The Big Guns

 

Seeing that I've been listening to Jenny Lewis and the Watson Twins' Rabbit Fur Coat again lately, I figured I'd post my favorite track from the album (maybe from Lewis' career, although that's a tough pull from a looong list). Little did I know I would search for it on youtube and find them performing the song on Lettermen! Combining two of my favorite things, and proving Dave has immaculate taste in music.

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Watch:

K is traveling to see a friend this weekend, so it's me and the cats for a few days. I'm planning on using the time wisely: I've set a deadline of this coming Tuesday for the first draft of the novel I'm writing, so primarily focused on that after I punched out yesterday. When I retired for the evening, I popped open a Three Floyds Zombie Dust (thanks, Alex!) and fired up a flick I hadn't seen in... well, I think I saw Clive Barker's Lord of Illusions back in the day, but now I'm not so sure. Anyway, WOW! Here's the Red Band Theatrical Trailer from the year it released, 1995 (I didn't even remember there was such a thing as Red Band trailers back then):

 

So Hellraiser came out in '87, Nightbreed in '90 and Lord of Illusions in 1995. Then, as the story famously goes (and Barker has no problem talking about), the fickle, backstabbing nature of the studio system filled him with despair and he tapped out. 

What a goddamn shame! I mean, this isn't an observation probably millions of Horror fans haven't said previously, but those are three damn good films!

I've known Hellraiser since I was young. Nightbreed is one I didn't connect with when I saw it in High School, but then kind of rediscovered about ten or so years ago, thanks to friends who couldn't believe I didn't hold it in particularly high regard. But Illisions, as I stated above, if I saw it back in the day, I discarded it in the same way I discarded Lawnmower Man, a flick I was briefly obsessed with around the time it came out on video, and which I haven't seen since (and think it's probably better if I don't revisit that one).

Anyway, I think the casting of Scott Bakula threw my memory off. Nothing against the man; I was never a Quantum Leap fan (although the one episode I remember watching, where the devil shows up in the guise of Dean Stockwell's character was pretty cool, I have to say), but beyond that, there are plenty of instances of big-ticket Horror flicks in the early 90s casting TV actors to the film's detriment. 

1990's It I'm looking at you. 

In Illusions, though, Bakula does a really good job as recurring Barker character Harry D'Amour. His chops are plenty, and his presence doesn't feel like television casting. Plus, the entire film has such strong visual and narrative crossover with Nightbreed that the two films feel as though they could have been made back to back. 

Barker's imagination is so lush and unique; there are no other Horror movies like the three he wrote for screen and directed. Also, the way he incorporates the Occult always endears his work to me, film or prose. In Illusions, I was particularly excited by his use of Tarot; the scene that is set up by Harry turning over the Ten of Swords and how that pays off later at Swann's illusion just blew my mind. It's simple, but you just don't see the Occult used that way in Horror Movies that often. 

In thinking about that Ten of Swords scene before writing this page, I stumbled on this very cool video on the Rue Morgue Youtube Channel:

 

She goes way into it, with the full spread, which I hadn't even considered. This is exactly what I'm talking about - the lengths Barker uses the Occult for narrative purposes are beyond anyone else I can think of save, Kenneth Anger, who doesn't really have the same idea of 'narrative' as Barker.  

Lord of Illusions - happy to have found you. I believe this is the start of a long-lasting relationship. Now I'm tempted to rewatch Nightbreed again, however, I just realized I need to cancel my Showtime sub soon, and Cronenberg's Existenz is on there and it's been quite some time for that one, too. 

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Playlist:

QOTSA - In Times New Roman

King Gizzard & The Lizard Wizard - PetroDragonic Apocalypse

Realize - Machine Violence 

The Obsessed - Lunar Womb

 Secret Chiefs 3 & Traditionalists - Le mani destre recise degli ultimi uomini

Turquoise Moon - The Sunset City

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Card:

• Ace of Wands - Achievement of Earthly designs 

• Princess of Swords - A chaotic battle

• IX: The Hermit - Focus; isolation; determination

Not difficult to read at all. If I want to finish my first draft by Tuesday, I have to battle my distraction (chaos) and isolate myself. In keeping with that, I think I'll stop there, post this, and get to work!!!

