New Album From Lustmord

 

The first teaser for the upcoming Much Unseen Is Also Here, the new album from Lustmord, available on March 15. Pre-order from Pelagic Records HERE.

---

---

---

Watch:

The other night, I fell asleep in my hotel room watching B.D. Clark's 1981 SciFi WTF Galaxy of Terror. Here's a trailer:

I'm not really sure how I feel about this one. First, great cast. Where else can you see Eddie Albert, Sid Haig, Grace Zabriskie and Erin Moran (Joanie from Joanie Loves Chachi) in a third-rate Alien knockoff. No disrespect - I'm sure everyone involved in this production knew what they were making when they filmed this. Still, this was a good time, even if the ending featured some pretty bad writing in the style of "Make it a bunch of indecipherable and abstract gobbledegook and people will think it's just too smart for them to understand."

---

---

---

Read:

While at The Comic Bug two weeks ago, I flipped briefly through their back issue bins and found this:

I know NOTHING about Machine Man, even though this was put out in that magical comic book year 1984. This would have been when I was first dipping my toes into comics, and I know the cover layout for this era of Marvel Comics so well that it creates an instant nostalgia bomb in my heart. In this particular case, I just could not pass up this beautiful Barry Windsor-Smith cover. This is the perfect example of what I keep referring to as "Hobby Store SciFi," even without knowing the contents.

Reading this last night, I was shocked by a few elements of the book. First, one of the heavies is Arno Stark - the Iron Man of, ahem, 2020! That's right, this 1984 look into the future shows a lot of technological ideas that we can, now four years beyond the storytellers' mark, confirm never came to pass.

• Flying cars? Nope

• Cyborgs and tech-gangs? Not unless you count those Grinders who get magnets implanted in their skin

• Mega corporations that control the world... oh, well, I guess that one is pretty accurate.

A second shocker was Jocasta, the robot lady person I would know briefly from an Avengers annual published a few years after this book. This made me curious to look up just how much Machine Man has to do with the Marvel we've come to know in the years since this series. From what I found, the continuity here is designated as Earth-8410, and is not to be confused with Earth-616 Jocasta, who Ultron built as his, er, bride?

---

---

---

Playlist:

Marilyn Manson - We Are Chaos

Finom - Fantasize Your Ghost

The Dillinger Escape Plan - Miss Machine

The Trapezoid - Reverb Nation Playlist

Black Rainbows - Superskull

Frankie and the Witch Fingers - Data Doom

Algiers - Shook

Turnstile - GLOW ON

---

---

---

Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Nine of Wands

• XVIII: The Moon

• IX: The Hermit

Nine of Wands relates to The Moon in Thoth, as the Sun and Moon factor into the Croweley/Harris visualization for the card as motivating elements of the "Strength" of the card. One Wand (arrows in Thoth) supported by eight; driving force. The Hermit here suggests I need to take a solitary day and put all my effort into something that's been occluded to me thus far. I happen to know exactly what that is.

Immoral & All Seeing

 

I still find myself thinking about Wayne Shorter's recent passing. I'm by no means a huge fan; I say this not to distance myself from his work, but to respect those out there who are much more committed. Truth is, I started dabbling in Jazz when I was still a teenager thanks to Angelo Badalamenti and David Lynch, but I was way more into it in my twenties. Since moving, I've gotten back into many artists I've been away from for a while, but I still don't spin enough Jazz to be considered anything more than a passing fan. Yet, this music echoes inside me in a way nothing else does. I don't feel like a have a lot of room in my life for it, which is unfortunate, but Jazz is music that requires attention to appreciate, and as I've aged and the world has fallen apart and injected me with its anxiety, I have less and less attention; it's something I fight for on a daily basis. 

As I said upon Mr. Shorter's passing, there is something in his work - whether solo or his collaborations with Miles Davis - that sounds like a conjuring to me. It puts me in a very particular headspace, and in reflecting on his passing, I'm wondering if there is anyone making music today that might have the same effect. Or if the "Jazz Ritual" sound that Shorter and Davis - especially on Bitches Brew, Sorcerer and The All Seeing Eye - summoned into this world is all but gone now. I feel that's likely, as our world is very different from the one where this music was composed. If there were "Jazz Spirits" or "Demons" that came to this plane as a result, where are they now?

---

---

---

Watch:

Wow. Now, this is an interesting idea:

 

I subscribed to the channel immediately, and plan on giving this a full go. I was pretty stoked just watching along for a moment, as the music, different voices and sound FX told the story.

          

---

---

---

Read:

Re-reading Sins of Sinister from the beginning now, because my memory sucks. Also reading again because this week's Immoral X-Men really stayed with me.

            

The thing with the core of the X-Books now, and especially this Event and this issue in particular, is these are no longer superhero books. These are hardcore SciFi. I've talked about my love/hate with genre here before - I don't really go for big, tropey works like Space Opera or High Fantasy, primarily because I just feel like much of those corners of genre just repeat (and expand in some cases; credit where it's due) the most influential work that precedes them. I know there are a million people out there who would tell me I'm wrong, and that's fine. But I avoid those traditional genre lanes and look for stories that do their own thing. By the time we get to the events in Immoral X-Men #3, we're essentially in a deep-space salvage SciFi realm.

