Falling From the House of Usher

 

I'd never heard of British electronic artist Sampha until Mr. Brown messaged me about him a few days ago. Upon checking out his new album Lahai, I'm sold. I'm always looking for the next Burial, and although in no way would I compare this record to Untrue, there's definitely some shared DNA. Spacious, floaty and a beautiful approach to the vocals and backing textures, this record drifts along at a slow speed so you can be sure to catch all the gorgeous sonic scenery that populates each track. Throw in some really tight bass lines and beats to boost the tempo now and again, and this one is a perfect late-night, winding-down record. You can pick this one up at the shop HERE.

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Watch:

I watched the first two episodes of Mike Flanagan's The Fall of the House of Usher on Friday and quickly dismissed the show as "not for me." I have issues with the last few Flanagan Netflix projects and am actually looking forward to him shaking up his paradigm with his new deal at Amazon. 

Yet, I kept thinking about it all day Saturday. So I went back and watched two more. I was destined to finish this anyway, as we're recording an episode on it for The Horror Vision this coming Thursday night. Regardless of that, episodes three and four smoothed over some of the rough edges. Then, yesterday K started the show from episode one, and I sat through 1-4 for a second time. Not sure what my problem was on Friday, but I was 100% wrong. This one is fantastic!

One of my initial problems was that the creators seemed hellbent on critiquing the "Hedonism of the Rich," which, to me, is a moot point. We're well over a decade into kardashians and their public sex tapes/church scams/meltdowns. It's old news. The first two episodes of Usher really spend a lot of time making this point, and it feels goofy. Also, since Midnight Mass, Flanagan's characters spend a lot of time making grand soliloquies, and for me, they don't always work. 

These are minor grievances, though. 

One of the things I'd forgotten about Flanagan's style is he plays a long game, dropping bits that seem inconsequential or startling for the sake of being startling at the time and really don't come together until the end. This has been in his work almost from the beginning; I first discovered him by randomly watching Absentia circa 2012. That one put his name at the top of my "Directors to watch" list so that, in 2013, when Oculus hit theatres, I sat alone in a theatre on opening day. Oculus was definitely one I had to adjust to; my first viewing was, a lot like watching these first two Usher episodes, an exercise in frustration for me because I was rushing the story. When I eventually rewatched Oculus on video, I realized it was fantastic and essentially the template for everything the Director would do going forward. 

Also, it seems this "watch the first half and then watch it a second time before you continue" is a sound strategy for Flanagan's work, as in looking back through old posts here, I found THIS about The Haunting of Hill House:

"K and I plowed through the first five episodes of the Netflix/Mike Flanagan epic The Haunting of Hill House. I was a bit uncertain at first, but quickly came around. It has Flanagan's time weaving technique, the one that makes Occulus so unique. I dig it, probably not as much as I'd hoped I would, but for watching five episodes in a binge -something I haven't had the time to do in forever - it was good. We wanted to make it through the first five because an article popped up last week HERE on Bloody Disgusting where Flanagan suggests people watch the first five, then go back and watch them again before continuing on to episodes 6-10. This is based on a revelation in ep. 5 that changes the way you will see things in the first half if you watch them again with that in mind."

The point of all this, then, is to tell you that if you haven't watched this one yet, and if you can find the time, watch episodes 1-4 of Usher once, then restart them and continue through to the end. I'm about halfway through six and extremely invested; none of my previous complaints have even occurred to me since that first failed viewing on Friday.

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Read:

In order to fully appreciate Flanagan's adaptation of Poe's work, I also picked up a $1.99 Kindle "Complete Works" for Poe, as my hardcover copy has long ago been lost to the aether, and all I still have is the paperback copy of the 1980 Signet Classic edition I've had since High school:

There are quite a few cheap Kindle editions of the complete works, and all of them will contain the main stories adapted here. So far, I've re-read Usher and The Masque of the Red Death, and it's been quite interesting to see what Flanagan and his writers pulled from each for the show. I'm looking forward to diving into Murders in the Rue Morgue next. 

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Playlist:

The Misfits - Collection I

The Cramps - RockinnReelininAucklandNewZealandXXX (Live)

Cocksure - TVMALSV

Anthrax - Among the Living

The Cramps - Smell of Female (Live)

Deafheaven - New Bermuda

The Heartwoods Institue - Unburied Bane (thanks, Tommy!)

