That runs through my head pretty much from the time Beyondfest begins at the end of September, all the way through November 1st, and this year it's even more pronounced. Because of the late night at Joe Bob and Tammy and the T-Rex Monday night, I took October 1st off, which in turn gives me a nice head start on 31 Days of Horror. I started with a Rob Zombie double feature: I chose House of 1000 Corpses to kick the entire month off as a tribute to Sid Haig. From there I segued into 31, although that essentially played in the background as I started my writing day. BIG breakthroughs on the second book of Shadow Play, now I just have to work them into my outline, rejigger a few things, and then commence writing.
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Finally: here's a newly expanded version of that Halloween Playlist I've been listening to for the last year or two.
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31 Days of Horror:
10/01: House of 1000 Corpses/31
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Playlist from 10/01:
Blut Aus Nord - Hallucinogen
Ritual Howls - Rendered Armor
Opeth - Deliverance
Claudio Simonetti and Fabio Pignatelli - Phenomena OST
Zonal - Zonal (Single)
Dean Hurley - Anthology Resource Vol. II: Philosophy of Beyond
Mark Korven - The Witch OST
Although I've been waiting for this, I'm not entirely sure how I feel about Rob Zombie returning to the Firefly Clan characters. Why? Well, A) they pretty clearly died at the end of The Devil's Rejects, and B) it's weird when filmmakers put you in a position of rooting for such ultimately disgusting characters. Also, this looks like Zombie has added Natural Born Killers into his blender, so that may run the risk of feeling overly borrowed from. We'll see. Normally, Zombie can more or less mix in the stuff he 'samples' from his influences in a way that feels like homage instead of theft. Hopefully, that will be true here as well.
As for the 'how did they survive?' question, I noticed a quick flash at 0:20 in the trailer of a newspaper headline that reads, "Satanic Recovery," and I'm wondering (Read: Hoping) the recovery is pulled off via some weird call-back to Dr. Satan and all the strange, quasi-supernatural stuff that happened in the final segment of House of 1000 Corpses, all of which was completely ignored for The Devil's Rejects. That absence was disappointing at the time Rejects was released, however, over the years I have grown to understand and applaud the decision as a matter of tone - Dr. Satan and all related characters would never have fit into Rejects; the one deleted scene with the Doctor was definitely best left out. Now, however, this might be a great way to bring him back.
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Frank Black Appreciation Week concludes today with another of my favorite songs from The Catholics-era Black. Released on the album Dog in the Sand, this was, I believe, the first time Black had recorded with Pixies guitarist Joey Santiago since the break-up of the band. The resulting material - especially this particular track - is a doozy. I remember hearing around the time of this album's release that the lyrics were about how, after Black's father passed away, when it came to the task of going through his home, dozens of guns were found, all loaded with only a single bullet.
Creeeeeepy, but awesome.
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Playlist from 7/16:
Frank Black - The Cult of Ray
Preoccupations - Eponymous
Jim Jarmusch and Jozef Va Wissen - The Mystery of Heaven
The Jesus Lizard - Liar
White Lung - Eponymous
Uniform and The Body - Penance (Pre-release single)
Uniform and The Body - Mental Wounds Not Healing*
Sunn O))) - Life Metal
*I totally just figured out that this album is named after a lyric in Ozzy's Crazy Train. It made me love both these bands even more than I already do.
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Card of the day:
Feeling like this is a good sign that I cross a finish line today.
via Bloody Disgusting. I have NO idea what this will be but despite my dislike of H2 (beautifully shot, and that's the only good thing I can say about it) and subsequent relative disappointment in the Lords of Salem - which looks amazing but I was unable to make it all the way through due to what I perceived at the time to be an amazingly sluggish pace* and next to no plot advancement from the inciting incident into almost the end of the second act, I am excited for this. Mr. Zombie's much touted, "I'm done with horror" scared me. Whether he balks or slams one out of the park, I like Zombie on the Horror hound side. I don't want to applaud what may be a diminutive situation for him - being stuck inside a genre he wants out of - but what can I say? House of 1000 Corpses, The Devil's Rejects are, in my mind, modern classics of the genre (even if they do wear their influences on their sleeve. So what? It makes it so you can watch them and go, "Oh! Zombie loves House by the Cemetery too! Awesome!) and aspects of the Theatrical cut of Halloween turn what is essentially an over-explained and unneeded remake into a beautifully rendered piece of cinema.
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* I intend to give Lords of Salem another chance as a lot of folks whose opinions I respect loved it and in the film's defense, I tried watching it after I'd been up for almost 24 hours, so what I perceived as a 'sluggish pace' may have actually been me nodding off.
