Before Ghost there was Repugnant

Before Ghost, Tobias Forge was in a band named Repugnant? I had NO IDEA, so thanks to THIS article on Metal Sucks. Death Metal isn't really my jam, but this... not too bad. And from the opening guitar, you can 100% hear that it's Forge's writing. So here's them playing live and that guy that looks kind of like he could be in the Misfits? That's Papa! Always cool to see where our beloved musical icons come from. 

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Watch:

I've struggled with Demián Rugna's 2017 film Terrified multiple times. I liked it, but I didn't feel for it as others who seemed to feel it was the scariest film in years did. My theory is this is due to the fact that I fell asleep during my first viewing (not the film's fault at all), and that tends to rob some film's impact for me. It happened to Duncan Jones's Moon, it happened to Denis Villeneuve's Arrival, and I'm pretty sure it happened to Terrified. Regardless of how I felt about it as far as being "scary," Rugna definitely crafted a confident, competent Horror film that I wouldn't hesitate to others. So it is with no small amount of fervor that I came upon Bloody Disgusting's posting of the trailer for his new film, Where Evil Lurks. Here's the trailer:

I was torn on actually watching this; as you know if you've been reading these pages lately, I've become very anti-trailer. In spite of that prejudice, and cautious that I might once again rob Rugna's film of power, I watched it and can happily confirm this is truly a 'teaser.' Well done, IFC. I can also say I am 100% in just for the sound design alone. Where Evil Lurks is supposed to have a theatrical run starting on October 6th, and will hit Shudder on the 27th of the same month.

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Read:

Almost two years ago, I posted about giving up on Clive Barker's Scarlett Gospels. Well, I decided recently to give it another shot. 

I'm not really far enough to pass judgment again, but this definitely still feels less elegant than any other Barker I've read. The opening scene sees the five remaining Black Magicians in the world (?) resurrect a sixth, more powerful one to try and survive a culling carried out by The Priest (don't use that other nickname!), who is now working separately from The Order of the Gash, attempting to amass all the world's Magickal knowledge for some as yet unknown purpose. The scene begins rather poorly and doesn't really feel like Barker until "The Demon" shows up. Here, I still get a sense that Barker is overdoing the gross-out factor in a misguided attempt to recapture something of his past works - which were all elegantly revolting and not nearly as gauche - but I'm hanging in and hopefully coming to terms with this in a way that will allow me to A) finish the novel this time and, B) enjoy it. Reminder to self: This man is a genius, an icon, and any Barker is better than no Barker.

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Playlist:

The Lucid Night - The Mystic Journey EP

The Lucid Night - The Celestial Voyage (single)

Lord Huron - Long Lost

Low Cut Connie - Tough Cookies: The Best of the Quarantine Broadcasts

This Movie Saved My Life Podcast - Barbenheimer, Farewell to Jane Birken, and the WGA/SAG Strike

Godflesh - Songs of Love and Hate

Repugnant - Epitome of Darkness

Carpenter Brut - Leather Terror

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Oracle:

From Jonathan Grimm's Bound Tarot, which you can buy HERE. Just a reminder that Grimm's new Tarot Deck, The Hand of Doom Tarot, is both gorgeous and live on Kickstarter right now. Here's the LINK.

• Page of Cups

• X: Wheel of Fortune

• Queen of Swords

The Page or Princess of Cups is a card I associate with inner vision, and taken with the Wheel in this case, I see ideas growing to fruition. Therefore, good day to write. Balance all that out with the Watery aspect of Fire and I'm reminded I have a major distraction going on in Chicago at the moment. Reading all these together then, tells me to get the writing in where/when I can today - even a little will be productive.

The Big Guns

 

Seeing that I've been listening to Jenny Lewis and the Watson Twins' Rabbit Fur Coat again lately, I figured I'd post my favorite track from the album (maybe from Lewis' career, although that's a tough pull from a looong list). Little did I know I would search for it on youtube and find them performing the song on Lettermen! Combining two of my favorite things, and proving Dave has immaculate taste in music.

