My Favorite Comics of 2022

Back when Joup was up, I used to always do a "Favorite Comics" list at the end of every year. I got away from that for some time until last year I decided to resurrect the practice. 

And let me get this out of the way at the top: The two Reckless HC GNs that came out this year would be at the top of this list, however, since Reckless just destroys the curve, and since I included it in last year's favorites list, I'm placing it in a class by itself. 

The same caveat applies to Michael Walsh and company's ongoing Horror Anthology The Silver Coin. I love this series so much, it would just be unfair to place it in the Top Ten again this year because, at this rate, it would hold a perpetual spot. So let's just say these two stand alone in their exemplary storytelling.

With that out of the way then, let's get to that list.

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My Favorite Comic Books of 2022:

10) Shaolin Cowboy: Cruel to Be Kin:

Completely. F*cking. Insane. Geoff Darrow returns to his magnum opus and fills every centimeter of every page with some of the best damn art I have ever seen. The story is even crazier than the previous iteration, and the political satire is top-notch. This book was the most fun, and the longest amount of time I spent staring at any comic's pages this year.

9) Pentagram of Horror:

From out of nowhere, Marco Fontanili drops five of the most gorgeous Horror Comics I have ever had the pleasure of holding in my hands. Another top-notch Anthology, Pentagram of Horror knocks it out of the part with its originality both conceptually and artistically. Nothing else out there looks like this, and the range of Horror moves from Black Rites in the Woods to Techno-Paranoia.

8) What's the Furthest Place from Here:

Matthew Rosenberg and Tyler Boss's it's the end of the world and we don't know it story is as unique as the other books we've seen these guys do, whether together or apart. The whole damn thing is one big 'Gottasee,' and any details we learn about the larger world usually just open up wonderful new questions. Plus, I don't think I've seen a book that possesses this much Punk Rock spirit since Teenagers From Mars!

7) That Texas Blood:

Michael Condon and Jacob Phillips' era-spanning Weird Fiction Crime Comic started in 2020 with just a very mild sprinkling of "The Weird," but over the past year, the book has REALLY leaned into that more. Think Season One of True Detective or the Fargo series on FX. There's no telling what era each new story will be in, and even less way to anticipate what kind of darkness will haunt its pages.

6) Hulk:

Nothing about this comic should work. On paper, Banner turning the Hulk into a spaceship and flying him off into the farthest reaches of the cosmos doesn't even move a needle with me - unless it's the "sounds dumb" needle. But with Hulk, Donny Cates and Ryan Ottley bring comics back to the late 70s/early 80s when writers like Bill Mantlo took enormous swings. Every issue of this book is an enormous swing, and what's more, each one connects. The shame here is, apparently Cates has now exited this book, with Ottley finishing the current "Hulk Planet" storyline over the next few months, and then passing the torch and leaving himself. 

5) Spider-Punk:

For this page alone, Cody Ziglar & Justin Mason's Spider-Punk series lands on this list! I'm still not over the absolute joy of seeing a Michael Graves-era Misfits-inspired TaskMaster show up! Beyond that, overall, I really enjoyed this quick, five-issue series, and look forward to seeing Hobart Brown and his friends return. 

4) Sandman Universe - Nightmare Country:

I know last year I gushed about Joe Hill's Sandman/Locke And Key series, saying how it was the closest thing to having a new Sandman series. Well, apparently DC took that as some kind of challenge because this year we get James Tynion IV on Sandman Universe: Nightmare Country and this... shit man, this actually is the Sandman series. Not like a modern take, but it feels just like I'm reading old Sandman issues, and it's awesome. Awesome not just because of nostalgia, but because the story centers on the Corinthian, but Tynion does that wonderful trick where the main characters are not the lead characters, just like Neil Gaiman used to write the original series. I'd say main human protagonist  Madison Flynn definitely shares some storytellers' DNA with Rose Walker, and Misters Agony and Ecstasy definitely bring the 80s Clive Barker vibes. All in all, a very welcome addition to Gaiman's mythos, more so than any of the other Sandman Universe books I've taken a chance on and largely nixed.

