Possibly my favorite track by this band yet! There's the 90s thing, but there's something more. I really think Skating Polly will be a force to reckon with out in the larger world at large in six months to a year. In the meantime, I'm glad I'm able to watch it happen for them.
**
New episode of The Horror Vision went up last night. If you saw it drop and had trouble downloading or streaming it, our apologies. I experienced a hard drive hiccup while mixing the track down in Premiere, which resulted in a track initially empty of audio save for the first few opening bars of the theme. I was able to troubleshoot and fix the problem inside of an hour, so all the horror goodness is now available.
You can find the episode on Apple, Spotify, and Google Play. Topics of discussion are Yann Gonzalez's gorgeous Knife + Heart, Vincente DiSanti's Studio-worthy F13 Fan Film Never Hike Alone, David Lynch's Twin Peaks: The Return, Robert S. Wilson's new horror anthology Ashes and Entropy 2. Oh yeah, and our movie reaction is to Greg McLean's Rogue, a gnarly giant crocodile flick from 2007.
**
Playlist from 6/24:
Swans - To be Kind
Motörhead - Ace of Spades
Ministry - The Land of Rape and Honey
Cold Cave - Cherish the Light Years
Trentmøller - In the Garden (Pre-release Single)
Shellac - The End of Radio
**
Card of the day:
In the zone. I made little progress on reading my copy of the Shadow Play proof yesterday, but I expect today will go much better.
From the forthcoming album Noctiluca, which drops on Sargent House this Friday! Can't f&*king wait! Pre-order physical HERE or digital HERE.
**
The new film by It Follows director David Robert Mitchell drops on Amazon tomorrow (it was originally slated for today, but apparently got pushed back a day). I'm unclear if this will be available to rent or just buy. It's also playing a limited theatrical run in some city Monday through Wednesday this week. I've only known about this for about five days, and I've avoided all trailers or media, though I'm posting it here. It Follows is one of those films that immediately blew me away; I've never understood all the negativity thrown at that film. Also, The Myth of the American Sleepover was a great first film, so in my opinion, David Robert Mitchell is definitely someone I'm interested in keeping up with.
**
Playlist from 4/20:
Soundgarden - Badmotorfinger
Faith No More - King for a Day
Deafheaven - New Bermuda
Windhand - Eternal Return
Zombi - Shape Shift
Paramore - Riot
The Rolling Stones - Tide High and Green Grass
Michael Parks - The Best of Michael Parks
I talked a bit previously about my friend John being in town. This is John of Jonathan Grimm Art. His work is amazing, and he's also the artist and co-creator of The Legend of Parish Fen, the swamp monster comic we hope to have the first volume out of mid next year. We spent the day yesterday working out the entire 2nd issue and it is grand, much better than what we had when we originally beated out this 3 issue arc about a year ago. We also came up with something else, something that's not quite a comic and not quite prose, and should prove considerably easier to release in a more expedient fashion. More on that later, but for now I'll leave you with the title.
CIAZARN
There was no playlist yesterday, as we chose to work on Fen without music. Weird - a day with no music. I'll make up for it today.
Tonight - the Los Angeles premiere of Mandy! I can NOT wait! Here's the recently released Japanese trailer - I'm not watching it, but I'm on trailer ban.
Card of the day:
Always good to see you pop up, especially after a week off working on my current project. I'll be back to that tomorrow, until then, TO VICTORY!!!
I skipped out on the Deafheaven/Drab Majesty/Uniform concert. Not easy to do, but yesterday was a tough day at work and I ended up exhausted and worn pretty thin. Plus, I'm seeing Drab Majesty in two weeks at my beloved Echoplex and hold out hope that, being an LA band, Deafheaven will play the 'plex or another local venue of relatively the same size. I saw them open for Ghost at the Wiltern a few years ago and the size of the room just didn't fit.
Playlist from Saturday, 8/18:
Chris Connelly - The Night of Your Life
Chris Connelly - The Tide Stripped Bare
Ministry - The Mind is a Terrible Thing to Taste
Lantlos - .neon
Deafheaven - Ordinary Corrupt Human Love
Chelsea Wolfe - Abyss
Card of the day:
Continuing to pull a second one just because it's still tripping me out that Victory is sticking so close. The Journey The Fool refers to is a new writing project.
Not gonna lie, I had chills when the song kicked in.
