Seven Days of Shane: Day 3 - Nipple Erectors - All the Time in the World

Before The Pogues, MacGowan fronted a band with Shanne Bradley called The Nipple Erectors (subsequently shortened to The Nips). I first discovered this group in the late '00s, thanks to my Drinking with Comics cohost Mike Shin. This was when my Pogues fervor was at its zenith. The album Bops, Babes, Booze & Bovver stayed in my old school iPod for a few years (I never had a physical copy), but disappeared somewhere along the way. Pretty cool to find them again now, on streaming, and be able to hear the record start to finish (I believe what I had was missing several tracks). 

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Watch:

Julien Temple made a Shane MacGowan documentary a few years back, and I'd kind of forgotten about it until Mr. Brown brought it up after the man's passing. Back on my radar, I fired Crock Of Gold up last night on HULU.

 

I liked this, but I do feel there's a lack of third-party, objective material. Maybe the point was to allow Shane the glory of self-mythologizing himself; why deny the man, he'd been in an awful state at the time this was made and it may have been Temple and Producer Johnny Depp's idea to just bask in the legends that already exist anyway, letting MacGowan grow them to whatever size he saw fit. Not a bad gift for a man trapped in a wheelchair at the end of his life, reaping the rewards of a life of debauchery. It's not like the film doesn't set this up in the first few moments - Crock Of Gold opens with an animated smattering of all Ireland's mythological creatures and folklore, from Leprechauns to Cú Chulainn to Children of Lir to... Shane being handpicked by god to be, "The man who would save Irish music." And, in a way, he totally did. Anyway, if you're a fan or even just curious, this is a nice walk through the man, the myth, the legend.

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Read:

Somehow, I forgot to mention the pre-order the good folks at Bad Hand Books have going for next year's new Laird Barron collection. Not a Speck of Light comes with a signed bookplate.

Sixteen new stories? Wow, and while it's not going to be easy to wait until Q3 next year, talk about arriving at the perfect time of year! Pre-order Not a Speck of Light from Bad Hand Books HERE.

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Playlist:

Steve Moore - Christmas Bloody Christmas OST

Steve Moore - VFW OST

Uncle Acid and the Deadbeats - Blood Lust

Uncle Acid and the Deadbeats - Vol. 1

Dream Division - Beyond the Mirror's Image

Various - Joe Begos' Bliss Spotify Playlist

Electric Wizard - Wizard Bloody Wizard

Shane MacGowan and the Popes - The Snake

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

• Ten of Pentacles (Disks)

• I: The Magician

• XIV: Temperance (Art)

Trump One two days in a row, eh? I'm apparently missing something...

Ten of Pentacles indicates Earthly completion, and I'm betting that has to do with (again) my folks finally being into their place. The recurrence of the Magus, however, indicates something that will need adjustment or patience (not that there's not been call for quite a bit of that already). 

I tend to remain hung up on the "Art" aspects of Trump XIV, however, there is an element of "Things falling into place." So again, the Magician is the missing piece of the puzzle.

Suitable Psychos Howling in the Wind

 

Mr. Brown clued me into the fact that Jenny Lewis dropped a new record last week. Totally not on my radar at the moment. I've given Joy'All a few spins - if you dig Jenny Lewis in general, this is for you. I have to say, I'm not taking to this one as easily as I have with her older stuff. Last night I revisited her 2006 collaboration with the Watson Twins (who also, it turns out, have a new album dropping next week!) Rabbit Fur Coat and it reminded me just how much I love Lewis's work. Her voice, lyrics, and arranging.  All that's there on the new album, however, those qualities feel somehow muted. It may just need more listens, which I will surely give it over the upcoming summer evenings. That said, starting with 2014's Voyager - which I adore - I feel like Lewis found a 'sound' and has not veered too far outside it. That's cool. But I miss the days when she mixed things up a bit more. Either way, new Jenny Lewis is still an event to be happy about. You can order the record HERE.

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Watch:

Fangoria posted a teaser for Joe Lynch's new film Suitable Flesh; I've been chomping at the bit for this one, so despite my recent tendency to avoid trailers, I watched this. 

 

It's perfect - gives nothing away, floods us with fantastically menacing images, and then disappears. Not unlike a Lovecraft entity, really. That's it for me, though; I won't be watching any subsequent trailers. No word on exact release dates yet, but if this goes wide, I'll be there day one.

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Read:

I received and blew through Laird Barron's new Isaiah Coleridge novel, The Wind Began to Howl. Outstanding, as always. I'm amazed at Barron's ability to crank out insanely readable iterations of this character that are primarily stand-alone, modern detective stories, but also have begun to develop not only a big picture but a bridge into the Barron mythos we know from his short story collections and previous novel/novellas.  In my memory at least, back at the outset of Book One: Blood Standard, there was little to no direct sign of his strange, dark 'Outer'. It's here in spades now, although introduced and perpetuated in a way that doesn't fully immerse Coleridge in that world. Yet.

 

The Wind Began to Howl is published by Bad Hand Books and is available wherever books are sold!

