AHS NYC

 

Happy Monday, October 17th! Here's some Dance with the Dead to wake all our asses up! From the B-Sides: Vol. 1 collection, which is available on the group's Bandcamp HERE.

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31 Days of Halloween:

10/1 - Trick 'r Treat

10/2 - Barbarian

10/3 - Hellraiser ('84)

10/4 - Phenomena

10/5 - Hellraiser (2022)

10/6 - The Dark Backward

10/7 - Sick/The Beyond

10/8 - Werewolf By Night

10/9 - Something in the Dirt

10/10 - Let the Right One in Episode 1/Lux Aeterna

10/11 - My Best Friend's Exorcism/Grimcutty

10/12 - Smile

10/13 - Monstrous/VHS (Amateur Night segment)

10/14 - Halloween Kills

10/15 - Halloween Ends/Ed Wood/Plan 9 From Outer Space

10/16 - Spider Baby/101 Scariest Horror Movie Moments/Night's End/Behemoth

Jennifer Reeder's Night's End hit Shudder a few months back as a Shudder original and kind of got pushed right past my radar by all the other titles that came in hot on its heels. Luckily, while browsing back through the "All Movies" heading, I stumbled on it. Fantastic film. a tight 81 minutes, this one really pulls you into the protagonist's inner world with visual cues, then kind of explodes all over the place in the final act. Loved it.

Also, we have the first episode of AHS NYC dropping this coming Wednesday, and I'm pretty excited. I don't think it's any coincidence that this season lands just after David Bruckner's Hellraiser and appears to focus on a lot of the same imagery and even, possibly, an extension of the scene that inspired Barker to write the original The Hellbound Heart. 

Will this be American Horror Story's version of Hellraiser? Probably not exactly, but it looks like it will scratch a similar itch.

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Playlist:

Boy Harsher - Burn It Down EP

Boy Harsher - Careful

Miranda Sex Garden - Fairytales of Slavery

Type O Negative - Dead Again

Public Memory - Veil of Counsel EP

G.I.S.M. - Detestation

Jammes Luckett - May OST

Goblin - 2013 Tour EP

Claudio Simonetti - Phenomena OST

Jim Williams - Possessor OST

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Say no more. This is one of those "loud and clear" readings: I haven't gotten shit down with writing in weeks. The second week in LA, when I stayed with friends, fine. That's an excuse. Working, commuting, seeing almost a flick a night and a concert? But I've been back a week tonight (technically a week tomorrow morning) and I've only written once. That has to change. I need to focus my energies on that time, and apply my Will. 

Type O Negative, Creepshow, and Tales from the Crypt!

I've been in full October mode, and of course, that means lots of Type O Negative. This song, the final track on their final album before Peter Steele's death, really hit me this morning. Released in 2007, I've always really liked Dead Again, but I never quite warmed up to it as much as Life Is Killing Me, their previous and my favorite of their albums (I just take Bloody Kisses out of the running for that - it's perfect and stands on its own in a timeless continuum of awesome). Last year at this time, however, I felt myself coming around a bit more, and this year, well, I may now consider it the band's best album (again, eschewing BK). The song structures and arrangements are fascinating and far from obvious; listen to the soft countermelody Josh plays on the climax of this track -  I feel like one in a million rock keyboardists would write something like that there.

That said, this increased infatuation with Dead Again is what makes hearing Steele sing "All Hail and Farewell to me..." at the end of the song so emotional - I'm willing to bet the reason Dead Again took me so long to fall completely in love with is I'm a bit of a saver. In other words, living with the knowledge that this was their final album (I had a hunch even before Steele passed), I believe I saved this album to have one last record to fall in love with over the years. Now that this love has come to pass, I'm sad. But only so sad, because none of Type O's record ever get old.