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Watch:

K is traveling to see a friend this weekend, so it's me and the cats for a few days. I'm planning on using the time wisely: I've set a deadline of this coming Tuesday for the first draft of the novel I'm writing, so primarily focused on that after I punched out yesterday. When I retired for the evening, I popped open a Three Floyds Zombie Dust (thanks, Alex!) and fired up a flick I hadn't seen in... well, I think I saw Clive Barker's Lord of Illusions back in the day, but now I'm not so sure. Anyway, WOW! Here's the Red Band Theatrical Trailer from the year it released, 1995 (I didn't even remember there was such a thing as Red Band trailers back then):

 

So Hellraiser came out in '87, Nightbreed in '90 and Lord of Illusions in 1995. Then, as the story famously goes (and Barker has no problem talking about), the fickle, backstabbing nature of the studio system filled him with despair and he tapped out. 

What a goddamn shame! I mean, this isn't an observation probably millions of Horror fans haven't said previously, but those are three damn good films!

I've known Hellraiser since I was young. Nightbreed is one I didn't connect with when I saw it in High School, but then kind of rediscovered about ten or so years ago, thanks to friends who couldn't believe I didn't hold it in particularly high regard. But Illisions, as I stated above, if I saw it back in the day, I discarded it in the same way I discarded Lawnmower Man, a flick I was briefly obsessed with around the time it came out on video, and which I haven't seen since (and think it's probably better if I don't revisit that one).

Anyway, I think the casting of Scott Bakula threw my memory off. Nothing against the man; I was never a Quantum Leap fan (although the one episode I remember watching, where the devil shows up in the guise of Dean Stockwell's character was pretty cool, I have to say), but beyond that, there are plenty of instances of big-ticket Horror flicks in the early 90s casting TV actors to the film's detriment. 

1990's It I'm looking at you. 

In Illusions, though, Bakula does a really good job as recurring Barker character Harry D'Amour. His chops are plenty, and his presence doesn't feel like television casting. Plus, the entire film has such strong visual and narrative crossover with Nightbreed that the two films feel as though they could have been made back to back. 

Barker's imagination is so lush and unique; there are no other Horror movies like the three he wrote for screen and directed. Also, the way he incorporates the Occult always endears his work to me, film or prose. In Illusions, I was particularly excited by his use of Tarot; the scene that is set up by Harry turning over the Ten of Swords and how that pays off later at Swann's illusion just blew my mind. It's simple, but you just don't see the Occult used that way in Horror Movies that often. 

In thinking about that Ten of Swords scene before writing this page, I stumbled on this very cool video on the Rue Morgue Youtube Channel:

 

She goes way into it, with the full spread, which I hadn't even considered. This is exactly what I'm talking about - the lengths Barker uses the Occult for narrative purposes are beyond anyone else I can think of save, Kenneth Anger, who doesn't really have the same idea of 'narrative' as Barker.  

Lord of Illusions - happy to have found you. I believe this is the start of a long-lasting relationship. Now I'm tempted to rewatch Nightbreed again, however, I just realized I need to cancel my Showtime sub soon, and Cronenberg's Existenz is on there and it's been quite some time for that one, too. 

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Playlist:

QOTSA - In Times New Roman

King Gizzard & The Lizard Wizard - PetroDragonic Apocalypse

Realize - Machine Violence 

The Obsessed - Lunar Womb

 Secret Chiefs 3 & Traditionalists - Le mani destre recise degli ultimi uomini

Turquoise Moon - The Sunset City

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Card:

• Ace of Wands - Achievement of Earthly designs 

• Princess of Swords - A chaotic battle

• IX: The Hermit - Focus; isolation; determination

Not difficult to read at all. If I want to finish my first draft by Tuesday, I have to battle my distraction (chaos) and isolate myself. In keeping with that, I think I'll stop there, post this, and get to work!!!

 

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World Coming Down

 

Yesterday marked the 22nd anniversary of Type O Negative's World Coming Down. I can still remember driving to Threshold Music in Tinley Park to pick it up that first day, smoking up before driving home with it blasting in my minivan. It still haunts me today, as it did then, that my friend Jake did not live to hear the follow-up to October Rust.

The title track will always be my favorite among WCD's 13 tracks (if you count Skip it, and we are); this one is an emotional jackhammer.

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Watch:

Current obsession:

This show just gets Chicago perfectly. 

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Read:

Currently splitting my time between two short story collections that couldn't be more different:

First, Irvine Welsh's The Acid House. I started this with my third-ever reading of "A Smart Cunt", the novella that rounds out this collection. This was the first story by Welsh I ever read, back in the 90s. It made an enormous impression on me then, and still does now. From there I cherry picked a few other stories: "Snuff," "Snowman Building Parts for Rico the Squirrel,""Sport For All," "The Granton Star Cause," and the Eponymous story, "The Acid House." I am very much enjoying this return to Welsh's writing, and can't wait to dip back into this for more.

