Showing posts with label Kristen Renee Gorlitz. Show all posts
Showing posts with label Kristen Renee Gorlitz. Show all posts

Wednesday, February 19, 2020

Adriano Celentano - Prisencolinensinainciusol



A couple of night ago in the Southwest Suburbs of Chicago, some dear friends hosted a party in mine and K's honor. During this event, I saw a youtube clip that, well, dropped my jaw.

The context, besides liquor, was that Mr. Celentano is quite an interesting fellow when you read about him; he is credited as having introduced Rock n Roll to Italy. All my friend Amy told me as this song began was, to quote Celentano's wikipedia page, "...was written to mimic the way English sounds to non-English speakers despite being almost entirely nonsense."

Sold.

I love everything about this, especially the colors and, um, the fit of Celentano's pants. From someone who was born over half a decade after the 60s ended, this is as much my broad stroke impression of that era as "Prisencolinensinainciusol" is a broad stroke of English. Reminds me a bit of an Italian, "The Revolution Will Not Be Televised," although I can't quite put my finger on why that is.

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If you've followed these pages for the last few years, you know I'm a fan of Kristen Gorlitz's Relationship/Horror comic The Empties. The new Kickstarter just went up a few days ago for the final, collected volume of the book. Support it if you can - this is a fantastic indie comic, and something I think will eventually make a killer movie.



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NCBD:

A typically light week, although I find myself in the mood to read some comics. I may pick something up on Kindle, depending what's on sale:




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Playlist:

Black Sabbath - Children of the Grave (Cassette)
Black Sabbath - Sabotage
Boards of Canada - In A Beautiful Place Out In The Country EP
Bohren and Der Club of Gore - Patchouli Blue
Metatron Omega - Evangelikon
Boards of Canada - Tomorrow's Harvest
Blut Aus Nord - 777 Cosmosophy
Edu Comelles and Rafa Ramos Sania - Botanica De Balcon
Jefre Cantu-Ledesma - In Summer EP
Stevie Wonder - Greatest Hits
Slayer - Live Undead
Testament - The Gathering
The Great Old Ones - Cosmicism

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Card of the day:


You spend a couple of days off laying out a perfectly functioning brain and emotional state, then you return to work and someone puts two blades straight through everything you worked so hard to shore up.

Saturday, June 8, 2019

2019: June 8th Spotlights - Mountains Are Forever



Well, thanks to Mr. Brown, I found my album of the year. It's early, so this could conceivably change, but I pretty much always know my album of the year the moment I first hear it, and brothers and sisters - this is it! And to think, I'd never even heard of Spotlights before, a husband/wife duo whose new album Love & Decay is out now on Ipecac Records and can be streamed or purchased HERE.

Love & Decay feels a lot like the MBV album I wanted to hear when I ordered their loooong-awaited follow-up to Loveless back in 2013, the self-titled and unfortunately underwhelming eponymous record. I also hear Soundgarden, Deftones, and a lot of other bands I like in the sound of Spotlights, but never in a way that feels trite or repetitive. This leads me to declare for myself and like-minded music lovers a new classic and a band to follow and be excited for from here out! Always a great day when I can say that!

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I've talked about Kristen Gorlitz's awesome horror comic The Empties in these pages before, and it's time to talk about it again because Kristen just launched the Kickstarter for issue #3! You can go to the Kickstarter page HERE to read more about it and support it; if you've read the first two issues of The Empties, you'll most likely be like me and not need any more convincing. So good!



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I finally had the chance to watch the new Criterion Edition of David Lynch's Blue Velvet last night. Wow. Gorgeous transfer. This film never gets old for me; I enjoyed this viewing as much as or more than the countless others I've had since discovering this film back in the mid-90s. What I didn't expect  last night was my reaction to the 53 minutes of deleted scenes included as extras on the disc. I watched a few and really had a sense of inspiration in editing. I mean, you look at all the extra stuff Lynch filmed and you can practically see how making Blue Velvet helped him grow as a filmmaker over the course of its creation; all the Jeffery-at-college and Jeffrey-comes-home stuff that got cut would have, if included, very much weakened the film. The elegance to the progression of events in the version that Lynch released and we all love is so much more apparent and enjoyable after seeing the scenes he cut. And after waiting 20+ years to see this stuff - scenes we never thought we'd see back in the Wrapped in Plastic days - I found I could only watch about twenty minutes of them before I grew exhausted and decided to save the rest for a later date.



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Playlist from 6/06:

Man or Astro-Man - Intravenous Television Continuum
Spotlights - Love & Decay

Playlist from 6/07:

Man or Astro-Man - Intravenous Television Continuum
Spotlights - Love & Decay
Los Amigos Invisibles - The New Sound of the Venezuelan Gozadera
Pelican - Nighttime Stoties
Bloody Hammers - Under Satan's Sun
Primus - Antipop

Card of the day:


Paradigm shift! Just in time for the next project.

Tuesday, October 23, 2018

2018: October 23rd



From the B-Sides and Rarities Box set released back in the early 00s. Such a strange track; Cave definitely has a sense of humor - anyone that doesn't agree needs to absorb the entire And No More Shall We Part record - but rarely does it come off like this... not even sure how to describe it, other than it's awesome!

My friend Kristen Renee Gorlitz is the upcoming Drinking w/ Comics guest on Friday, November 9th at 9:00 PM. She also just launched a Kickstarter for the continuation of her comic The Empties. Best freakin' tagline EVER, "There are many ways to ruin a relationship. Turning into a zombie is one of them..."

Brilliant! Check out the trailer below and support her Kickstarter HERE



31 Days of Horror is quickly coming to the final stretch and I still have a handful of 'must-watch' movies left. Last night crossed off a big one. Regardless of a setting that, while being visually stunning, feels more ridiculous every time I watch it, Flatliners will always be one of my favorite movies, especially around this time of year. I love EVERYTHING about this one. And watching this last night means we have to watch Jacob's Ladder tonight, which although not standard Halloween fare, compliments Flatliners as part of a late 80s/early 90s sub genre that really only exists in my mind. Angel Heart and Serpent and the Rainbow would also fall into this same category.



31 Days of Horror

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween
10/19) Halloween
10/20) Mandy
10/21) Satan's Playground
10/22) Flatliners

Playlist from 10/22:

Nick Cave and the Bad Seeds - Rarities and B-Sides Vol. 1
Nick Cave and the Bad Seeds - The Good Son
Nick Cave and the Bad Seeds - Let Love In
New Order - Power, Corruption, and Lies
Uncle Acid & The Deadbeats - Wasteland
The Jesus and Mary Chain - Automatic
Alice in Chains - Rainier Fog
Killing Joke - Nighttime

Card of the day:


Emotion honed by intellect. This perfectly describes last night. Perfectly! For today, I'm looking at applying that same intellect to the emotional deluge I've felt of late in editing the first two parts of the novel for continuity, which is really difficult at the moment.