Justin Hamline - A Veil For Three Sisters

Justin Hamline is a guy I know only through his Instagram profile and some interactions through that platform; a like-minded Horror/Synth/Punk fan, I no longer remember how I came across him, but we have similar interests and ended up following one another for a couple years before I realized he was also a pretty freakin' awesome musician. Apparently, he took a break for a while but came back recently and has been releasing material left and right. Next up for Justin is the soundtrack to a Giallo that only exists in his head - The House With Dead Leaves! This is the kind of project I love, a la Barry Adamson's first albums; not just music but the story that goes with it in the artist's mind. I'm really digging this stuff - here's the full track:

Really digging this and can't wait to hear the finished product. The House With Dead Leaves drops next Friday, and I have a feeling I'll be incorporating an edible and a nice block of time to just sit in front of my big-ass stereo speakers and take the journey Justin has mapped out for us. 

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Watch:

There are two new Horror flicks coming to theatres this week, and I'm going to try and see them both!* Here's the trailer to Alan Cumming's Out of Darkness:

 

As usual, I watched about five seconds of this - just enough to see the set-up that the film takes place in 43, 000 BC, and I stopped it. That's enough to make me interested, and from here I'd just rather go in blind.

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Read:

As I mentioned in this week's NCBD segment, I picked up the first issue of the new Ram V/Laurence Campbell Futuristic Neo Noir The One Hand yesterday purely on a lark. 

After reading it, I am super excited for this book. But not only this book, because there is a second, complimentary series by Dan Watters and Sumit Kumar coming on February 21st! 

The Six Fingers takes place in the same Blade Runner-esque Future metropolis, Neo Novna, and based on the title and what I know after reading issue one of The One Hand doesn't just tie in but possibly completes the story in the first book. 

Image is just killing it right now. There's an article Image has up on their website HERE that talks about this a little more in-depth. 

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Playlist:

QOTSA - In Times New Roman

Raspberry Bulbs - Before the Age of Mirrors

Justin Hamline - A Veil for the Three Sisters (Un velo per tre sorelle) (single)

Windhand - Eternal Return

Donny Benét - The Don

Amigo the Devil - Your Until the War is Over (pre-release singles)

Mannequin Pussy - I Got Heaven (pre-release singles)

Mannequin Pussy - Patience

Mannequin Pussy - Romantic

T. Rex - The Slider

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Card:

From Jonathan Grimm's Hand of Doom Tarot, which you can buy HERE.

• King of Swords

• VIII: Strength

• IV: The Emperor

Man, I see a lot of that Tony Iommi King of Swords in this deck! Does that make Iommi my spirit animal?

I'll tell you right off the bat, what I see here on a very surface, "what do the illustrations tell me" way two things I've been thinking a lot about. Two things that used to be a big part of my life but no longer really are: Guitar and Magick. I've been feeling a tug back to picking up an instrument, but I have several unfinished writing projects at the moment (one very close to completion and release, one a few months out). This is the struggle - stay focused. So, while it would definitely be more in my current inclination to read this one as telling me to go ahead and follow that tug, I'm actually going to look at it a different way - have the strength to recognize that the King of Swords - in Thoth the Prince - is a card that, by Crowley's own interpretation, indicates lots of good ideas but an unstable purpose. That's why I'm seeing this so much! Finish the interpretation off with The Emperor's nod toward linear thinking, and I see that this is in no small voice telling me to figure my shit out, commit and finish. 

Isolation: Day 129

Kind of a slow news day, so to speak, so I landed on this via Brooklyn Vegan. Apparently, Metallica has been doing "Metallica Mondays" which sounds like some weird food theme at a Chili's restaurant, but is actually a kind of cool quarantine coping mechanism the band has been doing for their fans. As my interest in this band stops after about 1988, this video is of particular interest to me. 1983 at Chicago's Metro? As a young metalhead in the 90s who would go on to frequent shows at the Metro, this is the kind of show I often dreamed of having been able to go back in time and see. Now, thanks to Metallica, I can. You have to get through a rather annoying minute or so of Lars talking about... not really sure, but I have to admit it. As hard as I am on these guys, they often come off pretty cool to their fans.

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NCBD tomorrow is another short lister this week. Action Lab's Sweet Heart #2 finally hits the stand - this was another one I'd mentioned a few weeks ago, only to realize I had my dates completely out of order.

Other than that, the first issue of a new Image book called Bliss caught my eye recently:

The cover art is obviously gorgeous, but what really has me curious is this book's solicitation description from Image that ends with, "Breaking Bad meets Neil Gaiman's Sandman."

Huh?

The first issue of a two-arc maxi-series, I might just pick this one up. (Yes, I'm still attempting to limit taking on new books. No, it's not always easy.)


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Playlist:

Cypress Hill - III: Temples of Boom
Soundgarden - Super Unknown
The Smiths - The Queen is Dead
Sleep - The Sciences

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Card:

The urge to do bad is often extremely strong. It's part of the flow of life to balance that out with positive stuff.

