Budos Band live on KEXP - talk about a great way to kick off the weekend!!!
Watch:
Last night, I headed out to my local Regal to see the new film by Freaky writer Michael Kennedy. Directed by Tyler MacIntrye, It's A Wonderful Knife had been on my radar since I made a last minute decision to miss it at this year's Beyondfest. Here's a trailer:
I LOVED this movie! Ostensibly this one is an intentional hybrid of the Hallmark Holiday movie formula and the Slasher formula, and if that doesn't sound like it would work, it most certainly does! This one gave me all the feels, and looks like it opens wide for the rest of the week (until next Thursday by us), so if you're in the mood for a, uh, feel-good holiday slasher, this is it!
I recently resubscribed to Netflix so I could watch The Fall of the Hosue of Usher. As luck would have it, the timing is advantageous for several reasons, one of the biggest of which is the release of David Fincher's newest film, The Killer today! Here's the trailer (which I won't be watching; I know NOTHING about this film):
I've only been remotely aware of this one in the run-up to its release, and I relish the chance to go in 100% blind on such a big Director.
Playlist:
Ghost - Impera
Crystal Castles - II
Rina Mushonga - In A Galaxy
Nabihah Iqbal - Dreamer
Screaming Females - Desire Pathway
Fvnerals - Let the Earth Be Silent
Faetooth - Remnants of the Vessel
David Bowie - Outside
Drug Church - Hygiene
Deftones - Gore
Oranssi Pazuzu - Live at Roadburn 2017
Gazelle Twin - The Entire City
Card:
Just one quick pre-travel card from my portable Thoth deck:
KEXP dropped a live session with British Sludge Punks Pigs Pigs Pigs Pigs Pigs Pigs Pigs a few days ago, and I'm here to tell you it kicks some serious arse! Check it out and if you dig, head on over to their Bandcamp HERE and grab the new record Land of Sleeper!
Mr. Brown was the one who turned me onto these lads when the album dropped, and I've been spinning both the new one and 2020's Viscerals - both fantastic albums of grimy, heavy slabs of Slunk (see what I did there?)
I hear so many different influences in these guys: The Wipers, Sabbath, Melvins, and Idles all spring immediately to mind. That said, this is a 100% original sound, which is difficult to do in the sludge world.
NCBD:
Once again, here are my picks for #NCBD!
As of issue 13 I realized that my theory that Danny Ketch was now a product of the Weapon Plus Program was off; instead we have some weird corporation developing weapons with aspects of Hell in their DNA? Super weird, and I'm curious to see where this goes.
I confess - I was not blown away by Nightmare Country's return last month with Glass House #1. Also, so the full title now is TheSandman Universe: Nightmare Country: The Glass House? That's a lot of sub-titles. Regardless of naming aesthetics, James Tynion IV has my complete trust. Also, what a cover!!!
I love the simplicity of this story so far. I also love the mechanics of the two worlds in juxtaposition to one another.
Saga!
First X-Men: Red since coming back from Sins of Sinister, and we're looking at a cover of Storm amidst a pile of dead Xaviers. The mind reels at what insane cosmic blasphemies Al Ewing and Jacopo Camagni have in store for us now that Arakko is back
Watch:
A new trailer for Christopher Nolan's Oppenheimer dropped earlier in the week.
At some point, despite loving every one of Nolan's films up to and including (especially!) The Dark Knight Rises. For my money, Nolan's Batman is the only cinematic Batman. That said, I always loved his non-IP films better, with The Prestige ranking as one of my favorites of that decade. Yet, I missed Interstellar in the theatres then sat on my hands when it lived on Prime for the better part of 2016, skipped Dunkirk entirely, and even mismanaged my fervor for Tenant due to not being able to see it in a theatre during its COVID-era release. After seeing this trailer for Oppenheimer, I'm not letting this one get away.
Playlist:
Chamber of Screams, Clement Panchout & Mxxn - Murder House Original Puppet Combo Soundtrack
Perturbator - Dangerous Days
Soundgarden - Super Unknown
Tamaryn - The Waves
DIR EN GREY - The Marrow of a Bone
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
Doubling up on Swords suggestions Conflict, however, cut with the Page (Princess in Thoth) of Cups, I'd say this refers to news of the quiet dissolution of multiple social and business problems this morning.