 

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Playlist:

Type O Negative - Life Is Killing Me

Colter Wall - Imaginary Appalachia

Bria - Cuntry Covers Volumes 1 &2

Blut Aus Nord - What Once Was... Liber II EP

Blut Aus Nord - Disharmonium - Undreamable Abysses

Blut Aus Nord - The Endless Multitude (pre-release single)

Godflesh - Purge

Jenny Lewis and the Watson Twins - Rabbit Fur Coat

Roy Orbison - Mystery Girl

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Card:

I'm feeling a pull back to the Thoth Deck in a way I haven't in quite some time. It's good to be back; I love this deck. First one I owned and really, the only one for nearly twenty years. Missi's homemade Raven Deck and Grimm's Bound are the only other Tarot I own. There are thousands of gorgeous or intriguing decks out there, but I collect enough stuff.

Anyway:

• 7 of Swords: Futility - a conflict reaches a natural pause.

• Knight of Swords - Probably from exhaustion at fighting

• 9 of Cups - an understanding, peace or elation is achieved. 

There are a couple open loops in my life at the moment; none directly affect me, but all affect folks I'm close to. Not entirely sure what this Pull is referencing. 

I dabbled in the first act of Blood Magick I've tried in a long time last night. This was to help a friend, and I should say upfront, I use my own blood; I don't hurt other living things. I don't know that this Pull is referencing that. Full disclosure: I never 'ask the cards a question' before I draw. I just draw and read and usually, the result makes its subject known instantly. But this... I'm not sure how to read yet.

Interesting note: Blood begets blood. I had dark, bloody A.F. dreams all night. Two relatively close friends - no one I have ever mentioned in these pages - died of a knife puncture to the throat. This happened in the old practice spot my bands had in the 90s, the studio apartment above my parents' detached garage. The scenario began with one friend, and the dream jumbles events so I'm not sure if it was a suicide or somehow I was the killer. After the agonizing event of the death, we (no idea who the 'we' were, but it was definitely more than just me) placed the body in the bathtub with ice, then fretted over contacting the person's spouse. This was the worst part of the dream, because it seemed even dream me was unsure if I was responsible for the death. Then, in true dream logic, the body became that of someone else entirely.

This did nothing to abate the horror.

The dream flit in and out of several iterations of waking, so that by the time I awoke this morning, I was unsure if the chronology of torment it imposed on my psyche was from last night, or if the dream has been recurring for several nights and I just haven't remembered it until now. As of typing this, I feel relatively certain this only occurred last night. 

Disturbing, yes. However, like bad drug experiences, I dig nightmares. I'm always able to crack a piece of my consciousness off and have it observe from a third-party perspective, even while the rest of me shrieks in horror. 

 

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New Music from Blut Aus Nord!!!

 

Holy F*&k! New Blut Aus Nord and it's a doozy! Was it even a year ago that Disharmonium - Undreamable Abysses came out and blew my mind? How can every record these guys do be so unbelievably different? Listening to this, I feel like Laird Barron's Isaiah Coleridge, finding a secret and otherworldly recording while digging around online for one of his spooky AF cases. Disharmonium - Nahab drops on August 21 via Debemur Morti; you can pre-order it HERE for the EU and HERE for the US.

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Watch:

This past Sunday, with my friend Alex visiting from LaLaLand, K, he and I held a mini Friedkin Fest - we watched William Friedkin's 1977 unsung masterpiece Sorcerer and his equally fantastic and insanely transgressive 1980 giallo Cruising. 

 

I've seen this one several times in the ~ three years since I purchased Sorcerer on Blu-Ray and watched it for the first time. Every time I see this one, it gets better. Case in point - I'd had some ups and downs with the first half of the film on previous viewings, mainly because most of those viewings occurred at night. This time I sat riveted from start to finish and came away thinking the first half is, narratively speaking, as good as the second half. That was a nice feeling, both halves finally making a whole.

 

Cruising is one I just watched for the first time a few weeks ago, and from the moment that viewing ended, I've been chomping at the bit for a rewatch. The twisting and turning narrative, as unreliable as if Bret Easton Ellis penned the screenplay, just blows me away, and despite the fact that this time I took copious notes, I still don't have a solid answer as to who did what. A mystery that, after it's 'solved,' begets another, darker mystery. In other words, the best kind!

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NCBD:

Here are my picks, and I'm excited for all three of them:

Nightmare Country: Glass House has been up and down as a month-by-month reading experience, but I retain faith it will all come together as an eventual whole. 

First post-Armegeddon Game Turtles issue, a very good thing. I didn't read that event, however, from what I glimpsed in the pages of the regular series, I'm curious to see what the new landscape will be. This book often cools a bit for me, then immediately springs back to the top of my pile. We're about due for that. LOVE this cover, but it's a variant, so hopefully I'll manage to snag one.

Despite loathing last week's X-Men: First Strike or whatever the hell it was called (great cover though), my fervor for X-Men: Red, Immortal X-Men, and the monthly X-Men team book remain as high as ever. 