Then this morning, inspired by the encroaching Halloween season, I went looking for my Ramsey Campbell Alone With the Horrors trade paperback I have, but couldn't find it. I haven't bought bookshelves for the new house yet, so a lot of my books are still in boxes. I gave a perfunctory search, but when I stumbled across Nathan Ballingrud's Wounds:

As I've related here previously, although I have the original, softcover novella The Visible Filth - the novella Babak Anvari's film Wounds is based on,  I picked this new volume up as soon as it hit the shelves in tandem with the release of the film. I've read The Visible Filth at least three times, but the other stories packaged with it in this particular volume have all only received one go-through. Until now, that is. So yesterday I started my day with The Atlas of Hell, a story that feels so much like Clive Barker to me, yet still stands tall on its own thanks to the clean and precise ton of Mr. Ballingrud's prose. I plan on picking through this one a story at a time over the coming month, and maybe going back and re-reading the stories in Ballingrud's first collection, North American Lake Monsters as well, if I can get around to finally watching the rest of the series based on that book HULU did a few years ago. Previously, I'd only watched two episodes of Monsterland (produced by Anvari), not because they weren't great, but maybe because the two I saw were ultra disturbing. In a good way, but also in a real way. Which is the goal, however, sometimes you have to work up to that sort of thing. 

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Playlist:

Ozzy Osbourne - Patient Number 9

The Cramps - Stay Sick

The Dead Milkmen - Beelzebubba

Misfits - Static Age

Type O Negative - World Coming Down

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Card:

From Jonathan Grimm's Bound Tarot, which you can buy HERE.

The center and left card go along with  the rejection notice I received this morning for a short story I submitted to a Horror Anthology last week. I'm having trouble figuring out the Queen though... or maybe I'm not.

Abby Sage - Smoke Break

 

I love love love this song! A random dalliance with NPR this past Saturday introduced me to Abby Sage's Smoke Break, and since, I have been unable to get it out of my mind. This appears to be a single, as with the other tracks I've found on Apple Music by Ms. Sage, so I'll be following her and can't wait until she releases a full album!

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Watch:

 

I went back into a bix box theatre this past Saturday and saw David Bruckner's The Night House. An all-around good experience (We hit a matinee, so there were about five folks other than us there), and the movie was outstanding. A SUPER slow burn, to use a somewhat tired term, The Night House trusts its audience enough not to over-explain everything. This one's sure to spark some "What the fuck?" conversations in all the right ways. There's also a certain logic to its mechanisms that really drives home the fact that Bruckner and screenwriters Ben Collins and Luke Piotrowski are exactly the right folks to be working on the new iteration of Clive Barker's Hellraiser.

Rebecca Hall and Barry's Sarah Goldberg turn in great performances, and the story goes places you're never gonna see coming, always an added plus.
 

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Playlist:

The Plimsouls - Everywhere All At Once

Etta James - Eponymous

Emma Ruth Rundle and Thou - May Our Chambers Be Full 

The Jesus Lizard - Liar

White Lung - Eponymous

White Lung - Paradise

The Joy Formidable - Into the Blue

Deafheaven - Infinite Granite

Yola - Stand For Myself

Zeal and Ardor - Calloway (Single)

Boy Harsher - Careful

CCR - Bayou Country

David Bowie - A Reality Tour (Live)

Nicholas Elert - The Stylist OST

Abby Sage - Smoke Break (Single)

Zeal and Ardor - Stranger Fruit

Deafheaven - New Bermuda

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Card:

Strength in what you know. Words of wisdom Lloyd, words of wisdom. I could use them. Short story is driving me CRAZY.,

New Zeal and Ardor!

Musick:

Wake of a Nation EP out October 23rd, pre-order HERE.

