How freakin' awesome is this? I mean, I'd rather have had a new Raveonettes record drop, but I'll take an all-star covers version of their debut, no problem. The list of participants here is fantastic, so it was hard to choose a track. Rip It Off is available everywhere now - rejoice!
NCBD:
I'm pretty pumped for this week's NCBD. Here's why:
Once again I'd like to acknowledge how full of shit I am when it comes to my constant refrain of, "I'm jumping off this Ghost Rider book." Issue 16 had another total Clive Barker undercurrent to it, and the Ghost Rider/Wolverine: Weapons of Vengeance continued that (in a way), even though it did not do what I keep hearing about, the Weapon Plus (formerly erroneously referred to as the Weapon X) program reinstating with technology culled from Hell itself by Infernal Labs. I mean, that concept could be so freakin' Metal! Will it? Maybe. Either way, I guess I'll be around to see.
Nothing but good things to say about this one. Every issue of SIKTC comes and goes so quickly, I'm constantly wanting more. And that cover! This is one of the variants, but I'm hoping to snag one; very reminiscent of those House of Slaughter "Body Bag" covers last year.
Love the new, post-Armaggedon Game direction TMNT is taking. Between recent issues of this, the recently completed Last Ronin: Lost Years going out on such a high note, and all the various plotlines at play, I feel like we've weathered the crossover/event storm and finally gotten back around to some solid month-to-month storytelling!
I was not going to read this new iteration of Uncanny Avengers, then I found out Gerry Duggan is writing it. For me, that makes it worth giving the book a chance. The playing field is certainly aligned to make this a great book: how does Captain America stand beside mutants before a world Orchis has pretty much engineered to fear and hate them? This isn't like the old school, 'feared and hated' throughline that has haunted the X-books since the beginning; mutants are now globally blamed for terrible crimes against all of humanity, so I'm thinking the term "race traitor" is going to get thrown in Cap's face quite a bit. Of course, one of the things that makes Cap an evergreen character is his resolute adherence to his principles in the face of any and all odds and injustices. None of that means the book will be to my liking, however, Duggan's X-Men is such an outstanding read, how can I not give this a chance?
X-Men: Red continues to be one of the three most fascinating Marvel books I've read in a loooong time. The sheer grandiosity of Al Ewing's approach here, where so much is unrecognizable as X-continuity and so much is new, cosmic ground, is often breathtaking. This month's A cover says it all: I was never a Nova fan, but his inclusion in this book, along with all these intensely fascinating Arraki characters (never mind that I can't remember any of their names besides Jon Ironfire) make a far more interesting dynamic than just a bunch of the same old mutants. Add to that Apocalypse's apparent return, and I'm quite certain this will be another outstanding issue.
Watch:
When the most recent issue of Fangoria showed up on my doorstep a few weeks ago, one of the first articles I read was Jacqueline Castel's "A Very Modern Prometheus," a conversation with Birth/Rebirth director Laura Moss about her new take on Mary Shelley's Frankenstein. Of course this put the film on my radar, so I was pleased to see an article on Bloody Disgusting this morning reporting the film hits Shudder this Friday, August 18th.
I love modern takes on the classic Frankenstein story. As per my new distrust of trailers, I turned this off at 1:11; I don't need to see any more to know I'll be watching this.
Playlist:
bunsenburner - Rituals
Telekinetic Yeti - Primordial
Mudhoney -
Various - The Raveonettes Present: Rip It Off
Wesley Willis - Feel the Power
Mudhoney - Live at Third Man Records
High On Fire - The Art of Self Defense (remix/remaster)
Deftones - Gore
Blackbraid - Blackbraid II
Testament - Low
Testament - Demonic
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
• Six of Wands
• XXI: The World
• XIX: The Sun
Six of Wands is a harmonization of Will, an achieved balancing point from which magnificent things can happen. Juxtapose that with The World (The Universe in Thoth-speak), and we see a massive overhaul of something coming up, especially when taken with The Sun, a card of revelations.
Another new track from the upcoming album Disharmonium - Nahab, out August 25th on Debemur Morti; pre-order HERE.
This track reminds me A LOT of the material released on Blut Aus Nord's iconic The Work Which Transforms God. It's not the easiest to listen to at first, because it follows very little of our pre-conceived notions of what a song or music can be. That's exactly why I love this band. Bring on the full album - I want to melt my mind with its non-Euclidean sonic geometry!!!