 

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AHS NYC

 

Happy Monday, October 17th! Here's some Dance with the Dead to wake all our asses up! From the B-Sides: Vol. 1 collection, which is available on the group's Bandcamp HERE.

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31 Days of Halloween:

10/1 - Trick 'r Treat

10/2 - Barbarian

10/3 - Hellraiser ('84)

10/4 - Phenomena

10/5 - Hellraiser (2022)

10/6 - The Dark Backward

10/7 - Sick/The Beyond

10/8 - Werewolf By Night

10/9 - Something in the Dirt

10/10 - Let the Right One in Episode 1/Lux Aeterna

10/11 - My Best Friend's Exorcism/Grimcutty

10/12 - Smile

10/13 - Monstrous/VHS (Amateur Night segment)

10/14 - Halloween Kills

10/15 - Halloween Ends/Ed Wood/Plan 9 From Outer Space

10/16 - Spider Baby/101 Scariest Horror Movie Moments/Night's End/Behemoth

Jennifer Reeder's Night's End hit Shudder a few months back as a Shudder original and kind of got pushed right past my radar by all the other titles that came in hot on its heels. Luckily, while browsing back through the "All Movies" heading, I stumbled on it. Fantastic film. a tight 81 minutes, this one really pulls you into the protagonist's inner world with visual cues, then kind of explodes all over the place in the final act. Loved it.

Also, we have the first episode of AHS NYC dropping this coming Wednesday, and I'm pretty excited. I don't think it's any coincidence that this season lands just after David Bruckner's Hellraiser and appears to focus on a lot of the same imagery and even, possibly, an extension of the scene that inspired Barker to write the original The Hellbound Heart. 

Will this be American Horror Story's version of Hellraiser? Probably not exactly, but it looks like it will scratch a similar itch.

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Playlist:

Boy Harsher - Burn It Down EP

Boy Harsher - Careful

Miranda Sex Garden - Fairytales of Slavery

Type O Negative - Dead Again

Public Memory - Veil of Counsel EP

G.I.S.M. - Detestation

Jammes Luckett - May OST

Goblin - 2013 Tour EP

Claudio Simonetti - Phenomena OST

Jim Williams - Possessor OST

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

Say no more. This is one of those "loud and clear" readings: I haven't gotten shit down with writing in weeks. The second week in LA, when I stayed with friends, fine. That's an excuse. Working, commuting, seeing almost a flick a night and a concert? But I've been back a week tonight (technically a week tomorrow morning) and I've only written once. That has to change. I need to focus my energies on that time, and apply my Will. 

New Dead Cross!!!

 

More new Dead Cross! I'm digging what I'm hearing from this second album more than I did the first, can't wait to hear the entire thing, which is out October 14th on Ipecac Recordings. Pre-order a copy HERE. 

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Watch:

This dropped yesterday:

 

As far as Teaser Trailers go, I think this is perfect. Of course, there's the part of me that wants to see more, but really, I'd rather wait and get it all at once in my first viewing. Hey, it's gotta be better than most of the Dimension sequels, right? Let's hope this 20th Century Fox/HULU pairing the Mouse has going will turn out another unexpectedly fantastic sequel, like Prey.

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Quote:

"Having made the world lousy, imagine ye are of significance to Heaven?"

                                                         - Austin Osman Spare, Anathema of Zos: The Sermon of the Hypocrite

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Playlist:

Soundgarden - Super Unknown

Various - Every Day (Is Halloween) Playlist: Small Cat, Big Yard

Suburban Living - Always Eyes EP

Suburban Living - Cooper's Dream EP

True Widow - As High As the Highest...

