The Subways - Black Wax

Ask and ye shall freakin' receive. New music from The Subways. "Black Wax" is taken from the forthcoming album Uncertain Joys, which drops January 13th, 2023. You can pre-order HERE. Very cool song; feels good to reconnect with a band like I have with The Subways.

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Read:

Over the weekend, I finished up a couple of books I'd had lingering over the last few months. First, I knocked out all the remaining stories in my re-read of Irvine Welsh's seminal short story collection The Acid House. Fantastic stuff. 

Second, I went back and read the last three (of a paltry four total) tales in Emily Carrol's Through the Woods. Somewhere between a book of short stories, a comic book, and a story book, Through The Woods is a joy to immerse yourself in, and proves to be too short an experience. 

Ms. Carroll's style pushes and pulls the heart between youth and adulthood, joy and terror, naughty and nice. There's a similar appreciation for the Fairytales and Nursery Rhymes of the old world that you see in the work of Neil Gaiman, and there's just as sharp a'teeth here and there. 

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Playlist:

Rowland S. Howard - Pop Crimes

Poni Hoax - Eponymous

Orville Peck - Pony

The Final Cut - Consumed

Primus - Pork Soda

Sausage - Riddles Are Abound Tonight

Nun Gun - Mondo Decay

Joy Division - Still

Belong - October Language

Sylvaine - Nova

Beach House - Once Twice Melody

Preoccupations - Arrangements

Jackie Wilson - Higher and Higher

Ozzy Osbourne - Diary of a Madman

Jerry Cantrell - Atone

Fleet Foxes - Shore

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Allowing Change to occur for the purposes of growth even when that change necessitates difficulty in material life. 

Well, our Thermostat went down yesterday and we're waiting for a technician to come out, so that definitely fits. I'll take this as the cards reminding me to ask questions and pay attention when the tech is here, so I can learn something. I'm pretty bad about paying attention to homeowner things, and I suppose that needs to abate.

R.I.P. Julee Cruise

 Talk about bad news to wake up to. Julee Cruise's voice and visage has been a part of my inner world ever since the night Twin Peaks Season Two Episode 14 aired; losing her to suicide at 65 feels a bit like a seismic shifting of my personal history's plates. The old world is definitely slipping away. In keeping with my recent M.O., thus beginneth Julee Cruise week.

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Watch:

Amidst a lot of discussion about the "Whole Season at Once" business model beginning to fail (see the cancellation of Archive 81), Netflix dropped a handful of great trailers the other day, as if to remind us of their potency.

We'll see. However, any reservations I have about their adaptation of Neil Gaiman's Sandman - arguably one of the greatest comics of ALL TIME, this trailer has me salivating for August:

Wow. I mean... I am almost speechless. Here's to hoping it's as good as it looks; Locke and Key looked pretty good when the first trailer dropped, as well, but I quickly forgot everything about Season One due to a lot of the changes and found myself thinking I should just re-read the series the next time I want to visit Lovecraft (not bloody Matheson!).

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Read:

This past Wednesday, Zeb Wells and John Romita, Jr.'s Amazing Spider-Man #3 hit the stands. This is Legacy issue #897. I've Liked this series so far, but this issue... Jesus. This is the best Spider-Man comic I've read in... well, a long time. 

There's a visceral pulse to this one that I definitely did not expect; watching Tombstone - a character I've loved since his introduction back in the 80s, circa Peter Parker The Spectacular Spider-Man issue #139 - beat the living daylights out of a defenseless Spider-Man really affected me, as did his childhood origin.  I was really only planning to read this book until #900, but if Wells keeps this up, I'm not going anywhere.

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Playlist:

Ozzy Osbourne - Diary of a Madman

Uncle Acid and the Deadbeats - Blood Lust

Mike Doughty - Live at Ken's House

Kate Bush - The Dreaming

Windhand - Split EP

Carpenter Brut - Leather Terror

Orville Peck - Pony

Pixies - There's a Moon On (pre-release single)

Kensonlovers - Keep Rolling (single)

Grand Duchy - Petite Fours

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Card:

A nice warning about the gathering slothfulness I've been so afraid of for a while now. I'm not writing enough. I need to remedy that.

Isolation: Day 124 - The Sandman on Audible

Previously, I've had no interest in audible, as I'm not one for audio books. This changes everything. A star-studded audio presentation of Neil Gaiman's Sandman? Count me in.