Mr. Brown sent me this link a few days ago, but I've only just got around to watching it. This went up six years ago, which is probably around the last time I saw Astroman live, at the Echo in LaLaLand. It'd been years before that since I'd seen them play live. Astroman was one of the staples of artists I saw on what feels like a regular basis in the late 90s, thanks to Mr. Brown's excellent taste in curating live shows. I guess that era has been on my mind, because two nights ago I broke out some Reverend Horton Heat - who I don't listen to nearly enough these days, and who was also a staple live show back when we'd frequent Chicago's Double Door, Empty Bottle, Lounge Axe, Metro, etc. Anyway, great set from a great band. KEXP: You fight the greatest fight! Thank you for all these wonderful live sessions; you are the John Peel of the PACNW.
**
Reading:
I blew through Charles Stross' Atrocity Archives in a matter of days. Now I'm tucked into Juan F. Thompson's memoir Stories I Tell Myself, about growing up with Hunter S. Thompson as his father. Great book, but much like Will Bingley and Anthony Hope Smith's Gonzo: A Graphic Biography of Hunter S. Thomspon, or rather Alan Rinzler's forward to that book, Juan Thompson's book doesn't always paint his father in the best light.
Not that it's trash-talking. No, JFT very obviously loved and looked up to his father. And to be clear: Obviously we are all multi-faceted organisms, with ups and downs, lights and darks, successes and failures. But seeing the first-hand ugliness of someone I consider a literary inspiration is tough. This is especially true as, after my recent viewing of Terry Gilliam's Fear and Loathing in Las Vegas film adaptation, I am further possessed of an idea that first began setting in back about fifteen years ago - the fact that maybe Hunter S. Thompson wasn't a very good person at all. Does that matter? Was Burroughs a 'good' person? Martin Amis? DOES IT MATTER?
Well, yes. A bit.
The first time I had this sense that maybe Hunter S. Thompson was kind of a fucked up person who did things that weren't very cool was the opening chapter of the Literary Greatest Hits Songs of the Doomed. 'Let the Trails Begin' tells the story of Thompson's late night arrival at a library, and his manipulations of the poor sod working there border on the actions of a narcissistic sociopath. Even if that poor sod was a criminal and a plagiarist. Then again, in re-reading Let the Trials... this morning while penning this, it occurs to me, is any of this supposed to be taken at face value? That's the the thing with Gonzo as an aesthetic/mission statement/lifestyle choice: to what extent are we supposed to take what's written at face value? There's metaphor, prose, fact, all manner of lingual possibilities, but truly, all of this may have happened and none of it may have happened. The entire scenario is so outlandish it seems impossible. Then again, a lot of what HST is known for exists in a fringe-state of mutated factoid observation. What do we do with that? I've always taken the man's work in at the gut - kind of an amalgam of the heart and the brain - but that leaves the rational, box-checking part of me hesitant in discussing the actualities of all this.
Certainly JFT's memoir of the late night, intoxicated fights and psychological bullying sessions his mother and father put on during his childhood and early adolescence are harrowing to insert into my understanding of someone whose writing makes me infinitely happy, so there's a bit of cognitive dissonance that needs sorting out as I read this. That said, as I'm sure the man himself would appreciate, the truth is the truth, but ultimately the truth may not need interfere with the work.
Or is that also the problem with our current moment? Alternative facts? No, Thompson didn't traffic in that. Neither does his son. Both are worth reading.
Dipping back into the world of HST is long overdue and absolutely wonderful. Like Irvine Welsh, HST is one of my all-time favorite writers, one I purposely do not read much of anymore, as both author's tones influence my own writing in a way that doesn't quit gel with what I have been working on for the last seven years or so (genre). That said, what I am working on at the moment, during the COVID ordeal and this long moment of isolation is actually something I originally penned in 2007/8, back when I was still reading both Thompson and Welsh on a daily basis, so picking up JFT's book might have seemed a tangent at first, but now stands revealed as, well, perfect.
