Midnight in the City

Still has the power to bring tears to my eyes, even after all this time, even after I've pretty much disengaged from everything Gonzalez has done since (except the Knife + Heart OST). Hearing this reminds me of the smoldering possibilities that still seemed to exist in 2011. Those are all but gone now, as we accept the shitty future the Corporations have made for us. Backed into a corner, hindsight isn't just nostalgic, it's paralyzing.

What a lead-in to our next topic of discussion...

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Watch:

Heed my warning: much as I expected, if you live in the US, Civil War might F**K you up.

Another five-star nightmare from Alex Garland. I'm telling you, I've read all his books and seen all his movies - he never fails. This latest is possibly the most nerve-racking, terrifying film I've seen in years. K has had considerable PTSD from the flick, and I get it. I was literally terrified for the characters (one in particular) for pretty much the entirety of the film. Also, super cool that Garland still uses Geoff Barrow and Ben Salisbury for every score, and on top of that, there are not one but TWO Suicide tracks in the film. I love how, in the past year, I've now heard Suicide in a major theatrical release and Throbbing Gristle's "Hamburger Lady" in two (Love Lies Bleeding and V/H/S/85; I guess the latter isn't a major theatrical release, but I saw it in a theatre, so it felt like one at the time).

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Read:

I had an insanely relaxing weekend—well, other than the anxiety from Civil War—reading comics. First, when my Drinking with Comics cohost Mike Shinabargar and his wife came down to visit us last weekend, he brought my Chicago Comics Pull down. This meant I could finally read the entirety of Garth Ennis and Jacen Burrows' The Ribbon Queen from start to finish.

This is easily my favorite Garth Ennis comic since Preacher. There - I said it. Man, this was just... perfect. A story of revenge set amidst a backdrop of the Me-Too and BLM movements in 2020, the characters are fantastically conceived, established and developed, and the situations are tense and beautifully woven together with one of the most horrific 'monsters' I've seen in quite some time. Ennis is one of the few writers in comics who can so effortlessly blend the social dramas of our time with pure nightmare fuel. 

After watching the above episode of Cartoonist Kayfabe, I felt compelled to dig in the box of old Punisher comics I pulled from my parents' house last year right before they moved and see if I did indeed own any Punisher War Zone. As I thought, I had issue one, but I also had 2-4, so I did a re-read Sunday. 

I really love how the CK boys add a level of artistic context I would normally never possess for books like this, and I thoroughly enjoyed this one. I have A LOT of old Punisher comics - the ones that have always traveled with me wherever I move are the original 80s mini-series, about the first 17 or so of the original ongoing 80s series, and the first 8 issues of Punisher War Journal (also 80s). My actual Frank Castle collection is at least 3x that size, though, and includes a lot of issues I bought as they came out, but which I'm not so sure about. The Punisher was one of those characters whose popularity in the 80s mandated he be strip-mined well into the mid-90s and the books and character suffered for it. I think War Zone was about where I checked out, hence why I only have those first four issues, which sucks because I didn't finish out what I'm now remembering is a pretty damn good story about Frank infiltrating the Carbone crime family. That means I'll be checking some back issue bins at Rick's Comic City and online this week, looking to find the rest of that storyline (seems to be up through issue 11).

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Playlist:

Dödsrit - Nocturnal Will

M83 - Hurry Up, We're Dreaming

!!! - Myth Takes

Dödsrit - Nocturnal Will

King Gizzard & the Lizard Wizard - PetroDragonic Apocalypse

Ghost - Opus Eponymous

Anthrax - Persistence of Time

High on Fire - Cometh the Storm (pre-release singles)

Suicide - Eponymous

Jimmy Buffet - Living and Dying in 3/4 Time

Turnstile - Glow On

Idles - Tangk

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• Page (Princess ) of Cups

• Queen of Cups

• XI: Justice

I progression, I think, from my previous spread. Emotions are still high, but I'm keeping myself in check. I have a feeling this is a recurring cycle to the point that I could probably graph it, so I'm going to add a piece of metadata to this and my previous post, maybe even work back using the search function for keywords like "irritation" and "tolerate" so I can possibly get an even more accurate idea of how often and in what 'pattern' this occurs. 

The XI, which is Lust in the Crowley/Harris deck, is a nod toward the primordial power of Anger, however, it can also occasionally indicate a possible Lunar influence. That should be easy enough to map. I used to keep a moon phase widget this site, however, those always break. Might look for another one and begin adding that data to this section of the page, as I would be interested how this might line up with lunar cycles. 

M83 - DSVII - Feelings

M83's new album Digital Shades Vol. II dropped today. It's gorgeous, and coincidentally makes a perfect soundtrack to my re-read of Rick Remender and Matteo Scalera's Black Science. I'm eleven issues in and th Telepathic Millipede death cult is one of the awesomest/creepiest lifeforms I've seen in a SciFi/Fantasy story like this. Check that - there are no SciFit/Fantasy stories like this. Pure, unraveling, multi-dimensional madness, and I'm loving it, especially with this lush, analog soundtrack. I fell out with M83 after HUWD, and I still want a non-instrumental record from them again, but in the meantime, DSVII is fantastic.