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I'd been under the impression the final episode of Borrasca was to drop this past Monday, so imagine my surprise when the episode - at a paltry 33 minutes - cut off in an unceremonious manner. Creator Rebecca Kingel had previously said the podcast would wrap with ep 8, so I figured the finale might have been too long for their standard format, making them split the finale into two. I was all set to wait until next Monday when I received word the second part dropped yesterday.

It is amazing.

Easily the scariest fiction I've encountered in any medium for the past several years, the wrap up is filled with revelations and tragedy, and contained a sequence that held me so strongly under its narrative influence that the world around me kind of disappeared for a while. I'm sold on Cole Sprouse as an actor, and very much hope there will be more of this, or at least, another teaming of Klingel and Sprouse.

I really can't recommend this one enough. Earlier, I realized that, along with all the podcast platforms (Apple, Spotify, Stitcher, etc), all the episodes of Borassca are on youtube as well, so I'm posting the first one here as a way to spread the word. I's that good.



**

Playlist:

Walter Rizzati - House By the Cemetery OST
Palesketcher - Jesu: Pale Sketches
Mannequin Pussy - Patience
Exhalants - Band (single)
Le Matos - Summer of '84
Barry Adamson - Stranger on the Sofa
Perturbator - The Uncanny Valley
DAF - Die Kleinen Und Die Bösen

**

No Card Today.

2019: July 18th IT Chapter Two Final Trailer

I've been avoiding a lot of trailers of late, as I find they usually give too much of the movie away. I find the best viewing experiences are the most uninformed ones. That said, I'm glad I watched this IT Chapter Two final trailer, simply because after the disappointment of Pet Sematary, I needed something to remind me how good this IT adaptation has been. This looks fantastic, plus I don't really feel like the trailer gives too much away. September 6th is not that far away...

**

As soon as I finished my re-read of Grant Morrison and Richard Case's Doom Patrol run, I jumped back into the Robert S. Wilson edited anthology Ashes and Entropy and read Autumn Christian's The Shadowmachine. Awesome story. Probably my favorite in the collection so far. There's an almost Neil Gaiman-esque approach to reality here, without the more baroque or 'flowery' aspects of Gaiman's writing (not a shot - I love Gaiman. I'm merely making distinctions). The story itself doesn't tread Gaiman territory, though; Christian spins a pretty terrifying tale of technological seduction and it's eerie as all hell. Based on this I've added her newest novel, Girl Like A Bomb, to my must-read list; it's available HERE.

Ashes and Entropy is turning out to be my favorite anthology in ages, and I can't recommend it enough. Available directly from Nightscape Press HERE.

Also, Nightscape Press has started an emergency GoFundMe anthology titled Horror For the Raices, where a $10 donation or more will get you an advance, uncorrected book copy of the anthology as soon as it's ready. The book is edited by Robert S. Wilson and Jennifer Wilson. Donate HERE.
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Playlist from 7/17:

Frank Black - Teenager of the Year
Jenny Hval - Blood Bitch
Adam Kesher - Local Girl (Hatchmatik Remix)
Beak> - L.A. Playback
M83 Dead Cities, Red Seas and Lost Ghosts
Jefre Cantu-Ledesma - Track Back The Radiance

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No card today.

February 18th: Good Omens Series Title Sequence

To say I have been waiting for an adaptation of Terry Pratchett and Neil Gaiman's Good Omens: The Nice and Accurate Prophecies of Agnes Nutter Witch for a long time is an understatement. Mr. Brown and I read this back in the mid-90s and I've been a fan since (though I could definitely use a re-read). I remember Terry Gilliam was attached for a while, and Johnny Depp and Robin Williams were set to play the Angel Aziraphale and the Demon Crowley, though which was set for which I can't remember anymore. Regardless, the fact that we're finally getting Good Omens, and as a series no less, makes me very happy. The title sequence was revealed recently and watching it, I feel anticipation unlike any in a while. I just wish this could have come to fruition while Mr. Pratchett was still alive.

Playlist from 2/18 was non-existent.

The penultimate episode of True Detective, Season 3 aired last night and it was HUGE!!! I won't spoil anything here, but this season has been masterful.

Also, Episode 5 of Rick Remender's Deadly Class aired on SyFy and it pretty much left me speechless. This has been such an amazing adaptation of a comic, probably the best one I've ever seen, and all the glory is owed to Mr. Remender. In the back matter of the most recent issue of the Deadly Class comic, Remender talked on how he surrendered sleep and freedom to be the show runner on Deadly Class, and he's filled out the story in the comics with much love. Nothing has been added that doesn't expand the source material organically, and the actual ratio of straight adaptation to screen has been fantastic. Episode 5 was the Vegas episode, and the use of animation here was amazing. Reminded me of The Wall, a bit. SO freaking good.