Deth Crux - Bloody Christmas (single)

Bryce Miller - City Depths

Seashore Darkcave - Synthtales

Ulver - Teachings In Silence

Ulver - Bergtatt

Silent - Modern Hate

Greg Puciato - Mirrorcell

Loathe - I Let it in and It Took Everything 

Gazelle Twin - Black Dog

Umberto - Prophecy of the Black Widow

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The Joy Formidable - Interval

Another single from the forthcoming album Into the Blue, which is out Friday, August 24, but which you can still pre-order on the band's website HERE.  

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Watch:

I don't know anything about this new Mike Flanagan Netflix show Midnight Mass except that it's Mike Flanagan. 

What else do I need to know?

Also, it looks like this might fit into the Seaside Horror subgenre I've grown rather fond of recently, so that's pretty cool. And really, Netflix has a damn good track record with Horror these days, so I'll definitely be watching this one when it drops.

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Listen:

The new episode of The Horror Vision is up. This time, we do a deep-dive into James Gunn's Horror DNA. From writing the screenplay for the Dawn of the Dead remake to Slither, Belko and even a bit on his Troma roots. Check it out!

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Playlist:

Alice in Chains - Rainier Fog

The Black Queen - Infinite Games

The Joy Formidable - Into the Blue (pre-release singles)

Deftones - Koi No Yokan

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Card:

A larger perspective. Ritual and union. Hmm... not entirely sure how to read this. It may point toward an idea I've had kicking around in my head now for about a week, but I'm unclear if it would be an allusion to it being a valid engagement, or a waste of time.

5 Days 'til Halloween

 

Over the weekend, Chelsea Wolfe released a cover of "In Heaven" from David Lynch's Eraserhead. After being a fan for years and charting her remarkable evolution as an artist never content to stay idle in any on particular sound, I didn't think it was possible for me to be surprised or 'like' Ms. Wolfe any more than I already do. This proved I was way wrong, and that's awesome. There's a level of excitement introduced back into my relationship with her music that makes it feel kind of new again.

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31 Days of Halloween:

I had a hard time deciding on a flick last night and ended up doing something I'd been meaning to for a few years now - going back and revisiting Mike Flanagan's 2011 feature film debut Absentia. Still holds up like it did when I watched it back when it first landed on Netflix, circa 2011 or 2012 - this was the flick that put Flanagan on my radar and the reason I went out and saw Oculus in the theatre. It's really been awesome seeing him grow into such an awesome director, and all the indications were here in this first flick. Limitations be damned, he really made something special with this one:

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: "Port Fourchon, Louisiana"/Tales of Halloween: "The Night Billy Raised Hell" & "Trick"

3) Mulholland Drive/Creepshow (1982): "The Crate"

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: "The Weak and the Wicked" & "The Grim Grinning Ghost"

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor episodes 1 & 2/Texas Chainsaw Massacre 2

12) The Haunting of Bly Manor episodes 3, 4, and 5/House of 1000 Corpses

13) Masque of the Red Death/Creepshow (2019) Episode 7/Creepshow (1982)

14) The Haunting of Bly Manor episodes 6 and 7

15) The Haunting of Bly Manor episodes 8 and 9/Roseanne (88) season 2 and 3 Halloween Episodes

16) The Mortuary Collection/Roseanne (88) season 4 Halloween Episode

17) Ginger Snaps Back: The Beginning

18) Lovecraft Country episode 9/The Haunting/Roseanne (88) season 5 Halloween Episode

19) Lovecraft Country episode 10/Tales From the Crypt season 1 ep. 5 "Lover Come Hack to Me"

20) George A. Romero's Season of the Witch

21) The Omen

22) Texas Chainsaw Massacre: A Family Portrait/Masters of Horror: "Sick Girl" (Lucky McKee)

23) Joe Bob's Halloween Hideaway: Haunt/Hack-O-Lantern

24) Eight Legged Freaks/What We Do in the Shadows season 1 episode 1/Night of the Demons

25) 10/31 - "The Old Hag"/Absentia

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Playlist:

The Sisters of Mercy - Floodland

Iress - Prey

Low Cut Connie - Hi Honey

Brand New - God and the Devil are Raging Inside Me

Doves - The Universal Want

Perturbator - Dangerous Days

Type O Negative - October Rust

John Carpenter - Lost Themes

Zeal and Ardor - Wake of a Nation EP

Chris Connelly - Artificial Madness

Zeal and Ardor - Stranger Fruit

Chris Connelly - Phenobarb Bambalam

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Card:

Continue to build upon the solid foundation you have previously laid. I'm hoping for an extra day off this week. If so, MASSIVE writing day.