2019: May 20th - Joe Bob Briggs on the Demons "Series"

As we entire the final week of Joe Bob Briggs' inaugural season of The Last Drive-In on Shudder, I thought I'd post one of my favorite clips from the man.

I didn't have cable growing up, so I never got to experience JBB in his previous iterations. I seriously don't think I'd ever even heard of him before Shudder brought him on last summer for that first, 25 hour marathon - the origin of this clip. I've fallen in love fast, though. After last week's episode (The Stuff and Street Trash), I actually threw on his Thanksgiving Dinners of Death to watch Texas Chainsaw Massacre with his asides (I missed the beginning of it during the original, Holiday airing). That's something I never thought I'd do - watch a film I respect as much as TCM more for interruptions than the film itself. But JBB is a fount of information, and despite the weakening of a viewings immersions with his interruptions, I've seen TCM many times, but never with the Joe Bob's annotations, which I'd imagine will add quite a bit of context to subsequent viewings, much the same as Brad Shellady's 1988 documentary Texas Chainsaw Massacre: A Family Portrait, which I love as much as the original film.

I'll miss Joe Bob in the off season; there's been something amazing about watching this live every week I'm able, and I'm sure I'll be revisiting these episodes throughout the interim between this and what I hope will be another season somewhere not too far down the line.

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I was able to catch up on a lot of reading this weekend, and one of the comics I blew through several issues of was Gunning for Hits. This book - published by Image Comics - is fantastic, especially if you're a music lover. Writer Jeff Rougvie brings all the insight from a career producing some of the biggest and most influential bands in history - David Bowie and Elvis Costello to name a few - into the story of Martin Mills, former Government Black Ops Agent turned A&R man, signing bands in 1987 New York. What we have is a brilliantly entertaining and educational book that really shows how the industry used to work, woven in with dramatic situations that range from the on-the-road hi jinx of a newly signed band in the pre-Grunge era (think Noel Monk's 12 Days on the Road) combined with a whirlwind tutorial of the back-room goings on of the men who made the hits. And the back matter alone is worth the price of admission, where Rougvie further hashes out for the laymen just how that giant dinosaur system used to work.

Also, as you can see, there are a lot of allusions in the book for music nerds to get excited over.

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Playlist from 5/19:

Melvins - (A) Senile Animal
Melvins - Stoner Witch
Hall and Oats - Essentials

Card of the day:

Careful consideration; be aware of anxious motivation, and those who might be anxiously motivated.

Brian K. Vaughan and Cliff Chiang's Paper Girls has arrived...

... and it's the topic of my weekly comic book rant over on Joup in this week's edition of Thee Comic Column.

James Robinson and Greg Hinkle's AIRBOY

... is the topic of discussion on in this week's edition of Thee Comic Column, over on Joup.

Scott Snyder and Jock's Wytches...

... is the topic in this week's edition of Thee Comic Column, over on Joup!

Big Man Plans...

... the new collaboration between Eric Powell (The Goon) and Tim Wiesch, is the topic of discussion in this week's edition of Thee Comic Column, over on Joup. It's vertically challenged, nice and violent exploitation and, accordingly, a whole lotta fun!

Beneath the Panels #2: Nameless

Beginning with the second entry into this limited Beneath the Panels column I've begun in order to trace the Occult influences/ideas Grant Morrison has built into his new series Nameless I've moved the column over to Joup. The second installment which deals heavily with the Enochian undertones in this first issue just went up.

Grant Morrison & Chris Burnham's Nameless: Beneath the Panels #1

As I said in this week's edition of Thee Comic Column over on Joup, I've read Nameless #1 twice so far. Between reads I began digging around on the internet for some of the concepts Grant Morrison builds into the code that underlies the story begun in the book, and as such I've started to piece together some of what I think may be the initial ideas at work beneath the panels, so to speak.

Nameless #1 begins with a narrated series of atrocities taking place across the globe. The paneling on these first couple of pages is unique and, I'm betting, charged with some degree of subliminal meaning. After drawing them out and pondering them as distinct images by their own right I'm left with one observation and one theory.

The images, especially the first and third, bear strong resemblances to letters from the Hebrew alphabet, which is steeped in occult science and often used in the creation of 'spells'. However, despite the resemblance, after consulting a Hebrew dictionary I found myself unable to draw any direct comparisons. Stumped I thought about this some more and eventually came to a different conclusion about the shapes:

They are part of an elaborate sigil. If you are unfamiliar with sigil Magick - a concept Morrison has talked quite at length - go here and take the author's crash course.

Okay, moving out of the design aspect and into some of the direct references Morrison makes in Nameless #1, the first glaring one is during the aforementioned narrated atrocities on the very first page, we get another sigil-like image and four words:

The image is later defined by one of the characters as "the door to the anti-verse, the Gate of Az". If you google Gate of Az the search engine makes the assumption that you're abbreviating Arizona. However, if you do not search the phrase as you enter it, allowing instead the engine to use its intuitive functions you get three things, the aforementioned Arizona result, followed to more likely possibilities:

Gate of Azeroth

Gate of Hell, Azerbaijan

Here I began with the latter result, as it was something I was unfamiliar with. In a nutshell, there is a deposit of natural gas in the country of Turkmenistan known as the "Gate of Hell".