Deep-Space Salvage, or DSS for short, is the name I've finally arrived at in my head for those stories that pull me back into the kind of home-brewed, SciFi prevalent in 1980's Hobby Shops and indie comic books. Think TSR and old-school Guardians of the Galaxy. Think comics written by Bill Mantlo. A deep-space enclave where everything is old, rusted, down-and-out. It's the future but nothing is new, progress has flatlined or reversed, and everything is falling apart. That's where Kieron Gillen has taken us in Sins of Sinister.

There are no superheroes here - that's reserved for the regular Monthly X-Book, which anchors the line to its original intent. Instead, here and in X-Men; Red, S.W.O.R.D. before it, and partially at work in Immortal X-Men, we have very meticulous, long-game genre stories that branch off into many different styles and territory, and S.o.S. is definitely DSS.

By the time we arrive at this last panel, page three of Immoral #3, you can see the filth and decay. You can also see a monstrously sized Exodus, now something much more than the mutant zealot we all know and love so well. This issue reminded me A LOT of Daniel Warren Johnson's Beta Ray Bill mini-series from a few years back, and like that series, Sins of Sinister is surprising me with how much I'm enjoying it overall, especially when I didn't read the entire thing (I have not been buying that third title, Nightcrawlers, although I'm thinking about going back and picking it up) or like everything I've read. 

---

---

---

Playlist:

Gang Starr - Hard to Earn

Godflesh - Slavestate EP

Godflesh - Pure

Godflesh - Cold World EP

Godflesh - Love and Hate

QOTSA - ... Like Clockwork

High On Fire - Surrounded By Thieves

Lustmord - Dark Matter

Wayne Shorter - The All Seeing Eye

Miles Davis - Live at the Filmore West

            

---

---

---

Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Circumstances drift and Change rears its head. It will be tempting to interpret this change as negative, but the reminder in the cards today, me thinks, is that interpretation dictates the positive/negative aspect of change. Change is always good in some respects, it can just be mighty difficult to remember and 'see' that. 

 

---

---

---

Angel Olsen - Big Time

 

New Angel Olsen. 

Despite seeing a lot of praise for Ms. Olsen in my peripheral for years, she wasn't really on my radar until my cousin Charles professed his adoration for her 2019 album All Mirrors, which is fantastic. This new single feels like it hits a sweet spot between Patsy Cline and Sharon Van Etten, and I dig it. The new record, Big Time, is out June 3rd on Jagjaguwar, and you can pre-order it in whatever form you chose HERE.

 

---

---

---

Dollar Bin:

Well, how about this one, huh?

I still have a copy of one issue from the Temple of Doom adaptation Marvel did at the time of the film's release, but I don't even think I'd heard of this Further Adventures of... book before, although it's no surprise this existed based on how popular the Indiana Jones flicks were. I found five or six of these in the dollar bin last week, and although I haven't had a chance to actually read any of them yet, I've spent a few spare moments flipping through them, and they're great.

This particular mid-to-late 80s cover format for Marvel Comics is always going to be my favorite; I love the placement of the logos, the Marvel Comics Group banner along the top, and the character box in the upper left-hand corner. Just seeing these makes me feel happy.

---

---

---

Fleeting:

Blut Aus Nord recently repressed their first Memoria Vitusta album and it's available on their Bandcamp in a gorgeous "red with subtle yellow marble" that will undoubtedly be gone quickly, maybe before I finish typing this.

---

---

---

Playlist:

Rammstein - Zeit

Bloc Party - Alpha Games

Ozzy Osbourne - Ordinary Man

Ozzy Osbourne - The Ultimate Sin

Jim James - Eternally Even

Jerry Cantrell - Brighten

---

---

---

Card:

Oh yes. It will take me strength to get through this day.

New Zeal and Ardor!

How long do we have to wait until this new Zeal and Ardor album drops? The correct answer is too f*&king long! 

---

---

---

READ:

This has been a strange year, because over halfway through, and I've read very few actual novels. Instead, all my reading time is spent reading comics. Not a bad thing, and this certainly isn't the first time this has happened, but between starting the A Most Horrible Library podcast, and the brief resurrection of Drinking with Comics, I've fallen back in love with the medium in a way I haven't felt in years, specifically Marvel Comics, which I thought I'd left behind me after the 2015 Secret Wars event tapped us old-timer Marvel Zombies on the shoulders and whispered, "The old continuity you cling to is gone. Rest easy, this is for a younger generation now."

I've been digging in back issue bins for the first time in at least 15 years. I've also been seeking stuff out on eBay, both in attempts to fill in long-forgotten gaps in series I'd thought I'd given up on. It's made me realize I've come to regret giving away or selling back so many comics over the years. And I've been re-reading a bunch of old-school series as I acquire these missing pieces.