Nirvana - With the Lights Out

Nirvana - Lithium single

Suburban Lawns - Eponymous

Ministry - Moral Hygiene

Ministry - Everyday (Is Halloween) The Lost Mixes

Blut Aus Nord - Hallucinogen

Small Black - Cheap Dreams

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Card:

I returned to the Raven Deck this morning, and The Hermit sprung out at me:

Second time this week, so I pulled a clarifying card from my Thoth:

So I have some work to do, and isolation will definitely be a part of it. 

Abby Sage - Smoke Break

 

I love love love this song! A random dalliance with NPR this past Saturday introduced me to Abby Sage's Smoke Break, and since, I have been unable to get it out of my mind. This appears to be a single, as with the other tracks I've found on Apple Music by Ms. Sage, so I'll be following her and can't wait until she releases a full album!

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Watch:

 

I went back into a bix box theatre this past Saturday and saw David Bruckner's The Night House. An all-around good experience (We hit a matinee, so there were about five folks other than us there), and the movie was outstanding. A SUPER slow burn, to use a somewhat tired term, The Night House trusts its audience enough not to over-explain everything. This one's sure to spark some "What the fuck?" conversations in all the right ways. There's also a certain logic to its mechanisms that really drives home the fact that Bruckner and screenwriters Ben Collins and Luke Piotrowski are exactly the right folks to be working on the new iteration of Clive Barker's Hellraiser.

Rebecca Hall and Barry's Sarah Goldberg turn in great performances, and the story goes places you're never gonna see coming, always an added plus.
 

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Playlist:

The Plimsouls - Everywhere All At Once

Etta James - Eponymous

Emma Ruth Rundle and Thou - May Our Chambers Be Full 

The Jesus Lizard - Liar

White Lung - Eponymous

White Lung - Paradise

The Joy Formidable - Into the Blue

Deafheaven - Infinite Granite

Yola - Stand For Myself

Zeal and Ardor - Calloway (Single)

Boy Harsher - Careful

CCR - Bayou Country

David Bowie - A Reality Tour (Live)

Nicholas Elert - The Stylist OST

Abby Sage - Smoke Break (Single)

Zeal and Ardor - Stranger Fruit

Deafheaven - New Bermuda

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Card:

Strength in what you know. Words of wisdom Lloyd, words of wisdom. I could use them. Short story is driving me CRAZY.,

Isolation: Day 192 - New Sepultura!

 

I had no idea we were getting a new Sepultura album this year! Of course, that's probably because for the most part, the band's been off my radar since, well, since 1993's MASTERPIECE Chaos A.D. While I never took a side in the schism between Max Cavalera and the rest of the band because I didn't follow it that closely, Sepultura lost me with Roots, which has some amazing tracks on it - even korn-boy couldn't sully that track with Patton it - but overall felt like a sinking ship. NOTE: Many people have told me to give Roots another chance, and I suppose now's as good a time as any, what with this new track completely blowing my mind. The new album, Quadra, is available now from Nuclear Blast Records.

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Read:

Dipping back into The Hellbound Heart, and I'm completely smitten with it. My love of Barker is stronger this year than it's been in a while, and revisiting this one on the heel of rewatching the first three movies several times over the few years, I find myself very interested in his adaptation process.

Look at Barker's original cover art; this should have never been changed. I'm currently reading this one on Kindle, but I'll have to keep an eye out for a copy of the original. 