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31 Days of Halloween:

Last night's viewing was an unexpected one: Darren Lynn Bousman's Repo! The Genetic Opera. It'd been probably six years since I saw this one last - I remember because that was a communal viewing in a cemetery with a shadow Cast! At any rate, I had to dig my DVD out of storage, but it was well worth it. I love this flick so much, especially Anthony Stewart Head's character. Here's one of my favorite scenes:

1) Tales of Halloween: Sweet Tooth/The Wolf Man (1941)

2) From Beyond/Monsterland: Port Fourchon, Louisiana/Tales of Halloween: The Night Billy Raised Hell/Tales of Halloween: Trick

3) Mulholland Drive/Creepshow (1982): The Crate

4) Waxwork

5) Synchronic/Bad Hair

6) Dolls

7) Lovecraft Country Ep. 8/Tales of Halloween: The Weak and the Wicken/Tales of Halloween: The Grim Grinning Ghost

8) 976-Evil

9) Repo! The Genetic Opera

 

Oh! And I did attempt to watch 976-Evil II, but within 30 minutes deemed it unwatchable. I do not believe this is Mr. Wynorski's fault; quite the contrary. Within the film there is an evident barren feeling due to what I would imagine is a limited budget and a complete misuse of the funds they did have. The sets are often barren, as with the hotel room George "Buck" Flower's Turrell finds himself in after being taken into protective custody by the police. I don't know if I'm simply still adjusting to having a 4K television and how it highlights shortcomings in older productions, but the sparse contributions by the Art Department, and the ridiculous explosions (a toilet? Really? You spent production money on an exploding potty?), combined with the limited lighting, made me feel as though I was watching this one through the view screen on a camcorder.

Also, the gratuitous Spike-with-Machine-Gun scene was just lame.

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Read:

After I finished re-reading Clive Barker's iconic The Hellbound Heart, I picked up the Kindle edition of The Toll, a novella written by Mark Miller, who works with Mr. Barker at his production company, Seraphim. 

From the author: "Hellraiser: The Toll is a novella that bridges the events of The Hellbound Heart and The Scarlet Gospels. We thought it would be fun to see what kinds of hell Pinhead had been raising before we saw him in The Gospels. In Clive's novel, there's mention of a lot of mayhem Pinhead has been getting into in preparation for his hostile takeover of Hell. So there was lots of room to dive into what exactly that mayhem might look like. And in that conversation between Clive and me, it seemed to make sense that he'd visit Kirsty and that he'd also want her to be a witness for him, since their fates are tied together. "It's a short book, but Kirsty goes through a lot along the way. And we also get to see who she's become since her time with the legendary hell priest. I'd written for the comic, which was an incredible experience. And having worked so closely on Gospels, and also with Clive all these years, when he gave me his blessing to take them into the world of prose, I hit the ground running and never looked back. A lot like Kirsty in the story. But you'll have to read it to find out exactly what that means."

I liked The Toll, but I didn't love it. It's cool to see a literary sequel to the Hellraiser film, as opposed to a sequel to The Hellbound Heart. There are definite differences between the two, primarily that in Hellbound, Kirsty is not the daughter of Julia's husband, and he is not named Larry. Instead, Julia's bough is Rory, and Kirsty is merely a friend. Barker's original novella is, of course, well worthy of its iconic status, however, being that he wrote and directed the film, the book has always seemed to me a first pass at what he eventually perfected on camera. 

How often does that happen, eh?

At any rate, I liked catching up with Kirsty, and I loved the story's utilization of the defunct Devil's Island prison as a gateway to The Wastes. That said, the story seemed a bit rushed and under realized, and I could have done with a more fleshed out Pinhead (pun intended), not the mostly perfunctory one we receive instead.

Either way, Barker's The Scarlet Gospels looms on my horizon. First though, I once again find myself in the mood for a Halloween-timed re-read of Bret Easton Ellis' Lunar Park.

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Playlist:

We're in full Autumnal musical territory now:

NIN - Pretty Hate Machine 

Joy Division - Still 

Bauhaus - In the Flat Field 

The Final Cut - Consumed

Darkness Brings the Cold - Devil Swank, Vol. 1

Naked Raygun - Raygun... Naked Raygun 

Skinny Puppy - Too Dark Park 

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Card:

The watery aspect of fire, or the ability (and experience) to know when to temper intellect with emotion. Also, clear insights and the fresh perspective of adopting the perspective of another and cutting your own head off long enough to truly experience that other perspective. 

Isolation: Day 192 - New Sepultura!

 

I had no idea we were getting a new Sepultura album this year! Of course, that's probably because for the most part, the band's been off my radar since, well, since 1993's MASTERPIECE Chaos A.D. While I never took a side in the schism between Max Cavalera and the rest of the band because I didn't follow it that closely, Sepultura lost me with Roots, which has some amazing tracks on it - even korn-boy couldn't sully that track with Patton it - but overall felt like a sinking ship. NOTE: Many people have told me to give Roots another chance, and I suppose now's as good a time as any, what with this new track completely blowing my mind. The new album, Quadra, is available now from Nuclear Blast Records.