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Playlist:

Godflesh - Purge

Savages - Silence Yourself

Slowspin - Talisman

Deftones - Koi No Yokan

Deftones - Gore

Deftones - White Pony

The Flamingos - Playlist: Best of the Flamingos

Chamber of Screams, Clement Panchout & Mxxn - Murder House (Puppet Combo OST)

Blut Aus Nord - What Once Was

Blut Aus Nord - The Endless Multitude (pre-release single)

 

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Card:

Pulling from Aleister Crowley and Lady Freida Harris' Thoth Deck today:

• Battles over money/earthly concerns - the struggle is within

• XVII The Star - opening up to new influences/ideas/concerns

• 10 fo Cups - The emotional cup runneth over

All this is just to say, "stop spending so much damn money and start saving again!"

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X's For Eyes... And That's All

 

I have always carried a torch for a handful of songs from the Phil Collins/80s Genesis catalogue. I know, I know... I don't care. These songs are in my DNA from early life exposure. Also, weirdly enough, a lot of comic book memories are attached to some of them, this one in particular. Not necessarily specific issues, but eras.

The year Tonight, Tonight, Tonight came out - 1986 - was the year I first started reading comics on a regular basis with Larry Hama's G.I.Joe issue #49. The same year, this song appeared in a Michelob television commercial. Something about that commercial primed me to be both a Ministry fan and a Bret Easton Ellis fan, though it's difficult to explain the latter half of that statement. (Ministry's Everyday is Halloween would score a - get this - Old Style Dry commercial, just two years later. My memory so clearly stated it was a Bud Dry commercial that I would have put money on it. Also, who remembered that Old Style had a "Dry" beer? Not me, and probably not Dennis Farina, either. I mean, if he was still alive...)

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Play:

The New Puppet Combo game Stay Out of the House drops June 16th! I've already pre-ordered my copy for Switch. Why? Check out this gnarly trailer:

Oh man, I need to double-down on No One Lives Under the Lighthouse, which I played the hell out of for the first week and a half and then haven't really had time for since.             

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Read:

Blew through Laird Barron's third Isaiah Coleridge novel, Worse Angels and, exactly as instinct suggested, it went from a 4-star to a 5-star rating simply because I did not reread Black Mountain (Bk 2) first. Love this series, and it's put me in mind of tracing some of the recurring characters, so the instant I finished it, I picked up Barron's 2015 novella X's for Eyes.         

I've only read this particular Barron book once before when it first came out, and it's not a Coleridge novel, however, Tom Mandibole makes an appearance, and since he is a major force in Worse Angels, I really wanted to work backward on his character. The first memory I have of him is "More Dark," the closing story in Barron's 2013 The Beautiful Thing That Awaits Us All collection, where - in my mind at least - it's heavily implied he is a riff on author Thomas Ligotti. I read Barron's work as it's released, and in the past, I haven't kept notes, so I'm hazy on where and how often Mandibole has appeared. Hence the 'working backward.' At any rate, Mandibole shows up in the first two pages of X's For Eyes, as does Sword Industries, the Labrador family and who knows what else. So I'm in the right place until The Wind Began to Howl (Coleridge Bk 3.5) arrives.

 

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Playlist:

Lustmord - Berlin

Low - Double Negative

Ganser - Odd Talk

Les Discrets - Prédateurs

Godflesh - Post Self

Danzig - Danzig III: How the Gods Kill

Alice in Chains - Sap EP

Soundgarden - Superunknown

Huey Lewis and the News - Sports

Phil Collins/Genesis - Collins. Phil Collins. Playlist

Pastor T.L. Barrett & the Youth for Christ Choir - Like a Ship (Without a Sail)

Ministry - Moral Hygiene

Yeruselem - The Sublime

Pigface - Pigface Live 2019 vinyl

            

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Card:

Heading to Chicago today, so here's a card from Missi's Raven Deck to see me on my way and plot the course of the trip:

Things change; long-standing certainties switch polarity. Life is change, so embrace change. Kill. Your. Darlings.

 

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New Queens of the Stone Age - Carnavoyeur

 

More new music from next month's new Queens of the Stone Age record, Times New Roman, available for pre-order HERE.

My friend Josh alerted me to this one, and I have to say, his "I hear Bowie" observation is spot-on. Not necessarily in how the song sounds (although there's that), but more in the type of experimentation the band's doing. Really cool stuff.

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NCBD:

Nothing in my pull this week, however, issue #3 of Pat O'Malley's Popscars drops, and I'll definitely be picking that up and adding the book to my Pull.

Now published by Sumerian Comics - formerly Behemoth Comics, the fine folks who published Andy Leavy and Hugo Araujo's Osaka Mime, not to mention the Turbo Kid and Spare Parts tie-in books. I met Pat back in 2022 at The Comic Bug when he was in signing issues 1 and 2 of Popscars, then completely independently published. I bought those issues, LOVED them and was supposed to have him on A Most Horrible Library, but then, well, I don't think we've done an episode since. He reached out recently and I need to get back to him and extend an invite to come on my functioning show, The Horror Vision, so he can talk about the book.

Here's the solicitation description:

"Popscars is a gritty Hollywood revenge story about a vigilante badass in a pink ski mask and the famous Hollywood movie producer she is out to kill, who also happens to be her estranged father. In Hollywood revenge is best served in front of an audience. As our pink ski masked killer pushes her way through a Hollywood crowd, prepared to take her shot at her movie producer father, she's quickly swept into a brand new revenge plot orchestrated by her own unsuspecting target."