3) Do A Powerbomb!:

Daniel Warren Johnson body slams the medium AGAIN with his beautiful, heart-rending tale of... inter-dimensional professional wrestling? Yeah, I was surprised A.F. too, but despite my absolute non-interest in the sport, I LOVED this book. It broke my heart multiple times, and despite a weird turn in the penultimate chapter, the final issue recovered nicely. 

2) Deadly Class: A Fond Farewell:

The final storyline of Rick Remender and Wes Craig's Deadly Class was harrowing, confusing, brutal and poignant. Beautiful and cathartic and just wonderful in every way a comic book should be. A fitting end for characters I've loved since the book launched 8 years ago.

1) Immortal X-Men:

No other comic book made me think about it for WEEKS afterward like Immortal X-Men #1, and almost every issue of the series has held up to that initial promise. Those who feared Hickman's departure from the World of X would lead to a Krakoan decline were wrong - everything Kieron Gillen and Lucas Wernek is doing only adds to and increases the mystery and grandeur of Hickman's blueprint. NOTE: X-Men: Red is also fantastic, however, I didn't want to have two X-Books on this list, so consider it guilty of greatness by way of the larger, X-tapestry.

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Honorable Mentions:

Honorable mentions go to Strange, the series that placed Clea Strange as the MCU's Sorceror Supreme. This one has just been delightful surprise after delightful surprise, and I have thoroughly enjoyed every issue. 

The Elseworlds/One-Possible-Future TMNT: The Last Ronin mini-series follows the single surviving Turtle (still not gonna spoil which one it is!) as they attempt to avenge their siblings' deaths in a techno-dystopian future that calls to mind Frank Miller's classic Ronin (see what they did there?) Begun in 2021, I purposely left Last Ronin off my 2021 iteration of this list because I knew it would finish this year. This one definitely evoked those old-school, Black-and-White Explosion 80s comics I cut my teeth on in my youth, and I enjoyed it immensely because of that.

Finally, I did not include Jeff Lemire and Andrea Sorrentino's opening entries into their new Bone Orchard Mythos because we're still very early in, and I guarantee this will be in my top of 2023. Thus far, with one Graphic Novel and 4 issues of the first mini-series, this one is nothing short of impressive. Sorrentino's art continues to rank as some of the creepiest Horror Art I've ever seen, and when realizing Lemire's otherworldly scripts, we just get such a hyper-stylized approach that I can do nothing but raise the horns and howl.

What a fantastic year for comics! I will say, it surprises me that so much Marvel has snuck in, but that's an appetite for nostalgia and comfort the last few years instilled in me, and Marvel's top-tier creators continue to reinvent their stable of characters in ways that DC surely must envy. Sorry DC, but putting "Metal" in front of the title of every book just doesn't cut it.

Isolation: Day 71 David Lynch Fire (Pozar)

I haven't much time to hang out here lately, and since I've been away, David Lynch has started releasing daily Los Angeles weather reports, and now he's dropped a short, hand-drawn film!

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NCBD is back! A light week for sure, however, it was murder waiting an extra two months for the final chapter in Bone Machine, the current storyline in Rick Remender's Deadly Class. It still bums me out the SyFy adaptation was cancelled, but the book remains one of the strongest titles I read on a monthly basis.

Now that Diamond is distributing again, I can't wait to watch Marcus and friends' lives splinter as he returns to King's Dominion and all hell breaks loose.