I've been a bit obsessed with Connelly's solo career again, and was looking for a copy of Jackietowne, from his 2018 album The Tide Stripped Bare when I stumbled across this. Shocked, to a point. I'm a firm believer that other than the Smiths, everyone in music who parted ways will eventually come together again. I guess I'd just never imagined this reunion before, especially not after reading Connelly's amazing and long out of print autobiography, Concrete, Invisible, Bullet-Proof, and Fried: My Life as a Revolting Cock. Speaking of that, I recently found out Uncle Al also did an auto, and I need to put that on my list:
Playlist from 8/17:
Secret Chiefs 3 Traditionalists - Le Mani Destre Recise Degli Ultimi Uomini
David Bowie - Scary Monsters
David Bowie - Low
Chris Connelly - The Tide Stripped Bare
Chris Connelly - Artificial Madness
Chris Connelly - Night of Your Life
Card of the day:
I pulled two today. The first was Truce, which is also extremely relevant to current situations. The second, of course, was Victory, which has not been far off for a week now.
Playlist from 8/14:
Fugazi - 13 Songs
Secret Chiefs 3 Traditionalists - Le Mani Destre Recise Degli Ultimi Uomini
Cold Cave - Cherish the Light Years
Deafheaven - Ordinary Corrupt Human Love
Deafheaven - Sunbather
John Carpenter/Alan Howarth - Big Trouble in Little China OST
Card of the day:
And interestingly enough, the card on top of the other side of the split was the 6 of Wands Victory again. Which yes, I still need to hear.
I received my copy of Death Waltz Records' Big Trouble In Little China OST yesterday. Fantastic! I love all JC's music, but this one, both with the movie and as a stand-alone listening experience, may just be my favorite.
Playlist from yesterday:
Secret Chiefs 3 Traditionalists - Le Mani Destre Recise Degli Ultimi Uomini
Chelsea Wolfe - Hiss Spun
Chelsea Wolfe - Abyss
Christine - Brand New Furies EP
The Cure - Carnage Visors
The Cure - Collector's Curiosities, Vol. 2
John Carpenter/Alan Howarth - Big Trouble in Little China OST
Card of the day:
Second day in a row and third in a week. Needed this.
Happy birthday to one of my best friends in the world! I hope You have an amazing day, Missi!
Been a few days. Leaving one project behind and starting the final stretch on another. Had to put Please Believe Me away for a few days in order to gain perspective on it, as I'm not sure it's 100% finished, even though I 'finished' it last Thursday. Something is telling me there's a coda, of sorts, that has to go in. We'll see.
Attended my second HWA meeting yesterday. What an absolute inspiration these folks are! So great to talk about the craft in such a wonderful environment.
Playlist from yesterday was short because I've been listening to that SC3T Giallo ST almost none stop; I've felt it building to inspiration on a project and this morning it was revealed to me what exactly that will be, and I am psyched!
Secret Chiefs 3 Traditionalists - Le Mani Destre Recise Degli Ultimi Uomini
Windhand - Grief's Infernal Flower
Card of the day:
Needed to see this today, and the fact that it comes up in my pulls so often is definitely a reassuring sign.
Time for some Shudder curation. I watched two movies last night. Well, one and a half. The first I LOVED. Above is the very Carpenter-esque theme from Sam Was Here, a really cool, very understated psyche-out in the California desert. Having spent a pretty good amount of time out there, I related. That wasn't the only reason I dug the film though. But to go into that, with this movie, would be venturing into spoiler territory. I'll leave it at, "Definitely recommended" and move on.
The second film I attempted to watch and gave up on was 1979's The Visitor, which is one of the 'evil child' movies that came in the wake of The Exorcist's success. This one was painstaking, despite the cast being STACKED with a young Lance Henrikson, Shelley Winters, Sam Peckinpah (yep), and John Huston. Yes, JOHN HUSTON. I have no idea if intermittent internet outages and a recent predilection for sleep at an early hour on Saturdays had anything to do with my impatience, but I could not make it through this one. I may try again at some point. Cool poster, though:
Finished The Deer Park by Norman Mailer. I ended up giving it a three-star rating based on what I interpreted was a failure of the narrative device the author uses. I've got a short review on Goodreads HERE. From there, I've moved back into a book I started earlier in July but put aside to press through the Mailer. Exploring Short Dark Fiction is a series published by Dark Moon Books, each one of the two currently available a contemplation on a highly regarded writer, with three's Primer to Nisi Shawl due out later this month and a fourth on the way before year's end. Number two is A Primer to Kaaron Warren, a highly regarded Australian author I would recommend to fans of Neil Gaimen, John Crowley and even Tim Burton. I'm a little over halfway through the stories and love them, and am looking forward to the wealth of supplemental material in the back of the book!