 

I love the imagery in the book, and the seedy nature of, well, all of it. An exploitation book about exploitation flicks is, by its very nature, a fantastic story.

 

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Read:

I surprised myself by putting off my re-read of Stephen Graham Jones's My Heart is a Chainsaw after I noticed that my copy of Laird Barron's The Wind Began to Howl is due to land any day, and that technically, this book is labeled as "Isaiah Coleridge Novel #3.5." 

Interesting... and also probably a shorter read than clocking through Chainsaw and its follow-up, Don't Fear the Reaper, both of which I'm dying to read. But I've also been chomping at the bit for more Coleridge, and more Laird Barron in general, so I started re-reading Isaiah #3, 2020's Worse Angels.

I've read Coleridge books 1 and 2 twice each, or actually three times on book one, Blood Standard, but Worse Angels just the once, so this is a welcome return to a book that kinda blew me away (like they all do). Also, I'm eager to read it without reading book 2 Black Mountain, in close proximity. I love the entire series, however, Black Mountain was just something else, and because of this, I feel like it warped my only experience with Angels so far. Not this time...

 

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Playlist:

QOTSA - Era Vulgaris

High On Fire - Snakes for the Divine

Decima Victima - Los Que Faltan

The Mysterines - Begin Again (single)

Killing Joke - Fire Dances

Tangerine Dream - Sorceror OST

            

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Card:

Had an inkling to pick the Raven Tarot Deck back up and pull a single card. Here we go:

Temperance, or "Art" in Crowley and Harris's Thoth deck. Another small goad to get my ass back in gear, as my lethargy has crept through the weekend and into the middle of the damn week now. We've had a steady stream of vendors out to the house for various reasons over the last few days, and that continues today. Also, I am once again completely enraptured by Laird Barron's Worse Angels. That said, I need to develop a curriculum. One thing I was pretty taken by in Ivy Tholen's Tastes Like Candy - I mean, besides the awesome Slasher story - was main character Violet's practice routine with her violin. It reminded me of the benefit of commitment to the craft. I've been wanting to work up a schedule that includes not only writing - and of course reading has to be in there - but also guitar, as I've felt a pull back to that after nearly a decade ignoring what used to be my muse. 

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The Wind Began to Howl

A lot of new music coming up lately, although some of it is only new to me. Case in point: that recent viewing of Guy Ritchie's RocknRolla was my first since the advent of Shazam (or since I started using it, anyway), and it was through that film I found the 22-20s, whose entire 2004 self-titled record rules. This is currently my favorite track on the album.

 

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Watch:

Yellowjackets returns in March!

On March 24 - my birthday, no less! To say K and I are excited would be an understatement of extreme measure.

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Read:

I try to severely limit my exposure to social media these days, so I'm late to the game but nonetheless overjoyed to see that Author Laird Barron is home from the hospital and in recovery AND the pre-order is up for the fourth book in his Isaiah Coleridge series. 

Wow, what a cover, eh? This is exciting because, with The Wind Began To Howl releasing from Bad Hand Books in late Spring, I have plenty of time to slot in re-reads of the previous three entries in the series. These are PURE PLEASURE for me, and every time a new entry comes up for pre-order, I go back and re-read the previous ones. 

Pre-order your copy from Bad Hand Books HERE. Also, if you do it within the first 30 days since the announcement (which I believe was last week), ALL proceeds go directly to the author, who is recovering at home from his recent health scare (Laird is tweeting about it on his account), and thus, still racking up medical expenses.

Pre-ordering the new Laird Barron reminded me I still had not ordered my signed copy of Stephen Graham Jones' sequel to 2021's My Heart is a Chainsaw from Boulder Books. 

Don't Fear the Reaper dropped a few weeks ago, the second in a planned trilogy; I can't wait to read this one. Chainsaw rocked my world and I'm looking forward to re-reading that as well.

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Playlist:

22-20s - Eponymous

Clouds Taste Satanic - Tales of Demonic Possession

Fvnerals - Let the Earth be Silent

Karl Casey - XX EP

White Hex - Gold Nights

Myrkur - Folkesange

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

It will require a lot of Will to successfully complete a current project. 

The Doom That's Coming to Gotham...

 

I stumbled across this pre-release track from the new Industrial band Insolent yesterday while writing, and really dug it. The album is titled Drain - which I love - and comes out February 24th via Sentient Ruin. You can pre-order on Insolent's Bandcamp HERE.

 

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Support:

I've been talking about this on recent episodes of The Horror Vision, but Author Laird Barron is in the midst of some pretty serious health problems at the moment. Being a professional writer - and a great one at that - it should come as no surprise to anyone that the man does not have health insurance. Thanks to John Langan (author of The Fisherman) and Mike Davis (from the Lovecraft Ezine Podcast), a GoFundMe went up for Laird. Here's the information; kick in if you can:

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NCBD:

Here are my picks for this week's NCBD:

Dark Web still? Okay, let's hope this is better than issue #17. I feel like, if this had wrapped up faster, I wouldn't be losing interest.

The mini-series end! Creepshow has been an uneven ride, but overall I dug it. Will I return if it does? Not sure...

I hadn't even heard about this one until last week. With the success of last year's The Last Ronin - success the book 100% deserves - this was inevitable. I'm totally down with going back into this world and seeing how we got to where that story took place.