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Playlist:

Stevie Wonder - Greatest Hits of the 70s
Megadeth - Rust in Peace
They Might Be Giants -Flood
The Darts - I Like You But Not Like That
Arpeggiators - Freedom of Expression 7"
Cybordelics - Adventures of Drama 7"
Metal Master - Spectrum 7"
White Lung - Paradise
White Lung - Sorry
Kensonlovers - Keep Rolling (Single)
Ween - GodWeenSatan Live New Hope, PA 9/14/01
Black Sabbath - Sabotage
Revocation - Deathless
Revocation - Teratogenesis

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When driven by an intense sense of righteousness, beware of making foolish decisions. 

I'd never really thought about which card I am, or even if there is one card that best represents me. I think this is the one. That said, I believe I drew this to remind myself of the slow slide away from my more compassionate qualities. This has been an ongoing recent insight, as the overflow of stupidity and selfishness that abound in the world at the moment drive me to sometimes frightening degrees of malevolent thought. Simply put, I very strongly dislike the human race as a whole. The last two months have made me slip closer to actively hating it. Maybe that's an oxymoron, considering how many individual humans I love and adore - there's A LOT - but it seems to be the case, and I find myself needing something spiritual to blanket my frustrations, even if it's just a more regular dose of marijuana, Stevie Wonder, and David Lynch. I'm tempted to start meditating again, however, that often leads to deep-level experiences that might not be so pleasant at the moment. Either way, I need something to mellow me out, before The King of Wands draws the Ten of Swords.

2019: March 22nd - Deadwood Trailer

Mr. Brown sent this to me yesterday. I am PSYCHED. I mean, with the momentum of just finishing a re-watch of the original series, I cannot WAIT for May 31st, which really, isn't that long to wait at all.

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When my friend Keller showed me this the other day, it absolutely blew me away. Skating Polly have such a throw-back sound to the 90s, but in a way that feels pretty genuine. Siblings, I'd wager their mother and/or father are about my age, grew up in the 90s and exposed their daughters to PJ Harvey, The Pixies, The Breeders, etc, from an early age. This is influence, not imitation, a fine line in today's world. Anyway, this is an older track; Keller discovered them a few months back at the Echo and ended up seeing them multiple times since then. His assessment? They Rock. The musical exchange here, both in the girls' singing and playing, warms my heart.

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K and I finished the first season of Deadly Class last night; the season finale aired a week or two ago, so we were behind. Man! I'm calling it now - best comic book adaptation yet! These characters are insanely alive in the book, but on the show, I don't know, you get more gravity with their emotions and situations. Also, all the deviations from the book? Well, Remender himself is the show runner, so all of it is him writing new material. My favorite new character? I can't believe I'm going to say this, but French Stewart is freakin' fantastic in the role of Scorpio Slasher. Here's a peek:



LOVE Billy's reaction!


Playlist from 3/21:

Skating Polly - On Audiotree Live - EP
Talking Heads - Remain in Light
The Mars Volta - Deloused in the Comatorium
Finn Andrews - One Piece at a Time
Kevin Ayers - Bananamour
Chasms - On the Legs of Love Purified
Chasms -  The Mirage
Uncle Acid and the Deadbeats - Wasteland
Uncle Acid and the Deadbeats - The Night Creeper
Second Still - Eponymous
Stan Getz - Focus

Card of the day:

The Airy aspect of Water. Emotion curbed with intellect. Is this a harbinger to my workday ahead? Probably, so I'll interpret it as a cue to remain mindful even in instances of explosive emotions. In other words: It might be a trying day. Breathe deep and keep your head up and your mouth (mostly) closed. It's eight hours until the weekend.