Read:
Issue twenty of the new Fangoria arrived in the mail yesterday; always a good day when a Fango shows up!
Most of the main articles are about films that haven't come out yet; the cover story is on Michael and Danny Philippou's Talk to Me; I bought tickets to see this next Thursday, 7/27/23 and I'm fairly stoked. The fine folks at Beyondfest recently did some screenings with the Directors and they can't stop raving about it, so I'm fairly certain this one will be wonderful. Also featured is Cobweb, which I'm driving into Nashville to see on Saturday. Written by Chris Thomas Devlin and Directed by Samuel Bodin, I have high hopes for this one as well. So those are among the articles I'm saving. My favorite parts of Fangoria, however, are the columns, and in just the three I've read so far, I'm instantly reminded why I love this iteration of the Horror Mainstay Magazine so much.
Long-time contributor Michael Gingold discusses writing a new novelization for the 1980 Video Nasty Nightmare for Severin Films, who also just released a restoration of the film. The resurgence of movie tie-in novelizations is fascinating to me, and although I don't read a lot of them - I burned through Brad Carter's Night of the Demon last year, also from Severin - Nightmare is one I'm curious about. The film is hit or miss with me, despite its aurora of grindhouse sleaze that drips from every nook and cranny, but as with Night of the Demon, I have a feeling I will really enjoy reading the story more than watching the film. Whatever your preferred medium for Nightmares, you can order the restored film HERE or Mr. Gingold's novelization HERE.
Next up was Barbara Crampton's editorial on theatrical screenings vs. streaming. She makes some points I'd not considered until now, mainly that we are seeing the streamers' film production slowing as people return to the theatre. I don't think we'll ever tip the scales back in the direction they were twenty years ago, however, while bombastic (and to my mind at this point, mildly annoying) Marvel/Super Hero flicks carry the main audience on the big screen, Horror is the quiet RBI batter, in my opinion.
Finally, Stephen Graham Jones has a fantastic new entry in his Slasher Nation column that traces the origins of the Final Girl all the way up from the Damsel in Distress of the silent era. Easily my favorite piece in the magazine I've read this morning.
Playlist:
Forhist - Eponymous
Mammon XV - Woe's and Winter's Breath EP
Ruby the Hatchet - Fear Is a Cruel Master
Brainiac - Predator Nominate
Greg Puciato - Mirrorcell
Gism - Detestation
Blut Aus Nord - Queen of the Dead Dimension (pre-release single)
Genghis Tron - Dead Mountain Mouth
Sepultura - Schizophrenia
Metallica - 72 Seasons
Bohren & Der Club of Gore - Pachouli Blue
Pale Dian - Feral Birth
Card:
• V: The Hierophant
• XI: The Hermit
• Five of Cups - Disappointment
Exciting news will turn out to be erroneous, or at the very least not what it seems at first glance.
Mr. Brown clued me into the fact that Jenny Lewis dropped a new record last week. Totally not on my radar at the moment. I've given Joy'All a few spins - if you dig Jenny Lewis in general, this is for you. I have to say, I'm not taking to this one as easily as I have with her older stuff. Last night I revisited her 2006 collaboration with the Watson Twins (who also, it turns out, have a new album dropping next week!) Rabbit Fur Coat and it reminded me just how much I love Lewis's work. Her voice, lyrics, and arranging. All that's there on the new album, however, those qualities feel somehow muted. It may just need more listens, which I will surely give it over the upcoming summer evenings. That said, starting with 2014's Voyager - which I adore - I feel like Lewis found a 'sound' and has not veered too far outside it. That's cool. But I miss the days when she mixed things up a bit more.
Either way, new Jenny Lewis is still an event to be happy about. You can order the record HERE.
Watch:
Fangoria posted a teaser for Joe Lynch's new film Suitable Flesh; I've been chomping at the bit for this one, so despite my recent tendency to avoid trailers, I watched this.
It's perfect - gives nothing away, floods us with fantastically menacing images, and then disappears. Not unlike a Lovecraft entity, really. That's it for me, though; I won't be watching any subsequent trailers. No word on exact release dates yet, but if this goes wide, I'll be there day one.
