Gesaffelstein - Aleph

 

Heard this the other day and it sent me down a Gesaffelstein rabbit hole. Love this track, as well as pretty much everything I've heard from this artist since. Here's the Gesaffelstein Bandcamp - check it out!

 

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Watch:

Last night, K and I watched the first two episodes of the new American Horror Story. The Season is dubbed "Double Feature," however, the first two episodes - part of what I'm assuming is the first feature and will comprise half of the new season - are titled American Horror Story: Red Tide.

I've always maintained that AHS is a mixed bag. While I genuinely like the seasons I've watched - Murder House, Asylum, Hotel, Roanoke and 1984 - all of those except Roanoke and 1984 suffer from being too long. One of the things about Roanoke that blew me away was that, after all the previous seasons clocking in with 12 -13 episodes a piece, Roanoke went 10 and finished cleanly, without dangling plotlines hanging around, needing cleaning up after the major arcs closed. I'm hoping the double feature format will mean both of the stories that will populate this new Season will at worst leave me wanting more.

So, Red Tide is Vampires, and I have to say, the explanation they give for the show's reinvention of the fictional species is possibly my favorite EVER. Yeah, if what Even Peters's character told Finn Wittrock's characters is true, this is some serious outside-the-box thinking on an iconic horror creature that has, frankly, been pretty tired for some time now (with a few exceptions peppering the last decade).

Can't wait for more!

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Playlist:

The Rolling Stones - It's Only Rock 'N' Roll

The Rolling Stones, Nicky Hopkins and Ry Cooder - Jamming w/ Edward

The Dead Milkmen - Big Lizard in My Backyard

The Nerves - One Way Ticket

deadmau5 - Random Album Title

The Afghan Whigs - 1965

Zeal and Ardor - Calloway

Djecjotronic - - Randjo (single)

Covenant - Dreams of a Cryotank

Slayer - Love Undead/Haunting the Chapel

Slayer - Decade of Aggression

Gesaffelstein - Aleph

Abby Sage - Smoke Break (single)

The Hillbilly Moon - My Love for Evermore

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Card:

Breakthrough? Breakthrough!

Human Impact - E605

Loving this new project from former Unsane frontman. The album drops March 13th on Ipecac Records; you can pre-order it HERE.

**

Last night, K and I returned to the theatre for a second viewing of Underwater, and this time we brought a couple of the other fiends from The Horror Vision. The second viewing was almost better than the first, and afterward we recorded a short episode - a spoiler heavy discussion. Also, THV is now available on Stitcher, as well as Apple Podcasts, Spotify, and Google Play:

The Horror Vision on Apple

The Horror Vision on Spotify

The Horror Vision on Google Play

**

Playlist:

Butthole Surfers - Psychi... Powerless... Another's Man's Sac

Godflesh - Hymns

Steve Moore - Bliss OST

Card:

Ah yes, that Breakthrough. A well-timed reminder to get my ass out the door and to my writing spot, instead of starting a movie or continuing to sit here reading.

Me and That Man - Surrender

I'll just go on record now as saying, after having another go at Nergal's other band Behemoth, I'm all for him letting that fade and focusing on Me and That Man. This new video is a step up even from their last, and that's not easy to say. You can pre-order the new album, which is out March 27th on Napalm Records, HERE.


**

Suffering from some fairly tumultuous back pain over this past weekend, I ended up seeing quite a few movies. On Saturday, K and I took in an early showing of Underwater. I can't stress enough how pleasantly surprised I was by this flick; in fact, based on where it goes, and how grandiose things get, Underwater will almost certainly be on my Top Ten Favorite Horror Flicks of 2020. I know, I know, I just posted 2019's list, but it's never too soon to start thinking about the next year's totals, and when a movie makes this big of an impression, well, let's just say it's a safe bet my love will only deepen.