2019: March 6th: New Music from Dylan Carlson's Earth

This was the state of my head earlier today:

It's 12:00 AM, and for the second time this week, I can't sleep. There's bravado in the clouds tonight, distant thunder echoing across the sky, holding the population of LA's South Bay hostage. Those of us still awake, anyway. I'm on the couch, watching Lucio Fulci's City of the Living Dead as I type this. I've had horror on the brain this evening - I feel both that I want to consume an unheard amount of it, and that there's some new story bubbling just beneath the surface of this rabid spike in fandom I'm experiencing. Maybe it's an escalating love for Shudder's historically minded programming, or a love for all the peripheral content the open-market of the internet has made possible. Or maybe it's just that the world we live in is a horror story, a very sad yet wonderful story whose outcome remains unproven. I watched Horror Noire a few days ago, and the first episode of Eli Roth's History of Horror earlier tonight. One quote from Edgar Wright rings out in my head; while discussing George A. Romero's Day of the Dead, Wright says something to the effect of, "It's an apocalypse you wouldn't mind living in. Or at least, I wouldn't." Very true, but the question is, does ours measure up? Would you rather have a never-ending parade of narcissistic cunts running things and two hyperbolically ludicrous political parties totally devoid of common sense, or a hell-on-Earth, zombie apocalypse?

I'd wager you can guess my answer.

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I ended up unable to drop off until around 2:00 AM, so I called out from work. Will use the time to make major progress in finishing the book.

But first, let's look at what's happening this morning, now that I have slept.

Sargent House just dropped new music from Seminal Crawl band Earth. New album Full Upon Her Burning Lips drops on May 24th; you can pre-order physical HERE and digital HERE.



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NCBD:

This is the MVP pick of the day for me. Hell, maybe of the year. I acquired the first two volumes of Warren Ellis and Jon Davis-Hunt's The Wildstorm at Amazing Fantasy in Chicago back in December. I read them in a day, and seriously think it might be Ellis' best comic work since Transmet. The relationship between Jon Davis-Hunt's art and Ellis' script make this the best example of 'wide screen comics' I've seen in years, maybe ever. It's so clean. A complex, fascinating story that just feels effortless in how it's told. And if you're worried about the superhero source material, don't: I had next to no experience with the Wildstorm Universe before this, aside from the occasional mini series by Ennis (not even sure if those are Wildstorm, now that I think of it; all those early Image "team" books run together for me because I never read any of them back in the day), and I think my read on this new reimagining from Ellis is better for it. And it's not a superhero book. At all.

I Can't recommend The Wildstorm enough:

Finally! Walk Through Hell returns! I think I was referring to this in previous posts as "A Walk Through Hell," and now that I see my mistake, I feel like the title is even creepier, because, in keeping with the story, it's a command.

More Warren Ellis! Cemetery Beach, with artist Jason Howard, comes to an end. I'm assuming this is the end of a first volume, and now that Ellis and Howard's Trees is set to rotate back in with a five-issue third volume, we'll have to wait until after that completes before we have more Cemetery Beach. Whatever the case, this book has been fantastic. If you read Ellis' newsletter, with its fascinating glimpses into the man's work methodology, you can see a window into how he has evolved into such an efficient storyteller. This is the end goal for me folks; it gives me something to shoot for. Not to write like Warren Ellis, but to have as crisp and clean a process.

A new issue of Deadly Class will pair nicely with my continued love of the Remender-run SYFY adaptation, and serves as a reminder that now that K has read the entire run of the comic to date, I need to initiate my own re-read. Look at that cover!

Jesus, this is looking like an expensive week! No complaints though, not when Paper Girls is returning. And again, look at that cover! I'm going to have to revisit the final issue of the previous arc, because I can't quite remember where we are in this totally batshit crazy book.

And I may have listed it here last, but this will be the first book I read today! The Walking Dead 189. This book has, as always, been a riveting descent into the chaos at the heart of humanity's designs on civilization. Why doesn't structure work? Because we are the walking dead, and all order is transient when compared to the chaotic nature of the Universe. Or is it just order on a scale we can't see?

Who knows? Part of the fun is wondering. But I digress...

Part of the beauty of TWD, is it maps out an allegorical timeline to our own history inside the world of the book. The seeming perfection of this new society our long-haul characters have found in this newest arc is turning out to be not so civilized, and as we inch toward the landmark 200th issue, I think things are going to get hairy. As usual though, Kirkman has no limit in his writing and imagination, and he never does what I think he's going to do; that's why I love this book.