Read:
I received and blew through Laird Barron's new Isaiah Coleridge novel, The Wind Began to Howl. Outstanding, as always. I'm amazed at Barron's ability to crank out insanely readable iterations of this character that are primarily stand-alone, modern detective stories, but also have begun to develop not only a big picture but a bridge into the Barron mythos we know from his short story collections and previous novel/novellas. In my memory at least, back at the outset of Book One: Blood Standard, there was little to no direct sign of his strange, dark 'Outer'. It's here in spades now, although introduced and perpetuated in a way that doesn't fully immerse Coleridge in that world. Yet.
The Wind Began to Howl is published by Bad Hand Books and is available wherever books are sold!
Playlist:
Type O Negative - Life Is Killing Me
Colter Wall - Imaginary Appalachia
Bria - Cuntry Covers Volumes 1 &2
Blut Aus Nord - What Once Was... Liber II EP
Blut Aus Nord - Disharmonium - Undreamable Abysses
Blut Aus Nord - The Endless Multitude (pre-release single)
Godflesh - Purge
Jenny Lewis and the Watson Twins - Rabbit Fur Coat
Roy Orbison - Mystery Girl
Card:
I'm feeling a pull back to the Thoth Deck in a way I haven't in quite some time. It's good to be back; I love this deck. First one I owned and really, the only one for nearly twenty years. Missi's homemade Raven Deck and Grimm's Bound are the only other Tarot I own. There are thousands of gorgeous or intriguing decks out there, but I collect enough stuff.
Anyway:
• 7 of Swords: Futility - a conflict reaches a natural pause.
• Knight of Swords - Probably from exhaustion at fighting
• 9 of Cups - an understanding, peace or elation is achieved.
There are a couple open loops in my life at the moment; none directly affect me, but all affect folks I'm close to. Not entirely sure what this Pull is referencing.
I dabbled in the first act of Blood Magick I've tried in a long time last night. This was to help a friend, and I should say upfront, I use my own blood; I don't hurt other living things. I don't know that this Pull is referencing that. Full disclosure: I never 'ask the cards a question' before I draw. I just draw and read and usually, the result makes its subject known instantly. But this... I'm not sure how to read yet.
Interesting note: Blood begets blood. I had dark, bloody A.F. dreams all night. Two relatively close friends - no one I have ever mentioned in these pages - died of a knife puncture to the throat. This happened in the old practice spot my bands had in the 90s, the studio apartment above my parents' detached garage. The scenario began with one friend, and the dream jumbles events so I'm not sure if it was a suicide or somehow I was the killer. After the agonizing event of the death, we (no idea who the 'we' were, but it was definitely more than just me) placed the body in the bathtub with ice, then fretted over contacting the person's spouse. This was the worst part of the dream, because it seemed even dream me was unsure if I was responsible for the death. Then, in true dream logic, the body became that of someone else entirely.
This did nothing to abate the horror.
The dream flit in and out of several iterations of waking, so that by the time I awoke this morning, I was unsure if the chronology of torment it imposed on my psyche was from last night, or if the dream has been recurring for several nights and I just haven't remembered it until now. As of typing this, I feel relatively certain this only occurred last night.
Disturbing, yes. However, like bad drug experiences, I dig nightmares. I'm always able to crack a piece of my consciousness off and have it observe from a third-party perspective, even while the rest of me shrieks in horror.
I rewatched Nicolas Winding Refn's 2016 The Neon Demon yesterday and was once again completely blown away by it. The visual textures are sleek and beautiful while remaining as soulless as the industry they house in the story. This is perfect for Julian Winding's throbbing, minimalist techno (not calling it EDM, sorry).
Watch:
Interestingly enough, not a day after I read an article about Huesera: The Bone Woman in the latest issue of Fangoria, the trailer dropped:
The first feature from writer/director Michelle Garza Cervera and distributed by the delightful XYZ Films; I'm kind of chomping at the bit to see this one. Something about the mythology at play here really fascinates me.
Read:
Last week I doubled down on my James Tynion reading and picked up the first four trades of Department of Truth. This is research for an upcoming deep-dive Butcher and I are doing for The Horror Vision; the project began as a lay-everything-out for Tynion's Something is Killing the Children mythology; only before we could get going, The Book of Slaughter dropped and kind of answered everything we were going to attempt to draw conclusions on. However, knowing the overall premise of Dept. of Truth, I began to realize the real deep-dive is seeing how these two connect because I am almost certain that they do.