**
Playlist:
TV On the Radio - Dear Science
Code Orange - Underneath
Drab Majesty - Careless
White Lung - Paradise
Paramore - Riot
Paramore - All We Know Is Falling
Brand New - God and the Devil Are Raging Inside Me
Arthur Albes - Gold
NIN - Ghosts V: Together
Soundgarden - Badmotorfinger
Disclosure - Ecstasy EP
Sofi Tukker - Treehouse
Card:
Opening up good things and finding more good things inside of them.
Soviet Soviet performing Fairy Tale, the lead track from their 2016 album Endless, live on KEXP!
**
Congratulations to all my HWA brothers and sisters who won awards last night at the Bram Stoker Awards! Mike Glyer has a list of the winners up on HERE, on his Fanlight Zone website. Check it out!
**
Kind of addicted to the A Girl Walks Home Alone At Night OST. I'd never seen the film before; despite countless recommendations it seemed to remain perpetually on the list. That changed this past Friday when Joe Bob Briggs showed it on The Last Drive-In. LOVED it. Loved it so much, but I need to have an immersive viewing, one without JBB's wonderful sidebars, which I love and can help ease the way for a movie like Henry: Portrait of a Serial Killer, but which impede the full effect of something like Ana Lily Amirpour's B&W, Arthouse Vampire masterpiece.
Also, the OST is chock full of unbelievable music, pretty much all from artists I am - for the moment - unfamiliar with. Lots of new music heading my way, which always makes me happy!
Playlist from 5/11:
Faith No More - King for a Day
Various Artists - A Girl Walks Home Alone at Night OST
Prince - Sign O' The Times
Lovett - The Wind OST
Playlist from 5/12:
Faith No More - King for a Day
L7 - Scatter the Rats
Blut Aus Nord - What Once Was
Godflesh - Pure
Card of the day:
The Fiery aspect of Fire - Pure Will. Which is what I will need to get through the day, I think. Long work weekend, followed by a rough Monday morning so far. I'll do what I always do - put my head down and charge through, stealing any moments I have along the way to work on Ciazarn, a growing obsession now that I've found the voice for it.
I saw ATW's name on a movie I watched recently but I can't quite place what it was. I thought for sure it was Dead Wax, but I can't seem to find any acknowledgement of that online. Either way, these guys are pretty great and it's good to see them breaking through to a larger audience.
It's been a wicked weekend of hard rain in Southern California. We needed it. Wish it would continue, but there's the sun, already poking out from behind the clouds, drying up all the moisture. The rain always inspires new creative bursts in me, and the second story for my inevitable follow-up to A Collection of Desires is in the bank. Can't wait to see what comes next.
Earlier last week, I picked up Ramsey Campbell's Alone with the Horrors again. This is a collection of Campbell's short fiction from 1961-1991. I've had this for years, inspired to purchase it after a customer from back in my border's days recommended I read the short story Again. That story made quite the impression on me, but during my initial attempt at reading the entire volume, I've only ever made it through a handful of the other tales. Early last year I began again, re-reading those first few stories, but once again moved on. Now that I've returned to Alone with the Horrors a third time however, I am finding it hard to put down. The stories are fantastic; bleak and grey like the skies in the author's native Britain, with an often cold and terse style that matches the somewhat frumpy aesthetic Britain seemed bathed in during the 70s/80s. In particular, the story The Brood, from 1976, impressed me. My intention is to read a few tales from this one in between novels, the next of which will be Gemma Files' Experimental Film.
Playlist from 2/02:
Ozzy Osbourne - Blizzard of Ozz
Black Sabbath - Vol. 4
Black Sabbath - Eponymous
Ozzy Osbourne - Ultimate Sin
Skid Row - Slave to the Grind
Card of the day:
These pulls are all tied up in a personal drama with a friend. This will hopefully work itself out over the next week. Good to see the Six of Wands again, though.
