Godflesh @ Cold Waves 2023!!!

 

This past Sunday, Mr. Brown, Missi Raven and I attended the 2023 Chicago Metro edition of Cold Waves. As with last year - the first one of these I'd managed to make it out to after almost a decade of wanting to - the event was fantastic. We arrived late, so missed several bands, which sucks, but I've been a bit worn down, so it is what it is. We did manage to see Sierra, who was fantastic, Paul Barker's Lead Into Gold, also fantastic and closer Godflesh.

Godflesh closed with"Spite," the opening track from their 31-year-old masterpiece Pure, arguably my favorite Godflesh album (depending on the day, I suppose, but it's up there). 

Here's a recent setlist from Montreal; Chicago's set was identical, except for the two encore tracks, which they didn't have time to play. No complaints - a fantastic sampling of their illustriously pummeling career.

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Watch:

Holy smokes. I did not know this was on the way:  

I've cooled on pretty much everything Mr. Cave has put out since Push the Sky Away. However, I still think he's a genius. And that genius began in a completely raw, primordial form with The Birthday Party, easily one of my all-time favorite bands. Seeing there's a documentary on the immediate horizon makes me insanely happy, even though it plays at my local arthouse theatre in Nashville, The Belacourt, from October 4th through the 8th, and I return from my trip on the 9th. 

Agghh!!!

More information - including all upcoming screenings - is on the movie's website HERE.

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Playlist:

Boards of Canada - Geogaddi

Boards of Canada - A Beautiful Place Out in the Country EP

Canyon - Empty Rooms

Nabihah Iqbal - Dreamer

Godflesh - A World Lit Only By Fire

The Damned - Evil Spirits

Damone - From The Attic

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Card:

I'm on the road, so all my Pulls will be from my mini Thoth deck for the next two weeks. Not a bad thing, but wanted to put up a reminder that Grimm's new Tarot Deck, The Hand of Doom Tarot, is both gorgeous and live on Kickstarter until Tuesday, October 3rd. Here's the LINK.

• Eight of Disks - Prudence

• Ten of Cups - Satiety

• Three of Cups - Abundance

Seriously sleep deprived out here for my first full day in LaLaLand, I'll take this as a reminder to know when enough is enough. Prudence + Satiety = Plenty; have the sense to know when you're done and retire with that. I'd say that's letting me know that I should not work past my 8 hours today but rather return promptly to my hotel and catch a nap, as I'll be attending a 10:00 PM screening of Nikhil Nagesh Bhat's new film Kill tonight at Beyondfest!!!

Rein - Puppetmaster

Rein was the first act we caught at Cold Waves 2022 last weekend. Amazing set - to get up on stage and perform without the solidarity of a band, or even a single other musician, always impresses me. Doubly so for Rein, who really just exudes naturally compelling confidence in the world her music and video accompaniment creates, kind of a Cyberpunk Punk Dark Wave. This is one of my current favorite tracks on 2020's Reincarnated record. The percussive synths that slip in at about the one-minute mark, and then continue to percolate throughout the song really get my imagination flowing, much like the closing synth "fireworks" on NIN's Terrible Lie, one of the first tracks that made me experience what I now realize is synesthesia. 

Rein's official site is HERE and the Bandcamp is HERE.

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Watch:

Netflix dropped a new trailer for Guillermo Del Toro's Cabinet of Curiosities, the anthology series coming on October 25th. I'm not sure if I'm going to watch this trailer or not, but as always, I post this here to spread the word and so I have it in posterity:

 

I cannot wait to watch the Panos Cosmatos episode. 

 

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Read:

One of the first posts I saw on social media this morning belonged to Nathan Ballingrud, author of The Visible Filth, aka Wounds. The post announced the UK version of the book, to be published by Titan Books in March 2023, with this gorgeous cover by Vince Haig. 

I had NO idea this was coming, so imagine the joy I felt seeing this first thing on my first day off while working in LaLaLand.  The US edition -  coming three days before my birthday next year - is no slouch either:

On this side of the pond, The Strange comes to us courtesy of Saga Press. This is Mr. Ballingrud's first novel. That seems insane to me, but I would imagine that is because he is so adept at building worlds in short-story form, that everything I've read by him resonates with the same sacred gravity that novels do. 