Playlist from Saturday, 8/03:
Justin Furstenfeld - Songs from Open Book
Windhand - Grey Garden (pre-release single)
Windhand - Grief's Infernal Flower
The Body - I Have Fought Against It, But I Can't Any Longer
True Widow - AVVOLGERE
Windhand/Satan's Satyrs - Split
And the playlist from 8/04 was all vinyl!
Black Sabbath Vol. 4
The Besnard Lakes - The Besnard Lakes are the Roaring Night
Nothing - Guilty of Everything
Joy Division - Closer
Card of the day:
From the Grimoire: "All troubles and disruptions have been necessary to grow. The growth is a Victory, as not everyone makes it out of the Strife and Chaos of the fives."
Very relevant, and the cards continue to illustrate that, as this is the second time in just over two weeks I've pulled this one. The last time was HERE, and you'll see I tie Victory's appearance into the strife of working on my latest short, Please Believe Me, which still is not finished, primarily because I've unfortunately only written twice in the last week. Never a good thing, the exhaustion inertia I've carried since last week's on-call shift has turned into regular old 'out-of-the-habit' inertia. I spent the day yesterday cleaning and reading instead of writing. NOT acceptable. The appearance of this card again creates a bit of a loop, so that I will use it to signal my return to beast mode, and today I will finish Please Believe Me, re-script the first half of the first issue of The Legend of Parish Fenn (I may post sample art soon - it's f*&king incredible!), and get a bit more done on the new idea artist extraordinaire John Grimm and I had recently.
I just realized Tennis System has a new E.P. out the other day, and not long after Keller messaged me to ask if I was down to see them at a Part Time Punks show at the Echoplex next Sunday.
My response? Fuck. Yes.
Per my previous blog, we watched Triangle on Friday night. Fantastic film. I was a little worried that the thumbnail image on Shudder - which was the widespread poster image for the film - had ruined the twist of the film for me (I was so concerned about this that I doctored the thumbnail I posted here the other day, so as not to ruin it for anyone else), but the good news is that particular twist is inevitable right from the start and not at all the point of the film. So definitely worth a watch.
Oh! And speaking of Shudder, one more reason to love these folks - they surprised me with a free 30 days! How great is that? So, let's check the boxes on why Shudder is awesome (and, btw, not an affiliate):
1) They Sponsor Beyond Fest every year.
2) Great selection that grows every week
3) Hosting the Joe Bob Briggs Last Drive-in and leaving it up in perpetuity
4) Their live-streaming Shudder.TV channels are awesome and remind me of how I discovered horror back in the day (John Carpenter on WGN channel 9's nightly movie).
Playlist from Friday, 7/20
Emma Ruth Rundle - Marked for Death
Daughters - Satan in Wait (Pre-release single)
Beak> - L.A. Playback
Lake Trout - Another One Lost
Ministry - Dark Side of the Spoon
Converge - The Dusk in Us
Emma Ruth Rundle - Fever Dreams (Pre-release single)
True Widow - AVVOLGERE
Uniform - The Walk (Pre-release single)
Zeal & Ardor - Stranger Fruit
Johnny Marr - Call the Comet
I spent about twelve hours yesterday editing, uploading and post the new episode of DwC. Possibly the fastest turn-around I've done on my own, but it cost me my Saturday. I mean, I didn't do anything else, as reflected by my playlist, which was what we listened to while we made and ate dinner.
Playlist from Saturday, 7/22:
Footloose - OST
Deafheaven - Ordinary Corrupt Human Love
I watched Slither last night for the first time since my initial viewing, many years ago. Great little horror flick. Between that and Super - which I loved - I'm pretty sure James Gunn will have no trouble re-acclimating to making movies again. I'm sorry for the loss of such a huge contract and opportunity at the hands of adolescent-like immaturity, and I'm even more sorry for those MCU fans that will be subjected to GoG without Gunn at the helm, but I'm excited Mr. Gunn will once again be making movies that I will actually see.
Card of the day:
From the Grimoire: "All troubles and disruptions have been necessary to grow. That growth is a Victory, as not everyone makes it out of the strife and chaos of the fives."
The story I've been working on, "Please Believe Me" is so far outside of what I've done before, as far as character and overall tone, that my writing sessions have been strife and chaos. It can't be underreported, the feeling of sitting down during my daily ritual space for writing and coming away two or three hours later with nothing useable, or merely sketches of the tone and ideas that I want. Please Believe Me is meant to be a contemplation of Dread, which is far and away a different tone and emotion than horror, and finding the parameters of that tone inside of how I would normally write, how I would move a character or set a scene to progress, it's just not easy.