**

Larry Fessenden's modern take on Mary Shelley's Frankenstein is fantastic, and if you're in Hollywood and get a chance to see that - or any of the other goodies playing there - you should definitely drop in at Arena Cinelounge. Fantastic venue for short run/obscure flicks. I posted the trailer for Depraved yesterday, so today, here's a super cool behind the scenes shot I found online, along with a LINK to a cool article by Fessenden on why he makes movies.

For my money, Mr. Fessenden is the closest thing to a John Carpenter-level talent who isn't wearing his JC influence on his sleeve (not always a bad thing, the point here is LF is as original in his approach now as JC was to his back in the day), toiling away in partial obscurity, making original, solid flicks that are as interesting to the philosophical mind as they are to the eye. Support this man's work!

My full, short review of Depraved is up on Letterbxd HERE.

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Playlist from 9/19:

Tomahawk - Eponymous
Pixies - Beneath the Eyrie
Sleep - Sleep's Holy Mountain
Uncle Acid and the Deadbeats - Mind Control
Rob Zombie - Hellbilly Deluxe

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Card of the day:

Wow, talk about the cards talking directly, clearly, right to me! Two days of the 4 of Disks, Power while I recharge my mental and physical batteries, directly followed by the 3 of Disks, Work, telling me to get my ass back in gear and get to work. Time to wrap Black Science for the day and head out to write!

2019: June 23rd Orville Peck - Hope to Die

Here's a video I've been meaning to post since Mr. Brown alerted me to its release late last week. Orville Peck's album Pony is neck and neck with Spotlights' Love and Decay for my favorite album of the year, and I have a feeling it will be that way all the way up until I post my annual year-end list at the end of December. Two amazing 2019 albums I found on the same day, that I have had to split my obsession with since. SUCH a great problem to have!

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Speaking of 'year's favorites,' I watched Yann Gonzalez's Knife + Heart on Shudder again Friday night. I'm really at a loss. This film is amazing in so many ways. The final scene, set to Jefre Cantu-Ledesma's Love's Refrain, is possibly the most beautiful juxtaposition of visual and aural imagery I've ever experienced; I've been haunted by it for days. Here's the track, which can be found on Cantu-Ledesma's EP In Summer, available on Apple Music or HERE:



I've slowly begun making my way through more of Cantu-Ledesma's work, and it is incredible, running in a range from eerie field recordings to hazy, ethereal synth drone like Love's Refrain.

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Playlist from the previous few days:

Motorhead - Eponymous
Motorhead - Ace of Spades
Public Image, Ltd - This is What You Want...
Felicia Atkinson and Jefre Cantu-Ledesma - Limpid As the Solitudes
Alexis Georgopoulos and Jefre Cantu-Ledesma - Fragments of a Season
Jefre Cantu-Ledesma - Alone Together #6: Faceless Kiss/Blut Mood
Jefre Cantu-Ledesma - Love is a Stream
Jefre Cantu-Ledesma - Visiting This World
Jefre Cantu-Ledesma - In Summer EP
M83 - Knife + Heart OST
Spotlights - Love and Decay
Canadian Rifle - Peaceful Death

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Card of the day:

Always nice to see this multiple times in one week. And it fits: I received the Proofs for Shadow Play Book One yesterday (their gorgeous but need a wee bit of tweaking), and when I sat down to work on Ciazarn yesterday for an admittedly abbreviated session, I absolutely experienced a breakthrough. I expect today will be HUGE for that story.

2019: June 21st - Lightning Born!

Thanks to Jonathan Grimm for the heads up on this one - I'd not even heard of Lightning Born until I woke up at 4:00 AM this morning, rolled over and saw a text from Grimm:

... and that about says it all. The band's self-titled debut is out today on Ripple Music, so it's available everywhere music is can be acquired. Or, order the record from the band themselves HERE.

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I watched two fantastic movies yesterday. First, Knife + Heart just dropped on Shudder and I stumbled into it without knowing much. LOVED it. A kind of software, gay Argento-homage, the flick stalls a bit at times as it goes to incredible lengths to soak the viewer in atmosphere and aesthetic of 1979 Paris' underground gay culture. It does an excellent job with this, but imagine those overly descriptive paragraphs that plague genre books at times? There's a correlation to that here. Still, the movie is gorgeous, and what I did not realize it until this morning is M83 scored it. Basically a gallo that follows an underground porn studio's actors as they are picked off one-by-one at the hands of a masked killer, Knift + Heart doesn't reinvent the wheel, but it's a great watch. Here's the trailer:



Next, 1990's Hardware. I'd never seen this until yesterday and I absolutely LOVED it. Kind of a third rate Terminator knock-off, I'll take this over Cameron's epic any day. I loved the colors, the sets, the tech - everything. And a very cool soundtrack that juxtaposed Simon Boswell's neo-futuristic, Vangelis-light score with tracks like Stigmata from Ministry and this epic from PIL:



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Playlist from 6/20:

The Verve - Northern Soul
Zen Guerilla - Positronic Saygun
Spotlights - Love and Decay
Various - A Girl Walks Home Alone At Night
David J and Federale - The Day David Bowie Died
Jefre Cantu-Ledesma - In Summer EP
Public Image Ltd - This Is What You Want... This Is What You Get

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Card of the day:

From the Grimoire: "The beginning of a new project or job." Well, that could not be more appropriate. I took a few days off writing after finishing Shadow Play Book One, tonight I plan on walking to my coffee spot and digging into Ciazarn!

