Haute Tension

New video from Dance with the Dead, and it's really cool! I love the floating first-person perspective used to zoom along deserted, dilapidated forest roads and into old mine shafts. Very cool. Also, those shots are so alluring, I'd imagine it could be difficult to come up with something more narrative-like to compliment it, but a four-minute video of just that perspective stuff would definitely get old. Luckily, the creators knew exactly where to take this one. The "skeleton rave" is a bit goofy, but ultimately totally works for the song, and it gives us a destination for all those traveling shots.

---

---

---

Watch:

Since seeing it pop up on Shudder at the beginning of the month, I've really been wanting to rewatch Alexander Aja's 2003 High Tension. The problem with that particular film, however, is as much as I like everything about the first two acts, the twist or reveal at the onset of the third never worked for me.

 

Maybe I've just been looking for a reason to try the film again - I seem to watch it about every ten years, always hoping I feel different. That's never the case. However - I recently began listening to the Horror podcast The House That Screams, and I'll be damned if their most recent episode didn't change my view of the film's personality-warping twist. 

The important thing is, I think, the idea one of the hosts expresses that the killer is not so much a secondary personality, as it is a personification of Marie's romantic (?) feelings for her friend Alex. Something about this just helped my acceptance of the film's outcome, I think probably because at the time of its release, there had already been so many films that imitated Fight Club's masterful maneuvering of character that any hint of it immediately killed a film for me. The only exception to that was Brad Anderson's The Machinist, and my acceptance of that one only came after a conversation with a friend where they explained their understanding of Ivan as a physical personification of Trevor's guilt. The House That Screams hosts (I'm new to the show and haven't heard enough to know exactly who is talking when) make a comparison to Leland Palmer/Bob. Now, while they don't suggest it's exactly the same scenario as Bob's "inhabiting spirit," I'd never thought of this angle before. That kind of surprises me, being what a huge Twin Peaks fan I am. But hearing it and making the earlier, perhaps more 1:1 comparison with The Machinist, I feel like I'm ready to watch the film again and see how it sits.

---

---

---

Read:

Re-reading Warren Ellis & Declan Shalvey's painfully short run on Moon Knight. Goddamn, I wish they'd stayed with it for at least twelve issues.

The good news, of course, was the relationship between Ellis and Shalvey that started here went on to give us three GLORIOUS volumes of Injection, and further went on to launch Shalvey as not only a top-tier artist but a pretty damn great writer as well. I'm still thinking about Bog Bodies after re-reading it middle of last year.

---

---

---

Playlist:

Ghost - Impera

Orville Peck - Bronco

The Cure - Faith

Greg Puciato - Lowered (single)

Tennis System - Technicolor Blind

Isobell Campbell & Mark Lanegan - Sunday at Devil Dirt.

Mad Season - Above

Revocation - The Outer Ones

Mark Lanegan - Bubblegum

---

---

---

Card:

Okay, I love this spread:

To see such a clear narrative offset by instructions that don't just make sense in the course of my current life, but in the course of the nature of the cards, is almost breathtaking. 

Past = Princess of Swords: Confusion and chaos. This is my exact mindset of late. I'm fighting myself, my intuition, everything. 

Present = Queen of Wands: Not a fan of this card, however, you look at that calming hand on top of the Lion and you get the picture. Reel it in, son. Tame your inner fires and FOCUS.

Future = Prince of Wands: Here's where the beauty emerges. These two cards are in sequence in the deck. One tells you to tame the Lion, the other shows it under your control, pulling you forward. 

2019: May 4th - Raimi & Aja's Crawl

I was skeptical at the beginning of this trailer, but Raimi's name soothed that a bit. By the end though, the concept and purported execution look fantastic, plus this looks to be receiving a theatrical release, and when was the last time you were able to see an alligator/crocodile attack flick in a megaplex? That alone seems as though it may be worth the cost of admission.

**

Well, only Joe Bob Briggs could get me to watch a film I'd long ago sworn never to watch. For the first time since the first week of JBB and Shudder's The Last Drive-In, I was able to sit down promptly at 6:00 PM and watch the show from the beginning. The first flick, Wolf Cop, was one I'd seen on the cue in Shudder but always passed over. I was pleased to see it pop up here, under the guidance of Joe Bob. 

