I Want to Reach Out and Touch the Sky

Just because it fucking rules!!!

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Watch:

Andrei Tarkovsky has only ever barely been on my peripheral, but thanks to Criterion Channel, I just had the opportunity to watch his 1979 film Stalker.

I still need time to unpack this one before I can talk about it, however, let it be said that I absolutely LOVED this film. Talk about 'location porn.' The visual aesthetic of this film perfectly aligns with my innermost aesthetic - something that goes back to when I hunted around my yard for half-full culverts and dirt mounds, shattered bricks, twisted metal, anything to have a location for my action figures. 

I've been obsessing over Stalker in my head for the last two days, and this inspired me to look for a podcast discussion of it. Well, boy did I find it.

 

The Weird Studies podcast is fantastic! Hosts Phil Ford and J.F. Martel not only deep-dive the film, but their discussion of philosophy, art and life feels absolutely refreshing in the stifled academic pretense of our time. I've already subscribed, and intend on Weird Studies keeping me company for many a commute to come (while I still have a commute, that is).

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Watch.2:

I can't believe I'm saying this, but I cannot wait for this movie!

 

Against all odds, this really moved the needle for me. I "broke up" with Kevin Smith about the time I sat through Tusk, which could have been fantastic, but had James Laxton's gorgeous cinematography and a stellar Michael Parks performance destroyed by adolescent whimsy. I used to be a big fan of his films, but now, well, I still hold Chasing Amy in extremely high regard - the acting! - but other than that... not so much. Clerks II had its moments but was overall depressing. I'm not saying Smith makes bad movies (sometimes, sure), but overall I feel like I just outgrew him. This, though, looks like it will be a nice way to revisit that original film and these characters. My mileage varies with most of them, but it's been a minute and I didn't go within ten feet of that Reboot movie, so I think I may enjoy the Quick Stop one last time.

 

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Playlist:

Bria - Cuntry Covers Vol. 1

Corrosion of Conformity - Deliverance

Earthless - Black Heaven

Uncle Acid and the Deadbeats - Wasteland

Windhand - Split EP

Metallica - Master of Puppets

Black Sabbath - After Forever

Coming back home to my native environment in the Midwest during August is a toss up, however it's one that's worked pretty much to my favor two years in a row. But I ain't pushing it; back to October from here on out. I miss Autumn, a season we don't have where we live now. That said, I can't complain; for two years in a row I've gotten a minimum of the hot, muggy crap and instead had some really nice thunderstorms and a generally cooler atmosphere than I would have expected. In the midst of that kind of cooler temperature I've been able to hit the woods and explore some old haunts. I spent a lot of time in the forest preserves of the greater Chicagoland area during my formative years and one of the things that always accompanied them - other than a particular green and leafy vegetable consumed via smoke inhalation - is Black Sabbath. It is, in a word, in my blood.

I still listen to Sabbath on a somewhat regular basis, going through seemingly unprompted jags from time to time back home in my adopted Los Angeles, but it's not quite the same. And usually there's a whole host of new music that demands my making new Chicago memories with when I come home to visit. This year though, maybe because of the rain and the forest preserves, I'm stuck on an Endless Loop of Sabbath while I'm here. And "After Forever", a song I've always loved as part of the overall oeuvre of the band but never really focused too much on for its individual traits within that oeuvre, has become something of an obsession for me at the moment.

Master of Reality, the record upon which the track in question is found, has never been one of the go-to Sabbath records for me. Well, really the entire run of albums the band put out with John "Ozzy" Osbourne are go-to records, but within that run there are favorites I harbor. Mine have always been the Eponymous first record, Vol. 4 and the band's masterpiece, Sabotage. Surprisingly to many, even their often maligned second to last with John, Technical Ecstasy probably clocks more yearly spins that M.O.R. Which is interesting when you stop to consider that at least three of the tracks on M.O.R. are among my favorite Sabbath tracks. "Into the Void" was one of the first tracks I ever heard by the band and both that and "Lord of the World" have what might be my favorite riffs by Iommi. And the quiet "Solitude" has always captivated me with it's eerie, serene beauty. Despite all this, the record has always struck me as a bit abbreviated. "Embryo" and "Orchid", the two instrumentals that serve as introductions for longer, thicker tracks are both beautiful, but when you have a thirty second and a two minute instrumental that count as two of eight tracks that comprise a record, weeeellll... And yes, several of the other tracks are rather meaty, but I still always feel M.O.R. is over before it begins.

Anyway, because of this stigma I've created for my relationship with this record - still an amazing record - "After Forever" has spent the last fifteen years perpetually slipping below my radar. So I guess now, while the rain's flowing and the forest preserves of my hometown call to me, I'll give it its due.

Volume knob set firmly at 11.

Black Sabbath - Under the Sun/Everyday Comes and Goes

It's raining in LA and I'm celebrating with Black Sabbath Vol. 4