2018: November 9th

I'm in an Ethyl Meatplow mood this morning, so I started the day off with their Barry Adamson-produced, 1993 record Happy Days, Sweetheart before I move into Daniel's Pick for the Joup Friday Album. Now, I've had Happy Days for a long time, considered myself a fan of both Meatplow and Carla Bozulich's Geraldine Fibbers, but I guess I've never really dug around on youtube for more stuff by either because I'd never seen this live footage before. This is one for the annals of history folks, 90s underground awesomeness, short-lived but amazing nonetheless. And really, could Carla Bozulich be any hotter than she is in this video?


Playlist from 11/08:

Various Artists - Twin Peaks Limited Event Series Soundtrack
The Chameleons UK - Strange Times
Tom Waits - Bone Machine
Nick Cave & The Bad Seeds - B-Sides & Rarities Vol. III
Boy Harsher - Country Girl EP
The Body - I Have Fought Against It, But I Can't Any Longer
Jóhann Jóhannson - Mandy OST


Card of the day:

Breakthrough. I've got a meeting this morning that could use one, and a lot of writing to do this weekend that could benefit from my plotting breakthrough from earlier in the week carrying through to a few more smaller epiphanies.

I Feel an Ethyl Meatplow Binge Coming On...

Barry Adamson - If You Love Her

If you're not familiar with Barry Adamson, former bass player for Nick Cave and the Bad Seeds, Nick Cave and the Cave Men, Magazine and for a short time the Buzzcockss, and you dig any measure of the stuff I toss out on this page, go get 1996's Oedipus Schmoedipus. An anthological record that features Adamson's jazz/noir musicality and style plus a number of great guests (Carla Bozulich, Nick Cave, Jarvis Cocker to name a few). If you're a David Lynch fan you'll recognize track number two on the record, it had a pretty memorable moment in Lost Highway. Mr. Adamson's soundtrack to Carol Morley's 'Dreams of a Life" which will be aired in the UK tonight, Feb 7th. Said ST can be purchased here on iTunes.



All of the man's albums are fantastic, especially my favorite, 1998's As Above So Below. Atticus Ross assisted with some of the programming and produced it and Flood's on hand for a couple of tracks as well. It's fantastic; a dark, jazzy descent into a noisy, ionic hell where the kiss of an angel waits mockingly just out of reach. Overdoing it? I don't think so. You don't know Barry.



Adamson's earliest records (Moss Side Tory, Soul Murder) are fascinating because they are soundtracks - complete with dialogue snippets - to movies that never existed outside Mr. Adamson's mind. The genius displayed therein put him on Trent Reznor's map back in the early 90's. Reznor used a few of Adamson's tracks and the influence of his MO to put together the Natural Born Killer's ST and then a few years later of course the aforementioned Lost Highway. Two years ago Adamson - a "Cinematic Soul" by his own admission, wrote, directed and released his first film - a 'novella' entitled The Therapist. The film is a heavily-influenced first film but it is good, strong in tone, and it points to even better things to come from this man whose work I love so much. A friend and I saw him live last year in an intimate show at LA's Hotel Bar. Just Barry, minimal accompaniment. It was awesome.