Showing posts with label John Carpenter's Halloween. Show all posts
Showing posts with label John Carpenter's Halloween. Show all posts

Monday, October 31, 2022

Trent Reznor & Atticus Ross - Halloween Theme

 

Reznor and Ross covering John Carpenter's legendary score. Happy Halloween, everybody! Remember to check those candies for razor blades.




31 Days of Halloween:

10/1 - Trick 'r Treat
10/2 - Barbarian
10/3 - Hellraiser ('84)
10/4 - Phenomena
10/5 - Hellraiser (2022)
10/6 - The Dark Backward
10/7 - Sick/The Beyond
10/8 - Werewolf By Night
10/9 - Something in the Dirt
10/10 - Let the Right One In Episode 1/Lux Aeterna
10/11 - My Best Friend's Exorcism/Grimcutty
10/12 - Smile
10/13 - Monstrous/VHS (Amateur Night segment)
10/14 - Halloween Kills
10/15 - Halloween Ends/Ed Wood/Plan 9 From Outer Space
10/16 - Spider Baby/101 Scariest Horror Movie Moments/Night's End/Behemoth
10/17 - Behind the Mask: The Rise of Leslie Vernon
10/18 - Random Acts of Violence/Two Witches/Let the Right One In Episode 2
10/19 - Footprints on the Moon/976-EVIL
10/20 - Alison's Birthday/Tone Deaf
10/21 - Elviria's Haunted Hills/Popcorn
10/22 - Resolution
10/23 - The Endless
10/24 - VHS 99
10/25 - Tigers Are Not Afraid
10/26 - Bliss
10/27 - Deadstream/Host
10/28 - The Convent
10/29 - Lot 36 (GDT's CoC ep. 1)/George A. Romero's Dawn of the Dead 3D/Return of the Living Dead
10/30 - Lords of Salem

After watching Rob Zombie's Lords of Salem for the third time last night, I'm pretty sure I consider it his masterpiece. I'll always love House and Rejects, but Lords is something else entirely. At first pass I didn't much care for it; then, a few years later I rewatched it and realized I was completely applying my frustrations with his other films to this one. I came around, and regularly described it in conversation (where I was often defending it) as, "It's Zombie doing Argento." There's certainly some truth to that, but to leave it there is a disservice to the film. Lords of Salem is the first completely serious, mature, elegant film he's made. Again, not that there aren't other movies by Mr. Zombie that I love (I dig most of them to one degree or another), but he has certain affectations that repeat throughout his oeuvre and sometimes prevent his films from being, first and foremost, Rob Zombie films. Lords of Salem shatters these restraints and becomes something else. The film is extremely visceral and, at times, downright unnerving in a pure psychological way. Its imagery is like nothing I've ever seen - even in Zombie's other films - and the mechanism by which the Horror in his story takes root and unfolds leans on folklore, myth, drawing a damning line between the pathos of modern humanity and our ancestors, proving we're not dissimilar enough to judge the past. 


I'd had the itch to watch this one of late, and I'm glad I waited until Devil's Night to do so. Next up, 31!




Read:

One of the books I picked up within the last two weeks but only just got around to reading 


I had no idea this was even coming out when I saw it on the shelf at Rick's Comic City. A few years ago, Butcher from The Horror Vision let me borrow the old FantaCo Night of the Living Dead prestige series, something I had never read. Now,  American Mythology Comics has joined with Romero's Image Ten to release a series that seems as though it will re-tell and expand on the story from the film we all know and love. Of interesting note, the scene in the FantaCo that really made the series for me was having the tribulations Ben describes as preceding his arrival at the farmhouse actually brought to life. We see that again in this book, so despite being a bit of a repeat if you read those FantaCos, it still signals - to me at least - that we may be in for a fun ride here. We'll see. 




Playlist:

✝✝✝ - Vivian (single)
✝✝✝ - Initiation/Protection
The Sisters of Mercy - Floodland
Here Lies Lucy - Heaven or HLL EP
John Carpenter and Alan Howarth - Halloween III: Season of the Witch OST
John Carpenter and Alan Howarth - Prince of Darkness OST




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


For every inspiration, multiple, digressive pathways branch out and weaken its fundamental strength. Remain true to the voice of the idea. 

Directly referencing my current project once again. When I look back at previous posts that I made close to the completion of my other books, I notice the cards always begin to speak directly about the project of the moment. It's a good sign, these tools that allow my subconscious to speak directly to my oft-distracted conscious mind, reminding it how best to approach my craft when it nears completion and, thus, release into the world at large.

A final reminder, only a few hours left to back Grimm's Kickstarter for The Art of the Bound Tarot hardcover art book. Back the project HERE.

Friday, October 19, 2018

2018: October 19th



Getting into the heart of the season, so I broke out the Tones on Tail yesterday. One of my favorite musical purchases ever, Tones on Tail's Everything. The second disc is probably one of my 'desert island' picks.

In preparation for seeing the new Halloween tonight, K and I did the original film last night. This one will never not hold up. A perfect movie, horror or otherwise.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween

Playlist from yesterday:

Tones on Tail - Everything
Ghost - Infestissumam
Ministry - The Mind is a Terrible Thing to Taste
Uncle Acid and the Deadbeats  - Wasteland
Steve Moore - Mayhem OST
The Veils - Total Depravity

Card of the day:


Journey into the blackest depths of my soul? Doubting that. However, I definitely need to get a look down in subconscious and do some weed pulling. Lots of distraction of late on the writing front.

Tuesday, October 16, 2018

2018: October 16th: Some Music from the New Halloween



Pretty excited for Halloween on Friday. For a series I never wanted more from (because the first two, taken together are perfect), this forthcoming sequel feels right. It won't be until I see it if that feeling proves correct, and I'm still not sure why two had to be negated, but either way, if there has to be a new Halloween movie, which of course there does because, you know, that's Hollywood, then this is the one I would have held out for. Now someone PLEASE really blow our minds and follow this with a sequel to Halloween III: Season of the Witch!!! File that under the 'never gunna happen' header.

You can order the new score, composed by the man himself, along with his son Cody and Daniel Davies, on Sacred Bones Records HERE.

31 Days of Horror continued last week with my first ever viewing of Brian De Palma's Phantom of the Paradise. Loved it! I guess I'm kinda pushing the boundaries out of horror a bit here, although I'd maintain this film fits, if for no other reason than it's a re-imagining of the horror classic Phantom of the Opera. But yeah, should bring it back in, so tonight I'll be going Horror with a capital 'H.'

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise

Playlist from 10/15:

Zeal & Ardor - Stranger Fruit
Astronoid - Air
High on Fire - Electric Messiah
Windhand - Grief's Infernal Flower
Sunn O))) - The Grimm Robe Demos
Trent Reznor & Atticus Ross - The Social Network OST
Them Are Us Too - Amends

Card of the day:

This worries me a skosh, but more as a warning or reflection of my current mood toward the book I'm working on than anything else. To me, the Knight of Disks is a card that always looks like a man who has arrived too late; the crop isn't quite up to par and something is barring him from continuing on his journey to the heart of the field to ascertain why. That felt a bit like writing yesterday - overwhelmed by the sprawl of the story. It's a good sprawl - I've cut it down considerably, trimmed the fat, that's what this re-organization of a book that took five years to write in the first place is all about. But yesterday, probably simply because I had three consecutive days off from working on it, I felt like it was beyond me to continue. That's nonsense of course, and when I draw two more cards for clarification I get Aeon and Swiftness, so that tells me I have to write everyday this week, rebuild momentum, and things will lock back into place.