I've never been a very big MC5 fan. I've always labored under the idea that the right time/place just never hit me with them, despite several of my best friends being huge fans well back into the 90s. Mr. Brown saw them live recently, and alerted me to the fact that the new band is, for me, something I simply can NOT ignore. Original guitarist Wayne Kramer is joined on this current tour by:
Billy Gould - Faith No More
Kim Thayil - Soundgarden
Brandon Canty - Fugazi
And one of the best live vocalists I've ever seen, still to this day probably fifteen years after last time seeing him with one of my favorite bands, from Zen Guerrilla, Marcus Durant. I missed the show in LaLaLand, and I'll have to live with that, but thanks to KEXP and their wonderful Live on KEXP series, I at least have this.
Tangent: REJOICE - Heaven is an Incubator has released his albums of the year; read all about them HERE. Mine's coming eventually...
I really intended on posting the new Hellboy trailer that dropped yesterday. I love the two Hellboy flicks GDT did, especially Hellboy: The Golden Army, which I always thought felt like the first movie if someone gave it a Mandy-sized dose of LSD. I was sad to see that run of Hellboy end, but with Harbour as the red-skinned pulp hero, Ian McShane as Bruttenholm, and Neil "Dog Soldiers" Marshall directing, I'm all in. Even though I HATE the first trailer. After having a momentary panic, I did some digging and my encroaching suspicion seems to be confirmed: this trailer was edited in a slightly dishonest way, so as to push a bunch of humor to the front and give the film a more "Guardians of the Galaxy" type vibe. This of course makes perfect marketing sense marketing wise, so I'm willing to forgive that, especially when a Deadline interview with creator Mike Mignola includes this quote: "Neil is a horror director so the idea then was to make a darker film." Read the full interview HERE. Yeah, the interview is three months old, but I feel like Mignola's words are more poignant now that we have a trailer that, hopefully, is at least a touch misleading.
Playlist from 12/19:
Cash Money (Audio) - The Green Bullet
Kevin Morby - Singing Saw
The Police - Synchronicity
Billie Ellish - Party Favor (Single)
Billie Ellish - When the Party's Over
Kavinsky - Night Call (Single)
Corrosion of Conformity - No Cross No Crown
The Atlas Moth - Coma Noir
The Damage Manual - >1 Remix EP
The Damage Manual - Eponymous
NIN - Bad Witch
Card of the day:
The Earthy aspect of Air. My initial impetus is to translate this as herald of a possible external or internal conflict today, however in looking at the nifty little reference book that came with the beautiful mini Thoth deck my good friend Missi gifted me while I was in Chicago, I read this: "A young woman, stern and revengeful, with destructive logic, firm and aggressive, skilled in practical affairs," and I realize this is EXACTLY one of the characters I am writing in the book at the moment, one of the ones that brings everything around to the book's conclusion. Cassandra Tenorio is very skilled, motivated solely by vengeance, and maybe should act a little more like it. Gloves = off!
The first time I heard The Buzzcocks it was their single What Do I Get, circa 1998, and I was floored. After coming up in the early 90s and absolutely HATING the pop punk movement (do I hate green day more than I hate crappy 70s bands like Ace, Styxx, and Kansas? Yes. Yes I do), I was shocked to find there was pop punk that didn't turn everything I loved about the original 'punks' - a social movement more than a sound, per se - into a marketing ploy. Then, to find that as that as they evolved, the Buzzcocks melded more with the Post-Punk movement, I've often felt this band were way more important in the annals of rock history than they are generally given credit for. Even I haven't listened to the Buzzcocks as much as I feel I should, my familiarity starting and stopping with songs on an old mixtape back in the day, and an career-spanning anthology Mr. Brown gave me years ago.
I began working on my Top Ten Favorite Albums of 2018 list the other day. Did Beak>'s L.A. Playback make the cut? Honestly, I'm not even sure yet. It's always a favorite year-end activity of mine, to comb back through all the music that came out over the past year and boil down my ten favorites, but it's never easy. There's A LOT of good music out there. I also always look forward to reading other people's lists, chief among them the ones published by Heaven Is An Incubator and Joup's Daniel Fiorio. I'll definitely be posting links to those here when they drop.
In the meantime, here's some Live Beak> I found on youtube. Love KEXP! So many awesome bands - reminds me of the old Peel Sessions, or in a more contemporary, LA way, Part Time Punks.