Card of the day:

Okay, many will say I probably should remove this card from my mini Thoth deck, but I left it in and drew it, so I'm stuck interpreting it. Hmmm... I've said this before recently and not followed through, but perhaps I should pull some Crowley off the bookshelf in my room and peruse for inspiration?

2018: November 20th

From Iggy's debut record The Idiot. Reading that Hugo Wilkcen 33 1/3 on Low really opened my eyes to a lot about this album as well (Station to Station also). Wilcken really goes in depth on these two records because they give a lot of context to what Bowie was into doing with music at the time. I'd never realized that the musicians involved in both Low and Station to Station often recorded not knowing which album the tracks would wind up on. Considered in that context, it really changes the way I hear both.

Having finished Low, I started reading the copy of Neil Gaiman's The Graveyard Book that my Horror Vision/DwC co-host Chris gifted me a couple of months ago. So far, pure Gaiman and arriving just at the right time, when night falls early.

Playlist from 11/19:

Opeth - Ghost Reveries
David Bowie - Low
Gavin Bryars Ensemble - Bryars: The Sinking of the Titanic
Iggy Pop - The Idiot
David Bowie - Station to Station
The Fixx - Shuttered Room
Opeth - Deliverence

No card today.

2018: October 7th: Good Omens Trailer

Looks like they dropped the, "The Nice and Accurate Prophecies of Anges Nutter, Witch" part of the title, but this looks awesome! I've been waiting for this one for what feels like forever. I remember back in the late 90s when, if I remember correctly, Mr. Brown and I were excited at the rumors of Depp and Robin Williams playing the angel and demon. We didn't get that, but this casting looks great. I mean, David Tennant is becoming one of my favorite actors of late. Actually makes me want to re-watch the Fright Night remake, just to see his character.

31 Days of Horror continued last night with Stuart Gordon's Re-Animator! It'd been years since I last saw this one, and in the interim my experience seeing the musical version - also directed by Stuart Gordon and starring Chris McKenna, who I knew previously from Gordon's King of the Ants - kinda overtook the film as the ultimate version of the story beyond the original source material by Lovecraft, which is very different. Apparently enough time had passed though, because I dug the flick a lot, and there's a ton of extras on the Arrow Blu Ray I recently picked up, so I'll have a good time going through those.

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06 Re-Animator

Playlist from yesterday:

Windhand - Eternal Return
Type O Negative - Life is Killing Me
The Final Cut - Consumed
Sisters of Mercy - Floodland
Marilyn Manson - Antichrist Superstar

Card of the day:

The Airy aspect of Water - combining intellect and emotion in a functional way. This is exactly where I'm at writing, as I'm killing my darlings from a previous version of the novel and streamlining it into a much tighter version of the story. My goal is to have a literate, young adult novel that contains aspects of the adventure genre, as well as the horror and suburban fantasy genres (that second one there is, to my knowledge, a term I coined). And it's coming along nicely as I round the corner on wrapping the middle of three sections, I feel confident and strong on this one in a way I never did before.

Get Out of My House - Kate Bush

Aside from the obvious fact that Gaimen named Morpheus's realm after the title of the album, doesn't this record - especially this song - sound exactly like Sandman reads?

I LOVE that.

My Suggestions for the Top 5 Graphic Novels Everyone Should Read

This week's Thee Comic Column over on Joup is the 100th edition! To celebrate I've compiled this list - it's not necessarily a list of my favorite five - though it's probably close - but the suggestions I would give to anyone - my mom, your sister, Sister Ray, Billy Joel - whoever on how to break in to comics. Because honestly, I feel these books transcend whatever anyone could expect of them and could all shatter whatever misconceptions keep people from giving the comics/GN's a fair shake.

Sandman Overture

image courtesy of vertigocomics.com

This is so much better than I thought it could be - and I had pretty damn high hopes to begin with! Read my take in this week's Thee Comic Column on Joup!

Re-Reading Neil Gaiman's Sandman

image courtesy of meupapeldeparedegratis.net

Read my article on Joup here. And the source of the unbelievable image I've linked above is here. Outstanding!!!

Vindsval's The Eye

Let's trace the origin of a post like this, not just because someone out there might find it interesting, but because I'll find it interesting, as I've been a pretty rabid Blut Aus Nord fan for about two years now but have never heard of Vindsval's The Eye before.

