Showing posts with label Jarvis Cocker. Show all posts
Showing posts with label Jarvis Cocker. Show all posts

Wednesday, February 8, 2023

Jarvis is a Homewrecker!

 

From Jarvis Cocker's 2009 album Further Complications. Not sure what brought this to mind yesterday, but it had been years since I jammed this record, and it still totally holds up (of course).




NCBD:

My picks for this week's NCBD:


The end of the storyline and the end of my time following Marvel's Alien comics. Exactly like that first year after they launched, we come to the end of the first arc with promises of this insanely horrific Alien-Lady that, to my knowledge, they still haven't actually introduced. This series was fine, but not enough for me to continue when it returns.


A book that just barely stayed on my recently abbreviated pull; I'm still not done with this one. Especially when Danny Ketch is returning this issue and he is apparently now part of the Weapon X program? What????

The Sins of Sinister stand-in for X-Men: Red. I'm very curious to see where this goes.




Watch:

Picked up my tickets to see this tomorrow night:


 

One thing about Skinamarink I love, despite not being able to make it through the movie in the theatre or at home, is I believe its success has opened the doors for a lot of way lower-budget Horror to get a shot at a big screen run. That's a win-win for everyone, and it should launch some interesting, non-Hollywood careers, also a win-win.




Playlist:

The Smiths - God Save the Queen
The Smiths - Hatful of Hollow
Chameleons UK - Strange Times
Jarvis Cocker - Further Complications
Pulp - A Different Class
Metallica - Hardwired
Fvnerals - Let the Earth Be Silent
Christopher Young & Lustmord - The Empty Man OST
Blanck Mass - Animated Violence Mild
Trombone Shorty - For True




Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.


Completion of a project forestalled by obfuscation due to an overly emotional predilection. More commentary on my mental health, which is pretty much continuously at risk due to my living arrangement. 

Thursday, March 12, 2020

JARV IS - House Music All Night Long



Apparently Jarvis Cocker is now JARV IS, and the new album Beyond the Pale is out May 1st on Rough Trade. Pre-Order HERE.

**

NCBD was a huge one yesterday, simply because I picked up a handful of new titles I'd decided to add to my pull over at The Atomic Basement. The split that occurred between my Drinking w/ Comics co-host Mike and The Comic Bug co-owner Jun - both great guys - left me in a bit of a funk. The Bug is literally walking distance from my crib, and Jun is a friend of mine. So while I of course want to support Mike's new venture, I didn't want to do it at Jun's expense. Thus, I've added a handful of titles to my monthly pull and pretty much set an even balance at both stores. Here's what I grabbed at The Atomic Basement this week:


I'm reminded of Black Monday Murders, and hope that this undertaking isn't taking place instead of a continuation of that book. Regardless, insanely vast opening to what seems like it might be a small story in a massive world.

No idea where this is going, but it's as creepy as it is gorgeous.





I'm not sure how long these Joe Hill books are running, but so far, I'm really digging Daphne Byrne, so I figured I'd give Low Low Woods a chance as well.

**

Two episodes into Alex Garland's new Hulu/FX series Devs and it's already established itself as a powerhouse; something that could totally change the Medium. AND - it's weekly, so it gives me some much-needed Event Viewing for the next few weeks, hopefully to get us right up to that next season of Joe Bob's Last Drive-In, although to my knowledge they haven't confirmed a date for that one's return.



**

Devs put me in the mood for some more techy fiction, so I finally made it back around to Black Mirror and watched Black Museum. My favorite of the few episodes I've watched since Netflix brought this show back. Directed by Colm McCarthy, whose indie horror flick Outcast I wrote about here last year - and which I LOVED and is now on Prime so watch it! - Black Museum sets up something I would like to see return - Rolo Haynes' titular roadside attraction, the Black Museum. There are at least a couple dozen stories that could spin out of this, and Douglas Hodge's portrayal of Haynes was a sheer joy to watch, so hopefully this will recur at some point.




**

Playlist:

Man Man - Beached (Single)
Fen - Dustwalker
The Thirsty Crows - Hangman's Noose
Ghosts of Glaciers - The Greatest Burden
The Mars Volta - Deloused in the Comatorium
Myrkur - M
Beth Gibbons/Henry Gorecki - Symphony No. 3
Neon Kross - Darkness Falls

**

Card


The positive break-up of structures and limitations.

Friday, December 20, 2019

C*nts Are Still Running the World



Jarvis Cocker released a new version of his 2007 track Cunts Are Still Running the World just in time to "celebrate" the election in the UK. And I thought this song rang true twelve years ago? Meet the new boss, bigger slag than the last boss.

**

Currently immersed in collating all the year-end stuff I want to spread the word about. This coming Saturday, The Horror Vision will be recording our "Favorite Horror of 2019" episode, but what about just a general "Favorite Films" list? Well hell, Chewy, I haven't done one of those in at least five years. I always want to do one, but never really feel like I see everything in the end-of -year Oscar release schedule that I want to, or perhaps that I feel I need to in order to make a well-informed list. This year? Fuck that. Here's my three favorite, non-horror films of 2019. My plan is to see Knives Out on Sunday, and I'm assuming I'll be able to add that to the list.

