Oh Yeah! New Soviet Soviet Is OUT!

December was a crazy month at the old Biorepository where I spend my days, and in the clusterfuck of work, buying gifts and get-togethers I completely overlooked the fact that Italy's Soviet Soviet released a new record on Felte at the beginning of the month. I'll be ordering this one soon enough over on bandcamp, in the meantime, here's something to wet your aural whistle!

Odonis Odonis - Needs

Almost every year without fail I stumble across a record that immediately announces itself as my favorite of the year. This certainty usually arises within the first song, which always makes the record feel that much more powerful. Yesterday I sought out Canada's Odonis Odonis and was immediately struck with the certainty that, while I have and will no doubt hear a lot of other amazing new music this year, Post Plague is going to be my #1 come year's end.

Eagulls - Velvet Official Music Video

The second Eagulls record caught me by a bit of a surprise; the band's 2014 eponymous debut is a frenetic celebration/re-appropriation of late 70s/early 80s Post-Punk sounds, most especially The Cure's Pornography. New record Ullages is considerably more down-tempo and depressing. In a GOOD way. Where the debut is still a bit more accessible Ullages is growing on me - not that I didn't like it to begin with, but it tends to usher in a bit of a Pall over my mood. Well, today was a completely rainy, overcast day in LA and as such this record fit perfect. Which reminded me they released a video recently that I hadn't gotten around to seeing.

David Bowie - Black Star

Mr. Brown sent me this at least a week ago and I've only just gotten around to watch it. New Bowie is always a good thing, and with what I keep hearing about the upcoming album of the same name (Out Jan 8th, 2016) being the 'weirdest' Bowie record in a long time, I for one am more than eager to have this in my hands.



Some observations:

I LOVE the return to the sax. Saxophone was once synonymous with Bowie - for me at least - and I feel like he hadn't really found a way to incorporate it into the new sound he's been toying with since 2005's Reality. No longer the case. Hopefully there'll be more on the record.

I also LOVE the return to utilizing synths and some of the overall aesthetic he experimented with in the 90s during his "industrial" phase.

This is weird as fuck and I LOVE it.

New Besnard Lakes!

I always love typing the three words that comprise the title of this post. Because a new record from The Besnard Lakes is a joyous thing to me and they never disappoint. Listening to this makes me reflect on what an awesome arc this band is riding, and I am as sure that I'm going to find it hard to wait until 1/22 when A Coliseum Complex Museum is released on Jagjaguwar as I'm sure it will make my top ten of next year. That's how good the Lakes are - the time for drawing up that list is still fifteen or so months away and I'm already reserving one of those year-end slots for this record.