Showing posts with label Night of the Living Dead. Show all posts
Showing posts with label Night of the Living Dead. Show all posts

Monday, October 31, 2022

Trent Reznor & Atticus Ross - Halloween Theme

 

Reznor and Ross covering John Carpenter's legendary score. Happy Halloween, everybody! Remember to check those candies for razor blades.




31 Days of Halloween:

10/1 - Trick 'r Treat
10/2 - Barbarian
10/3 - Hellraiser ('84)
10/4 - Phenomena
10/5 - Hellraiser (2022)
10/6 - The Dark Backward
10/7 - Sick/The Beyond
10/8 - Werewolf By Night
10/9 - Something in the Dirt
10/10 - Let the Right One In Episode 1/Lux Aeterna
10/11 - My Best Friend's Exorcism/Grimcutty
10/12 - Smile
10/13 - Monstrous/VHS (Amateur Night segment)
10/14 - Halloween Kills
10/15 - Halloween Ends/Ed Wood/Plan 9 From Outer Space
10/16 - Spider Baby/101 Scariest Horror Movie Moments/Night's End/Behemoth
10/17 - Behind the Mask: The Rise of Leslie Vernon
10/18 - Random Acts of Violence/Two Witches/Let the Right One In Episode 2
10/19 - Footprints on the Moon/976-EVIL
10/20 - Alison's Birthday/Tone Deaf
10/21 - Elviria's Haunted Hills/Popcorn
10/22 - Resolution
10/23 - The Endless
10/24 - VHS 99
10/25 - Tigers Are Not Afraid
10/26 - Bliss
10/27 - Deadstream/Host
10/28 - The Convent
10/29 - Lot 36 (GDT's CoC ep. 1)/George A. Romero's Dawn of the Dead 3D/Return of the Living Dead
10/30 - Lords of Salem

After watching Rob Zombie's Lords of Salem for the third time last night, I'm pretty sure I consider it his masterpiece. I'll always love House and Rejects, but Lords is something else entirely. At first pass I didn't much care for it; then, a few years later I rewatched it and realized I was completely applying my frustrations with his other films to this one. I came around, and regularly described it in conversation (where I was often defending it) as, "It's Zombie doing Argento." There's certainly some truth to that, but to leave it there is a disservice to the film. Lords of Salem is the first completely serious, mature, elegant film he's made. Again, not that there aren't other movies by Mr. Zombie that I love (I dig most of them to one degree or another), but he has certain affectations that repeat throughout his oeuvre and sometimes prevent his films from being, first and foremost, Rob Zombie films. Lords of Salem shatters these restraints and becomes something else. The film is extremely visceral and, at times, downright unnerving in a pure psychological way. Its imagery is like nothing I've ever seen - even in Zombie's other films - and the mechanism by which the Horror in his story takes root and unfolds leans on folklore, myth, drawing a damning line between the pathos of modern humanity and our ancestors, proving we're not dissimilar enough to judge the past. 


I'd had the itch to watch this one of late, and I'm glad I waited until Devil's Night to do so. Next up, 31!




Read:

One of the books I picked up within the last two weeks but only just got around to reading 


I had no idea this was even coming out when I saw it on the shelf at Rick's Comic City. A few years ago, Butcher from The Horror Vision let me borrow the old FantaCo Night of the Living Dead prestige series, something I had never read. Now,  American Mythology Comics has joined with Romero's Image Ten to release a series that seems as though it will re-tell and expand on the story from the film we all know and love. Of interesting note, the scene in the FantaCo that really made the series for me was having the tribulations Ben describes as preceding his arrival at the farmhouse actually brought to life. We see that again in this book, so despite being a bit of a repeat if you read those FantaCos, it still signals - to me at least - that we may be in for a fun ride here. We'll see. 




Playlist:

✝✝✝ - Vivian (single)
✝✝✝ - Initiation/Protection
The Sisters of Mercy - Floodland
Here Lies Lucy - Heaven or HLL EP
John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST
John Carpenter and Alan Howarth - Prince of Darkness OST




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


For every inspiration, multiple, digressive pathways branch out and weaken its fundamental strength. Remain true to the voice of the idea. 

Directly referencing my current project once again. When I look back at previous posts that I made close to the completion of my other books, I notice the cards always begin to speak directly about the project of the moment. It's a good sign, these tools that allow my subconscious to speak directly to my oft-distracted conscious mind, reminding it how best to approach my craft when it nears completion and, thus, release into the world at large.

A final reminder, only a few hours left to back Grimm's Kickstarter for The Art of the Bound Tarot hardcover art book. Back the project HERE.