We'll obviously get more into it on the show, which will hopefully drop in about two weeks, but for now let me just point out that in SIKTC, the thing that manifests the monsters is belief, and the titular Department in DOT's entire job is managing belief in conspiracies because the big secret of the world is that if enough people believe in something, it becomes reality.
There's a layer to my enjoyment of DOT I hadn't anticipated, and that's that it looks and reads almost exactly like a late 80s/early 90s Vertigo title. I'm still picking away at the first couple trades of Peter Milligan and Chris Bacchalo's Shade The Changing Man from 1990-1991, and there are so many similarities, it's unreal. Add to that the Bill Sienkiewicz-like art from Martin Simmonds, and I've realized this is a book I should have been reading from the beginning. Better late than never, though.
Playlist:
David Lynch - Crazy Clown Time
Metallica - Hardwired... To Self-Destruct
Various Artists - Twin Peaks (Limited Event Series Soundtrack)
Metallica - 72 Seasons (pre-release singles)
The Police - Synchronicity
David Bowie - Scary Monsters (and Super Freaks)
Off! - Free LSD
Perturbator - Lustful Sacraments
Katatonia - Sky Void of Stars
Cliff Martinez - The Neon Demon OST
Final Light - Eponymous
Jozef Van Wissem & Jim Jarmusch - An Attempt to Draw Aside the Veil
Special Interest - Endure
Lard - Pure Chewing Satisfaction
Godflesh - A World Lit Only By Fire
Card:
From Jonathan Grimm's Bound Tarot, which you can buy HERE.
A strenuous emotional sacrifice to achieve a goal. (that's a crappy reading, but I'm short on time)
Among the many albums that dropped last week, Chicago's Urge Overkill released a new record. Oui is 12 tracks of classic Urge. Order HERE.
NCBD:
Big week this week for NCBD:
I'm about due for a full read-through on Home Sick Pilots, which is just a crazy fucking book that I love in pretty much the same way I love Saga. Both books are so original, so unique, they just blow me away.
I am SO into this new Hulk book.
Joe Hill. 'Nuff said.
The conclusion of our Lemire and Sorrentino's weird AF cold war animal astronaut epic.
If I was into tattoos, I would get the image of the Silver Coin on my bicep.
I didn't love the previous issue of TMNT, but they never stray for long.
What's the closest thing to the Furthest Place from here.
Modok? Okay, I'll allow it for now. However, I'm really only interested in him when he's voiced by Patton Oswalt.
Now that our move is 'in the books' so to speak, I'm seriously considering dropping all Marvel titles and just going with a subscription to Marvel Unlimited. I'm not sure how much time I'll have to read, and I'm not sure how close I'll be to a Comic Shop, but at least with a sub, I'll have access to literally thousands of titles to read whenever I want.
Now I just have to pull the trigger on buying a good tablet.
Read:
When I finished reading Phillip Pullman's The Amber Spyglass over the weekend, I was extremely tempted to immediately jump into Pullman's La Belle Sauvage, the first volume his new HDM sequel series, The Book of Dust. However, I have a stack of other books and authors I've desperately wanted to crack into, so instead, I finally started:
Max Booth III has been on my 'want-to-read' list for some time, especially Carnivorous Lunar Activities, which, along with Preston Fassel's Our Lady of the Inferno, kicked off Fangoria's fiction imprint that coincided with their brand relaunch in 2019. I loved Our Lady of the Inferno, and I mean, like, really loved, and about a quarter of the way through, I'm loving this one as well.
Playlist:
Urge Overkill - Oui
Orville Peck - Bronco (pre-release singles)
Boards of Canada - In A Beautiful Place Out in the Country (EP)
Urge Overkill - Saturation
Liz Phair - Never Said (single)
CCR - Eponymous
Cyndi Lauper - She's So Unusual
Deafheaven - Infinite Granite
Mastodon - Hushed and Grim
Mrs. Piss - Self-Surgery
Beach House - Once Twice Melody
Card:
I'm sure I've said this here before, but I always look at this one as a reminder to roll with the punches. Dogma is bad, and it's not just a staunch adherence to religious or political ideologies. It's thinking there's one way and only one way for anything. There's not. This is especially poignant as we are informed by our realtor in Nashville today that, in the market of the moment, if we're coming in looking to buy a house with a bank loan instead of cash, we will be asked to waive all inspections. Anything that's not "here's the money now," and we won't be able to compete. Long and the short of that is, we're no longer looking in Nashville and its immediate suburbs, but moving a bit more outside those areas. Not far, just far enough to make sane decisions.