I put up a six-and-a-half minute "Why you should go see this" review/reaction on The Horror Vision. The first 5 minutes or so of this quick review are spoiler free, then, in case you need more convincing, I literally sound an alarm and go into HUGE spoilers. This movie is fantastic, and apparently it's bombing, so I really want to try and raise awareness and get some like-minded folks out into the theatre to see it. You won't regret it!



**

Playlist:

David Bowie - Black Star
Perturbator - The Uncanny Valley
Ennio Morricone - Vergogna schifosi
Ennio Morricone - Scusi Facciamo L'amore
Cavern of Anti-Matter - Hormone Lemonade
Cherrelle - High Priority
Chris Connelly - Sleeping Partner
Night Shop - In the Beak
David Bowie - Hunky Dory
David Bowie - Heathen
The Rolling Stones - Some Girls
Blood Red Shoes - Get Tragic
The Kills - Midnight Boom
Adam Kesher  - Local Girl (Hatchmatix Remix)
Battle Tapes - Sweatshop Boys EP
Battle Tapes - Form EP
Bells Into Machines - Eponymous
Tomahawk - Mit Gas
David Bowie - Low
Damage Manual - Special Edition
Steve Moore - The Mind's Eye OST



Card(s):

Struggling with distraction, frustration, and apathy, there's a breakthrough on the way!

2019: July 31st El Gigante now on Shudder!!!

Super psyched for Luchagore Productions' short film El Gigante to hit Shudder! This one needs to be seen by more people. If you dig it, check out Luchagore's website, youtube channel, as well as Culture Shock, their entry into the Blumhouse/Hulu anthology series Into the Dark. And if you have Shudder, El Gigante is live now, so brace yourself.

**
NCBD this week sees the release of the final issue of Brian K. Vaughan and Cliff Chiang's mind-bending, hellofagoodtime Paper Girls. I can't wait to see how this one resolves...

And if you haven't already heard, we're apparently getting a pretty big surprise in the fourth part of TMNT: City at War. I don't want to spoil anything, but it's kind of a big thing for long-time fans of the four:

NCBD has been light for me of late, as like Paper Girls, quite a few series I've read for years have ended (some rather unexpectedly), and I've eliminated others that had, for whatever reason, grown stale for me. It's weird, not having a bunch of books to look forward to every month, but I'm trying like hell to resist adding new ones after that existential crisis a month or so back. In most cases, comic chastity has become easy. In others, however, restraint takes work. Case in point; two weeks ago in his weekly newsletter, Warren Ellis announced that he and Bryan Hitch are doing a year-long, monthly Batman series, Batman's Grave.

I know, right?

Batman's Grave #1 drops October 9th, and it will be oh so difficult not to buy it monthly. I may end up doing just that, except, Ellis reads much better as a trade. Not to say the issues are bad, however if trying to read his Wildstorm monthly and eventually switching to trade (one left that's out November 9th) reminded me just how awesome Ellis reads in collected volumes. Night and day. Plus, no fucking ads. I will try to keep this in mind come October 9th, "Wait for trade Wait for trade Wait for trade..." my mantra...

Here's the only real image DC has released so far, aside from what look like some unfinished B&W stuff floating around out there on the comic news sites.

Playlist from 7/30:

Frank Black - Teenager of the Year
Soundgarden - Superunknown
The Jesus Lizard - Liar
The Jesus Lizard - Lash EP
Revolting Cocks - Big Sexy Land
Cibo Mato - Stereotype A
Zeal and Ardor - Stranger Fruit
Siouxsie and the Banshees - Tinderbox

Card of the day:

This looks like good news to me. After a five or six day streak last week working on Ciazarn, building momentum that seemed to really help me crack into the tone of the story, I had to take Sunday off to attend a benefit for a friend. That break in the inertia that had begun to bring things on the project together was a set-back. This is how it is, especially when writing in the early stages of something not yet fully developed. Monday was another wash, and then yesterday I started over. And of course, that first day back on is anything but productive; it's really just breaking fresh ground to begin building momentum again. So seeing the "Breakthrough" card, well, it makes me feel good about what's coming.

2019: June 19th - New Chelsea Wolfe!