Sunday, September 27, 2020

Sunday Bandcamp - OGRE Sound - The Field Recordist's Guide to Summoning Lesser Demons

With a name like this, there was probably no way I wouldn't like this record, which I have heard of before but erroneously attributed to being one of the many musical projects of Nivek Ogre, which it is not. No, OGRE sound is the work of Robin Ogden. I fell sideways back into this album this morning through a story on Bandcamp about Ogden and Dallas Campbell's just released score for the classic George A. Romero film Night of the Living Dead. The article, written by J. Edward Keyes, can be read HERE and very much has me thinking that when I do my annual watch of NoTLD on Halloween, I'll be scoring it with this. 

But back to Lesser Demons. This is a super creepy, super inventive use of field recordings arranged for keyboard/synthesizer. Parts remind me of the Italian classic Ain Soph - Rituals album, other parts remind me of a nightmare, or the score to a seriously well-done cinematic nightmare, take your pick. Either way, wow. 

Friday, November 1, 2019

A Dirge for November



Because although I live in Los Angeles and really have no business calling this 'winter', I wanted to start the dying time off with a dirge.

**

31 Days of Horror Final:

10/01: House of 1000 Corpses/31
10/02: Lords of Chaos
10/03: Creepshow Ep 2/Tales from the Crypt Ssn 1, Ep 1
10/04: IT Chapter 2, AHS 1984 Ep. 3
10/05: Bliss/VFW
10/06: Halloween III: Season of the Witch/Night of the Creeps/The Fog
10/07: Halloween 2018
10/08: Hell House, LLC
10/09: Dance of the Dead (Tobe Hooper; Masters of Horror Ssn 1 Ep 3)
10/10: Creepshow Episode 3
10/11: Jenifer (Dario Argento; Masters of Horror Ssn 1 Ep 4)
10/12: Poltergeist/Phenomena
10/13: AHS 1984 Ep 4/In the Tall Grass
10/14: Invasion of the Body Snatchers ('78)
10/15: Rabid (2019)
10/16: Wounds
10/17: Behind the Mask: The Rise of Leslie Vernon
10/18: Creepshow Episode 4
10/19: Ed Wood/AHS 1984 Ep. 5
10/20: Sinister/Sinister 2
10/21: Uncanny Annie
10/22: Scream
10/23: Simpsons 666: Treehouse of Horror
10/24: Jennifer's Body
10/25: Belzebuth/The Lighthouse/Halloween
10/26: Murder Party
10/27: AHS 1984 Ep. 6/Arsenic and Old Lace/The Fair Haired Child (Masters of Horror Ssn 1 Ep 9)
10/28: May
10/29: The Exorcist (Theatrical Cut)
10/30: Nightmare Cinema
10/31: Night of the Living Dead

I tried to watch Bob Clark's Children Shouldn't Play With Dead Things, as well, but failed. For anyone interested, my favorite zombie films are as follows:

Dawn of the Dead (original)
Night of the Living Dead
Day of the Dead
Children Shouldn't Play With Dead Things
Shaun of the Dead
28 Days Later
28 Weeks Later
To Kako (Evil)

**

Playlist from 10/31/19:

Miranda Sex Garden - Fairytales of Slavery
Type O Negative - October Rust
Halloween Playlist
Sunn O))) - Pyroclasts
High on Fire - Blessed Black Wings
Mayhem - Daemon
Type O Negative - World Coming Down
John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST
Joseph Loduca - Evil Dead 2 OST

**

Card of the day:



Hmm... money direction, for sure. Maybe I'll hold off two weeks on the small investment I'm primed to make.

Sunday, October 14, 2018

2018: October 14th



I had not heard of Prospect previous to encountering the trailer on Bloody Disgusting earlier this weekend. Looks pretty good. I think Annihilation paved the way for more of this type of Sci Fi film getting major theatrical releases, and that's a good thing.

Zeal and Ardor absolutely killed it last night at the Roxy. Having seen them about a year ago at the Hi Hat, a smaller venue, this band proved it is going nowhere but forward. Very little talk between songs, except to express gratitude and joy at their 100th show and such an awesome turnout (if it wasn't sold out it was close), the ripped through pretty much everything you could ask them to. I was especially happy to hear Waste live, and they closed with a new song called Baphomet, which was fantastic. Also, like I may have mentioned a few months ago when I saw Windhand there, the Roxy really does a good job maintaining their beer taps. The Lagunitas Pils was exceptional.

Here's a video of Baphomet from Lowlands in August:



31 Days of Horror continued with the Director's Cut of Land of the Dead. I liked it about as much as I did the theatrical version back in 2005 on opening night, which is to say not very much at all. Recently, George A. Romero's widow announced he had left behind a lot of scripts. Now, not all of them are necessarily zombie movies. However, I've always been kind of bummed that George A. did such an amazingly cerebral take on horror - while creating a new monster/genre* with the zombie film, no less - devolved into the pretty straight up action film Land and then he re-booted the continuity with Diary and Survival of the Dead. I've not seen those last two, but as soon as I heard he was no longer continuing the original timeline, I was out.