Some time back in late 2018, my good friend Jesus gifted me a Blu Ray copy of the film Summer of 84. At the time when I first watched it, the film seemed a little too derivative of Stranger Things. Kids on Bikes felt like it was becoming the new Steampunk, i.e. ubiquitous to the point of losing me. Still, I ended up digging the movie that first time.
Yesterday, I came home from work and, as has become my custom, cuddled up with my cat on the couch to take a nap. I generally put Shudder TV on, find something mildly interesting, and nod in and out while I watch. This has been a great way for me to see a lot of films I can't commit to in the course of my regular, evening viewing. Anyway, 84 came on and I fell into it. I felt pretty much the same for most of the movie, and then the last ten minutes or so happened and I finally 'got' what the filmmakers were trying to do. Much like Twin Peaks purposely took on the language of the night time soap opera in order to completely subvert it, Summer of 84 puts on a Stranger Things costume just to turn it on its head at the end. Chilling is the only word I have for it, especially after seeing on Reddit where in a post-screening interview, the directors - François Simard, Anouk Whissell, and Yoann-Karl Whissell - stated they would never make a sequel because - and this is me quoting someone paraphrasing - "The terror was from the ending as it was, and to make a sequel would take away some of the effect."
That's fucking hardcore.
**
The new issue of Fangoria arrived this past Thursday. Look at that cover! The cover story is based on a comic strip Patton Oswalt sent in to Fango in 1984, and the print the entire thing. It's fantastic.
With information about Fangoria's parent company Cinestate coming out on how they ignored one of their producers who sexually harassed women on set coming on top of former Fango head of acquisitions being accused of harassment, it seems that everyone is jumping ship from the magazine.
Not me.
I don't really understand cancel culture in general, but this is insane. The moment the Cinestate story broke, Fangoria Editor in Chief Phil Noble, Jr. posted that Fangoria was looking for new owners, and the head of acquisitions in film had been on board for probably a year since coming over from the same position at Dread Central's film division. He stepped down from Fango immediately, and from what I've seen, there's no suggestion that anyone at Fangoria even knew about his actions. So why then did Shockwaves, Mick Garris, and a host of others dump their association with the beloved Horror mag? Why did one of my favorite new authors not only pull his upcoming book from Fangoria's publishing imprint, but also post a letter to his social media saying that although he has never sexually abused or harassed anyone, he realizes this may have hurt people and he apologizes (I think that's what it says. It's really confusing)?
This apologizing for for nothing is a panicked overreaction in the age of the SJW and cancel culture, and I think it sucks. People are pulling their association with the magazine as a preemptive strike, which is seems more than a little like being guilty until proven innocent. Until someone shows me Fangoria itself actively ignored or fostered this stuff, I'm sticking in as a fan.
The re-launch has been such an amazing vessel for critical and thought-provoking Horror discussion. Much more than the later days of the original magazine's iteration. I never consistently read any of the horror mags when I was younger, but I'd pick them up on occasion and, through the 00s when I worked at Borders, read them on break. By that time, Fangoria paled in comparison to Rue Morgue, in my opinion. No longer the case. Rue Morgue and Horror Hound are still great, but the new volume of Fangoria is fantastic from an academic perspective, and I think everyone who is afraid of the SWJs swooping down on them are going to regret their actions, especially if it tanks the magazine. If you didn't do anything wrong, you didn't do anything wrong. Period. I reject absolutely the idea that everyone on Earth with a penis is a rapist by default, and although I absolutely believe predators of any kind need to be stopped, outed, and punished, guilt by association is not a good thing. One of my closest friends in high school turned out to be a murderer and rapist, and at the time that came out, a lot of people cast suspicions and, on a few occasions, borderline accusations at those of us who hung around him. Although he was my friend, I didn't know what he was capable of, and I certainly did not condone or take part in it. That's the example I use as my guide.
**
Playlist:
Brainiac - Bonsai Superstar
The Chameleons UK - Strange Times
The Chameleons - Script of the Bridge
Le Matos - Summer of '84 OST
Zombi - Shape Shift
**
Short story almost finished, time for something new.
Holy cow. A good friend sent me a link to this 2017 album Songs of Love and Death by Me and That Man. Dark, fuzzy, gothic country, this entire album is fantastic. I know nothing about this band, but this album hits a perfect harmonic with the new Federale and a few other albums I've had on heavy rotation lately, most of which I'll get to posting from in the next few days.