Playlist from 3/05:

Various Artists - Trainspotting OST
Cold Showers - Matter of Choice
Cold Cave - Cherish the Light Years
Prince - Sign O' The Times
Blut Aus Nord - Cosmosophy
Boy Harsher - Careful

Card of the day:

Perfectly grounded. Water of Earth; cares for her house. Perfect for the day for two reasons: A) The Earth track that dropped, and B) I'm home and going to attempt to finish this house I've built in Shadow Play, Book One. I finished the Grammarly editing last night, now I have to record myself reading the last half of act two and all of act three, and I can listen to it and suss out any final story edits that need to be made. Excited!

2019: February 28th - New Deafheaven Track!

Fuck yes! Stoked to hear this.

Rick Remender's Deadly Class on SyFy continues to blow me away. I seriously think this might be my favorite and possibly even what I would now consider the best comic book adaptation yet. And I love the way they do the flashback sequences for the characters in Wes Craig's animation. Here's Maria's story from last week's episode #6, aptly titled after one of my favorite Bauhaus songs, Stigmata Martyr.



Playlist from 2/27:

Glass Candy - B/E/A/T/B/O/X
Chromatics - Camera
Ghost - Opus Eponymous
Daughters - You Won't Get What You Want
Ghost - Infestissumam

Card of the day:

Breakthrough! This refers to two events: One, that I've begun using the Zoom H4N Pro that I record The Horror Vision with to record myself reading the finished product of Shadow Play, so I can add it to my iPod and listen to it. I can't express enough how reading my writing out loud helps me make it better. It's a 100% game changer. Previously, I've read everything out loud to K and my close friend Keller, but now, reading it for myself, it's even more profound. Especially since I can go over it on my headphones the next day. Breakthrough indeed!

Two, I found out I'm going to Spokane, WA for a week in mid April for work. Nothing like a couple of lonely nights in a hotel room to kickstart new short stories! Breakthrough!

February 18th: Good Omens Series Title Sequence

To say I have been waiting for an adaptation of Terry Pratchett and Neil Gaiman's Good Omens: The Nice and Accurate Prophecies of Agnes Nutter Witch for a long time is an understatement. Mr. Brown and I read this back in the mid-90s and I've been a fan since (though I could definitely use a re-read). I remember Terry Gilliam was attached for a while, and Johnny Depp and Robin Williams were set to play the Angel Aziraphale and the Demon Crowley, though which was set for which I can't remember anymore. Regardless, the fact that we're finally getting Good Omens, and as a series no less, makes me very happy. The title sequence was revealed recently and watching it, I feel anticipation unlike any in a while. I just wish this could have come to fruition while Mr. Pratchett was still alive.

Playlist from 2/18 was non-existent.

The penultimate episode of True Detective, Season 3 aired last night and it was HUGE!!! I won't spoil anything here, but this season has been masterful.

Also, Episode 5 of Rick Remender's Deadly Class aired on SyFy and it pretty much left me speechless. This has been such an amazing adaptation of a comic, probably the best one I've ever seen, and all the glory is owed to Mr. Remender. In the back matter of the most recent issue of the Deadly Class comic, Remender talked on how he surrendered sleep and freedom to be the show runner on Deadly Class, and he's filled out the story in the comics with much love. Nothing has been added that doesn't expand the source material organically, and the actual ratio of straight adaptation to screen has been fantastic. Episode 5 was the Vegas episode, and the use of animation here was amazing. Reminded me of The Wall, a bit. SO freaking good.



Card of the day:

Okay, many will say I probably should remove this card from my mini Thoth deck, but I left it in and drew it, so I'm stuck interpreting it. Hmmm... I've said this before recently and not followed through, but perhaps I should pull some Crowley off the bookshelf in my room and peruse for inspiration?