Playlist from my travel day yesterday was primarily six sustained hours of Burial's Untrue, with a few other things thrown into the mix. That's how I travel: I put on an album, almost always electronic in nature, and drill it on repeat. This helps me reach a strange, liminal state, a kind of hypnogogic trance, and that helps me ride the day out in a strange but beautifully peaceful fugue, where none of the inconveniences or discomforts of traveling bother me, and I end up with a creative re-charge. Previous albums I've done this with are Boards of Canada's Geogaddi, Music Has the Right to Children, and Tomorrow's Harvest, and Moderat's II and III.
12/06:
Burial - Untrue
Burial - Kindred EP
Bohren & der Club of Gore - Gore Motel
Card of the day is super special today, because my good friend Missi surprised me with a present last night - a Mini Thoth deck. No disrespect to that Hansen Roberts deck I've been using as a back-up over the last year, but I have absolutely NO connection with it. Actually, while I can admire the beauty of many decks out there (chief among them that mind blowing Vertigo Comics deck), Lady Frieda Harris/Aleister Crowley's Thoth deck is the only Tarot deck I have a working connection with, so it's the only one I use. Maybe someday that will change, but I kind of doubt it.
I broke the deck in reading for Missi last night, and as usual, her understanding and interpretation of Tarot always inspires me, so the cards are charged and ready to go, and to celebrate I'm doing a spread today instead of just one card:
Full disclosure: I never factor in reversals. That said, while making this giff, I wanted to portray the cards exactly as they were drawn, so I kept that intact. Also, the fact that all three cards are reversed either totally negates the idea that a reversal in this case would matter, or testifies to it. Either way, I read them as the card, not their positioning.
This is interesting because it slightly mirrors the drawing I did for Missi last night, with two Cups divided by a Sword card. My overall reading is simple - I'm having trouble with the setting for the final scene in the book, because it's not enough of a 'set piece.' to change it, I must be cruel or kill one of my darlings - something about the scene that I've been adamant not to change. This will lead to a breakthrough.
I am completely obsessed with this band right now. And I'm talking obsessed in a way I haven't been obsessed with any band in a while. Under Color of Official Rightis an unbelievable record - HIGHEST possible recommendation to at least check it out.
The songs:
The first, second and forth songs are all from the record mentioned above, which came out last year and which I've posted here before. The third song is, as you'll hear singer Joe Casey tell it, a new song. Kudos to KEXP for pimping this band so hard.
Okay, I hate to use genre monikers, especially when you get into sub genres, as I'm about to, however there are a few of these that I find extremely helpful and on the nose when discussing similarities between certain bands/scenes. One is Post-Punk. I know, usually you slap "post" on anything and it immediately sounds pretentious. That's fine; pretension is sometimes warranted and sometimes good. ESPECIALLY when discussing Post-Punk groups such as Gang of Four, Bauhaus, Savages, Wire, The Teardrop Explodes and Magazine. There's been quite a resurgence in Post-Punk these last couple of years and Eagulls definitely fits into it. Expect more of these guys here; like I said earlier, I am in hardcore love with this record.
Last weekInvisible Oranges debuted "Gorgon", a new song by Seattle band Sandrider. I missed this, caught it with the Brooklyn Vegan re-post this morning when I woke up hung over and needing something get the sludgified blood of three days of Chicago food - beef sandwiches and pizza and hot dogs and Goose Island beer - moving first thing on a Tuesday. Not only did Gorgon do the trick before I'd even had any coffee, I moved around and found some other tracks that tell me A) this is an album that needs to be purchased IMMEDIATELY for my constant listening pleasure and B) this is going to be big.
Above is Sandrider playing a full set compliments of Seattle'sKEXP - a fantastic radio station that has some great streaming available. However, I strongly recommend hitting either that IO or BV link above and hearing the studio version of Gorgon, along with all other pertinent information about Godhead, due 11/19 on Good to Die Records. Kinda feeling about Sandrider the way I felt about High on Fire and Trailer Hitch the first time I heard them back in the day...
