I pulled out Firewater's classic 1998 album The Ponzi Scheme and, as usual, now find myself unable to put it away. I've posted other songs from this album here before but haven't paid tribute to others. In that interest, here's"So Long Superman," just another of my favorite songs on an album where every song is a favorite.
Read:
I finished John Ajvide Lindqvist's Handling the Undead a few days ago. Wow. Very good. Understated, powerful, and creepy as hell. Lindqvist's prose is a touch dry, but it works well as he filters between the three main groups of characters - three families - and how they react to the return of dead loved ones. Their reactions then become superimposed across a larger arena as the whole of Sweden reacts to the return of what the media dub the "Reliving," a term very much inspired by a government trying to handle a baffling and unprecedented experience. This is an undead book where the undead are, for the most part, completely unviolent, leaving the characters to deal with the psychological, emotional, and sociological ramifications of what would happen if the recently deceased returned to us.
From there I moved back into Nathan Ballingrud's debut short story collection, North American Lake Monsters. I'd been reading a story here or there over the last two weeks, just to have something to dig into that inspires me to write, and now that I'm full bore, I'm once again in Ballingrud's beautiful prose. This man is easily one of the best writers working today, no need for the genre quantifier. I simply cannot wait for this to hit Hulu next month as the new anthology show Monsterland; I'm hoping they do all nine stories. In particular, The Crevasse is one of the best shorts I've ever read, and to see it properly translated would be majestic, in the least.
Playlist:
Firewater - The Ponzi Scheme
Mastodon - Crack the Skye
Mastodon - Emperor of Sand
Perturbator - Dangerous Days
Card:
"Harmonious union of male and female energies" is a nice reminder on something I've been working on as I muster up the gumption to jump back into Shadow Play, which I continue to avoid for some reason.
A little classic Firewater to kick off the morning. I drove in to work playing The Ponzi Scheme, the band's 1998 masterpiece, and it reminded me how much I love this album. I've always been a bit reticent when engaging with their other albums; nothing against the band or Tod A, the principal composer/arranger/lyricist who is the anchor of the group, Firewater is just one of those band's whose first album I heard made such a deep impression I've always had trouble going for anything else. That changes today, I think. I've loaded 2003's The Man on the Burning Tightrope to my Apple Music and intend on engaging with it shortly after I post this.
Congratulations to Green Book for winning best picture. I know, I know: I'm one of those people who flap their gums about detesting the oscars and then applaud when the awards line up with my personal choices. What'dya gunna do?
Quick correction on my previous entry to these pages. In 2015, Hateful Eight was not my favorite/the best movie of the year, it was Alex Garland's Ex Machina.
Saturday night I had the guys from The Horror Vision over and we watched Philip Ridley's INSANE 1991 film The Reflecting Skin. This just hit Shudder and is a bit hard to come by, so I recommend if you have the service you watch it. Haunting, and you will never see daylight and fields of wheat look so freakin' ominous again.
The final episode of True Detective season 3 aired last night. Much like the first season, I didn't love the finale. Still, no complaints on an overall awesome season. My slight disappointment simply stems from the fact that, even more than season 1, this season set up a lot of what could have been really profound ideas and then skirted around them for a pretty convenient and simple resolution. I guess the show will never be what I want it to be, but even just these teases - when executed this well - are enough to permanently endear it to me.
Playlist from 2/23:
Beck - Odelay
Don Shirley Trio - Don Shirley
The Devil's Blood - The Thousandfold Epicenter
Godflesh - A World Lit Only By Fire
Paramore - All We Know is Falling
Ritual Howls - Into the Water
Odonis Odonis - Post Plague
The Cure - Pornography
Playlist from 2/24:
United Future Organization - Third Perspective
Card of the day:
Hmmm... poisoned waters? Overflow of emotion tainting the perfection of the Six? No idea on this one, though I'm tempted to read it as my preoccupation with a new short story idea - well, a couple of them really, hence the overflowing symbolism - interfering with my editing of the book I've promised myself will be published in April.
From one of my all-time favorite albums, Firewater's 1998 The Ponzi Scheme. I saw Tod A. and the line-up for this record perform it in its entirety at the loooong gone but highly fabled Chicago venue Lounge Ax. It was amazing. Ever since The Ponzi Scheme came into my life I've held in the highest regards - to me its one of a handful of records that represent the highwater mark of the 90s indie music era (before "indie" was a, ahem, genre...). Ironically though the albums sonic scope is so extravagant in its influences that I've held it against everything else Tod A. has done under that moniker, i.e. I never listen to any of the other records because hearing his vocals I just want to turn whatever it is off and replace it with The Ponzi Scheme. After laying back into it for two days now I've just completed a fairly engaged morning listen and have The Golden Hour and International Orange! - both of which I have Brown to thank for gifting me - on deck and am going to try to finally broaden my Firewater palate.