Holy cow. I don't post in five days and everyone drops something new. What do I start with? Doesn't matter; what a great problem to have!

Chelsea Wolfe announced a new album and tour dates after dropping a new song. As always, Ms. Wolfe has kind of become the dark queen of my heart. I love the fluidity of her aesthetic, the fact that it meshes fine in shades of Desert acoustic, or lavish, droney Doom. Here's the album trailer:



**

Shadow Play Book One: Kim & Jessie is completed! I've ordered a few proofs of the paperback, and once I go through that and confirm everything is tip top, it will be available on Amazon, at The Comic Bug, and hopefully, shortly in Barnes & Noble and any other store that will carry me! Gotta start looking into getting into the Baker & Taylor system. It's all so exciting! What's even more exciting, though, is the cover art, courtesy of my good friend Jonathan Grimm:

Grimm is an amazing artist - he really hit the "Paperbacks from Hell" aesthetic without even being asked to. And folks, he is for hire! Contact him HERE for all your freelance needs. Seriously, he does it all.


**

South Park Season 19 is probably one of the most intelligent examples of social commentary ever. A joy, start to finish. I can't believe this show can continue to remain this relevant. Kudos the Parker and Stone.

**

Two episodes left on Doom Patrol Season One, which I'm now comfortable saying is my favorite comic book adaptation ever. Yep. Ever. I also began re-reading the Grant Morrison/Richard Case run from the late 80s/early 90s that a lot of this show is pulled from. I can't say I'd forgotten how brilliant the book is, but I had forgotten major arcs, so it's cool to revisit. And Branden Fraiser's Cliff Steele is awesome for many reason, but in particular, he reminds me SO MUCH of my good friend Mike Shin that it's uncanny. Speaking of Cliff, one of my favorite Cliff moments occurs at the tail end of the following clip:



Look at that gator jump!

**

Playlist from the last few days includes but probably wasn't limited to:

Henry Mancini - Charade OST
The Doors - Waiting for the Sun
Orville Peck - Pony
Spotlights - Love and Decay
Deftones - Gore
Alice in Chains - Eponymous
Cold Cave - Cherish the Light Years
Blur - 13
Blur - Eponymous
Blur - The Best of
Various - A Girl Walks Home Alone At Night OST
Marvin Gaye - What's Going On
The Temptations - Psychedelic Shack
The Knife - Silent Shout

**

Card of the day:

Breakthrough!

2019: April 7th - Droneflower

Well, I did not expect to be posting this track today. I didn't expect to even think of one of my favorite Guns and Roses songs any time soon. And 'favorite G&R song' is a somewhat exclusive label, as the band long ago irritated me to the point that I have little ability left to engage with their music in any meaningful way. It's all nostalgia, with only brief glimpses of the feelings their music - especially the epics on the two Illusions records - used to inspire in me back when I was in high school and G&R was a force to be reckoned with. It's not that the material is lacking, because songs like Estranged, Coma, and yes, even November Rain still feel epic and genuine to me. But for a band I once thought would be the 'next Rolling Stones,' G&R couldn't keep it together and ended up traveling through this timeline as a not much more than a bad joke. Nadler's upcoming collaborative album with Stephen Brodsky, out April 26th on Sacred Bones, however, is not a joke:



I can't place where I know Marrisa Nadler's name from; it doesn't matter. Between her, Chelsea Wolfe, Emma Ruth Rundle, and Myrkur, there is an amazing cabal of female artists exploring the dark and beautiful intersection of folk and black metal. It's not about sound, it's about tone and aesthetic. And Brodsky's discography is loaded with impressive projects, so I think I'll pre-order this one, which can be done HERE.