It's always a good Wednesday when there's a new issue of Saga waiting for me.

I've been kind of excited for this one. Full disclosure: The 'twist' at the end of Immortal X-Men #10 seems like too big a swing that is just going to bring this whole carefully balanced house of cards down around Gillen's ears, but I hope not. 

The end to a fantastic mini-series that, I thought, harkened back to the way Chris Claremont did X-book miniseries back in the day. 

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Watch:

It's been quite a few years since I last read Mike Mignola's The Doom That Came To Gotham mini-series.  A prestige-format, 3-issue mashup of H.P. Lovecraft's The Doom That Came To Sarnath and Mignola's Gotham By Gaslight timeline (I think), I loved this series when it first came out back in 2000-2001. 

Now, it appears there will be an animated adaptation:

I've seen a few of the other Batman animated adaptations. Well, I've seen The Dark Knight Returns and didn't necessarily love it. But I think I'll definitely give this one a chance whenever it hits HOBO MAX. 

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Playlist:

Calderum - Mystical Fortress of Iberian Lands

Off! - Free LSD

Bonny Doon - Longwave

Cocteau Twins - Heaven Or Las Vegas

Cocteau Twins - Garlands

Realize - Machine Violence 

Emma Ruth Rundle & Thou - May Our Chambers Be Full

Ghost Bath - Moonlover

Insolent - Inner Tomb (pre-release single)

Godflesh - Post Self

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Man, that emotional breakthrough is really insistent, isn't it? What aren't I doing? Or is is something I am doing that shouldn't be? Looking at Old Scratch and then Justic, I find myself wondering if I'm mistakenly waiting for something I am not due to receive? 

The Empty Spoils of Power

 

This one's been in my head since I broke out Ice-T's sophomore record Power a few days ago. Interesting how something that, technologically speaking, sounds so archaic, could be so catchy. Is there hope for those old-school 80s sounds yet? You know, the ones that came preloaded on consumer-grade Casio keyboards by the time we hit the mid-90s? The Night Court bass, Pan Pipes and the like? Maybe. I believe that's what a contingent of artists that hovered around the moniker Hypnogogic Pop attempted in the 00s, but in many cases, that attempt failed. IMO. Hearing this track now though, perhaps the time is ripe for someone new to come along and reclaim some of these weird 80s textures.

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Watch:

Having read the two comic series as they came out, the first in 2014, the second a year or two ago, I enjoyed Cullen Bunn's The Empty Man, so when I saw there was a movie, I became both excited and hesitant. Then I saw Lustmord did the OST, and I knew I had to watch it.

I dug this one. The ending fell a bit flat for me, but overall, Director David Prior really conveys a heavy sense of forbidding that was a blast to experience. There's a great sense of dread - made palpable at times by Lustmord's brand of creepy cosmic textures. The funny thing is, in watching this, I don't believe it felt so much like an adaptation of the material from the comic, as much as it did the comic if it had been a novel by Laird Barron. 

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Playlist:

 

Christopher Young and Lustmord - The Empty Man

High On Fire - Blessed Black Wings

John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST

ILSA - Preyer

Roy Ayers - Ubiquity

 

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Card:

 I'll be paying special attention to Big Ideas today. 

Isolation: Day 74 New Jaye Jayle!

From the forthcoming new album Prisyn, out August 7th on Sargent House. This is exciting, as I didn't discover Jaye Jaye until early last year, so this will be the first record released I can experience anticipation for.

Pre-order it HERE.

**

Two weeks ago, my cohost on The Horror Vision and Drinking with Comics, Chris Saunders turned me on to The Magnus Archives Podcast.

Told from the perspective of the newly appointed Archivist for an organization known as The Maguns Archives, essentially an archive for people to log any experiences with potentially supernatural or paranormal phenomena. The idea is, after the person records their experience, the organization then sets out to either prove or disprove the event. The main strength here lies in creator/narrator Jonathan Sims' writing and voice performance. Also, the fifth and final season began at the beginning of April, so if you're like me and you're just discovering this, we won't have to wait between seasons, which, while I think would be a cool experience, is nice to know I'm jumping onto something tangibly finite. Below is the first episode, which I place here as something of a taste:




The Magnus Archives is distributed through the Rusty Quill Podcast Network, and is available on all current podcast platforms, as well as on the website and youtube.

Also, Sims' debut novel Thirteen Storeys is being released this August via UK publisher Gollancz. No pre-order is up yet, but you can read a bit about it HERE.

**

Excited beyond words to have Laird Barron's newest novel Worse Angels arriving this week. I've been waiting for this one alllll year, since the author began talking about it on Twitter shortly after last year's Black Mountain. Worse Angels is the third entry into Barron's Isaiah Coleridge series, and while these have been more straight-ahead, pulp-bred Crime/Noir novels, each book has become increasingly more in-line with Barron's other, "Weird Fiction" work. Worse Angels, sounds as though it moves further into this territory, with a 'stalled super collider' at the heart of a murder mystery.

While I'm waiting for Worse Angels to arrive, I've finished Clive Barker's Damnation Game and moved onto a re-read of the first volume of his Books Of Blood.

