Showing posts with label Justin K. Broadrick. Show all posts
Showing posts with label Justin K. Broadrick. Show all posts

Friday, March 3, 2023

Iress - Ricochet

 
New music from Iress! I just broke out 2019's Prey a week or so ago, so they've been on my mind and were actually one of the bands I checked to see if they had a show while I'll be in LaLaLand for the next two weeks. No dice, but at least we have this song. These guys continue to level up. You can purchase Ricochet on Iress's Bandcamp HERE.
 


Watch:

I watched Andrew Davis's The Final Terror earlier tonight (I'm writing this at 12:53 Saturday, 3/04/23). 

 
A Full Five Fucking Stars! The movie ended two hours ago and I still just cannot stop thinking about it. The absolute pinnacle of the Backwoods Slasher subgenre, in my opinion (and I never thought anything would dethrone Just Before Dawn).




Pre-Order Music:

New Godflesh this June!


PURGE! No new tracks posted yet, but I saw the announcement and pre-ordered the Silver vinyl from Plastic Head Megastore, evidently the only place you can grab this at the current moment. Here's the LINK, and a random, awesome photo of JKB I found searching for that album cover above, courtesy of Brave Worlds:


I Love this damn band and I have none of their stuff - no JKB stuff at all on vinyl. Some bands are just CD bands for me. Some of my favorites, too. But this, well, even with the UK shipping charge - which was much more reasonable than I've ever encountered before - I just couldn't pass this up.




Playlist:

The Jeff Healy Band - Full Circle: The Live Anthology (Live Montreal Jazz Fest 1989)
Frank Black - Teenager of the Year
Pigs Pigs Pigs Pigs Pigs Pigs Pigs - Viscerals
Sleaford Mods - Spare Ribs
Church of the Cosmic Skull - There Is No Time
Metallica - Hardwired
Karl Casey - White Bat XVIII EP
Odonis Odonis - Post Plague
Windhand - Grief's Infernal Flower
Perturbator - Lustful Sacraments
Iress - Ricochet (single)
 


Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


New ideas will lead to the completion of a process, but only if they are weighed carefully for merit and applied in the correct fashion. 100% this references a breakthrough I've had over the last two days' writing sessions on Shadow Play Book 2. Major changes but not in a way that requires a major overhaul. Lots of historical research, though, which is what the cards are confirming as the appropriate avenue. Time consuming but worth it.

Wednesday, June 29, 2022

Tasting the Flesh of God

 

Thanks to Mr. Brown for turning me into the fact that Hellfest 2022 is streaming all the bands' sets. Of course, I'm most interested in Godflesh, a band I still hold out the hope we'll be getting another new album from sooner rather than later. Justin K. Broadrick is a very prolific, very busy man, but how do you turn your back on your baby when your baby is Godflesh?
 


NCBD:

Still out of town, but I'll probably pick these up anyway and just let my shop know not to pull.


Is this the end of the first arc for What's The Furthest Place From Here? or the start of a new one? 


Jesus, it's only been two weeks since the previous X-Men Red. Based on the events of that book, I'm REALLY looking forward to this one. 


Love this book, and the fact that I have no compass for how long this series is ultimately shaping up to be. Feels very open-ended, and like there could be a much bigger story here for Sonny and Xavier than I first suspected. Rick Remender - I love you!




Watch:

I can remember seeing the opening to Lewis Teague's Alligator so long ago; the scene of the father flushing his little girl's pet baby alligator down the toilet has stayed with me for most of my life. Thanks to Shudder, I've finally seen the entire movie.


I LOVED this flick! First, I had no idea Robert Fucking Forster was the lead! Also, hell, what a great Alligator!




Playlist:

Perturbator, Johannes Persson and Final Light - Final Light
Burning Witch - Crippled Lucifer
Black Sabbath - Eponymous




Card:


Confusing influences speak to the idea that we may have a lot of questions at our inspection tomorrow. There's a lot of 'Authority' at play, and juxtaposed with Will and the expediency I always associate with the Knight of Swords, the mental stamina that card tends to radiate, I think we may need to make some decisions that will be completely ours, i.e. not the kind of thing we can refer to our Realtor, the inspector, or the unbelievably valuable advice my parents have given to us in all this.

Sunday, July 26, 2020

Bandcamp Sunday: JK Flesh




There's a great interview with Broadrick on daily Bandcamp HERE.


Wednesday, May 15, 2019

2019: May 15th Godflesh - Regal



To continue the 'unsung' string I began the other day by posting FNM's Ugly in the Morning, I thought I'd start today with a track from Godflesh's 2001 final album (at the time) Hymns. I love this entire album; some purists disregard later Godflesh for the way Justin K. Broadrick begins to segue into the more ambient, pastoral sound of Jesu. For me, my love of Godflesh isn't about one album or another, but the overall arc. Which, by the way, continues to this day in fine form. Anyway, a great track from an outstanding album.