Why?

I want to know what the world we were introduced to in Night of the Living Dead looks like 6 days down the line, 6 months down the line, 6 years down the line, etc. Romero deftly continues the evolution of that world in Dawn and Day, the former being, in my opinion, the best zombie film of all time, and the latter, despite some questionable acting and directing choices (Jamaican accent?), a great continuation of that evolution, for both the "monster" and the concept, but what's next? This is why I've always loved The Walking Dead comic series: the evolution of the world where this apocalypse has come to pass. Incidentally, I read once that Robert Kirkman's original title for The Walking Dead was Night of the Living Dead, or that the intention was to set it in Romero's universe (it's public domain).

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle

And yes, at the time of writing this I've already watched today's movie, the just-dropped new film by Gareth Evans, Netflix's The Apostle. The articles I read about this describe it as somewhat Lovecraftian. Man, that is one over-used term these days! There is nothing Lovecraftian about this film. That said, I enjoyed The Apostle, however it has an odd pacing that feels a bit over-stuffed at times. My guess is this was originally supposed to be a series, then while filming the pilot someone decided to make it a film, and they shot enough to complete it. The film handles its multiple storylines well, however it just feels like the first season of a show streamlined into a 2 hour and 20-something minute movie. Not a bad thing, but makes for a little bit of cumbersome viewing. Cumbersome might be too harsh, so let's just say it doesn't flow the way a film like this seems it should.



Playlist from yesterday:

Joh Corigliano - Altered States OST
John Carpenter - Lost Themes II
Windhand - Eternal Return
Zeal & Ardor - Stranger Fruit
Tom Vek - Luck

Card of the day:


Confirmation of the dark side? Entering the night, exploring the darker aspects... of myself? Or something I'm writing? No real frame of reference for this one today.

Monday, October 10, 2016

Dawn of the Dead 3D at Beyond Fest 2016


I will admit that while I have extremely low tolerance for the Zombie film as a genre there are several Zombie-related stories in popular culture that inspire an allegiance in me that little else receives. My Zombie list goes like this, not in any order of preference:

Night of the Living Dead
Dawn of the Dead
Day of the Dead
Children Shouldn't Play with Dead Things
The Walking Dead (comic)

That's it. I don't hate everything else Zombie-related by I dislike most of it*. Or rather, maybe it's just that I don't have time for most of the rest of it. All that said, if asked what I think is the absolute pinnacle of films on the subject I would answer without hesitation George A. Romero's Dawn of the Dead. I feel as though Dawn does everything a Zombie story should do, from chronicle the dismemberment of social/political and economic structures amidst the ensuing chaos to addressing the modern human psyche's reaction to not only the stresses resultant from those structures ending but to themes of isolation, agoraphobia and, ultimately, the Lord of the Flies survival mechanism that would no doubt cause other humans to become an even bigger threat than those shambling monstrosities waiting to eat your flesh.

Thanks to the labors of original Dawn of the Dead** Producer Richard P. Rubenstein Dawn of the Dead has now been converted to a BEAUTIFULLY rendered 3D experience and while I generally take 3D with a grain of salt, if you are a Dawn fan this is a MUST SEE.


Saturday, 10/08/16 I was fortunate enough to attend the premiere of this newly converted film thanks once again to the fine folks at Beyond Fest and The Egyptian Theatre. To say it was one of my favorite theatrical experiences from over my 40 years on this Earth is not hyperbolic. Mr. Rubenstein spoke before and after the film, going out of his way to not only explain the conversion impetus and process, but also to assure everyone that "This is 100% George's film - I did not alter it at all". Mr. Rubenstein also went on to talk about his plans to get this version of the film into Cinemas across the country and finally to assure everyone that the 2D version is not going anywhere.

Also, if you're a fan of The Walking Dead but have not seen this film before I can't recommend it enough, in either 3D or 2D. As the first Zombie film to address the above-mentioned themes of extinction, isolation and inter-species betrayal Dawn is quite literally where The Walking Dead comes from - its part of TWD's DNA. In fact, Robert Kirkman has stated in interviews that the original title for TWD was Night of the Living Dead and that it would continue the "Universe" that Mr. Romero began. Obviously that title did not happen, but the plot absolutely did; I've always read TWD with the idea firmly in place that this was the further evolution of Romero's world.

To further celebrate this historic piece of horror cinema I'm going to embed a making of I found on youtube while searching for a trailer to post. Enjoy.


..........................

*I should also clarify that I am most definitely a fan of 28 Days/Weeks later but do not consider those Zombie flicks

** Mr. Rubenstein also produced the remake, as well as most of Mr. Romero's classic canon of films