This is another I read back in high school, early 90s. Unlike Damnation Game, I remember most of these stories extremely vividly, and am very much enjoying retracing their steps.

**

Playlist:

Revocation - Teratogenesis
Mastodon - Crack the Skye
Ghost - Meliora
Drab Majesty - Careless
Deftones - Gore
Melvins - Houdini
Prince - Sign O' The Times
Pixies - Surfer Rosa
Perturbator - Dangerous Days
Bella Morte - Where Shadows Lie
The Darts - I Like You But Not Like That
Lustmord - Hobart
Various - A Girl Walks Home Alone At Night OST

**

Linear thinking and discipline have, indeed, taken up a fairly large portion of my brain of late, and likely will continue to do so.

2019: August 25th New Chromatics Video

This new Chromatics video popped in my youtube feed yesterday. Directed by Johnny Jewel, this is a really cool piece that expertly masks what I have to assume is a low production budget. As with his music, Jewel knows his style and tone and has become at creating and adhering to it on the cheap. NOT a criticism.

**

Friday night I saw Ready or Not. FANTASTIC! Go see this one - Dark, fun, and gory in all the right places. More of my thoughts - as well as the thoughts of two of my Horror Vision co-hosts - will go up later today in our new episode. I will post a link on tomorrow's page, but in the interim, here's the trailer again. So good.




**

Today is day three of my Dead Milkmen Appreciation Week. This time, I'm shooting for what is most likely an obvious favorite of all Milkmen fans, Stuart, from 1988's Beelzebubba. This track basically constitutes the sonic equivalent of comfort food for me.



**

Back on Laird Barron's Black Mountain, 50+ pages in, The Croatoan is a fascinating boogey man.

Being that both Isaiah Coleridge novels were released a year apart starting in 2018, I'm really hoping Mr. Barron is going for a hat trick and that a third hits next year. Coleridge is a fantastic character in both definition and execution, and his supporting cast is no less endearing, so it's only a matter of time until someone scoops this up for a series.


Playlist from 8/24:

The Dead Milkmen - The King in Yellow
Perturbator - Dangerous Days
Perturbator - B-Sides and Remixes
Windhand - Grief's Infernal Flower
Nabihah Iqbal - Weighing of the Heart

Card of the day:

Because my world currently revolves around my Art, and the alchemical act of balancing it with my regular life (two faces).

2019: August 8th - New Jaye Jayle Track!

I've kind of come to think of this band as the American version of Nick Cave and the Bad Seeds. In a very short period of time, Jaye Jayle have endeared themselves to me in a way few bands do. It's the 'Storyteller' aspect.

**

Unbelievably, after only three chapters I put Laird Barron's Black Mountain to the side. Nothing against the book, but I paused to reconsider re-reading last year's Blood Standard, the first Isaiah Coleridge novel. I tend to forget things - character's names and whatnot, and in the case of books like these, they're so f'ing pleasurable to read, why not? Anyway, while I paused to consider this maneuver, I picked up Damien Echols' High Magick, and it dovetails so perfectly with my recent rekindling of Magick Practice, that I'm going to knock it out before going back to the Barron books.

A fantastic book on Magick; probably the most approachable example I've seen since Phil Hine or Grant Morrison's old Pop Magick essay on his website, except Echols' book is even more approachable, without ever giving an impression other than he knows exactly what he's talking about. And this is great for me at the moment; there's such a sense of pragmatism, unlike any other author I've read on the subject of Magick.

**

Playlist from 8/07:

Shrinebuilder - Eponymous
Anthrax - Stomp 442
Algiers - The Underside of Power
The Flaming Lips - Hit to Death in the Future Head
Windhand - Grief's Infernal Flower
Waxwork Records - House of Waxwork Issue #1
Jaye Jayle - Soline (Single)

**

Today's spread:

Queen of Swords AGAIN! Couple this with Princess of Wands and we're looking at the Earthy Aspect of Fire - the Practical honing of Intellect - and the Watery Aspect of Fire - the Emotional temperance of that same Intellect. I'm trying to put together where my Intellect - some flexing of sharpened awareness or acumen - may have been exerted of late. Princess of Wands is a volatile card; I'm tempted to read this as a warning, that the path to those ten cups - an achievement in Earthly matters - will be rocky, but ultimately bested if I remain sharp like the Queen of Swords, who I believe I am going to take on as something of a Deity.

2019: August 3rd - Satanic Panic Trailer!

I've been waiting this one for what feels like an eternity! Written by Grady "My Best Friend's Exorcism" Hendrix and directed by Chelsea Stardust, Satanic Panic is possibly my most eagerly anticipated film of the year. And now we finally have a trailer! This, along with Joe Begos' Bliss and a host of other films I can't quite bring to mind at the moment are all looking likely to play at Beyondfest this year, and I can't wait!

**

Recently, I wrapped up Robert S. Wilson's Ashes and Entropy Anthology from Nightscape Press. The final story, I Can Give You Life, by Paul Michael Anderson finished the book perfectly, and - I think - ended up my favorite story in a book filled with stories that rabidly competed for that title. Either way, buy it HERE and read your goddamn hearts out; Anthologies do not get any better than this.