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The second episode of Shudder's Creepshow aired last night. Fantastic! There's a ton of schlock here, but that's how it's supposed to be. I especially liked "The Finger," with DJ Qualls. Breaking the fourth wall doesn't often work, but it did here. As a complementary flavor, K and I followed Creepshow with the first episode of the first season of HBO's Tales from the Crypt. Unlike many of my contemporaries, I didn't see much of this show back in the late 80s/early 90s when it aired. This episode, The Man Who Was Death, proved relevant in several ways. First, William Sadler is one of the stars of Joe Begos' VFW, which we'll be seeing tomorrow night at Beyondfest, and two, Sadler's out-of-work executioner narrates this episode by continuously breaking the fourth wall. A great double-feature in a weekend that will be filled with double and triple features!


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31 Days of Horror:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1

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Playlist from 10/03:

Type O Negative - Dead Again
Various - Lords of Chaos Soundtrack (Playlist)
Sisters of Mercy - Floodland
Miranda Sex Garden - Suspiria
Neon Kross - Darkness Falls
Claudio Simonetti and Fabio Pignatelli - Phenomena OST

**

Card of the day:

Taking this as a nod that spending yesterday after work catching up on sleep instead of working was the correct plan of action. I feel revived, refreshed, and ready to continue outlining Shadow Play Book Two!

31 Days of Horror Begins!

"It's the most wonderful time of the year..."

That runs through my head pretty much from the time Beyondfest begins at the end of September, all the way through November 1st, and this year it's even more pronounced. Because of the late night at Joe Bob and Tammy and the T-Rex Monday night, I took October 1st off, which in turn gives me a nice head start on 31 Days of Horror. I started with a Rob Zombie double feature: I chose House of 1000 Corpses to kick the entire month off as a tribute to Sid Haig. From there I segued into 31, although that essentially played in the background as I started my writing day. BIG breakthroughs on the second book of Shadow Play, now I just have to work them into my outline, rejigger a few things, and then commence writing.

**

Finally: here's a newly expanded version of that Halloween Playlist I've been listening to for the last year or two.



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31 Days of Horror:

10/01: House of 1000 Corpses/31

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Playlist from 10/01:

Blut Aus Nord - Hallucinogen
Ritual Howls - Rendered Armor
Opeth - Deliverance
Claudio Simonetti and Fabio Pignatelli - Phenomena OST
Zonal - Zonal (Single)
Dean Hurley - Anthology Resource Vol. II: Philosophy of Beyond
Mark Korven - The Witch OST

**

No Card today.

2018: October 30th

From the album Post Everything (great title) and featured in the movie Pyewacket, which I watched last night and absolutely loved. In a way I saw Pyewacket as an updated version of George A. Romero's Season of the Witch, kind of a cautionary tale about messing around with Black Magick. I loved everything about this film, from the camera work, which was diverse and pragmatic in its approach, i.e. if the filmmakers needed to create tension or up the tempo for the viewer, they did so with hand-camera work - never gratuitous - or odd angles. They used the score well, partially by playing with volume to accent moments of tension release or revelation, and they kept their locations tight but aesthetically aligned with what they were trying to do, as in the use of Autumnal colors and rustic buildings. Also, director Adam McDonald certainly knows how to play on the strained relationships of Mothers and their adolescent daughters. Nicole Munoz and Laurie Holden (who some of you will remember from The Walking Dead as Andrea) kill it in their roles, Munoz especially.



I also finished watching Beetlejuice last night. Man, I miss liking Tim Burton's stuff. Unlike his later stuff, Beetlejuice is pure imagination unconfined by the caricature the auteur has made for himself, which really just acts as a prison.


Thanks to my good friend Jonathan Grimm Art for the recommendation!