2019: January 17th

Another KXLU discovery. Goddamn that radio station is just killing' it! I don't know much about the band, I'm starting here, with the album Furnishing the Void. It's great, and I'm planning on digging deeper soon enough.

Hey LA, teachers are striking. Support them. THEY make the difference we need made.

Two nights ago, K and I finished True Detective Season 1. I've thought a lot about those Jeremy Saulnier-directed first two episodes of Season 3; I have ideas, and I still may do a recap show. Maybe. It's hard to know if the things I observed are going to pan out or just go nowhere; Season 2 definitely shook my faith in the show, and I'm not really convinced some of what I see is go-nowhere red herring fodder. But maybe Crooked Spiral refers to:

It makes sense that, same as the show has gone back to a lot of the story mechanics that made Season One so iconic, they would attempt to tie in that season's continuity. Or, this might all end up a big, "Fuck You," from the show's creator for those of us expecting more of a 'Weird Fiction' angle. We'll see.

After rewatching the Season One finale, I still don't like it very much. But, I've said that before and completely acknowledge that no matter how much I don't like that final episode, Season One is one of my all-time favorite pieces of small-screen cinema.

K and I also watched the pilot for SyFy's Deadly Class, based on the Rick Remender/Wes Craig comic that I have loved since it launched in 2014. I am so ecstatically happy for these guys; this book deserves the world and is now poised to receive it. I'll never forget the month, several years ago, when Remender's "Transmissions from a Basement" back matter announced his departure from Marvel, where he'd just finished helming a massive cross-over, and his somewhat joyously nervous announcement that the coming year would be a, 'year of creator owned comics.' That was a big step for the man, and as I knew he would, he has succeeded ten-fold, the successes only growing. I can't wait to see what happens next!

Oh yeah, the show is fantastic! And Henry Rollins is the Poison 101 teacher! How awesome is that!



Speaking of Deadly Class, a new storyline began in issue 36, which was most definitely part of my haul yesterday at the Comic Bug for NCBD. LOVE this cover.

What else? I'll tell you what else:

An absolutely haunting ending to this epic series, Days of Hate.

Gideon Falls remains my favorite book each month, and this issue has a couple of pages that might just rank as my favorite comic panels EVER.

And last but most certainly not least:

I probably should have just subscribed to Fangoria's relaunch. I missed the first issue, but with Joe Bob on the cover, number two was a must. I'll be honest - when I worked for Borders during the 00s, I learned to turn my back on Fangoria. I straight up thought they kowtowed to a lot of garbage, giving high marks to big studio horror flicks I personally thought sucked. Meanwhile, I'll always be a Rue Morgue/Horror Hound guy. But now that Fango is back, well, I wanted to give  them a chance. After all, there would be no Rue Morgue/Horror Hound if not for this icon. A couple of articles in thus far, and I'm digging it, especially Preston Fassel's Corrupt Signals column, which explores rare 80s horror like this one that I couldn't find a trailer for, but the whole thing is on youtube:



I haven't watched The Black Room, but Mr. Fassel's column has definitely put it on my immediate radar.

Playlist from 1/15:

Boards of Canada - Music Has the Right to Children
The Blueflowers - Circus on Fire
The Handsome Family - Singing Bones
Jozef Van Wissem & Jim Jarmusch - Concerning the White Horse
Secret Boyfriend - Furnishing the Void

Playlist from 1/16:
Boards of Canada - Music Has the Right to Children
Belong - October Language
Fuck Buttons - Tarot Sport
Fuck Buttons - Olympians EP
Corrosion of Conformity - No Cross No Crown
Tool - Aenima
The Blue Flowers - Circus on Fire

Card of the day:

2 cards popped out as I shuffled:

Earthly concerns, eh? And perhaps big, emotional ones. If I'm reading this correctly, it's referring to a peripheral investment situation. Money coming in would be nice...