2018: April 29th 8:07 AM

This song f*&kin' Rocks!



I've loved this song since I was a kid, and for some reason despite its heavy use of what is now very 80s synth patches and reversed drum sound, this one never felt old or dated to me. Of course, now, because of groups like M83 and Cut Copy, those 80s sounds have been re-contextualized and don't sound quite so dated anymore. Lots of radio yesterday - which is rare - but we shuffled back and forth in K's car to prep her Mom's place for the move today and Jack FM was on for most of that time, and what's more, they played a lot of really good songs. This song was one of those.

Playlist yesterday:

Radio
Jello Biafra and the Guantanamo School of Medicine - White People and the Damage Done
Black Sabbath - Paranoid
Uncle Acid and the Deadbeats - Blood Lust

Card for today:

One Song #2 is Up at MilkMag.org

image courtesy of wikipedia

This time I speak about Midnight City by M83. You can read the article here, and while you're at Milk Mag might I recommend snooping around a little as there is a wealth of great reading contained therein.

New Nothing Track Dig

Via Brooklyn Vegan. Nothing came on my radar a couple months back with the Downward Years to Come EP which you can download for a paltry $5 on their bandcamp (do so - it's an amazing EP with shades of both The Raveonettes and M83. Plus you'll be supporting a great band). Really looking forward to their forthcoming full length, on Relapse no less. More info on BRVGN here.

M83/Susanne Sundfor on Kimmel

Still no interest in seeing this movie, but this is fantastic. So weird to see M83 introduced as a string section along w/ Anthony Gonzalez and crew. I can't be happier for their success (though I still wonder why Midnight City is the only single that's blown up when there's like five or six from Hurry Up, We're Dreaming and they're ALL AWESOME!

M83 Scores Oblivion

This is old news by now and this first song released went up a while ago and then re-circulated earlier this week, however I'm not so much about breaking news as I am about curating the stuff I think is awesome from around the web.

I've tried to post this before, however each time there's been some issue with the embed code. I think it finally worked. Great track, as always. Not interested in seeing the film, although I suppose I don't know too much about it and it is possible that could change. I always want to be able to dismiss Tom Cruise movies but then often find myself actually liking them (Eyes Wide Shut, Vanilla Sky, Collateral, to name but a few). Plus, if you listen to people that have worked with him, he sounds like an amazingly talented guy.

Hidden Track from M83's Hurry Up, We're Dreaming

I tried to decode this one for some time, forgot about it and now ran across it on youtube. I did the work - I just couldn't get it to work.

Meet M83 Video/Oblivion Soundtrack

I'm stoked on M83 again lately - the novel I'm working on is laregely inspired by their Saturdays=Youth record and since hearing that album I've pretty much been in love with their music (you can read about my religious experience at their live show last November here). Then this mornning I see on Pitchfork that the new Tom Cruise movie Oblivion has original music by M83 and a score composed by Anthony Gonzalez and Joseph Trapanese. Nice! Even though I'll probably never see the movie (I'm not against Cruise out-of-hand, I actually like quite a few of the movies I've seen him in and think he's a pretty damn good actor) I'm always up for new M83. Anyway, I went to M83's website and found a few things I'd not seen before, like the video posted above. And although it's locked from being embedded, if you follow the link to Back Lot Music's Soundcloud page here you can hear the first track from the aforementioned Oblivion soundtrack (or go here and hear it and read about it on Pitchfork)

M83 'Midnight City' Official video

I Love a lot of music but it's not often that a group affects me the way M83 has. 2008's Saturdays=Youth is a powerhouse album - dark and mysterious in a gorgeous and evocative way. About two months ago when Anthony Gonzalez and crew released their first single off the very eagerly-awaited double album that came out at the beginning of October (album titled Hurry Up, We're Dreaming, lead single titled Midnight City) I first heard it on Youtube with this static image behind it:


















I seriously had chills upon listening to this track the first (and subsequent 200 times). It has become sacred to me, and affects my nervous system like a drug.

A very pleasurable drug.

The album is amazing, as expected, and last night we saw them live at the Music Box. I've been to hundreds of live shows in my life, many very amazing. Nothing has ever affected me the way M83 did. If you like the song below, Midnight City, now with an official video that also completely leveled me with Awe, buy the album (and then go back and buy the others, especially the aforementioned Saturdays=Youth and pay whatever it costs to see them live*, you will not regret it.





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*If you live in LA or anywhere near it they did just pass through here on their tour, however, this Saturday the 12th tickets go on sale to see them at Club Nokia. That's a venue I never thought I'd step foot in, but you know what? It'll be worth it and after seeing them once, just like a drug, it's impossible to think of missing an opportunity to see them again!!!