31 Days of Horror

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween
10/20) Mandy
10/21) Satan's Playground

10/22) Flatliners
10/23) Jacob's Ladder

10/24) Halloween III: Season of the Witch
10/25) Ghost Stories
10/26) John Carpenter's The Fog
10/27) Suspiria (2018)
10/28) Suspiria (1977)

10/29) Beetlejuice/Pyewacket

Playlist from 10/29:

Trust Obey - Fear and Bullets

Uncle Acid & The Deadbeats - Wasteland

John Carpenter and Alan Howarth - Halloween III: Season of the Witch

Miranda Sex Garden - Suspiria

Exhalants - Eponymous

Trust Obey - Hands of Ash

Trust Obey - The Tides of Sin - EP

No card today. I keep forgetting my decks at home in the morning.

Well, that's almost it, as tomorrow is Halloween! Rejoice, oh you children of the night! The walls grow thin.

2018: October 29th

Whoah. I had ear-marked this Perturbator collaboration with LA-based Health sometime a week or so ago and then promptly forgot about it. Listening to it last night while writing, it made a strong impression. Which led to me checking out Health's 2015 album Death Magic (great title). Fantastic stuff. Reminiscent of Crystal Castles at times, very melodic and killer electronics.

31 Days of Horror rounded the final lap last night with attempts to watch two other movies as well. The first was Beetlejuice, which I rented from Amazon and which dropped out and sent me back to the start twice before I gave up. The second was Tod Browning's 1931 Dracula with Bela Lugosi, but by then it was pass out time, so I only made it 2/3 of the way through. Ugh.

31 Days of Horror

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween
10/20) Mandy
10/21) Satan's Playground

10/22) Flatliners
10/23) Jacob's Ladder

10/24) Halloween III: Season of the Witch
10/25) Ghost Stories
10/26) John Carpenter's The Fog
10/27) Suspiria (2018)
10/28) Suspiria (1977)

Playlist from 10/28:

Various Artists - Halloween playlist
Skeletal Family - Singles Plus One
Health/Perturbator - Body/Prison
Health - Death Magic
Ennio Morricone - Black Belly of the Tarantula

No card today.

2018: October 27th

New Finn Andrews track! I love everything about this man's music. In the past two years, I've gone to so many concerts, that I've made a little oath to lay off in 2019, in an attempt to start saving some of the money I spend at shows. The two exceptions to this are The Veils, who I've only been into since David Lynch introduced them to me on Twin Peaks, and Uncle Acid and the Deadbeats. Well, I procured Uncle Acid tickets this past Wednesday, so that only leaves The Veils. Would Finn Andrews solo suffice? Of course.

31 Days of Horror was supposed to continue last night with Stanley Kubrick's The Shining, however between decorating for Halloween and baking Zombie cookies, K and I didn't think a 2+ hour film was realistic, so we went with John Carpenter's The Fog, a film I love but hadn't watched since Mr. Brown and I viewed it back in, oh, probably 2003. Jesus, time flies.



Tonight's film is already set in stone - Suspiria, at the Arclight in Hollywood. Excited does not even begin to describe my mindset. I believe this film will not be a remake at all, but a totally new and different film that will sit alongside the original as another fantastic piece of horror cinema.

31 Days of Horror

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween
10/20) Mandy
10/21) Satan's Playground

10/22) Flatliners
10/23) Jacob's Ladder

10/24) Halloween III: Season of the Witch
10/25) Ghost Stories
10/26) John Carpenter's The Fog

On a bit of a paperback kick right now, and finding that August Derleth's Cthulhu cycle stuff is not nearly as bad as I remembered it being (I say I remembered them being bad, but regardless I've always loved what I've read, just wondered about going back to it, which has been rewarding thus far).

Playlist from 10/26:

Type O Negative - Bloody Kisses (Digipak)
The Teardrop Explodes - Kilimanjaro
The Knife - Silent Shout
Fantômas - Director's Cut
Jóhann Jóhannson - Mandy OST

Card of the day:

From the Grimoire, "Culmination." Good, lots of spinning plates and I believe I just implemented something to streamline their results. Ten is also Malkuth, the world, and I guess, in a way, I'm announcing myself to the world today.