The second film was the one I anticipated with no small amount of reservation: Henry, Portrait of a Serial Killer. I know it's a classic, and it's artistically solid, but serial killer stuff - especially when offered up so realistically - gets way too deep under my skin. And I'd always imagined that, if I watched this flick, it would fall somewhere in line with Irreversible and Requiem for a Dream, two films I simply wish I had never seen. However, I took the plunge because with Joe Bob's interruptions, I wagered that the presentation would be considerably less immersive, and I was right. Couple this with the fact that I luckily left the room for a beer during the infamous home invasion scene, and I braved Henry with no mental or emotional scars, and was finally able to see Michael Rooker's break-out performance, the only aspect of the film that had ever intrigued me to begin with. That's not to say Henry isn't a well-made film; it is, and so are Irreversible and Requiem. These are just films that delve into areas I feel no need to expose my sometimes fragile little psyche to. And in the spirit of that, I'll skip posting the trailer for Henry here.

**

You may notice Rob Zombie's two most recent albums have suddenly begun popping up on my daily playlists. This is a surprise to me; I've long held White Zombie's final two records as being among the best metal albums ever, however, Rob Zombie's dissolution of that group for a catchy but ultimately dumbed-down version never sat right with me. Yet, I'll admit that, for better or worse, there must be a little hot topic in my soul, because Zombie's solo stuff is something that, every once in a blue moon, I get a taste for. It usually sees me beat the hell out of La Sexorcisto and Astro Creep for a few days, probably throw on House of 1000 Corpses and Devil's Rejects, and then go back to keeping RZ at arm's length. Normally Zombie's solo albums don't really factor in, and if they do, I can burn through what I like about the first three in a stripped-down playlist. And you'll notice that on 4/02 that's how my recent binge began, by snapping the "Essential Playlist" from Apple Music and running through the hits. But then a funny thing happened. I made it through said playlist - skipping the cover of grand funk railroad's egregious 'we're an american band,' a song I hate so much in all forms I can't even stand to capitalize the title when spelling it - and decided I wanted more. So I moved on to the two newest albums, one of which I'd given a shake back when it came out and laughed off as a blatant caricature of an artist's music I already consider a caricature. But you know what? At least for the moment, I'm really enjoying both records. There's a ton 'Zombie-isms' you have to roll with, but overall, they're fun in the most frivolous way. Take the song below; I absolutely love the sample that starts the song and how it morphs into a rhythm. The lyrics and delivery however, need to be taken with a grain of salt, as they're bad. And I'm not sure if the obvious classic Les Claypool delivery Zombie takes on those lyrics is enraging or endearing, but for now I just can't make it past how much I dig the rhythm of the song.

And we see by the video, all of Mr. Zombie's obsessions are, of course, still in place after all these years. Part of me recoils at my occasional dalliances with Zombie's music, but like I said, every now and again, it just scratches some itch that builds up over time.

Tonight might be a good night to finally show Kirsten The Devil's Rejects.

**

Playlist from 4/03:

Metallica - Garage Days Re-Revisited

Rob Zombie - Venomous Rat Regeneration Vendor

Rob Zombie - The Electric Warlock Acid Witch Satanic Orgy Celebration...

Boy Harsher - Country Girl E.P.

The Atlas Moth - Coma Noir

The Atlas Moth - The Old Believer

Canadian Rifle - A Peaceful Death

Card of the day:

From the Grimoire: "Enjoying the rewards of your endeavors."

Finally! Joe Hill's HORNS Has a Trailer

Get More: 

Movie Trailers, Celebrity News

Horns was the first book by Joe Hill I read, back when I worked for the book store and stumbled into an advanced reader copy. It was great and it led me to read his first novel, Heart Shaped Box which was even better. Since then I routinely keep up with everything the mad does. Just based on the source material alone this movie should be fantastic, and although I don't always love what director Alexander Aja does, he has a lot of talent.