Okay, so first, as I do at least once a day, I went to the wonderful heavenisanincubator blogspot and read up one a bunch of music I'd never heard before. Good times on The Incubator - always. Anyway, I found a post about Kylesa's Vulture's Landing and was specifically interested by The Incubator's description of Kylesa's sound as containing a "shoegaze" element. I followed the embedded link to Kylesa's label Season of Mist (if I'd be really paying attention it would have dawned on me that I was onto something, as I just re-read Neil Gaiman's Sandman vol. 4 Seasons of Mist and once again it has remained a slowly disintegrating echo in my head since). I looked around Season of Mist's sight for a few minutes, noting various bands on the label and then with the shoegaze + metal thing did what it always does and triggered me to go google search Blut Aus Nord - specifically looking for their label, Debemur Morti Productions' site. No matter where I go to read about Blut Aus Nord and their principal founder/creator Vindsval I always find something new, especially on DMP's site. And low and behold there it was - news that a sequel to the above-embedded album - written and performed entirely by Vindsval from what I've been able to find - 1997's Supremacy by The Eye.

Sandman - Wanda's Woes

image courtesy of http://paipicks.blogspot.com/

"This is the kind of night that needs a roaring log fire, a leopard-skin rug, a bottle of fine brandy, and, mm. I dunno. Rutger Hauer, maybe. And the third Velvet Underground LP in the background. Instead I've got a severed face and sleeping beauty for company." - from Neil Gaiman's Sandman: A Game of You.

Bauhaus - Stigmata Martyr

This is still one of the most badass songs I've ever heard. In my quest to re-read/read Neil Gaiman's Sandman from the beginning through to the end Bauhaus just jumps off the music shelf. Along with Joy Division and The Cure, Tones on Tail and The Smiths (esp. Meat is Murder for Vol. 4 Seasons of Mist) Bauhaus is a perfect soundtrack for Neil Gaiman's lush dreamscape set on the outmost fringes of the old DCU.  I'm currently reading Vol. 5, A Game of You, one of the volumes I'd not read before (I started reading the book during it's initial run with The Kindly Ones, which I believe was either the second or third-to-last volume. Of course I went back and snagged Preludes and Nocturnes, The Doll's House and Dream Country as they were published in trades and then left what was essentially the middle of the saga untouched on my "To buy and Read" list. However, I very much wait for the particular moods for music/film and comics/books to overtake me before I lock into them, i.e. I can't just pick up Sandman and start reading it anymore than I can just through on Bauhaus any old time. I have to be in that particular headspace. I've begun re-reading Sandman many times over the years, as those first three volumes are among my most read comics. However I can't always sustain the mood to go all the way through, not with all the bloody distractions of everyday life. I've also often hit the $$$ wall, starting it and making my way through the beginning volumes only to find I didn't quite have it in my budget to buy the three or four volumes I was missing. Recent bursday presents from my wife have solved that particular problem).

Whenever a comic or book strikes such a strong harmonic frequency with a particular band or album I always wonder if the author themselves - or in this case any of the awesome artists involved - listening to that same music at the time of creating. And if that is indeed the case, the fact that you can pick that up suggests to me that the author/artist's hands are literally transducing the energy in its audio wave form into energy in a visible form, like a microphone is a transducer that takes audio waves and changes them into the physical rearrangement of magnetic iron particles (on analog tape) or 1's and 0's in the digital domain?

Something to think about.

Contemplating Swamp Thing, Old and New

Posted an article here on Joup earlier about the end of Scott Snyder and Yanick Paquette's run on Swamp Thing (issue #18 came out this past Wednesday and wrapped it up). This led to me beginning a re-reading of Alan Moore, Steve Bissette and John Totleben's Swamp Thing run from 1984, the run that basically introduced Moore to American comics (thanks to Karen Berger) and changed the industry on this side of the pond, almost single-handedly launching DC's Vertigo line and very clearly inspiring Neil Gaiman's Sandman. While re-reading I came upon this line, both in  the beginning of chapter #6 (originally issue #26). It is BEYOND mastery of language:

"I used to think I knew from fear... I didn't. All I knew were the suburbs of fear... and now here I am, in the big city."

Wow.

The Smiths - There Is A Light That Never Goes Out

BIG pull back to The Smiths lately. Rounding out my (hopefully) last night of feverish delusion (oh who am I kidding? The fevers been gone since yesterday and I'll always be delusional) with a huge Smiths bender complimented perfectly by beginning to re-read Neil Gaiman's Sandman in anticipation of next fall's new Sandman series.

(and in the still for this video, doesn't Morrissey look kinda like David Patrick Kelly, best known as Jerry Horne in Twin Peaks? LOVE IT)