I remember seeing a full-page ad for this book back when I was a kid and thinking it looked troubling. A mutant kid killing one of his friends/teammates? Wow. I only read New Mutants here and there as a kid, so a lot of the character development was lost on me when I did pick up the book, and I never quite understood how Fallen Angels fit into the overall continuity of the ongoing Mutant Books, most penned by my beloved Chris Claremont still at that time. Now I know.

Fallen Angels was a New Mutants spin-off mini-series that ran back in 1987. A couple years ago I found issues 5-8 somewhere and picked them up, but it wasn't until two weeks ago I tracked down 1-4, and now completed, I've finally been reading this weird little adventure that features Roberta DaCosta AKA Sunspot and Warlock - always a character that made me go "WTF?" when I was a kid. Like a lot of comics from this era, this is a bit over-written, however, once you adjust to the difference in style, it's pretty fun.

This is a more recent title. A five-issue series by Jason Latour, Robbie Rodriguez and colorist Rico Renzi. Robbie and Rico are the visual team responsible for the short-lived but fantastic Vertigo series FBP, aka Collider. I fell in love with their style on that book, and when they came up with the initial design for Spider-Gwen - a character I shouldn't have really cared about at all at the time based on my reading habits - I gushed. 

I love this character's design. 

At the time of the series, and when it came out, I bought issues 1 and 2 and then stopped. Recently, I found 3-5 in the bins at The Comic Bug and started reading through it. Pretty cool alternate universe set-up, where Peter Parker is dead, Gwen was bitten by the radioactive spider, and Frank Castle is a cop! Also, MJ and Gwen play in a band called, what else? The Mary Janes, and have a hit song called "Face it, Tiger."

I don't know that I'll go back and read anything after this small series, but these five issues are bringing me great joy at the moment, so who knows?

With my recently reestablished love of Spider-Man, I've been going back in and just snatching rando issues from the three 80s series I would read off and on, and which I'm realizing I am missing so many issues I once had. In particular, I've been finding quite a few issues of Peter Parker: The Spectacular Spider-Man, most issues in the 130s and 140s. Here's a recent acquisition that ties together several other disparate issues I had, so I can now read a short little stint. Remember: back in the 80s and before, trade collections were next to non-existent, so the editorial edict for these books wasn't for the creators to do 5-issue arcs. What we'd get is one-offs, larger threads that played out amidst the monthly stand-alones, and, in Spidey's case, arcs that ran across all three of his titles at the time (Web, Spectacular, and of course, Amazing). 

The good news is, almost all of these books run between $2.99 and $3.99, so it's not like I'm breaking the bank. And sifting through the back issue bins has been a strangely calming routine. I can get all stressed out at work, stop by the bug and spend 30 minutes flipping through issues, and all that bad shit is gone when I walk out the door.

Also, motivated by the "Book Club" section on the latest episode of the Marvel's Pull List podcast, I decided it was finally time to re-read Grant Morrison's New X-Men run, so I dusted off the first of my three hardcovers and blew through the first arc E is for Extinction, as well as the 2001 annual that introduced Xorn. Oh, reading this is making me remember just how much I love Morrison's take on the X-Men.

---

---

---

Playlist:

Anthrax - Among the Living

Dio - Holy Diver

Chicago - 25 or 6 to 4 (single)

Black Sabbath - Paranoid

King Woman - Celestial Blues (pre-release singles)

Jethro Tull - Benefit

Ministry - Animositisomina

Godflesh - New Flesh in Dub Vol 1

Zeal and Ardor - Stranger Fruit

Mastodon - Crack the Skye 

 

---

---

---

Card:

I'm back on the journey into Shadow Play, Book Two, and for the first time since last year about this time, I am IN! The book is occupying a lot of my thoughts and time, and what's more, I finally found the voice for a new element I'm adding. Also, there is way more written than I thought, and it's way better than I remembered. So while I'm still letting a new nosleep series idea percolate, my main focus has finally shifted back to where I need it to be!

Drinking w/ Comics - Vader Down

Here's a quick glimpse at upcoming Drinking w/ Comics #29 where Mike explain why you HAVE to read Marvel's Vader Down.

Goodbye Marvel Universe Hello... Battleworld?

Although I recently decided to stop reading Marvel Comics on a monthly basis in an effort to grant my wallet a little bit of a break without having to stop supporting all the great creator-owned and indie books on the market, I'm still a Marvel fan and this week's big news really didn't leave me anything but optimistic. Well, except for the Battleworld moniker. My complete thoughts on the coming apocalypse in the MCU are the contents of this week's Thee Comic Column over on Joup.

Guardians of the Galaxy...

...is the topic of discussion in this week's edition of Thee Comic Column on Joup. However, this is not a review of the film, so much as an exploration of what this movie means to comics and how time and technology have, specifically in the case of Sci Fi, affected the way we interpret Story.

1988 - The Year Marvel Comics Destroyed Pittsburgh

image courtesy of wikipedia.org

Wicked comics from the 80's - read about it on Joup!