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Playlist:

Angel Witch - '82 Revisited

Dance With the Dead - Near Dark

Type O Negative - Bloody Kisses (digipak)

Jello Biafra and the Guantanamo School of Medicine - White People and the Damage Done

Iggy and the Stooges - Raw Power

Isaac Hayes - The Isaac Hayes Movement

Japandroids - Celebration Rock

Low Cut Connie - Hi Honey

Alice in Chains - Dirt

Sepultura - Quadra

Gloom Balloon - All My Feelings for You (single)

John Carpenter - Skeleton/Unclean Spirit (single)

Blueneck - Repetitions
Frank Sinatra - In the Wee Small Hours

Uniform - Shame         

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Card:

Different deck, same card as my last draw. I suppose this underlines my explanation from the nineteenth, however, today was a fairly productive day, as I clocked several hours of solid writing time on Shadow Play, Book Two. This is what I always have to remind myself when I start something this big - the Flow will only come if you wait through the off times. Day one might suck; day two might suck; day three might suck, but it won't suck as bad. Then, before you know it, the polarity reverses and the Work gets better and easier, more rewarding. But you have to hammer through the Strife. 

2019: January 5th

Belong's October Language is one of the most beautiful albums I've heard in some time. Close your eyes and drift into a nothing space of faintly glowing radiance and soft, fuzzy waves...

I've been sick for a few days now, spending a lot of time watching movies and reading Nick Cave's And the Ass Saw the Angel, a book I started twelve years ago and never finished. I won't lie; I'm a huge Cave fan, but this is not easy reading. The book is written in a mostly first-person perspective, in the rather baroque hill-speak of protagonist Euchrid Eucrow, the son of an inbred father and a drunk-on-still-mash mother, so the language is biblical and flowery in a terse, over-reaching way. Which is exactly how it should be written, given the author's choice for narrators. I'm always up for a literary challenge, and I wonder if at some point my brain will just "click" to the style and have an easier time with it. That's what happened when I first began reading Irvine Welsh; the phonetic Scottish Brogue threw me at first, but after a while I acclimatized to it and began to read Welsh as easily as anything else. Incidentally, that also helped me when I met him and later, when I traveled to Scotland; I had no problem understanding most people I spoke with. So, I'm sticking with the Cave until it's finished.

This "read what's on the shelf" is a continuation of an initiative I began last year, to finally read a lot of the books I have on my shelf; working at Borders for five years in the 00s, I accumulated a lot I still haven't read. Now that I'm trying to start saving for a house, it makes sense to condition myself to actually read that stuff, to not just jump on Amazon at the mention of everything that sounds cool and order it. I'm not saying I have a moratorium on new books, because there's a ton I want to read, but a healthy, three-old-ones-to-every-new-one mix should help.

Speaking of Welsh, he's an author that, for years, I bought everything he published the day it came out. That changed when I began shifting my reading to a more genre-specific diet, worried that the more literary stuff my tastes were entrenched in was influencing the way I was writing. Not that that's bad; the first two novels I wrote, one of which I'm hoping to finish editing this year and publish, have a more literary bent than Shadow Play, which is straight genre. But to finish Shadow Play, I had to curate my reading more carefully. With Welsh, he influences me so much that I had to swear him off altogether, knowing one day I'd dive right back in. That was 2012, because the last book I read by him was Skagboys. Since then, I've watched as he's published no less than four novels, and I've had to force myself to abstain from each one. But, with Shadow Play finally winding down - I started it in earnest in 2012 - another one of my ideas for 2019 is to flip back out of genre a bit - hence the Cave - and pick up with Welsh where I left off. Can't wait; I really miss the man's writing.

Speaking of Welsh again, I mentioned I've been watching a lot of movies while I've been sick, and the one I just watched this morning definitely makes me yearn for Irvine Welsh's novels; Outcast - not to be confused with the Nick Cage movie of the same name or the Robert Kirkman series on Cinemax - is a 2010 film by Colm McCarthy, a director that has come up in the world since by directing 2016's much lauded The Girl with All the Gifts and Black Mirror season four episode six: Black Museum. In elevator pitch shorthand, imagine Welsh and Warren Ellis writing a story about ancient magick adrift in the shadows of modern Edinburgh. That's this Outcast, and I LOVED this film; it's take on Magick was both enigmatic and practical, a lot like Ellis's Gravel series from some years back.



