Saturday, August 30, 2014
Okay, I kind of feel as though I'm doing this song a disservice pulling it out of the context of Serengeti's breathtaking 2011 record Family and Friends but I just have to. If the album's a masterpiece - which it most assuredly is - then this song is the pinnacle of that masterpiece; the facet in which every theme reaches a harmonic crescendo of skill and emotion that vibrates at an occult frequency that affects the listener - or at least this listener - in a way that feels as though it confirms and encapsulates life and all its highs and lows in their entirety. This track makes me straight up cry.
Good show Serengeti. Once, long ago I was foolishly afraid you would always be Kenny Dennis, the "Dennehy" guy. You're not that guy anymore; by my count your just about the only person making rap music left that is still worth a damn and Family and Friends is a hip hop masterpiece that completely transforms and transcends the genre.
I interviewed Serengeti back in 2010. You can find both parts to that here and here.
Saturday, August 23, 2014
Had a great time doing this one! Jessica was truly gracious, the Lost Coast Brewery Downtown Brown has replaced every other Brown Ale as my favorite and the Rick Remender drinking game is officially retired!
Sunday, August 17, 2014
Bill Sienkiewicz's Stray Toasters is the topic of discussion in this week's Thee Comic Column over on Joup. This book freaked me out as a kid and, honesty, still freaks me out to this day.
Saturday, August 16, 2014
Friday, August 15, 2014
Thursday, August 14, 2014
Funny, just the other day I found myself thinking that there had to be a new Raveonettes on the way - they tend to release a record a year. And lo and behold, PE'AHI came out July 22nd. This is the first video - and yes, be careful of the strobe. It didn't affect me the way the NIN Came Back Haunted video by David Lynch did, but just be careful.
And it is freakin' awesome! Listen to those intro drums - like a fist coming out of a bouquet of flowers. Dulli owns on this track - his vocals match the guitars, the vulnerability laced with menace and a hint of defeat. And such a crystal clear mix - focus on the hi hat, let it ride up on top of the mix in your perception. It's, well, it's magic.
Tuesday, August 12, 2014
This is awesome. Via Brooklyn Vegan. I'll admit I checked out after about half the song and really just had to go put on the actual Pulp track, but this is worth some attention if for no other reason than it's really a bit surreal.
Drinking with Comics issue #11 is up! Our guests are Aspen Comics' Vince Hernandez and Siya Oum, talking about there new books - respectively - Damsels in Excess and LOLA XOXO, as well as SDCC 2014, variant covers, gas masks and, um, beer.
Monday, August 11, 2014
I just received a text message from my good friend Dave - it brought with it terrible news. No, I did not know Robin Williams, I didn't even see all his movies. I always felt like I was as selective in watching what he is as he was apparently un-selective in choosing what to star in. That's not a judgement - if doing some of the work that he did that seems, to me, subpar it enabled Mr. Williams to take some of the gargantuan roles that he left tattooed across my memory, than more power. If you know me well enough to have ever really talked movies with me you know doubt know that often touted Mr. Williams as both one of the greatest dramatic actors of our time as well as one of the funniest.
Now he's gone and we'll never get another World's Greatest Dad, The Fisher King or Dead Poets Society.
Along with the powerhouses listed above some of my favorites - big or small - were Insomnia, Death to Smoochy, One Hour Photo, The Adventures of Baron Munchausen and Dead Again.
Wednesday, August 6, 2014
Sunday, August 3, 2014
I first heard this about a year and a half ago via Heavenisanincubator. I fell in love immediately. However this was at a time when I was so steeped in finding new music that an awful lot of bands I discovered ended up getting pushed off the plate by a constantly expanding wave of newer stuff. And newer stuff. And newer stuff...
Well, this popped up into my head again today, I spent about fifteen minutes searching through the incubator and once again found Feuerbahn's bandcamp.
Of particular note, I think, it track four, "Triumphwagen". Kind of Seventeen Seconds era Cure meets Fen. Kind'a.
Saturday, August 2, 2014
I have not had time to listen to this yet but I can't wait. I'm in the process of re-reading Laird's book Occultation and I'm planning on making something of a character map of it and his other books. There's a lot of overlap and I thought it'd be fun to kind of diagram out who recurs and what connections lay beneath the surface. I'd never heard Jeremy Maddux's Surreal Sermons before but am now planning on making it one of the podcasts I listen to on a regular basis. Here's the page, give it a listen and if you dig there's plenty more episodes.
One more I'm referencing from Bloody Disgusting today. Interesting news on the new Zombie movie 31, including a description that sounds awesome! Remember Chris Claremont's Uncanny X-Men, Arcade's Murder World? Well...
Go here to read about more about 31, watch and listen to a whole lot more information on the project and, if it suits your fancy, back it!
Via the mighty Bloody Disgusting, a new track from the forthcoming Pale Communion LP. I have not loved some of the music Opeth has made since they have become a quasi prog band circa 2006' Ghost Reveries. However, I recognize that this is entirely based on the fact that Mikael Akerfeldt wants to keep the project ever moving forward. The band still makes - quality wise - some of the greatest metal music in history and simply because of the pure beautiful majesty of Blackwater Park they always get the benefit of the doubt and the utmost respect from me no matter how I take to their newer material.
...is the topic of discussion in this week's edition of Thee Comic Column on Joup. However, this is not a review of the film, so much as an exploration of what this movie means to comics and how time and technology have, specifically in the case of Sci Fi, affected the way we interpret Story.