Fiction has to make a decision to either go full-bore, bringing the 'monster' on camera or not. Ms. Files goes all the way with it, and she does such a fantastic job with it. Nothing seems ridiculous. That's the trick. You have to give the reader something they've never seen before and make them believe in it. And Experimental Film does that very well indeed.

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Watchlist yesterday was another episode and a half of Doom Patrol. SO fun watching Cliff Steele kick nazi ass while Dead Kennedy's blare on the soundtrack. I can't recommend this show enough.

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Playlist from 6/04:

Cat Rapes Dog - Maximum Overdrive
Tears for Fears - Songs From the Big Chair

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Card of the day:

Remain open to the influence of the Universe. Pretty sure unexpectedly digging into old Brit rock and staying home from work (and feeling guilty about it) for the second day in a row are the direct manifestation of this draw. I've been sick or not feeling well (read: exhausted) since the 19th of May, and the recurrences from what seems a tiny bug are due, I think, to a lack of rest. So yesterday I didn't leave bed, save for about an hour where I sat in the living room and listened to two records while reading. Also, I didn't allow myself to write at all. I put all the anxiety and expectations and frustrations of this final edit under the bed for a day and just did nothing but read Gemma Files. Today, while once again planning to stay in bed, perhaps I will work on reading the book.

2019: March 6th: New Music from Dylan Carlson's Earth

This was the state of my head earlier today:

It's 12:00 AM, and for the second time this week, I can't sleep. There's bravado in the clouds tonight, distant thunder echoing across the sky, holding the population of LA's South Bay hostage. Those of us still awake, anyway. I'm on the couch, watching Lucio Fulci's City of the Living Dead as I type this. I've had horror on the brain this evening - I feel both that I want to consume an unheard amount of it, and that there's some new story bubbling just beneath the surface of this rabid spike in fandom I'm experiencing. Maybe it's an escalating love for Shudder's historically minded programming, or a love for all the peripheral content the open-market of the internet has made possible. Or maybe it's just that the world we live in is a horror story, a very sad yet wonderful story whose outcome remains unproven. I watched Horror Noire a few days ago, and the first episode of Eli Roth's History of Horror earlier tonight. One quote from Edgar Wright rings out in my head; while discussing George A. Romero's Day of the Dead, Wright says something to the effect of, "It's an apocalypse you wouldn't mind living in. Or at least, I wouldn't." Very true, but the question is, does ours measure up? Would you rather have a never-ending parade of narcissistic cunts running things and two hyperbolically ludicrous political parties totally devoid of common sense, or a hell-on-Earth, zombie apocalypse?

I'd wager you can guess my answer.

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I ended up unable to drop off until around 2:00 AM, so I called out from work. Will use the time to make major progress in finishing the book.

But first, let's look at what's happening this morning, now that I have slept.

Sargent House just dropped new music from Seminal Crawl band Earth. New album Full Upon Her Burning Lips drops on May 24th; you can pre-order physical HERE and digital HERE.



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NCBD:

This is the MVP pick of the day for me. Hell, maybe of the year. I acquired the first two volumes of Warren Ellis and Jon Davis-Hunt's The Wildstorm at Amazing Fantasy in Chicago back in December. I read them in a day, and seriously think it might be Ellis' best comic work since Transmet. The relationship between Jon Davis-Hunt's art and Ellis' script make this the best example of 'wide screen comics' I've seen in years, maybe ever. It's so clean. A complex, fascinating story that just feels effortless in how it's told. And if you're worried about the superhero source material, don't: I had next to no experience with the Wildstorm Universe before this, aside from the occasional mini series by Ennis (not even sure if those are Wildstorm, now that I think of it; all those early Image "team" books run together for me because I never read any of them back in the day), and I think my read on this new reimagining from Ellis is better for it. And it's not a superhero book. At all.

I Can't recommend The Wildstorm enough:

Finally! Walk Through Hell returns! I think I was referring to this in previous posts as "A Walk Through Hell," and now that I see my mistake, I feel like the title is even creepier, because, in keeping with the story, it's a command.

More Warren Ellis! Cemetery Beach, with artist Jason Howard, comes to an end. I'm assuming this is the end of a first volume, and now that Ellis and Howard's Trees is set to rotate back in with a five-issue third volume, we'll have to wait until after that completes before we have more Cemetery Beach. Whatever the case, this book has been fantastic. If you read Ellis' newsletter, with its fascinating glimpses into the man's work methodology, you can see a window into how he has evolved into such an efficient storyteller. This is the end goal for me folks; it gives me something to shoot for. Not to write like Warren Ellis, but to have as crisp and clean a process.

A new issue of Deadly Class will pair nicely with my continued love of the Remender-run SYFY adaptation, and serves as a reminder that now that K has read the entire run of the comic to date, I need to initiate my own re-read. Look at that cover!

Jesus, this is looking like an expensive week! No complaints though, not when Paper Girls is returning. And again, look at that cover! I'm going to have to revisit the final issue of the previous arc, because I can't quite remember where we are in this totally batshit crazy book.

And I may have listed it here last, but this will be the first book I read today! The Walking Dead 189. This book has, as always, been a riveting descent into the chaos at the heart of humanity's designs on civilization. Why doesn't structure work? Because we are the walking dead, and all order is transient when compared to the chaotic nature of the Universe. Or is it just order on a scale we can't see?

Who knows? Part of the fun is wondering. But I digress...

Part of the beauty of TWD, is it maps out an allegorical timeline to our own history inside the world of the book. The seeming perfection of this new society our long-haul characters have found in this newest arc is turning out to be not so civilized, and as we inch toward the landmark 200th issue, I think things are going to get hairy. As usual though, Kirkman has no limit in his writing and imagination, and he never does what I think he's going to do; that's why I love this book.


Playlist from 3/05:

Various Artists - Trainspotting OST
Cold Showers - Matter of Choice
Cold Cave - Cherish the Light Years
Prince - Sign O' The Times
Blut Aus Nord - Cosmosophy
Boy Harsher - Careful

Card of the day:

Perfectly grounded. Water of Earth; cares for her house. Perfect for the day for two reasons: A) The Earth track that dropped, and B) I'm home and going to attempt to finish this house I've built in Shadow Play, Book One. I finished the Grammarly editing last night, now I have to record myself reading the last half of act two and all of act three, and I can listen to it and suss out any final story edits that need to be made. Excited!

Brian K. Vaughan and Cliff Chiang's Paper Girls has arrived...

... and it's the topic of my weekly comic book rant over on Joup in this week's edition of Thee Comic Column.