Also, despite the venomous oath I swore two years ago upon walking out of The Last Jedi to never see another Star Wars film again - actually, it was to never even watch the old ones again - I will be going to see the new Star Wars film in a few weeks, but only for the same reason I vote. So I can feel justified in complaining.







Joker is the only film in years that I have seen twice in a theater upon original release, and seeing it in 70 mm at the Aero Theatre with Director Todd Phillips in-house for a post viewing interview was one of the theatrical highlights of a year with quite a few theatrical highlights.

**

Playlist:

Carpenter Brut - Trilogy
Brittany Howard - Jaime
NIN - Ghosts I-IV
The Atlas Moth - Coma Noir
Boy Harsher - Careful
Revolting Cocks - Beers, Steers and Queers
Federale - No Justice
The Misfits - Static Age
The Misfits - Earth A.D./Die, Die My Darling
Preoccupations - New Material
Balthazar - Fever
Cave In - Final Transmission
Meg Myers - Sorry
Black Pumas - Eponymous
Trent Reznor and Atticus Ross - Watchmen Vol. 3
Blood Red Shoes - Get Tragic




Wednesday, December 14, 2016

Heaven's Endless Loop


Tommy, the man behind the always wonderful Heaven is an Incubator, also writes a lot of great stuff for an online magazine my friends and I contribute to called Joup. If you've been here before you probably know about it. Anyway, one of my favorite things to come out of Joup is Tommy's Endless Loop column; a weekly jaunt into the substance of those songs he confesses to be able to listen to endlessly. I can relate; at some point in my early thirties I developed a habit of looping tracks over and over again when I become obsessed with the mood they create in me. My point is I know Tommy's taste from reading his writing and I know when he says he can loop something then I'm in for a great track, whether I loop it or not. And this has bore out - I've picked up some absolute GEMS from Endless Loop. This week though, this week he hits it outta the park.

Tommy has a way of really summing things up succinctly and nowhere is that more evident than in his brief piece about Pulp's This is Hardcore, from the album of the same name - arguably the group's best - released in 1998. Follow the link below and then go seek out Heaven is an Incubator and book mark it. I guarantee you Tommy will turn you on to some amazing music if you do.

Well played Tommy. Well played...



>

Tuesday, August 12, 2014

Pulp Karaoke Contest Winner is... 9?



This is awesome. Via Brooklyn Vegan. I'll admit I checked out after about half the song and really just had to go put on the actual Pulp track, but this is worth some attention if for no other reason than it's really a bit surreal.

Thursday, February 7, 2013

Barry Adamson - If You Love Her



If you're not familiar with Barry Adamson, former bass player for Nick Cave and the Bad Seeds, Nick Cave and the Cave Men, Magazine and for a short time the Buzzcockss, and you dig any measure of the stuff I toss out on this page, go get 1996's Oedipus Schmoedipus. An anthological record that features Adamson's jazz/noir musicality and style plus a number of great guests (Carla Bozulich, Nick Cave, Jarvis Cocker to name a few). If you're a David Lynch fan you'll recognize track number two on the record, it had a pretty memorable moment in Lost Highway. Mr. Adamson's soundtrack to Carol Morley's 'Dreams of a Life" which will be aired in the UK tonight, Feb 7th. Said ST can be purchased here on iTunes.



All of the man's albums are fantastic, especially my favorite, 1998's As Above So Below. Atticus Ross assisted with some of the programming and produced it and Flood's on hand for a couple of tracks as well. It's fantastic; a dark, jazzy descent into a noisy, ionic hell where the kiss of an angel waits mockingly just out of reach. Overdoing it? I don't think so. You don't know Barry.



Adamson's earliest records (Moss Side Tory, Soul Murder) are fascinating because they are soundtracks - complete with dialogue snippets - to movies that never existed outside Mr. Adamson's mind. The genius displayed therein put him on Trent Reznor's map back in the early 90's. Reznor used a few of Adamson's tracks and the influence of his MO to put together the Natural Born Killer's ST and then a few years later of course the aforementioned Lost Highway. Two years ago Adamson - a "Cinematic Soul" by his own admission, wrote, directed and released his first film - a 'novella' entitled The Therapist. The film is a heavily-influenced first film but it is good, strong in tone, and it points to even better things to come from this man whose work I love so much. A friend and I saw him live last year in an intimate show at LA's Hotel Bar. Just Barry, minimal accompaniment. It was awesome.

Wednesday, January 23, 2013

Nick Cave - Fifteen Feet Of Pure White Snow



One of my favorite Nick Cave and the Bad Seeds songs from what is DEFINITELY my favorite album by the group - how have I never seen this video before???

Brilliant!!!

(note Jarvis Cocker in the smashing green suit)