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Playlist:

Joe Begos' Bliss Playlist

Revco - Beers, Steers and Queers

The Afghan Whigs - How Do You Burn?

Preoccupations - Arrangements

Misfits - Static Age

The Cramps - Stay Sick!

Rein - Reincarnated

Alice in Chains - Dirt

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Card:

Strength and courage fortify for an upcoming breakthrough that may change things.

Flaming Lips Live @ SXSW - Are You a Hypnotist?

This is awesome, but what's even freakin' cooler is Brooklyn Vegan's pictures of the Lips last night as they performed Yoshimi Battles the Pink Robots live in it's entirety for apparently the first time ever.

I'm VERY hot and cold with the Lips. I got into them later than my friends (mainly Mr. Brown) - I always liked what I heard but not enough to actually become a fan. Brown saw them live way back when Tool was opening for THEM (crazy, right?) in like '93 or '94. He'd describe their awesome live show and it sounded great but somehow it never spurred me to accompany him (in my defense it wasn't always that I could get off work for shows back then - like now - so I had to pick and choose). Anyway, the first time I did see them was the Flaming Lips Boombox experiment at the Metro in Chicago, not sure what year but late 90's probably. It was awesome, but it wasn't them performing per se. They brought 50 folks out of the crowd, had 25 sit on one side of the stage and 25 on the other, then passed out 50 boomboxes and 50 bags of color-coded tapes. Wayne then 'conducted' the participants to insert and play various tapes at various times. It was pretty rad. I was closer to being a fan, but didn't take the first plunge until The Soft Bulletin blew my fucking head off - how was this the same band? That predates Radiohead's likewise similar change between OK Computer and Kid A (Kid A is my favorite Radiohead record and I wasn't really a fan until it's release) and was really the first time I'd seen a modern band pull such an massive evolutionary step. The only problem with the Soft Bulletin was it made me so sad I really had to be careful around it.

Flash forward to 2002 and on one of our first dates my then-girlfriend, now-wife brought me to see the Lips on their Yoshimi tour at Chicago's Riviera Theatre and it was the whole fabled spectacle - bubbles, stuffed animal suits, confetti, etc. When describing that show I've always said it was a celebration of being alive. It made me cry. Only other show to do that was Bjork at Chicago's Civic Opera house.

But I digress - What's my point? I dig this video, and the concept for this upcoming concept record The Terror. But I liked a lot of what I heard about Embryonic before it's release, even really liked the first single, but the record ended up falling flat for me. In fact, I haven't liked a lot of what the Lips have done since Yoshimi. Was this due to after waiting years for Christmas on Mars and then having Mr. Brown send it to me only to find that I loved it both visually and sonically but absolutely HATED the dialogue in it (I talk more in depth about my disappointment with that here)? I don't know. Then the band did Dark Side of the Moon and it sounded cool but fell flat for me when I heard it (though it may not have if I'd heard it live). Now the band is doing commercials and I'm weary of that. But this upcoming album again, like all Lips album's since I drank about half the glass of kool aid, has me really curious. Maybe it will be the album that finally does for their later career what Hit to Death in the Future Head and Telepathic Surgery did to their older stuff for me.

Maybe.

NEW DILLENGER ESCAPE PLAN IN MAY!!!

I had no idea - once again Brooklyn Vegan comes through! "One of Us is the Killer" comes out in May on Sumerian Records by way of the band's own Party Smasher Inc. In the meantime, I'd never seen this before and it was every kind of awesome I thought it'd be and more: Now, if you're unfamiliar with DEP here's one of their songs for a little juxtaposition (watch the singer in the hood at about 0:08):
I first saw these guys open for Mr. Bungle on the original stint of the California tour. I had no idea who they were, all I knew was one minute my friends and I were near the front of the stage waiting for the show to start, the next the lights went out and furious strobes sent the whole room into seizure-mode. Five violently spastic and extremely intense individuals appeared and began to make music the likes of which I'd never heard before. These figures on the stage didn't look like people, they looked like... demons. Demons made entirely of static. I was literally afraid. Years later I was backstage at a show at Chicago's Metro with my friend Dave when we saw the guitar player smash his guitar and send it sailing out into the crowd where it connected with someone's face. 

Face.