2018: October 22nd

Nick Cave and the Bad Seeds tore it up last night. The set list contained much of the standard tunes they're performing in the current incarnation, with one nice surprise of the non-album Shoot Me Down, one of my favorites from the B-Sides and Rarities Box Set released back in the early 00s. My favorite of the evening was probably From Her to Eternity. Love this new, extra cacophonous version.



Absolutely fantastic to see Warren Ellis play the flute on it live. And props to the guy in the audience wearing a perfectly fitted suit and dancing his ass off all night. Almost as much fun to watch as Old Nick.

Cigarettes After Sex opened the night, and while I'd had a bit of trouble getting into their music on the headphones at work - not the time or place when you need a tempo - I LOVED them live and intend on gorging on their music in the following nights.



Oh, and it turns out The Forum, while I still would 99 times out of a hundred skip stadium shows, really does a tip-top job with efficiency. I'd been carrying some anxiety about going to this, with the logistics of parking, seating, etc, but everything was easy peasy. The seats were fairly small and uncomfortable, but everything else was 1-2-3.

31 Days of Horror continued with Dante Tomaselli's Satan's Playground. I've been wondering for a while whatever happened to Tomaselli, who released three avant grade horror films back in the late 90s/early00s and then kind of disappeared after 2012's Torture Chamber, which I never bothered with based on the name and that era's predilection for torture porn flicks. But Desecration (which I've only seen clips of), Horror, and Satan's Playground, while having no chance of winning any acting awards, are enjoyable, unique little gems. Turns out, Tomaselli is currently working on a remake of Alice, Sweet Alice, the original having been directed by his cousin, Alfred Sole. Here's the trailer for Desecration, which is nuts:



10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween
10/20) Mandy
10/21) Satan's Playground

Playlist from yesterday was virtually non-existent, aside from Mr. Cave and the Bad Seeds live:
Nick Cave and the Bad Seeds - The Good Son

No card today.

2018: October 20th

A little something from the Trust Obey soundtrack to James O'Barr's graphic novel The Crow. This entire album is fantastic beyond words.

David Gordon Green's Halloween is pretty great. My post-viewing reaction, as well as the reactions of two of my cohosts on The Horror Vision podcast, can be heard on Apple Podcasts or our website. WARNING: This eleven minute mini-episode is FILLED with spoilers so beware.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween

Playlist from 10/19:
Tones on Tail - Everything
Uncle Acid & The Deadbeats - Wasteland
Zeal & Ardor - Stranger Fruit
Type O Negative - Dead Again
Not Waving - Good Luck
Beak> - L.A. Playback
Revolting Cocks - Beers, Steers, and Queers
Queens of the Stone Age - Villains

Card of the day:

A problem solved. Hoping this pertains to my writing work today, which is all about reading and editing and thus, is rife with problems, chief among them, DISTRACTION.

2018: October 19th

Getting into the heart of the season, so I broke out the Tones on Tail yesterday. One of my favorite musical purchases ever, Tones on Tail's Everything. The second disc is probably one of my 'desert island' picks.

In preparation for seeing the new Halloween tonight, K and I did the original film last night. This one will never not hold up. A perfect movie, horror or otherwise.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

Playlist from yesterday:

Tones on Tail - Everything
Ghost - Infestissumam
Ministry - The Mind is a Terrible Thing to Taste
Uncle Acid and the Deadbeats  - Wasteland
Steve Moore - Mayhem OST
The Veils - Total Depravity

Card of the day:

Journey into the blackest depths of my soul? Doubting that. However, I definitely need to get a look down in subconscious and do some weed pulling. Lots of distraction of late on the writing front.

2018: October 18th

It's an old school Ministry kind of day.