**

The Horror Vision had a group outing last Thursday and caught the first pre-screening of Kevin Kölsch and Dennis Widmyer's new iteration of the classic Stephen King novel Pet Sematary. I'm sorry to say I hated it. With a passion. And I think I have some pretty good reasons for that hate. Did my Castmates agree with me? Check out our reaction on any of the following platforms below to find out, but only if you've seen the flick; we go heavy spoilers on this one:

The Horror Vision on Apple
The Horror Vision on Spotify
The Horror Vision on Google Play
The Horror Vision Official Website

**

I leave for Spokane in a few hours, and in preparing for this trip, my main goal over the last few days has been to finish the First Reader copy of the Shadow Play Book One, so I could pass it off to Missi and NOT THINK ABOUT IT for a few weeks. I'm happy to say I accomplished my goal, even though by the end of the work - last minute touch-ups to the prose and a ton of formatting tweaks that resulted from taking the finished document out of Scrivener and into Vellum, I was spent. I raced through three hours last night and came out the other side feeling as though I'd been immersed in hard physical labor. Now? On to Ciazarn!

Ciazarn: also known as carny, is a private language employed by those who live and work in Carnival culture, meant to keep anyone outside that culture from knowing what is being said.

This is the new collaboration with Jonathan Grimm, who I'm also doing The Legend of Parish Fenn with. Fenn is a comic. Ciazarn is a short story - or perhaps eventually a series of short stories - with illustrations by Grimm. At some point I'll post an elevator pitch and sample art and I think you'll agree with me that Ciazarn is going to be awesome.

**

Playlist 4/05:

Brand New - God and the Devil are Raging Inside Me
Canadian Rifle - Peaceful Death
Canadian Rifle - Deep Ends
King Khan and the Shrines - What Is?!
Windhand - Live Elsewhere
Windhand - Grief's Infernal Flower

Playlist 4/06:

Uncle Acid  & The Deadbeats - Wasteland
Lustmord - Songs of Gods and Demons
Faith No More - Angel Dust

Card of the day:

Breakthrough. Exactly. One immediately behind me, hopefully one directly in front of me.

2019: February 28th - New Deafheaven Track!

Fuck yes! Stoked to hear this.

Rick Remender's Deadly Class on SyFy continues to blow me away. I seriously think this might be my favorite and possibly even what I would now consider the best comic book adaptation yet. And I love the way they do the flashback sequences for the characters in Wes Craig's animation. Here's Maria's story from last week's episode #6, aptly titled after one of my favorite Bauhaus songs, Stigmata Martyr.



Playlist from 2/27:

Glass Candy - B/E/A/T/B/O/X
Chromatics - Camera
Ghost - Opus Eponymous
Daughters - You Won't Get What You Want
Ghost - Infestissumam

Card of the day:

Breakthrough! This refers to two events: One, that I've begun using the Zoom H4N Pro that I record The Horror Vision with to record myself reading the finished product of Shadow Play, so I can add it to my iPod and listen to it. I can't express enough how reading my writing out loud helps me make it better. It's a 100% game changer. Previously, I've read everything out loud to K and my close friend Keller, but now, reading it for myself, it's even more profound. Especially since I can go over it on my headphones the next day. Breakthrough indeed!

Two, I found out I'm going to Spokane, WA for a week in mid April for work. Nothing like a couple of lonely nights in a hotel room to kickstart new short stories! Breakthrough!

2019: January 13th

Previously, I'd not been much of a fan of Baroness. Yesterday though, Mr. Brown mentioned The Purple Album to me, and after spending a couple go-rounds with it on my iPod, I have to say, I really dig this album. This song, in particular.

New episode of The Horror Vision just went up:
Apple Podcasts
Spotify
Google Play
The Horror Vision.com

True Detective Season Three starts tonight. I'm going to watch it, but I am going to keep my expectations waaaaaay low. Based on the fact that, although Jeremy Saulnier was originally attached to direct the entire season - much like Cary Fukunaga did season one - but ended up only doing the first two, I'm hesitant to expect much beyond those first two episodes. Season Two is a catastrophe, and begins with Justin Lin directing the first two episodes - which were pretty good - and then has a different director for almost every remaining episode of the season, and the story crumbles. Season Three's IMDB shows Saulnier for the first two, and Daniel Sackheim for episode three, and then there is no director listed for the remainder of the season. That 'play-the-cards-close-to-your-chest' technique makes me think this will also end up being an unwatchable mess, but hopefully not.



