Showing posts with label Finn Andrews. Show all posts
Showing posts with label Finn Andrews. Show all posts

Monday, August 12, 2019

2019: August 12th The Veils - Another Night on Earth



I've been on something of a kick with The Veils lately. This song... so good. Finn Andrews is, in my opinion, the heir to Nick Cave's throne. Not that Cave is going anywhere anytime soon, I hope. But there's an artistic comparison to be made, for sure.

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Saturday night, K and I went to the theatre and saw Scary Stories to Tell In the Dark. It's not good.

I know, I know... what could go wrong? Well, for one, the framing device the filmmakers construct - a story about preteens that ride around on bikes and use walkie talkies to communicate during dangerous situations (sound familiar?; I can practically see the studio executives writing that in), situations that arise from the kids finding a mysterious book in a mysterious house and setting off strange events? It sucks. It's trite, completely unoriginal, and largely boring. Watching a movie that's this bad, I always go through about thirty to forty minutes of the, "Maybe it's just me..." phase, followed immediately by the, "Okay, if it's not me, what's wrong with it?" phase.

I really try. I do.

Finally, we get the "Well, how could they have done this better" phase. For this one, I think the better option would have been to invent a Cryptkeeper-like character or device and use that to introduce and/or narrate the 'Scary Stories' culled from the book. As it stands with this film, the framing device story involving the kids is about 90% of the screen time, and the Scary Stories are maybe 10%.

It is, however, visually and sonically really well made. And if you have younger children and want to get them on Horror, I'd definitely recommend this for them. And admittedly, the brief moments that bring the original stories from the books to life are pretty awesome, there just isn't nearly enough of them to make up for the rest.



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Playlist from the last few days:

Waxwork Records - House of Waxwork Issue #1
Revolting Cocks Playlist
Drab Majesty - Careless
Beach House - Thank Your Lucky Stars
Beak> - L.A. Playback
Opeth - Still Life
Sunn O))) - Life Metal
High on Fire - The Art of Self Defense
The Veils - Nux Vomica
The Veils - Time Stays, We Go
The Veils - Total Depravity
Sleep - Dopesmoker
Ritual Howls - Rendered Armor
Deafheaven - Ordinary Corrupt Human Love

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Today's spread:


Continuing the theme of larger ideas affecting everyday life. I'm really only feeling the barest beginnings of this, but it's there.

Monday, March 25, 2019

2019: March 25th



I am loving the new Finn Andrews' record One Piece at a Time. Another album that is perfect all the way through. Currently, this is my favorite song, although I suppose that may change as on an album this strong, all ten tracks will most likely cycle through as a favorite at some point.

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My friend Jesus gifted me a copy of Pornsak Pichetshote and Aaron Campbell's Infidel, and after only  a few pages in, I can attest that all the great things I've read online are 100% accurate. Described as, "A haunted house for the 21st Century, Infidel follows an American Muslim woman and her multiracial neighbors who move into a building haunted by entities that feed off xenophobia." Amazing, high concept, right? Well, so far the execution is tense to say the least, and Campbell's art is ridiculous it's so fantastic. Here's a sample:


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Finally watched Ryan Gosling's 2014 debut as Writer/Director Lost River. Wow. I was a little tired through the beginning, blinking out in micronaps, and I thought that might affect my experience, but it did not. Reminiscent of Harmony Korine's Gummo meets David Lynch's Straight Story, Lost River's third act pretty much forever endeared the movie to me. The imagery Gosling puts on screen is breathtaking, and Johnny Jewel's OST is perfect.

Oh, and Ben Mendelsohn and Matt Smith are fantastic as two very different varieties of heavies.



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Playlist from 3/24:

Uncle Acid and the Deadbeats - Bloodlust

Card of the day:


Lots of Earthly concerns, because I've not been as vigilant as I need to be with money. It's very easy to slip, with all of these wonderful boutique companies out there servicing fans of everything from David Lynch to any comic book you've ever read. To move forward, sometimes we have to let ourselves take a few steps back. Does that make sense, or am I mixing metaphors and scenarios? It's early, off to work.

Friday, January 18, 2019

2019: January 18th



New Finn Andrews! Pre-order The Veil's frontman's debut solo album HERE.



I've been doing pretty good not spending money, but this will most likely be a must.

Playlist from 1/17:

Tool - Aenima
Belong - October Language
Boards of Canada - Geogaddi
Baroness - Purple
Godspeed You! Black Emperor - F#A# (infinity)
Lung - All the King's Horses
Carpenter Brute - Leather Teeth

Card of the day:


A controlled burn for creative victory.

Saturday, October 27, 2018

2018: October 27th



New Finn Andrews track! I love everything about this man's music. In the past two years, I've gone to so many concerts, that I've made a little oath to lay off in 2019, in an attempt to start saving some of the money I spend at shows. The two exceptions to this are The Veils, who I've only been into since David Lynch introduced them to me on Twin Peaks, and Uncle Acid and the Deadbeats. Well, I procured Uncle Acid tickets this past Wednesday, so that only leaves The Veils. Would Finn Andrews solo suffice? Of course.

31 Days of Horror was supposed to continue last night with Stanley Kubrick's The Shining, however between decorating for Halloween and baking Zombie cookies, K and I didn't think a 2+ hour film was realistic, so we went with John Carpenter's The Fog, a film I love but hadn't watched since Mr. Brown and I viewed it back in, oh, probably 2003. Jesus, time flies.



Tonight's film is already set in stone - Suspiria, at the Arclight in Hollywood. Excited does not even begin to describe my mindset. I believe this film will not be a remake at all, but a totally new and different film that will sit alongside the original as another fantastic piece of horror cinema.


31 Days of Horror

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman
10/17) Ghoulies
10/18) John Carpenter's Halloween
10/19) Halloween
10/20) Mandy
10/21) Satan's Playground
10/22) Flatliners
10/23) Jacob's Ladder
10/24) Halloween III: Season of the Witch
10/25) Ghost Stories
10/26) John Carpenter's The Fog

On a bit of a paperback kick right now, and finding that August Derleth's Cthulhu cycle stuff is not nearly as bad as I remembered it being (I say I remembered them being bad, but regardless I've always loved what I've read, just wondered about going back to it, which has been rewarding thus far).


Playlist from 10/26:

Type O Negative - Bloody Kisses (Digipak)
The Teardrop Explodes - Kilimanjaro
The Knife - Silent Shout
Fantômas - Director's Cut
Jóhann Jóhannson - Mandy OST

Card of the day:


From the Grimoire, "Culmination." Good, lots of spinning plates and I believe I just implemented something to streamline their results. Ten is also Malkuth, the world, and I guess, in a way, I'm announcing myself to the world today.