31 Days of Horror continued last night with Ghoulies, and it was AWESOME! Here's the trailer:



I hadn't seen this one since I was a kid and it first came out on cable. I didn't have cable, but the kid down the street did, and this was one of the movies I got to see at his house that I never would have been able to see at home. This was K's pick and I offer her much kudos for it; the only thing I remembered from that long ago viewing was walking around seeing it saying, "Hey dude, don't Bogart that joint!" even though at the time, I had no idea what a joint was.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies

Playlist from 10/17:

Uncle Acid & The Deadbeats - Wasteland
Explode Into Colors - Quilts EP
Sunn O))) - Kanon
Steve Moore - Mayhem OST
The Veils - Total Depravity
Cocksure - Be Rich

No card today.

2018: October 17th - New Uncle Acid!

Man, feels like I just checked on the new Uncle Acid and the Deadbeats album a week or two ago and there was no pre-order up, then yesterday I realized Wasteland has indeed officially dropped. Of course ALL the nifty colored vinyl is gone over at Rise Above Records, so for now I'm just listening on Apple. Great record, and as you can hear above MAN! What an opening track!

31 Days of Horror continued last night with Candyman! Only the second time I'd seen this flick, it's a great example of a 90s horror flick that doesn't seem as dated as, say, Species.  Leave that to Bernard Rose's direction, Clive Barker's oversight, and poverty anachronistic staying power. That's the world folks.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman

NCBD today and it's a great day because Gideon Falls returns!!!

Playlist from 10/16:

Second Still -
Windhand - Eternal Return
Uncle Acid and the Deadbeats - Wasteland

No card today.

2018: October 15th

Alien Sex Fiend - Not your father's Death Rock band. Well, then again, I suppose this very much could have been your father's Death Rock band. Never mind. Among the weirdest things I've ever heard.

31 Day of Horror continued yesterday, but I've already told you about The Apostle. Afterward, K and I plowed through the first five episodes of the Netflix/Mike Flanagan epic The Haunting of Hill House. I was a bit uncertain at first, but quickly came around. It has Flanagan's time weaving technique, the one that makes Occulus so unique. I dig it, probably not as much as I'd hoped I would, but for watching five episodes in a binge -something I haven't had the time to do in forever - it was good.

We wanted to make it through the first five because an article popped up last week HERE on Bloody Disgusting where Flanagan suggests people watch the first five, then go back and watch them again before continuing on to episodes 6-10. This is based on a revelation in ep. 5 that changes the way you will see things in the first half if you watch them again with that in mind. I don't feel this is necessary at all. Maybe some people will; I'm not usually the guy who figures out the twist ahead of time - I don't ever want to be - but I had this one in mind from about episode 3 or 4, so a re-watch wouldn't do anything for me. Now we just have to find the time to do the rest and a movie a day until the end of the month. It literally required me taking a mental health day from my weekend to do this much of the show - no grocery shopping, I skipped the HWA meeting, didn't even write. I needed it though, and so did K. 'Adulting' feels extra hard of late. Boo-hoo, right? Well, it's all relative.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle

Playlist from yesterday? There wasn't one. All visual content.

Card of the day:

Do I have some rationalizing to do? I do; skipping life for a day to watch TV makes me feel a bit weird, especially the HWA meeting and writing, so I've been rationalizing it since. As my good friend Missi said in a text yesterday, "Sometimes u need a break. It's not a crime."

Words of wisdom Lloyd. Words. Of. Wisdom.

Thanks Missi!

2018: October 12th

Here's a track off one of my seasonal go-to's this time of year, The Final Cut's 1992 Consumed, which also happens to be my pick for today's edition of The Joup Friday Album, which you can read over HERE on Joup.co.

Continued 31 Days of Horror last night with Killer Klowns form Outer Space. Man, John Vernon is the shit, isn't he?

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space

Tonight? I'm thinking either George A. Romero's Day of the Dead or Dario Argento's Phenomenon. But we'll see.