**
Last night K and I went to the theatre to see Mike Flanagan's adaptation of Stephen King's Doctor Sleep.
The best cinematic sequel ever.
Honestly, I miss spoke above, because Flanagan - who I now think might be the greatest living modern horror director - has made a film that is a sequel to both King's book and Stanley Kubrick's film The Shining, which are two very different entities. There's an article in the most recent Fangoria Magazine where Flanagan talks about how he approached this, and all I can say is, he hit it out of the park. Doctor Sleep is also a very tight adaptation of the novel, so it has the dual quality of feeling like a novel first, and a movie second. In other words, the three-act structure moviegoers have unconsciously come to expect is there, but in an over-arching way. The way the individual scenes are woven together, moving back and forth seamlessly between characters, events, and places, feels literary, as though you're plowing through sections or chapters in a book.
I loved Doctor Sleep when I read the novel back around the time it came out - many thanks to Mr. Brown for mailing me his copy just to be sure I read it, as our love for both King's book and Kubrick's film goes back a looooong way. And now I love the film. Win-win.
Playlist from 11/08:
Federale - No Justice
Billy Idol - Greatest Hits
Black Pumas - Eponymous
TVOTR - Return to Cookie Mountain
Revocation - Teratogenesis EP
Sunn O))) - Life Metal
John Coltrane - Coltrane's Sound
**
Card of the day:
Balance and harmony; coherence and the intuition of a guiding light. I think so. Tonight we're doing a Horror Vision taping and I'll be premiering the finished version of this story I've been working off-and-on for over a year now to five people by reading it out loud. As Cap'm says, Proof is in the Pudding.
A friend and I are going to check out Larry Fessenden's new film Depraved in Hollywood tonight, and I am excited! I've been waiting for some time for this, a modern re-telling of Mary Shelley's classic Frankenstein tale. The trailer looks fantastic, and the theatre the film is playing at is one of my favorite little nooks and crannies in a city where everything is overblown and overexposed. A fun time will be had by all, of that I am certain.
**
New Fangoria arrived two days ago and I've barely had a chance to scratch the surface.
Great cover.
**
Playlist from 9/18:
Sausage - Riddle Are Abound Tonight
Sleep - Sleep's Holy Mountain
Sepultura - Roots
Malcolm Middleton - Sleight of Heart
Lustmord - The Word as Power
Perturbator - Dangerous Days
**
Card of the day:
I love seeing the same card multiple days in a row, especially when I can interpret the pull as a nod that what I've been doing is the right thing to be doing. Burnt out and not in the best physical shape, I took another day off from writing after work yesterday and had a big ol' nap. It was glorious! This restorative, Powering Up period has worked wonders - I feel considerably better today than I did yesterday, so tomorrow it's going to be rest in the morning, and then back at it.
Actually, I did a little bit of work yesterday: finally dug out an old manuscript I intend to canabalize for an upcoming short story. It was fun revisiting old material, especially looking at it with fresh eyes, seeing what I can use and what will be changed or tossed. This new one's been on my mind for over a year, so I can't wait to tear into it!
From the forthcoming record Somebody's Knocking, out October 18th on Heavenly Recordings, who have a wealth of information about the making of the album and some great quotes from Lanegan HERE. You can pre-order Somebody's KnockingHERE, though at this point it's only for digital. Hopefully when we get another track, there will be a vinyl link for pre-order as well.
Coincidentally, I dug Bubblegum out recently and played the hell out of it for a day or two. Such a great album. I didn't realize there was a new Lanegan Band record in the pipes. Excited.
**
The new Fangoria hits the shelves today. I have a copy on reserve at the Comic Bug, but after today I'm going to subscribe. There's a fantastic episode of the Shockwaves podcast from the last week or so with Fango editor-in-chief Phil Noble, where besides discussing all kinds of horror goodness, Noble talks about how, at this point, the revamped Fangoria is an expensive labor of love, and honestly, just spending the last few months with issue #2 I can see it. I make no bones about falling out of love with the previous incarnation of the magazine, which I thought Rue Morgue surpassed as the only 'need to read' horror zine on the stands some time in the early 00s. That said, Rue Morgue is still pretty damn cool, but Fangoria is back in a big way. Plus, between Fango and Ruck and Lark's Lazarus, I am LOVING the return of the prestige, quarterly format. So subscribing and supporting the mag at the source seems like the best thing to do if I want it to continue, which I do. You can subscribe too, if you click THIS link.