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Read:

Dipping back into The Hellbound Heart, and I'm completely smitten with it. My love of Barker is stronger this year than it's been in a while, and revisiting this one on the heel of rewatching the first three movies several times over the few years, I find myself very interested in his adaptation process.

Look at Barker's original cover art; this should have never been changed. I'm currently reading this one on Kindle, but I'll have to keep an eye out for a copy of the original. 

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Playlist:

Angel Witch - '82 Revisited

Dance With the Dead - Near Dark

Type O Negative - Bloody Kisses (digipak)

Jello Biafra and the Guantanamo School of Medicine - White People and the Damage Done

Iggy and the Stooges - Raw Power

Isaac Hayes - The Isaac Hayes Movement

Japandroids - Celebration Rock

Low Cut Connie - Hi Honey

Alice in Chains - Dirt

Sepultura - Quadra

Gloom Balloon - All My Feelings for You (single)

John Carpenter - Skeleton/Unclean Spirit (single)

Blueneck - Repetitions
Frank Sinatra - In the Wee Small Hours

Uniform - Shame         

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Card:

Different deck, same card as my last draw. I suppose this underlines my explanation from the nineteenth, however, today was a fairly productive day, as I clocked several hours of solid writing time on Shadow Play, Book Two. This is what I always have to remind myself when I start something this big - the Flow will only come if you wait through the off times. Day one might suck; day two might suck; day three might suck, but it won't suck as bad. Then, before you know it, the polarity reverses and the Work gets better and easier, more rewarding. But you have to hammer through the Strife. 

Isolation: Day 78 Mark Lanegan and Cold Cave Cover Joy Division

Wow. Didn't expect to see this. Very cool to see two very different icons come together to perform the music of a third.

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I fell down a youtube rabbit hole after clicking on this video of David Lynch directing the infamous "Gotta Light?" scene from Twin Peaks: The Return. There's some really great supplemental Lynch material that came up based on viewing this one. I'm not sure how the algorithm works, so I'm not sure if you'll get the same videos I did, but my trip was both wonderful and strange...



Speaking of Lynch, I realized recently that the Wrapped in Plastic fanzine I subscribed to throughout the 90s and into the early 00s now has every issue available in ebook format. Read about it and link to buy HERE. John Thorne and Craig Miller's studious magazine is one hundred percent worth your time if you're a fan.

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I took a break from Clive Barker's Books of Blood to blow through Sarah Lotz's The White Road. HIGHLY recommended. I literally blew through this one in a day.

The novel deals with the Third Man Phenomenon in and around extreme caving and climbing scenarios. It's horror, but it's Earthy and believable while still coming across visceral and haunting. I loved it.

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The Cure - Seventeen Seconds
David Bowie - Outside
David Bowie - Black Star
L7 - Bricks Are Heavy
Body Count - Carnivore
Body Count - Cop Killer (Anti-Single)
Led Zeppelin - Physical Graffiti
Revolting Cocks - Beers, Steers and Queers
Revocation - Teratogenesis EP
Anthrax - Spreading the Disease
NIN - Pretty Hate Machine
NIN - Bad Witch
Motörhead - Ace of Spades
Lustmord - Hobart
Soundgarden - Superunknown
Pixies - Surfer Rosa
Perturbator - The Uncanny Valley

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Solid ground again after an anxiety-ridden couple days waiting for a COVID test result that, thankfully, came back negative. Sinus infection, I've never been so happy to see you!

Isolation: Day 74 New Jaye Jayle!

From the forthcoming new album Prisyn, out August 7th on Sargent House. This is exciting, as I didn't discover Jaye Jaye until early last year, so this will be the first record released I can experience anticipation for.

Pre-order it HERE.

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Two weeks ago, my cohost on The Horror Vision and Drinking with Comics, Chris Saunders turned me on to The Magnus Archives Podcast.

Told from the perspective of the newly appointed Archivist for an organization known as The Maguns Archives, essentially an archive for people to log any experiences with potentially supernatural or paranormal phenomena. The idea is, after the person records their experience, the organization then sets out to either prove or disprove the event. The main strength here lies in creator/narrator Jonathan Sims' writing and voice performance. Also, the fifth and final season began at the beginning of April, so if you're like me and you're just discovering this, we won't have to wait between seasons, which, while I think would be a cool experience, is nice to know I'm jumping onto something tangibly finite. Below is the first episode, which I place here as something of a taste:




The Magnus Archives is distributed through the Rusty Quill Podcast Network, and is available on all current podcast platforms, as well as on the website and youtube.