I didn't talk about NCBD yet this week, primarily because I've been too busy to stop in and pick up the one thing that came out on my pull. But oh what a 'one thing' it is:

This original Hardcover Graphic Novel from the creators of recent favorites of mine Fatale, The Fade Out, and Kill Or Be Killed, My Heroes Have Always Been Junkies ties into the Criminal Universe in a small way via that series' first arc, Coward. Interestingly enough, I just read Coward for the first time a few days ago. I couldn't have timed that better if I'd tried! Criminal is the only Brubaker/Phillips series I've yet to engage with, and this little serendipitous jaunt should catapult me further into it nicely. Thanks to my good friend Joe.Baxter for lending me his trades and getting me started!

Playlist from yesterday:

Monolord - Rust
The Black Queen - Infinite Games
In Solitude - Sister
Blut Aus Nord - Memorial Vetusta II - Dialogue with the Stars

No, that damn second part of the novel still isn't finished, but I did come up with the plot point I believe it has always been missing. The somewhat clunky elements that haunted a certain character's motivations have now been replaced with what I can joyously say is a new, elegant arc that puts everyone where I need them to be for the plot to resolve in part three. I spent a good deal of time yesterday re-writing chapters in part one in order to massage this element in and it sent me skyrocketing into the second half with renewed vigor. So here's to that!

Card of the day:

Mind distracted at times you say? Why yes! All that writing time yesterday was hard-earned in between being distracted by this and this and this.

Bastards!

2018: October 11th

Finally. Last night showed K Mike Mendez's The Convent for the first time. Probably about the twentieth viewing for me since I first discovered it circa 2001. Still in my top five favorite movies ever; every moment is joy to me. Especially Frijole and the Lords of Darkness. Brilliant, and easily the best horror-comedy ever. Coincidentally it's playing in theaters this evening as the second in a double feature with Sweet Sixteen as part of Bloody Disgusting's RetroNightmares. I'm not going, and I'm sad.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent

Playlist from yesterday:

Windhand - Eternal Return
Alice in Chains - Rainier Fog
Blut Aus Nord - Memorial Vetusta II - Dialogue With the Stars

No card today either.

2018: October 10th

Thought I'd start today off with another under-appreciated Type O track. I know, I know... wrong holiday. Still, it fits the season.

The first episode of The Horror Vision is now available on Apple Podcasts HERE. Also available on The Horror Vision website HERE. The audio is good but not great; tweaks coming for the next episode, which we recorded last night and will land next week. #2 is a discussion of our Halloween go-to watches, from the standards to the more individualized, left-of-center picks we watch every year.

31 Days of Horror continued yesterday. Since I was out doing the podcast last night, K and I opted to continue to push back Mike Mendez's The Convent back, and instead I treated myself to an afternoon viewing of Ti West's first feature film, The Roost. LOVE this one, and it'd been a while. Holds up and then some. K watched The Haunting of Molly Hartley, liked it but said it kinda resembled a Lifetime movie if they did horror.

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost

Playlist from 10/09:

High On Fire - Electric Messiah
Nothing - Guilty Of Everything
The Skull - For Those Which Are Asleep
Type O Negative - October Rust
Type O Negative - Dead Again

No card today.

2018: October 9th: New High on Fire

With all my elation at Windhand's Eternal Return dropping last Friday, I forgot High on Fire's new album Electric Messiah also hit the 'shelves.' After giving it a couple spins I dig it - Matt Pike and crew didn't reinvent their wheel here, but there's some digging around inside the confines of their patented sound that there's some growth here. As usual, it's pummeling and a bit exhaustive. Not a bad thing.

31 Days of Horror continued yesterday with another first timer for me (we opted to save The Convent for tonight):

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species

Species is one of K's favorites. I'd never really had any interest in seeing it until I recently read that the monster was based on an H.R. Giger design - obvious, but I guess I just thought it was a case of Hollywood cribbing the design on the Alien monster. Either way, I enjoyed Species in spite of it being very 90s- everything from the camera work to the overwrought score reeked of X-Files influence. Forest Whittaker overdoes his role as this search-and-destroy team's empath, although I suspect that was the product of direction more than his personal choice. Also, the use of ground fog where there shouldn't be any is very much a trope of the 90s.