Playlist from 1/12:

Baroness - Purple
The Black Angels - Death Song
David Bowie - Aladdin Sane
The Dillinger Escape Plan - Option Paralysis
John Carpenter & Alan Howarth - Big Trouble in Little China OST
Windhand - Eternal Return
Jóhann Jóhannsson - Mandy OST
Goblin - Dawn of the Dead OST

Card of the day:

Breakthrough!

2018: July 31st

Sunday night Tennis System killed it at the Echoplex! We missed the opener Topographies, walking in and only hearing their final song, which was great. Tennis System came up next and swift, which was nice. I'm not one to hold up a phone for video or photos at shows, but Such A Drag is important to K and I, so I knew I was going to catch that for sure (she stayed home due to work in the morning; I had already arranged a late start). When they went straight into one of my favorite songs from the new EP afterward, I figured I'd finish what I started.

The real surprise was the headliner, Airiel. This was a Part Time Punks show, as most if not every Sunday night is at the Echoplex, and Airiel's front man Jeremy Wrenn commended PTP founder Michael Stock on bringing them out to the West Coast after a ten year hiatus. These guys were humble, and they were fantastic. If you dig old albums by The Cure, The Smiths and especially the Cocteau Twins, check them out. Here's a great place to start:



Playlist from the last two days, more or less:

Ministry - Dark Side of the Spoon
Badfinger -
Tennis System - Pain EP
The Veils - Total Depravity

Write Dark Things playlist
Airiel - Winks & Kisses: Melted EP
Jenny Lewis - Acid Tongue
Tennis System - Technicolor Blind

Card of the day:

Breakthrough! (let's hope)

2018: April 12th 8:35 AM

Going to see this tonight:



New issue of Gideon Falls hit the stands yesterday. I have it with me in my bag, hopefully I'll get a chance to read it today.

Also, picked back up on Dark on Netflix. I had a lot of trouble with this show at first, mainly because the default was overdubs instead of the original German with subtitles. Now that I have that worked out (thanks Charles!) we're back in and it is captivating. I'm still having a bit of trouble keeping track of who is who, but overall the show is so fascinating and absolutely beautiful that I can't wait to have a few hours to just binge some of it.



Playlist from 4/11:

Ghost - Popestar E.P.
Man or Astro Man - Intravenous Television Continuum
Ghost - Infestissumam
Algiers - Underside of Power
Aerosmith - Eponymous
The Ocean - Pelagial

Card for the day:

Breakthrough! Always love seeing this card, especially close to the completion of a project that has been lingering.

2018: February 10th 10:04 AM

This one's been on my mind a lot lately.

Friday's playlist:

God is LSD - Spirit of Suicide
The Foundations - Now That I've Found You*
Helmet - Size Matters
The Jon Spencer Blues Explosion - Now I Got Worry
Le Butcherettes - A Raw Youth
Viet Cong - Eponymous
Dillinger Escape Plan - Disassociation
Judas Priest - Screaming For Vengeance (two songs; other than the single, which I love, this record seems unlistenable today)

Card of the day:

Breakthrough. Let's hope it's not Uncle Sam's breaking through my bank account when I get my taxes done in an hour.

Should be noted that while I shuffled two cards jumped out of the deck and hit the floor: The Princes of Cups and XVI The Star.

* Should be noted this was not the album I wanted. I'm a huge fan of both singles Now that I've Found You and the aforementioned Build Me Up Buttercup, both of which I've known my entire life as "oldies" but which have always, to me, stood out as something more than just a dusty that fades into the Oldies playlists the old Magic 104 FM used to spin perpetually in Chicago. No, there's something more to these songs. This record however, which I located with a quick search on Apple Music, is a re-recording from what I can only guess was the 80s based on the way the music has been re-arranged with 80s-sounding keyboard patches. No terrible, but not the originals. Another quick search and I located those.