Also, yesterday I watched:



This I hadn't seen since its initial VHS release in 1992 or '93. I've been fairly afraid to revisit it; Hellraiser: Hell on Earth was actually my introduction to the Hellraiser movies, and you can probably understand then when I tell you I didn't actually rent the first two until three or four years later. Re-watching it now, as a massive fan of those original movies and of the concepts and characters in general, I can say that there are quite a few things about Hell on Earth that I like, most specifically the body horror effects. That said, this is the perfect example of the how Hollywood used to just throw money and special effects at ideas and think that made them better. The culminating sequence in this film, of Pinhead chasing our protagonist through New York, is rife with explosions, car crashes, water mains bursting, glass shattering, and none of it has any point at all in what's happening or even fits the story. It's both sloppy and lazy.



You know, I don't normally go in for home invasion movies. People doing terrible things to people is not really the kind of horror I like. Still, the original Strangers was well made and creepy as all hell, at a time when most studio horror had forgotten how to be subtle with their scares. That trailer, with the knock on the door at two A.M., this is a concept that has occurred to and haunted me since I was a kid. I liked that first film and so knew I'd eventually see the sequel. After watching Prey at Night yesterday, I can say it was good, but really left me with a violence hangover. I don't know that I'd say I enjoyed it, but it wasn't overly disturbing and bookended the first film in a satisfying way, so nice to check it off my list.

Playlist from 01/04:

Tears for Fears - Songs from the Big Chair
Henry Mancini - Charade OST
Paramore - All We Know is Falling

Card of the day:

From the Grimoire, "The Will (Fire) to Materialism (Disks)." This is what I was just talking about above, so nice to come to the end of this post and have this pop up. Literally, the Will to save Money.

2018: March 22nd 4:35 AM

Woke up with this firmly entrenched in my head. Great song:



Two nights ago I watched the newest Hellraiser movie, Hellraiser: Judgement. I'm a huge fan of the first two films, and maybe a fan of number three, although it's not been since Hell on Earth was first released to video (while I was in high school!) that I've seen it and, in spite of liking it then, I've grown suspicious of it due to the fact that Part 3 is essentially where dimension films began to try and shoehorn Pinhead into being another Freddy-sized horror icon in a cookie cutter franchise series. Maybe cookie cutter isn't the correct term, but all I know is there are not too many instances where Hellraisers 4-8 are spoken of nicely, if at all. Judgement, however, was good despite its ostentatious nature, particularly in The 55 Ludovico Place sequences, which are gorgeous but suffer from a certain one-upmanship to its grotesqueries. You can almost hear the writer's process during these sequences, something along the lines of, "Oh, what if then the blood the Surgeon unleashes... um... gets sprayed from industrial piping built into the table and... soaks down the demon chicks' naked tits? Yeah! Holy shit! That's gnarly!" I mean, I loved the sequences in question, bloody naked breasts and all, but there's a certain contrivance that goes along with both the presentation and my appreciation. Regardless, in spite of this and a slightly tired biblical serial killer storyline with a predictable twist (for my $$ Se7en opened and shut the door on this concept), I really liked Hellraiser: Judgement.



Playlist from yesterday:

Flying Lotus - Cosmogramma
Screaming Females - All At Once
Ghost - Infestissumam
Windhand - Grief's Infernal Flower
The Verve - E.P.
Touche Amore - Eponymous
Antlers - Familiars
Boards of Canada - Music Has the Right to Children
Boards of Canada - In a Beautiful Place Out in the Country

Card for the day:

"Incredible energy to physical matters." Yep. That's moving. I've worked non-stop since Monday, coming home after work and physical grinding out the packing, cleaning, condensing, purging. Hard work pays off tonight when we sign the lease, pick up the keys and finish final preparations for the move tomorrow!

Damn You Mezco Exclusives

Seriously. Just take my money.