Playlist from 10/08:

The Jesus and Mary Chain - Automatic
Corniglia - Eponymous
High on Fire - Electric Messiah
High on Fire - Snakes of the Divine
God is LSD - Spirit of Suicide

I ended up baulking on finishing the second part of the novel last night due to sheer exhaustion. After work was reserved for a big ol' nap! Today's card for the day reflects my adjusted expectations:

Also, there's the balance of contrasts inherent in this card, which ties into the book's attempt to balance YA adventure-horror with a touch of a literary pedigree.

2018: October 5th - The New Windhand is Out and it's Awesome!

Two full listens this morning on headphones and I'm hooked.

31 Days of Horror continued last night, but I'll tell you right now my definitions of horror are probably the most lenient. I drove up to Santa Monica's Aero Theatre after work and caught one of the satellite Cronenberg double headers Beyondfest has been offering this year. Last night was Crash and Spyder, neither of which I had seen before. I only stayed for Crash, primarily because I'd been up since 4:00 AM and was due to wake up at the same time today, so sticking for Spider would have killed me. Secondly though, Crash had such an immense impact on me, I didn't want to dilute the experience with a second movie, even if it was by the same man.

Crash blew me away. I remember it opened back in 1996 around the same time David Lynch's Lost Highway did. At the time I was completely unfamiliar with Cronenberg though, so despite the premise peaking my curiosity, I passed on seeing it. As the years have gone by and I've begun getting into Cronenberg, this film is always one that eludes my attention.

No more.

Shooting straight up to almost tie with Videodrome as my favorite film by DC, Crash's falls firmly into the Body Horror genre in my book, despite there not being a lot of grotesque imagery. The horror here lies in the mutations of sexuality the characters undergo, their willingness to embrace the strange and outre, and the philosophical ramifications that lie buried so deep beneath the surface of the film that they really only tickle their way out. The film feels very much like a virus once its been ingested, and I'm on a kick to further explore its concepts with more viewings and a go-through with JG Ballard's 1973 novel of the same name. I also absolutely loved Howard Shore's score on this one, in particular this opening track:



And where the hell did Elias Koteas and Deborah Kara Unger go after this film? Talk about fantastic performances.

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) ???

Playlist from Thursday, October 4th:

Miranda Sex Garden - Fairytales of Slavery
The Misfits - Earth A.D.
The Misfits - Static Age
Type O Negative - Life is Killing Me
Cold Cave - Cherish the Light Years
Boy Harsher - Lesser Man EP
Boy Harsher - Country Girl EP
King Woman - Doubt EP
Jóhann Jóhannsson - Mandy OST

Card of the day:

Opposing elements can cause imbalance. Hmm...

2018: October 4th

K and I continued our 31 days of Horror last night. In spite of a late start, or rather because of it, we went with a shorter flick, specifically Stuart Gordon's entry into the Masters of Horror library. As an adaptation and modernization of H.P. Lovecraft's Dreams in the Witchhouse, Gordon's piece works pretty well. It's been a minute since I read the story - going to try and remedy that this weekend - but from what I remember of it Gordon does a good job. Brown Jenkins, in particular, is pretty creepy. And kudos for going all the way with the ending.



I've been in a Gordon mood lately. Chomping at the bit to re-watch Dagon, as it's my favorite by him and I haven't seen it since the big screen at the Warner Grand back at either 2011 or 2012's H.P. Lovecraft fest. Also, ordered Arrow Film's Re-animator, a film I've only seen once and a long time ago. Back also around 2011/2012 I saw Gordon's musical stage adaptation of Re-animator at the Steve Allen Theatre, and I loved it so much in that form I've been afraid the film just won't hold up since. Pretty sure that's unfounded, and Arrow's release is packed with extras, so I pulled the trigger on finally adding that to the collection.