19 Days 'til Halloween: Skinny Puppy - Morpheus Laughing

 

I've been hip-deep in old Skinny Puppy records and it feels great. It's been a while since I've sunk this deep into theirt catalogue, and I've even begun making inroads into listening to some of their later records, beginning with 1996's The Process, a record I avoided when I was younger because of all the hulabaloo around its release. I have to say, other than the first song - which is the only track on the record that was recorded at their old Canadian studio - I'm not entirely convinced I should go any further. Last Rites always just seemed like a perfect place for their existence to stop.

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31 Days of Halloween:

We did the first two episodes of Mike Flanagan's new The Haunting of Bly Manor yesterday for our main entry in 31 Days of Halloween. Really good. Flanagan's craft continues to evolve, his ability for total immersion in the worlds he creates among the best out there. Based on the works of Henry James, basically wrapping all of his ghost stories up into one narrative, I can't wait to see where this goes.

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick

3) Mulholland Drive/Creepshow (1982): The Crate

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost

8) 976-Evil

9) Repo! The Genetic Opera

10) Firestarter/George A. Romero's Bruiser

11) The Haunting of Bly Manor (episodes 1 & 2)/Texas Chainsaw Massacre 2

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Playlist:

Skinny Puppy - Last Rights

Skinny Puppy - Inquisition EP

Naked Raygun - Raygun... Naked Saygun

Bauhaus - Burning from the Inside

Bauhaus - The Sky's Gone Out

Van Halen - 1984

Skinny Puppy - Too Dark Park

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Card:

 

This card suggests a reserve of quiet strength and a domestic outlook. This is interesting when I juxtapose those concepts with my own continued estrangement from the state in which I live. Over the last few months, I've begun to seriously long for transporting my life with K to a more reliable, affordable, and low key location. Small town life sounds amazing to me. I think some of this is just a natural reaction to all the insanity the last four years have produced, however, I am not foolish enough to think that if captain hairdo gets voted out things will change or get better. In fact, regardless of the outcome - in which I definitely hope captain hairdo is ousted - I think things are only going to get worse. This is where that reserve of quiet strength comes in handy, and I'm happy to be reminded of it now.

Self - What a Fool Believes

Last week was a much-needed respite for me. My good friend Dave was out, and we bounced between hanging out at home watching movies and taking in two of the three Mr. Bungle Raging Wraith of the Easter Bunny shows at LaLa Land's Fonda Theatre (one of my favorite West Coast venues). We drank a ton of great beer (me), and artisanal Gin (him), and generally just acted like two friends who don't see each other nearly enough and welcomed the chance to hang out and act foolish. And as usual when I see Dave, certain songs/groups followed us wherever we go. One of those songs was Michael McDonald's What a Fool Believes. McDonald had a bad rep for about a decade and a half, mostly thanks to a certain early 00s comedy, but whatever you feel about him and his music, he's a great song writer. This is the pinnacle of truth to that statement, but of course, Matt Mahafey makes everything better than it already was.

Especially with toy piano.

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Congratulations Joker. I haven't seen Parasite yet, but I was glad to see Todd Phillips' masterpiece clean up - including Hildur Guonadottir receiving best score. I'm still not thrilled about this one having a sequel on the horizon, but when you're film grosses over a billion dollars, well, that's inevitable.

Speaking of Joaquin Phoenix, one of the movies I watched while Dave was visiting was Lynne Ramsay's 2017 You Were Never Really Here. Not what I expected, and deeply affecting. I really enjoyed this one, despite subject matter that would normally make me cringe. Ramsay knows how to handle the intensely disturbing pockets of our world just right, and seeing this has me considering watching 2011 We Need To Talk About Kevin, a film I have completely avoided for eight years despite all the accolades, because, well, I'm a wimp and everything I've always heard about this one makes me think it will burrow way too deep beneath my skin.



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Five episodes into Netflix's Locke and Key and I'm digging it quite a bit. Quite a few of my friends are considerably more invested in the comic than I - I finally read the series this past December/January - and most of them have reservations. So far though, I'm enjoying it, even if it is a little more "CW" than it should be.