Also, Sims' debut novel Thirteen Storeys is being released this August via UK publisher Gollancz. No pre-order is up yet, but you can read a bit about it HERE.

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Excited beyond words to have Laird Barron's newest novel Worse Angels arriving this week. I've been waiting for this one alllll year, since the author began talking about it on Twitter shortly after last year's Black Mountain. Worse Angels is the third entry into Barron's Isaiah Coleridge series, and while these have been more straight-ahead, pulp-bred Crime/Noir novels, each book has become increasingly more in-line with Barron's other, "Weird Fiction" work. Worse Angels, sounds as though it moves further into this territory, with a 'stalled super collider' at the heart of a murder mystery.

While I'm waiting for Worse Angels to arrive, I've finished Clive Barker's Damnation Game and moved onto a re-read of the first volume of his Books Of Blood.

This is another I read back in high school, early 90s. Unlike Damnation Game, I remember most of these stories extremely vividly, and am very much enjoying retracing their steps.

**

Playlist:

Revocation - Teratogenesis
Mastodon - Crack the Skye
Ghost - Meliora
Drab Majesty - Careless
Deftones - Gore
Melvins - Houdini
Prince - Sign O' The Times
Pixies - Surfer Rosa
Perturbator - Dangerous Days
Bella Morte - Where Shadows Lie
The Darts - I Like You But Not Like That
Lustmord - Hobart
Various - A Girl Walks Home Alone At Night OST

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Linear thinking and discipline have, indeed, taken up a fairly large portion of my brain of late, and likely will continue to do so.

2019: May 19th - Perry Blackshear's The Rusalka

Earlier today I found myself scouring Nathan Ballingrud's Twitter feed for a drawing a fan drawing he had posted earlier in the month. To say Wounds: Six Stories From the Border of Hell is blowing me away is an understatement; comparisons to Clive Barker's early work are definitely warranted, but Ballingrud has his own style and it's one I love. The Barker comparison, to me, is most earned by way of both author's love of desecrating flesh. I remembered seeing Mr. Ballingrud post this piece of fan art - a drawing of one of the Black Iron Monks from collection's opening story The Atlas of Hell. While searching for the drawing, I found Mr. Ballingrud had posted the teaser for the new film by Perry Blackshear, director of 2015's They Look Like People. Apparently The Rusalka has been re-titled The Siren. Either way, this teaser is creepy as all hell - primarily due to the sound, which is always a huge sell for me - and I can't wait to see this one.

**

Playlist from 5/18:

Big Business - Here Come the Waterworks
Helms Alee - Sleepwalking Sailors
Anthrax - Persistence of Time
The Beatles - Abbey Road

**

No card again today. This is a short one, banged out at the start of a solitary hour I've stolen to try and finish the story I began in Spokane, and which, despite the cards telling me to let it rest, won't leave me be.

2018: October 17th - New Uncle Acid!

Man, feels like I just checked on the new Uncle Acid and the Deadbeats album a week or two ago and there was no pre-order up, then yesterday I realized Wasteland has indeed officially dropped. Of course ALL the nifty colored vinyl is gone over at Rise Above Records, so for now I'm just listening on Apple. Great record, and as you can hear above MAN! What an opening track!

31 Days of Horror continued last night with Candyman! Only the second time I'd seen this flick, it's a great example of a 90s horror flick that doesn't seem as dated as, say, Species.  Leave that to Bernard Rose's direction, Clive Barker's oversight, and poverty anachronistic staying power. That's the world folks.

31 Days of Horror:

10/01) Summer of 84
10/02) Rope
10/03) Dreams in the Witch House
10/04) Crash
10/05) The Fly
10/06) Re-animator
10/07) Night of the Demons
10/08) Species
10/09) The Roost
10/10) The Convent
10/11) Killer Klowns from Outer Space
10/12) George A. Romero's Day of the Dead
10/13) George A. Romero's Land of the Dead
10/14) The Apostle
10/15) Phantom of the Paradise
10/16) Candyman

NCBD today and it's a great day because Gideon Falls returns!!!

Playlist from 10/16:

Second Still -
Windhand - Eternal Return
Uncle Acid and the Deadbeats - Wasteland

No card today.