Showing posts with label Alejandro Jodorowsky. Show all posts
Showing posts with label Alejandro Jodorowsky. Show all posts

Tuesday, March 5, 2019

2019: Tuesday, March 5th



I've posted about LA's Cold Showers here before, but I don't think I ever really gave the band the due they deserve, because as much as I dug their dark, Post Punk sound, I never fully fell into them until yesterday. 2015's Matter of Choice spun around and around on my iTunes yesterday while I plugged along at work, and I became more and more entranced by it with every turn. It's one of those albums where I have trouble taking one song out of the larger context of the full cycle. Which of course makes me like it even more, because I've always held albums in higher regard than songs.



With 2015 being four years ago now, I began to fret that just as I fell in love with Cold Showers, they might have winked out of existence. Not the case. On their facebook page I learned that the band has an album coming out on the always awesome Dais Records this year. Why so long between records? Well, back in July, guitarist, engineer, and founding member Chris King was in an auto accident with an uninsured motorist and has had a slow recovery due to medical costs. The band set up a GoFundMe page, and I'll link to it here; I'm going to throw something down come payday, and if you can, I'd ask you to consider doing the same.

Chris King GoFundMe

The uninsured motorist is a legitimately terrifying boogeyman here in LaLaLand; I walk A LOT and I can't tell you how many times I've almost been hit by people rolling through or just straight-up blowing stop signs (if I was a serial killer, I would kill people who blow stop signs. No BS, that'd be my MO). I used to be pretty bold about this; you know, someone shows no signs of stopping and I just keep walking, figuring, "Fuck 'em, they hit me, they better kill me or I'll ruin their life."

What a bunch of shit.

My attitude changed when formerly great weekly paper LA Weekly ran an article about what they called the "epidemic" of uninsured motorists who land people in the hospital with no insurance to offset their recovery costs. That, and K's pleading for me to exhibit a little common sense have turned my formerly fourteen-year-old's attitude around. Still, this shit happens, and just so no one thinks my 'uninsured motorist' is some kind of an invisible barb about illegal aliens, IT'S NOT. There's just as many douche bags born in the US as not who are riding around without the proper insurance.

***

Sunday night into Monday I didn't sleep very well, so with Cold Showers on my headphones I bulldozed through my work yesterday by 12:30 PM and cashed in some PTO. Went home and watched the following three films, all of which I enjoyed:



An exclusive on Shudder at the moment, Noroi: The Curse was recommended to me by a co-worker. Previously I'd attempted to get into this one and failed; you have to adjust to a certain pacing, as well as a bit of over-acting at times (Mr. Hori does crazy a little too over the top in certain sequences), but this one is unlike any other film I've seen, and stands as a pretty important cultural artifact as far as Japanese Horror is concerned.



I've been meaning to watch Jodorowsky's 'Horror' movie for years, and it's included with Prime at the moment so I finally had a chance. Wow. I won't lie; there's something about Jodorowsky that leaves me a bit cold. My theory is that it's the cultural background he draws from that I do not have experience with, so his movies resonate less with me than, say, David Lynch, another 'Avant Garde' director, who's life experiences are closer to mine and so I really relate to. That's not to say I didn't dig this film; Santa Sangre is beautiful, and watching the composition of some of the scenes I was blown away. The term 'visionary director' might be overused these days, but not on Jodorowsky it's not.




Personal Shopper was a very pleasant surprise. I'd heard something about this film last year on the Bret Easton Ellis show; I can't remember what that something was, but it was enough to pique my curiosity, so that when I saw this pop up on Netflix recently, I ear-marked it. Really cool film, and it made me want to watch more from director Olivier Assayas.

Playlist from 3/04:

Joy Division - Still
Cocksure - T.V.M.A.L.S.V.
Cold Cave - Cherish the Lights Years
Cold Showers - Matter of Choice

Card of the day:


Lots of Swords lately. There's conflict on the horizon? To clarify, I pulled two more cards, so here's what the whole 3-card spread looks like:


This looks like a lot of confusion, or tiny skirmishes that ultimately play into the reverse side of my psychology. You know, the part of you that doesn't want you to finish those things you've worked so hard on? Chock this up to me not working at all on my book yesterday, but watching three movies instead. That wasn't easy; I positioned it as a 'day of rest' in my head, because I'd been craving new content, but really I should have made some time. It's hard for me to fit anything into a weekday that's not writing, so to knock out those films and 'fill the well' I went the other way completely. The understanding was - and here's where I think the Knight of Cups comes in - I work my ass off for the rest of the week and through the weekend. See that Chalice with the Crab he's reaching for? Almost in reach. That's the book. So very close now that I have to be careful not to sabotage it.

Sunday, May 19, 2013