It's really interesting to see how Mike Flanagan's Haunting of Hill House and its success have affected titles that pre-date it in other forms, specifically here Locke and Key. The show definitely has a similar feel, and that's no accident. Flanagan's show was an unmitigated smash, and stands as one more example of why the man has become such a stalwart in the Horror genre.

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Playlist - pretty much all thrash of late, thanks to those Bungle shows:

SOD - Speak Spanish or Die
Anthrax - Spreading the Disease
Testament - The Gathering
Anthrax - Among the Living
Me and That Man - Songs of Life and Death
Slayer - Reign in Blood

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Card of the day:

Fertility and the idea of creating something new; propagation. Fits exactly with an insight I had into a stalled project from last year, which I may spend some time outlining soon.

Me and That Man - On The Road

Holy cow. A good friend sent me a link to this 2017 album Songs of Love and Death by Me and That Man. Dark, fuzzy, gothic country, this entire album is fantastic. I know nothing about this band, but this album hits a perfect harmonic with the new Federale and a few other albums I've had on heavy rotation lately, most of which I'll get to posting from in the next few days.

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Last night K and I went to the theatre to see Mike Flanagan's adaptation of Stephen King's Doctor Sleep.

The best cinematic sequel ever.

Honestly, I miss spoke above, because Flanagan - who I now think might be the greatest living modern horror director - has made a film that is a sequel to both King's book and Stanley Kubrick's film The Shining, which are two very different entities. There's an article in the most recent Fangoria Magazine where Flanagan talks about how he approached this, and all I can say is, he hit it out of the park. Doctor Sleep is also a very tight adaptation of the novel, so it has the dual quality of feeling like a novel first, and a movie second. In other words, the three-act structure moviegoers have unconsciously come to expect is there, but in an over-arching way. The way the individual scenes are woven together, moving back and forth seamlessly between characters, events, and places, feels literary, as though you're plowing through sections or chapters in a book.

I loved Doctor Sleep when I read the novel back around the time it came out - many thanks to Mr. Brown for mailing me his copy just to be sure I read it, as our love for both King's book and Kubrick's film goes back a looooong way. And now I love the film. Win-win.




Playlist from 11/08:

Federale - No Justice
Billy Idol - Greatest Hits
Black Pumas - Eponymous
TVOTR - Return to Cookie Mountain
Revocation - Teratogenesis EP
Sunn O))) - Life Metal
John Coltrane - Coltrane's Sound

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Card of the day:

Balance and harmony; coherence and the intuition of a guiding light. I think so. Tonight we're doing a Horror Vision taping and I'll be premiering the finished version of this story I've been working off-and-on for over a year now to five people by reading it out loud. As Cap'm says, Proof is in the Pudding.

2019: June 14th - Dr. Sleep Teaser

Holy. F*&k. This, this I can't wait for. IT chapter 2 is exciting, but Doctor Sleep directed by Mike Flanagan... words can't describe my anticipation. Which is a little unnerving, because I had a lot of anticipation for Pet Sematary, too, and look how that turned out. That said, I'm still inclined to think the problem with PS was the studio not allowing Kevin Kölsch and Dennis Widmyer make the movie they wanted to make, while Flanagan has such a solid, lengthy track record at this point, I'm sure he will be able to do what he wants, just as I'm sure what he wants to do is make a great Stephen King adaptation from a great Stephen King novel.

If you haven't read Doctor Sleep, do so. Now, if you're able. It's fantastic.

And thanks to Mr. Brown, for lending me his copy back when it came out, ensuring I had a chance to read it early on.

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Hey, hey! That new Baroness dropped today. I'll be listening to it all morning, but tell ya what - this opening track freakin' rules!



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Playlist the last few days:

Soul Coughing - Irresistible Bliss
Deafheaven - New Bermuda
Ghost Cop - One Weird Trick
Marissa Nadler & Stephen Brodsky - Droneflower
Arthur Ahbez  Gold
King Woman - Doubt EP
Perturbator - The Uncanny Valley
Gnarls Barkley - St. Elsewhere
Gnarls Barkley - The Odd Couple
My Life with the Thrill Kill Kult - Final Blindness 7"
Finitribe - Make It Internal
Orville Peck - Pony
Helmet - Aftertaste
Deftones - Koi No Yokan
Helmet - Size Matters
Helmet - Dead to the World
Odonis Odonis - Post Plague
Spotlights - Love and Decay

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Card of the day:

Leaving behind the symmetry of the sixes and moving into uncharted - and possibly murky - waters. I'm reading this as caution going forward with the next project, as I have less than three hours of work remaining on Shadow Play before I order the proofs. It's been a hell of a battle to finalize this, and I'm still not convinced I won't be reading it again in full when the proof arrives. Either way, my time on Ciazarn is coming back around again, but where that should feel strong, I've got two shorts hanging on as loose ends. Should I begin with those, knock them out and then dive back into the Dust Bowl? Not sure.