Okay, so that puts our 31 Days of Horror list at:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House

Playlist from 10/03:

Type O Negative - Life is Killing Me
Miranda Sex Garden - Carnival of Souls
The Soft Moon - Eponymous
The Soft Moon - Criminal
White Lung - Sorry
Daughters - Satan in Wait (single)
The Ocean - Anthropocentric
Perturbator - Dangerous Days
Sisters of Mercy - First and Last and Always

Card of the day:

The Twos are the pure breakthrough of the Ace into the first stage of practice.

2018: October 3rd

Love this song! I love all tracks by Type O, especially from this album, but this is one of the standouts. Also a great example of why they were so great: interesting, non-traditional song structure,  those group vocal accents that give everything a lush sense of good-natured hostility, fantastic two-person vocal melodies, and a sense of bloody humor for Christ's sake, just to name a few elements on display here that I love. No October would be complete without Type O Negative.

I decided to do the 31 Days of Horror movie thing. Not really a challenge, but a commitment for sure. Last night we opened Shudder only to find they'd added a bunch of Hitchcock! Super cool. First up from these was Rope, the adaptation of the play, starring Farley Granger, John Dall, and of course, the inimitable James Stewart. It had been quite some time since I'd watched this one, and while I remembered the big picture, a lot of the nuance - which is where all the fun lies - played for me like a first viewing.

10/01) Summer of 84
10/02) Rope

What will tonight's movie be? Not sure yet. I set a few DVDs out though, fodder for the coming evenings:

And there's a hell of a lot more than that. October is just getting started!


Playlist from October 2nd:

Sisters of Mercy - Floodland
Fields of Nephilim - Dawnrazor
Zombi - Spirit Animal
Zombi - Shape Shift
Sleep - The Science
Type O Negative - Life is Killing Me
Ennio Morricone - Black Belly of the Tarantula OST

Card of the day:

Seeking completion and fulfillment: And I continue to work on finishing my book!

2018: October 2nd

Hallelujah, it's October! Yeah, I know yesterday was the first, but it took me a day to realize we've finally arrived. The year is on its way out starting now, the seasons will change (well, not really for those of us who live in LaLaLand), and everything just gets better. Darker. Cooler. What you can expect to hear a lot of on this page in the coming 30 days?

Type O Negative
Bauhaus
Miranda Sex Garden
Fields of Nephilim
Trust Obey
The Final Cut
Ain Soph
More Sisters of Mercy and I'm certain I'm forgetting some major stuff. But I like surprises, so that's good!

I watched The Summer of 84 yesterday, the new film by the directors of the much talked about Turbo Kid, which I still need to see. 84 was derivative as all hell - think heavy Stranger Things vibe mixed with The Burbs - but it was a really fun, well-made flick that scratched my 80s nostalgia itch (which I'm thinking might disappear at some point if there's too much of this kind of thing). And I LOVED the ending. Recommended if you're not looking for something new but something engaging and fun:



NCBD tomorrow and it's a big one:

A Walk Through Hell -  The only book I currently think about all month long between issues!

Batman/The Maxx Arkham Dreams - my most eagerly anticipated book in ages!

 Die! Die! Die! #3 will be the determining issue as to whether or not I continue to read this one.

Super psyched for my friend DJ Kirkbride's new book, Errand Boys!

No, that's not a Walking Dead one-off featuring Princess, that's the Bill Sienkiewicz alternate cover!

Playlist from Monday, October 1st:

Pale Sketcher - Jesu: Pale Sketches Demixed
Nothing - Guilty of Everything
Nothing - Dance on the Blacktop
The Soundtrack of Our Lives - Behind the Music
The Ocean - Anthropocentric
The Ocean - Fluxion
Perturbator - Terror 404

Card of the day:

The Will to drive, to conquer, to complete. That's what I'm channeling today, as I'll hit my writing time hard, nearing the end of the layout of the chapters for my newest project, the final re-vamp of my now 6 years in the making novel ShadowPlay Book One: Kim & Jessie.