**
Playlist from 4/23:
Boy Harsher - Careful
Bauhaus - Vol. 1
Melvins - Houdini
Soundgarden - Super Unknown
Cocksure - K.K.E.P.
Cocksure - T.V.M.A.L.S.V.
Ritual Howls - Rendered Armor
John Carpenter & Alan Howarth - Prince of Darkness OST
Another KXLU discovery. Goddamn that radio station is just killing' it! I don't know much about the band, I'm starting here, with the album Furnishing the Void. It's great, and I'm planning on digging deeper soon enough.
Hey LA, teachers are striking. Support them. THEY make the difference we need made.
Two nights ago, K and I finished True Detective Season 1. I've thought a lot about those Jeremy Saulnier-directed first two episodes of Season 3; I have ideas, and I still may do a recap show. Maybe. It's hard to know if the things I observed are going to pan out or just go nowhere; Season 2 definitely shook my faith in the show, and I'm not really convinced some of what I see is go-nowhere red herring fodder. But maybe Crooked Spiral refers to:
It makes sense that, same as the show has gone back to a lot of the story mechanics that made Season One so iconic, they would attempt to tie in that season's continuity. Or, this might all end up a big, "Fuck You," from the show's creator for those of us expecting more of a 'Weird Fiction' angle. We'll see.
After rewatching the Season One finale, I still don't like it very much. But, I've said that before and completely acknowledge that no matter how much I don't like that final episode, Season One is one of my all-time favorite pieces of small-screen cinema.
K and I also watched the pilot for SyFy's Deadly Class, based on the Rick Remender/Wes Craig comic that I have loved since it launched in 2014. I am so ecstatically happy for these guys; this book deserves the world and is now poised to receive it. I'll never forget the month, several years ago, when Remender's "Transmissions from a Basement" back matter announced his departure from Marvel, where he'd just finished helming a massive cross-over, and his somewhat joyously nervous announcement that the coming year would be a, 'year of creator owned comics.' That was a big step for the man, and as I knew he would, he has succeeded ten-fold, the successes only growing. I can't wait to see what happens next!
Oh yeah, the show is fantastic! And Henry Rollins is the Poison 101 teacher! How awesome is that!
Speaking of Deadly Class, a new storyline began in issue 36, which was most definitely part of my haul yesterday at the Comic Bug for NCBD. LOVE this cover.
What else? I'll tell you what else:
An absolutely haunting ending to this epic series, Days of Hate.
Gideon Falls remains my favorite book each month, and this issue has a couple of pages that might just rank as my favorite comic panels EVER.
And last but most certainly not least:
I probably should have just subscribed to Fangoria's relaunch. I missed the first issue, but with Joe Bob on the cover, number two was a must. I'll be honest - when I worked for Borders during the 00s, I learned to turn my back on Fangoria. I straight up thought they kowtowed to a lot of garbage, giving high marks to big studio horror flicks I personally thought sucked. Meanwhile, I'll always be a Rue Morgue/Horror Hound guy. But now that Fango is back, well, I wanted to give them a chance. After all, there would be no Rue Morgue/Horror Hound if not for this icon. A couple of articles in thus far, and I'm digging it, especially Preston Fassel's Corrupt Signals column, which explores rare 80s horror like this one that I couldn't find a trailer for, but the whole thing is on youtube:
I haven't watched The Black Room, but Mr. Fassel's column has definitely put it on my immediate radar.
Playlist from 1/15:
Boards of Canada - Music Has the Right to Children
The Blueflowers - Circus on Fire
The Handsome Family - Singing Bones
Jozef Van Wissem & Jim Jarmusch - Concerning the White Horse
Secret Boyfriend - Furnishing the Void
Playlist from 1/16:
Boards of Canada - Music Has the Right to Children
Belong - October Language
Fuck Buttons - Tarot Sport
Fuck Buttons - Olympians EP
Corrosion of Conformity - No Cross No Crown
Tool - Aenima
The Blue Flowers - Circus on Fire
Card of the day:
2 cards popped out as I shuffled:
Earthly concerns, eh? And perhaps big, emotional ones. If I'm reading this correctly, it's referring to a peripheral investment situation. Money coming in would be nice...