2018: October 21st

31 Days of Horror continued last night with yet another viewing of Panos Cosmatos's Mandy. Also, finished Mike Flanagan's The Haunting of Hill House. Pretty damn tight. Being that this is a series, and they do kind of set it up for another season, I'll be curious to see where it goes.


10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

10/19) Halloween
10/20) Mandy

Nick Cave and the Bad Seeds tonight. Can't wait! I've seen Cave solo and with Grinderman, never with the Bad Seeds. Not happy it's at The Forum, but we do what we must.

Saw the trailer for The Invitation director Karyn Kusama's new film, Destroyer. Looks fantastic, and Nicole Kidman looks as though she puts in the performance of her life.



Playlist from 10/20:

Windhand - Eternal Return
Black Sabbath - Volume 4
Uncle Acid & The Deadbeats - Wasteland
Second Still - Eponymous
Bauhaus - In the Flat Field
Perturbator - The Uncanny Valley
Boards of Canada - Tomorrow's Harvest

Card of the day:

Still one of my favorite cards. From the Grimoire, "Create within yourself a Universe."

2018: October 15th

Alien Sex Fiend - Not your father's Death Rock band. Well, then again, I suppose this very much could have been your father's Death Rock band. Never mind. Among the weirdest things I've ever heard.

31 Day of Horror continued yesterday, but I've already told you about The Apostle. Afterward, K and I plowed through the first five episodes of the Netflix/Mike Flanagan epic The Haunting of Hill House. I was a bit uncertain at first, but quickly came around. It has Flanagan's time weaving technique, the one that makes Occulus so unique. I dig it, probably not as much as I'd hoped I would, but for watching five episodes in a binge -something I haven't had the time to do in forever - it was good.

We wanted to make it through the first five because an article popped up last week HERE on Bloody Disgusting where Flanagan suggests people watch the first five, then go back and watch them again before continuing on to episodes 6-10. This is based on a revelation in ep. 5 that changes the way you will see things in the first half if you watch them again with that in mind. I don't feel this is necessary at all. Maybe some people will; I'm not usually the guy who figures out the twist ahead of time - I don't ever want to be - but I had this one in mind from about episode 3 or 4, so a re-watch wouldn't do anything for me. Now we just have to find the time to do the rest and a movie a day until the end of the month. It literally required me taking a mental health day from my weekend to do this much of the show - no grocery shopping, I skipped the HWA meeting, didn't even write. I needed it though, and so did K. 'Adulting' feels extra hard of late. Boo-hoo, right? Well, it's all relative.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle

Playlist from yesterday? There wasn't one. All visual content.

Card of the day:

Do I have some rationalizing to do? I do; skipping life for a day to watch TV makes me feel a bit weird, especially the HWA meeting and writing, so I've been rationalizing it since. As my good friend Missi said in a text yesterday, "Sometimes u need a break. It's not a crime."

Words of wisdom Lloyd. Words. Of. Wisdom.

Thanks Missi!

Rue Morgue Celebrates 25th Anniversary of Prom Queen's Murder

image courtesy of hemlockbooks.co.uk

The newest issue of Rue Morgue is on the newsstand and as you can no doubt discern from the picture it has a nice, juicy Twin Peaks cover story in honor of the 25 year anniversary of the night Special Agent Dale Cooper opened that mason jar of scorched engine oil and entered the waiting room via Glastonbury Grove and its circle of twelve sycamore trees. Now, if you've been reading about Twin Peaks for a long time as I have - pretty much since it aired - the Rue Morgue story is not too much that you haven't heard before. But it's done really well and there are some unique insights by Ray Wise, Sheryl Lee and Jennifer Lynch. And unlike Fangoria, which sadly pretty much blows - or at least did the last time I checked - Rue Morgue is a fantastic horror mag that I don't get to read often enough. There's also a great article on Oculus, a movie I think I was unfairly dismissing due to billboard proliferation around LA but after reading said article I'm actually looking forward to.