And now, of course, I need a new book to read. Luckily, I have one I've been chompin' at the bit to get to for months. Black Mountain, Laird Barron's second installment in the Isaiah Coleridge novels, and three chapters in I can't put this one down.

**

Playlist from the last few days:

Ted Leo and the Pharmacists - Shake the Sheets

Motörhead - 1916

Aerosmith - Pump

Anthrax - Sound of White Noise

Uncle Acid and the Deadbeats - The Night Creeper

U2 - War

Tool - Undertow

Black Sabbath - Master of Reality

Opeth - Blackwater Park

Uncle Acid and the Deadbeats - Pusher Man (Single)

Uncle Acid and the Deadbeats - Mind Control

Frank Sinatra - Moonlight Serenade

**

Card of the day:

Okay, this one is definitely trying to tell me something, and I've been pretty lax on listening. A promotion at work and the first draft of Ciazarn has consumed most of my time. Today we're heading to Midsummer Scream, but I'm putting Crowley's Book of Thoth in my backpack so I can start digging into this one a little more earnestly. 

2019: May 9th - HBO's Watchmen Gets a Trailer!

Not what I expected. Very interested in this.

I totally missed that Laird Barron's new novel, Black Mountain, came out this past Tuesday. I cannot wait to read this. As the second in his new, hopefully ongoing, Isaiah Colerige series, this promises to be another fantastic read, just like last year's Blood Standard.

Mr. Barron's website is HERE, and you can buy the book from a local brick-n-mortar bookstore if you're lucky enough to still have one, or order it HERE.


**

Playlist from 5/08:

Various Artists - Singles OST
Angelo Badalamenti & David Lynch - Twin Peaks: FWWM OST
Bad Luck - Four
Atrium Carceri  - Cellblock
Ghost - Prequelle
Ghost - Infestissumam
Mastodon - Emperor of Sand
Opeth - Blackwater Park

**

No card today.

2019: January 1st

I've been hitting the Calexico pretty hard since Mr. Brown gifted me that Twentieth Anniversary vinyl edition of The Black Light. Their 2001 album Even Sure Things Fall Through still holds its place as my favorite record by the band, opening its sonic maw and swallowing me multiple times yesterday morning, a nice ending to 2018 that should help me segue into a peaceful and creative 2019.

2019, eh? Insert trite colloquialism about how fast the hands of the clock move here.

I finished 2018 reading the eldritch horrors of August Derleth, only to began 2019 reading about the real-life horrors of hatred in Christian Picciolini's autobiography White American Youth, a memoir of a youth spent organizing racial hatred in America and how the author escaped before it was too late.

I can't put this book down. Picciolini's  raw, unpleasant accounts are sociologically fascinating, but also enlightening in a true WTF way, as his accounts of places I know in the city I grew up in pave the way for my own personal realization to the dark underbelly of a burgeoning national hate movement in 90s Southside Chicago. A movement that was happening parallel to my own group of friends and our interest in Chicago punk rock. I didn't know Picciolini, but he was something of a boogey man in my youth. The skinhead thug brother-in-law of a high school friend whose house we partied at pretty much 24/7 Junior year, there was always frightened whisperings that while we filled my friend's two-level home with bong smoke, Picciolini might show up at any moment with a Buick of skinheads bent on kicking our scrawny asses for 'polluting our precious white bodies with drugs from the inner city.' The book and Picciolini's evolution out of the skinhead movement, his formation of the non-profit organization Life After Hate and its dedication to fighting racism, were a total surprise to me; Mr. Brown sent me a copy of the book last March, the first I'd heard Christian's name in twenty-five years.

I've begun and discarded several television shows recently; FX's Legion came highly recommended, but after four over-wrought episodes, ultimately just annoyed me. And the SyFy adaptation of Grant Morrison and Darick Robertson's Happy proved to be the funniest thing I've seen in yeaaaars for two episodes and then just kind of left me uninterested (I may go back to it; it's that funny). Finally K and I went back to Channel Zero: Candle Cove. We started this one before we left for Chicago and then kind of forgot about it. While there's some rough edges to the overall presentation, conceptually Candle Cove is right up my alley, and I'm eager to wrap up this first season and see how good the Anthology series becomes as popularity increases and, reciprocally, so does the show's budget.

Here's a clip of the titular phantom kid's show that runs through the first season storyline of Channel Zero; something about the close-up superimpositions of the character's faces freaks me right the fuck out:



Oh wow, and I almost forgot. Last night I realized for the first time that May 2019 brings another Laird Barron Isaiah Coleridge novel! The new literally made my New Year's Eve! You can pre-order Black Mountain here.

Playlist from 12/31:

Calexico - Even Sure Things Fall Through
Mark Ronson - Version
Perturbator - The Uncanny Valley
Graham Reznick - Robophasia
Iggy Pop - The Idiot
Alice in Chains - Rainier Fog
Anthrax - Persistence of Time
Bohren & Der Club of Gore - Sunset Mission

Card of the year:

Interestingly enough, both K and I received the same card. Spiritually aligned. The big idea here is the saving of money (both pulls of XVII were preceded by Princess of Swords, as if to help direct the reading). To quote from a source, "Make your plans for the future and risk a new beginning in which you set long-term goals."