**

NCBD is a light one. Good deal; saves me some money and drops the latest issue of one of my favorite books in my hands. Win win.


Man, look at that cover! Gorgeous!

**
Playlist from Tuesday, 5/14:

Godflesh - Hymns
Uncle Acid and the Deadbeats - Vol. 1
Blut Aus Nord - Odinist: The Destruction of Reason By Illumination
Blut Aus Nord - MoRT
Blut Aus Nord - 777 Sect(s)
Blut Aus Nord - 777 The Desanctification
Fenn - Dustwalker
Blut Aus Nord - The Work Which Transforms God
Jed Kurzel - The Babadook OST

**
Card of the day:


Okay, full disclosure: if you go back a few months, I pulled this card. I'd left it in the deck on purpose, thinking I may find a way to interpret it into my overall, personal theory of reading this deck as a singular quanta of information, instead of as a collection of individual cards. Does that make sense? Maybe not. This is kind of free-form, impromptu logic, but isn't that what Tarot and Divination supposed to be at least partially about? What good is it to memorize 'readings' and definitions for objects that are supposed to represent aspects of our collective and individual unconscious? Anyway, after the first time I pulled this card and logged it here, I didn't draw it again until recently. But now, I've pulled it three times in the last two weeks, and although I'd kind of reversed on logging it here until now, with this new draw, I feel I have to look deeper (I say that sometimes and then don't have time to do it). To begin with, I pulled two more cards after, to try and clarify:



Okay, so it's going to take all - or at least a lot - of my Will to discover something that has been occulted to me. After some digging, it looks as though I will be beginning HERE and, perhaps more interestingly, HERE.

Monday, October 1, 2018

2018: October 1st



Justin K. Broadrick + Nothing + Prurient? Wow. I didn't know this existed until five minutes ago. What an awesome collaboration! And Somersault, off Nothing's 2014 record Guilty of Everything, is one of my favorite tracks by the band. This really blows it up to a massive size.

The website for the new podcast I've undertaken, TheHorrorVision.com had a bit of a delay, but should be up by mid-week, along with the first episode.


Playlist from Sunday, 9/30:
Etta James - The Second Time Around
Chuck Berry - Berry on Top
The Fixx - Reach the Beach
Yob - Ablaze (Single track)
White Lung - Eponymous
Chris Connelly - Artificial Madness
Sunn O))) - Kanon
Zombi - Shape Shift

Card of the day:


This again. Loud and clear. Yesterday's writing was the first in a few days, and it was pretty disappointing. Basically interpreting a second day of the five of Cups as another day of breaking rocks, which means Wednesday should be good.

Monday, September 17, 2018

2018: September 17th



New Soft Moon remix by Imperial Black very much fits my mood today. I woke up with a taste for Industrial music, catalyzed by watching Julian Richards's Darklands. A document of its time, Darklands is sort of a 90s update on The Wicker Man, and is populated with some fantastic industrial imagery, reminiscent of the kind of thing Justin K. Broadrick uses for Godflesh records.


Screen cap from Darklands
Good flick, although much of the aesthetic of the 90s still seems overall cringe-worthy to me. But this definitely transcended those feelings. Darklands is available to stream on Shudder.

Finished John Palisano's excellent Night of 1,000 Beasts and before I jump into my next novel - Neil Gaimen's The Graveyard Book - I'm re-reading some Laird Barron as a pallet cleanser. Procession of the Black Sloth is one of those stories by Mr. Barron that I have read probably three or four times now, and I never grow tired of it. The tone borders on what I call Two A.M., flush with dim night-lighting and drunken reveries. It's a calm descent into terror and that's what I love about it and Barron's work in general.

Procession of the Black Sloth is available in Laird Barron's first collection, The Imago Sequence, which I cannot recommend highly enough.


Playlist from the last two days:

White Lung - Eponymous
Disasterpeace - It Follow OST
Canyons - Barrie single
Canyons - Michigan single
Canyons - Tal Uno single
Yob - Our Raw Heart
Legs Occult - Dark Rituals

Card of the day:


This I'm taking as a confirmation that I should follow my instinct and outline a new story bubbling around in my head. Oh yeah, that said, after putting it 'in the drawer' for a month, I came back to Please Believe Me and finished it the other night. Will be submitting it to a major Sci Fi magazine today or tomorrow, so keep those fingers crossed for me.