Once you reach the end of the issue you find there is definitely a parallel to be drawn in terms of what we find out this image represents in actual, physical terms to the story in Nameless. However, that's not it. Let's go back to the other search result and explore that a bit, shall we?

At first glance I misread Azeroth as Azathoth*. That is not the case; Azeroth is a setting in the World of Warcraft game. I don't think that has anything to do with what we're dealing with here. However, because Grant Morrison is as much a utilizer of pop culture in his Magick as he is occult code, this may be the point. It is not too much of a jump to consider that WoW's Azeroth derived its name from Azathoth, a character from H.P. Lovecraft's Cthulhu cycle. Morrison has utilized some of Lovecraft's lore before, and there is an entire area of Magickal practice that treats Lovecraft's mythos as something of an operating system for ritual. In his story The Dream-Quest of the Unknown Kadath, Lovecraft describes him as the following:

[O]utside the ordered universe [is] that amorphous blight of nethermost confusion which blasphemes and bubbles at the center of all infinity—the boundless daemon sultan Azathoth, whose name no lips dare speak aloud, and who gnaws hungrily in inconceivable, unlighted chambers beyond time and space amidst the muffled, maddening beating of vile drums and the thin monotonous whine of accursed flutes

I have always drawn an indirect comparison between Azathoth and Choronzon, a demon that traces its origins back to Elizabethian magician/scholars John Dee and Edward Kelley. Choronzon's entry in Watkin's Dictionary of Magic is as follows, and when juxtaposed with the definition for Azathoth above fully illustrates the reasons for my theory:

In Enochian magic, the demon of chaos and guardian of the Abyss. Aleister Crowley described Choronzon as "the first and deadliest of all the powers of evil". This point notwithstanding, Crowley invoked Choronzon while experimenting with the so-called 30 Aethyrs in a magical ritual on the top of an Algerian mountain in December 1909.

There is a great visual recreation of Crowley's ritual with Victor Neuburg in Alan Moore and JH Williams, III's Promethea, specifically issue #20, where the characters are on a multiple issue long trek through the spheres of the Kabbalhistic Tree of Life and fall through Daath, the abyss. Here they encounter Choronzon and are torn to pieces. Bringing this back around to Nameless #1, the Abyss - or Daath - could be the "anti-verse" discussed in the final pages, where we learn the harbinger of this Gate of Az is an asteroid on a collision course with Earth and thus inevitably going to destroy it, or rip it to pieces, the same way Choronzon or Azathoth obliterate those who encounter them in their respective mythological contexts.

Okay, I've barely even scratched the surface of this first issue but this is proving to be a much bigger project than I originally thought it would be. I'll continue with more decoding of Nameless #1 in a few days, in the meantime here are a few links for further study of the ideas I've discussed thus far:

Choronzon

Tree of Life

Promethea #20: The Stars are but Thistles summary/annotations

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* Another possibility, although less likely, is Astaroth. A quick referral to The Goetia and you will find the following definition for Astaroth:

The twenty-ninth Spirit is Astaroth. He is a Mighty, Strong Duke, and appeareth in the Form of an hurtful Angel riding on an Infernal Beast like a Dragon, and carrying in his right hand a Viper. Thou must in no wise let him approach unto thee, lest he do thee damage by his Noisome Breath. Wherefore the Magician must hld the Magical Ring near his face, and that will defend him. He giveth true answers of things Past, Present and to Come, and can discover all Secrets. He will declare wittingly how the Spirits fell, if desired, and the reason of his own fall. He can make men wonderfully knowing in all Liberal Sciences. He ruleth 40 Legions of Spirits. His Seal is this, which wear thou as a Lamen before thee, or else he will not appear nor yet obey thee, etc.  

Richard Starkings's Elephantmen...

... is the topic of discussion in this week's edition of Thee Comic Column, over on Joup!

The Return of Rick Remender & Matteo Scalera's Black Science...

... is the topic of discussion this week in Thee Comic Column, over there on Joup!

The Empty Man... and Trees... and The Superannuated Man

image courtesy of ComicBookResources.com

... is the topic of today's Thee Comic Column over on Joup.

Come to think of it, I've been so busy I've not posted the last two links for my column here. Let's remedy that now because last week's was Warren Ellis and Jason Howard's awesome Trees:

image courtesy of BrokenFrontier.com

And the week before that was Ted McKeever's new book - which I am in love with - The Superannuated Man!

image courtesy of ImageComics.com

The Return of Stray Bullets...

image courtesy of Image comics.com

...is the topic of discussion in this week's Thee Comic Column on Joup. I am very excited for one of my all-time favorite books to be coming back in March!!!

Lazarus

image courtesy of comicsbeat.com

Greg Rucka, Michael Lark and Santi Arcas have a new book published by Image Comics. Read my two cents on it in  Thee Comic Column #47 on Joup.