2018: September 7th

A collaboration between Alain Johannes Trio and Mike Patton? Nice. Happy weekend peoples! My good friend John is in town and we are going to have some fun! First up - Night of the Creeps on the big screen in my friend Ray's front yard tonight. No, you didn't read that wrong. Ray has a very large inflatable screen and a killer sound system and he puts them up in his front lawn and plays movies until like 4AM. It's amazing. And it's ending soon, because Ray and his family rent and the landlord wants the place back, after like 15 years. These are the harsh truths of the modern world. They have a Go Fund Me and I wanted to post something about it (I just found out about it - I think they got talked into doing it but have trouble asking for help. Just like I would). Link to it HERE.

I watched a flick on Shudder last night called Observance. Very good. Totally a Weird Fiction novella done as a film; I could see the Laird Barron influence in it, which is definitely a good thing. Highly recommended.



Playlist from 9/06:

David Bowie - Reality
White Lung - Eponymous
Minsk -
Windhand -
Secret Chiefs 3 Traditionalists - Le Mani Destre Recise degli ultimi Uomini
Ennio Morricone - Black Belly of the Tarantula OST

No card today.

2018: June 13th - More New Deafheaven

After having our new bed delivered and waiting all night to sleep on something my feet don't hang off the end of, I knocked out for a paltry 3 hours and 57 minutes, only to lay awake until finally calling a fail and getting up for the day at just before 2:00 AM.

Sucks, right?

Well, I've been rewarded by a nice morning writing, some strong coffee (much more of that to come today) and... new Deafheaven!



I haven't listened to this one yet - the album is out in just 1 month on Anti- so I'm debating on whether or not to save Canary Yellow for within the context of the entirety of the new album, Ordinary Corrupt Human Love. Gonna be really hard to wait, though...

New issue of Garth Ennis and Goran Sudzuka's A Walk Through Hell today:

Finally finished Ash Vs. Evil Dead season 2 yesterday (I know, I know. What took me so long? I bought the fucker on Blu Ray the day it came out last year, watched a few episodes and then I don't know what happened. Anyway, started a rewatch last week, loved every second of it).

I'm plowing through Laird Barron's first Crime Novel, Blood Standard. I love all of this man's work - he's become my favorite working author. And Blood Standard is no exception - it is a fantastic romp through the fringes of the detective genre. Mr. Barron has all the nuts and bolts of what's expected down, so it's not that he's reinventing the wheel. But he maneuvers the tropes in a way that lays a solid claim to them. I'm not the most versed in the genre - my friend Joe knows a hell of a lot more than I do, but in our conversations, and in being a fairly wide-read person in other regards, I know the Ps and Qs of the detective story. Mr. Barron gobbles them up and spits them back out in such a surefire, staccato fashion that the book is an absolute joy to read, especially with such an interesting setting (Upstate NY by-way-of Alaska) and such a joyously violent protagonist (Isaiah Coleridge), who while a man well-versed in destructive forces, generally avoids them by being an unbelievably well-rounded and, thus real character. When Isaiah does snap though, wow.

Playlist from 6/12/18:

Sys Exe - Downride
Lebanon Hanover - Let Them Be Alien
Chris Connelly - The Tide Stripped Bare
Junior Jr. - Obligatory Demo
Rammstein - Herzeleid
Besnard Lakes - The Besnard Lakes are the Roaring Night
Deftones - Koi No Yokan
Zombi - Shape Shift

Card for the day:

The completion of potential. The last card in the deck, so to speak, so a form of completion. Also, it'd be nice if the same literal interpretation that happened with Luxury yesterday happened with this one today.

They Remain Trailer

Based on the fantastic short story by Laird Barron, published in Occultation, my favorite of his anthologies.

February 13th, 9:15 AM

New obsession:



Lantlos reminds me a lot of Fen, and just to strengthen that comparison, the Universe saw fit to provide rain tonight in Southern California, just like the first night I heard Fen in 2011.

Playlist yesterday:

Killing Joke - Eponymous
Lantlos - Neon
Opeth - Blackwater Park
Slint - Spiderland
DyE - Fantasy
Deftones - Koi No Yokan
Lantlos again.

Reading wise I did manage to dig back into the Ligotti and actually jumped ahead, read and really enjoyed The Last Feast of the Harlequin. Since then I shifted back to Grady Hendrix's Paperbacks from Hell and dug out Laird Barron's 2014 anthology, The Beautiful Thing That Awaits Us All, just to re-read More Dark for a comically accompany "Tom L."

Love this story.

Card of the day:

2 Cards jumped out of the deck again today:

Whispers From The Abyss Volume #2

I've really only just begun reading the first volume of Whispers From the Abyss from 01 Publishing but I'll stay straight off it's fantastic. Two of the stories in it - Nation of Disease: The Rise and Fall of a Canadian Legend by Jonathan Sharp and Death Wore Greasepaint by Josh Finney are probably among my top five Lovecraft-inspired stories ever. And now 01 has the second volume out digitally and are kickstarting the print edition. If you're a Lovecraft fan, a fan of dark or Weird fiction, or just a fan of great writing this is a well-worthy cause. AND might I add that 01 has procured none other than Laird Barron for an entry into this second volume.