Friday, April 25, 2014

Godflesh @ Henry Fonda Theatre 4/22/14



When word first surfaced circa 2010 that Godflesh was reuniting to play a European festival show I became excited. If it'd been in my budget/schedule to fly to that show I would have, but with all the other tantalizing European line-ups (esp. All Tomorrow's Parties and Minehead which - at least in years past - seem to consistently book many too-good-to-be-true corners of my record collection past/present and future) it's just not in my cards at the moment.

Tarot or credit.

But with Godflesh, Justin K. Broadrick is so prolific that I just knew there would be more shows and maybe a record to boot.

Or, given time, many more records.

So when I had the chance to buy tickets to see Godflesh on their first North American tour in a looong time I did not balk. Originally I had it planned where I was going to see them in Chicago at my beloved Metro and then again in LA several days later. Then there were problems with the bands' visas and the tour was postponed. I ended up not seeing them in Chicago, but the LA show this past Tuesday at the always fantastic Henry Fonda Theatre was something of a dream come true. When they came out and opened with the pummeling Like Rats I knew this was going to go down as one of my most cherished concert experiences.

Special thanks to MBMdrums666 who took some fantastic video of the show and put it up online and also to the awesome 80's metal chick who tore shit up with her dancing and kept our little corner of the Fonda free of others.

Monday, March 24, 2014

New Swans Track - A Little God in My Hands



I'll admit, until 2012's The Seer I never had as strong an affection for a Swans record. Granted, there weren't a lot of their albums I knew, primarily because, and this may sound a little goofy, but at some point ten years ago or so I purchased the reissue of Cop/Young God/Greed/Holy Money and honestly, it scares me to this day. There is a malevolence that hangs over that record that really gets under my skin. I liken it to watching Silence of the Lambs - Lambs is an amazing piece of cinema that I love just for its craft, but the actual tone of the film - while perfect for the story - puts me in touch with one of the darker, more perverse nooks of the human psyche and I simply cannot go there very often. The same is true of SE7EN, which I love even more for its craft but which tends to absolutely demolish me, each one of my meager three viewings of that particular film sending me on a spiral of paranoid, hate and frustration that takes a few days to recover from. Now, the fact that filmmakers could do that to me with images and sound on celluloid either means I take movies waaaay too seriously or that they are extremely powerful examples of the art; I tend to interpret this as the latter but also know in my heart that it is actually more of a combination of both. The same is true of that early Swans stuff. I sought it out because I had read what an influence they were on Justin K. Broadrick and upon initial listening attempts to Cop/Young God/Greed/Holy Money I saw the influence, but I also caught a glimpse of a hell that seared my psyche and thus have only sporadically gone back to make new attempts at desensitizing myself enough to fully embrace those records.

And then there's the question if I should try to desensitize myself, but I'll leave that to a later day.

All that said Michael Gira and contributors have definitely refined the band with age. Despite my emotional handicap to the old music I've kept up on Swans as a cultural cornerstone and have ear marked the many iterations the group has gone through over the years. The Seer was a record that didn't make my best of list in 2012 because I didn't hear it until the very first days of 2013 and upon hearing it immediately thought that it would probably have ranked in at #2 on that just-published list at the time. The Seer is... all encompassing; a micro-verse in a record's form and something of a journey that I like taking on a somewhat regular basis. These are no longer the bowels of hell Swans take me to, merely some of the more... colorful suburbs of those fantastic realms.

According to the mighty Brooklyn Vegan Swans newest record, To Be Kind, is out on May 13th via Young God. I'll definitely not be waiting until January, 2015 to purchase it.

Friday, August 9, 2013

1 Minute Teaser from New Jesu Song



September 24th on Avalanche Records. New Justin Broadrick in any form is always an event!

Courtesy of Metalsucks.

Monday, July 22, 2013

New Jesu in September, New Pale Sketcher NOW!!!



Well, I received some bad news today in the form of an old friend passing away. Not someone I knew terribly well - he was an older guy who was a regular at the bar I tended in Chicago from 2001 to 2006. Every year when I go home to Chicago he's one of the few that I see. I didn't agree with a lot of what he said, but I loved the guy. A lot.

Well, I walked in the house dreary from the news and when I fired up the old Com-pu-ter Brooklyn Vegan helped take the edge off by posting some fucking awesome news:

New Jesu record out on September 24th. And the title hit home: Every Day I Get Closer to the Light From Which I Came. Leave it to Mr. Justin K. Broadrick - the guy's a legend for all the right reasons. Along with this BV dropped news of a new Pale Sketcher over on that particular Broadrick project's bandcamp. Here's one of them, go to the Vegan page for more of the particulars and hit the bandcamp full throttle for more Broadrick tunes.